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WIPO Performances and Phonograms Treaty, adopted by the Diplomatic Conference on December 20, 1996
Preamble
Chapter I - General Provisions
Article 1 - Relation to Other Conventions
Article 2 - Definitions
Article 3 - Beneficiaries of Protection under this Treaty
Article 4 - National Treatment
Chapter II - Rights of Performers
Article 5 - Moral Rights of Performers
Article 6 - Economic Rights of Performers in their Unfixed Performances
Article 7 - Right of Reproduction
Article 8 - Right of Distribution
Article 9 - Right of Rental
Article 10 - Right of Making Available of Fixed Performances
Chapter III - Rights of Producers of Phonograms
Article 11 - Right of Reproduction
Article 12 - Right of Distribution
Article 13 - Right of Rental
Article 14 - Right of Making Available of Phonograms
Chapter IV - Common Provisions
Article 15 - Right to Remuneration for Broadcasting and Communication to the Public
Article 16 - Limitations and Exceptions
Article 17 - Term of Protection
Article 18 - Obligations concerning Technological Measures
Article 19 - Obligations concerning Rights Management Information
Article 20 - Formalities
Article 21 - Reservations
Article 22 - Application in Time
Article 23 - Provisions on Enforcement of Rights
Chapter V - Administrative and Final Clauses
Article 24 - Assembly
Article 25 - International Bureau
Article 26 - Eligibility for Becoming Party to the Treaty
Article 27 - Rights and Obligations under the Treaty
Article 28 - Signature of the Treaty
Article 29 - Entry into Force of the Treaty
Article 30 - Effective Date of Becoming Party to the Treaty
Article 31 - Denunciation of the Treaty
Article 32 - Languages of the Treaty
Article 33 - Depositary
Metadata
SiSU Metadata, document information
Manifest
SiSU Manifest, alternative outputs etc.
WIPO Performances and Phonograms Treaty, adopted by the Diplomatic Conference on December 20, 1996
World Intellectual Property Organization (WIPO)
copy @ Lex Mercatoria
(1) Nothing in this Treaty shall derogate from existing obligations that Contracting Parties have to each other under the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations done in Rome, October 26, 1961 (hereinafter the "Rome Convention").
(2) Protection granted under this Treaty shall leave intact and shall in no way affect the protection of copyright in literary and artistic works. Consequently, no provision of this Treaty may be interpreted as prejudicing such protection.
(3) This Treaty shall not have any connection with, nor shall it prejudice any rights and obligations under, any other treaties.
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