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<document>
<head>
<metadata>
	<meta>Title:</meta>
	<data class="md">
		Down and Out in the Magic Kingdom
	</data>
</metadata>
<metadata>
	<meta>Creator:</meta>
	<data class="md">
		Cory Doctorow
	</data>
</metadata>
<metadata>
	<meta>Rights:</meta>
	<data class="md">
		Copyright &#169; 2003 Cory Doctorow;<br /> License: Creative Commons, Attribution-NonCommercial-ShareAlike 1.0. That means, you are free: <br /> to Share - to copy, distribute and transmit the work; <br /> to Remix - to adapt the work; <br /> Under the following conditions: <br /> Attribution &#8212; You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); <br /> Noncommercial - You may not use this work for commercial purposes; <br /> Share Alike &#8212; If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. <br /> For any reuse or distribution, you must make clear to others the license terms of this work. <br /> The best way to do this is with a link http://craphound.com/down <br /> Any of the above conditions can be waived if you get my permission. More info here: http://creativecommons.org/licenses/by-nc-sa/1.0/ See the end of this document for the complete legalese. <br /> RELICENSED from Attribution-NoDerivs-NonCommercial 1.0 http://creativecommons.org/licenses/by-nd-nc/1.0/
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<metadata>
	<meta>Subject:</meta>
	<data class="md">
		novel
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<metadata>
	<meta>Publisher:</meta>
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		SiSU http://www.jus.uio.no/sisu (this copy)
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	<meta>Date modified:</meta>
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		2010-09-16
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	<meta>Date:</meta>
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		2003-01-09
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	<meta>Classify isbn:</meta>
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		0765304368
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<body>
<object id="1">
	<ocn>1</ocn>
	<text class="h1">
		Down and Out in the Magic Kingdom,<br />Cory Doctorow
	</text>
</object>
<object id="2">
	<ocn>2</ocn>
	<text class="h4">
		Blurbs:
	</text>
</object>
<object id="3">
	<ocn>3</ocn>
	<text class="norm">
		He sparkles! He fizzes! He does backflips and breaks the furniture!
Science fiction needs Cory Doctorow!
	</text>
</object>
<object id="4">
	<ocn>4</ocn>
	<text class="norm">
		Bruce Sterling
	</text>
</object>
<object id="5">
	<ocn>5</ocn>
	<text class="norm">
		Author, <i>The Hacker Crackdown</i> and <i>Distraction</i>
	</text>
</object>
<object id="6">
	<ocn>6</ocn>
	<text class="norm">
		In the true spirit of Walt Disney, Doctorow has ripped a part of our
common culture, mixed it with a brilliant story, and burned into our
culture a new set of memes that will be with us for a generation at
least.
	</text>
</object>
<object id="7">
	<ocn>7</ocn>
	<text class="norm">
		Lawrence Lessig
	</text>
</object>
<object id="8">
	<ocn>8</ocn>
	<text class="norm">
		Author, <i>The Future of Ideas</i>
	</text>
</object>
<object id="9">
	<ocn>9</ocn>
	<text class="norm">
		Cory Doctorow doesn't just write about the future&#160;&#8211;&#160;I
think he lives there. Down and Out in the Magic Kingdom isn't just a
really good read, it's also, like the best kind of fiction, a kind of
guide book. See the Tomorrowland of Tomorrow today, and while you're
there, why not drop by Frontierland, and the Haunted Mansion as well?
(It's the Mansion that's the haunted heart of this book.) Cory makes me
feel nostalgic for the future&#160;&#8211;&#160;a dizzying, yet rather
pleasant sensation, as if I'm spiraling down the tracks of Space
Mountain over and over again. Visit the Magic Kingdom and live forever!
	</text>
</object>
<object id="10">
	<ocn>10</ocn>
	<text class="norm">
		Kelly Link
	</text>
</object>
<object id="11">
	<ocn>11</ocn>
	<text class="norm">
		Author, <i>Stranger Things Happen</i>
	</text>
</object>
<object id="12">
	<ocn>12</ocn>
	<text class="norm">
		Down and Out in the Magic Kingdom is the most entertaining and exciting
science fiction story I've read in the last few years. I love
page-turners, especially when they are as unusual as this novel. I
predict big things for Down and Out&#8212;it could easily become a
breakout genre-buster.
	</text>
</object>
<object id="13">
	<ocn>13</ocn>
	<text class="norm">
		Mark Frauenfelder
	</text>
</object>
<object id="14">
	<ocn>14</ocn>
	<text class="norm">
		Contributing Editor, <i>Wired Magazine</i>
	</text>
</object>
<object id="15">
	<ocn>15</ocn>
	<text class="norm">
		Imagine you woke up one day and Walt Disney had taken over the world.
Not only that, but money's been abolished and somebody's developed the
Cure for Death. Welcome to the Bitchun Society&#8212;and make sure
you're strapped in tight, because it's going to be a wild ride. In a
world where everyone's wishes can come true, one man returns to the
original, crumbling city of dreams&#8212;Disney World. Here in the
spiritual center of the Bitchun Society he struggles to find and
preserve the original, human face of the Magic Kingdom against the
young, post-human and increasingly alien inheritors of the Earth. Now
that any experience can be simulated, human relationships become ever
more fragile; and to Julius, the corny, mechanical ghosts of the
Haunted Mansion have come to seem like a precious link to a past when
we could tell the real from the simulated, the true from the false.
	</text>
</object>
<object id="16">
	<ocn>16</ocn>
	<text class="norm">
		Cory Doctorow&#8212;cultural critic, Disneyphile, and ultimate Early
Adopter&#8212;uses language with the reckless confidence of the Beat
poets. Yet behind the dazzling prose and vibrant characters lie ideas
we should all pay heed to. The future rushes on like a plummeting
roller coaster, and it's hard to see where we're going. But at least
with this book Doctorow has given us a map of the park.
	</text>
</object>
<object id="17">
	<ocn>17</ocn>
	<text class="norm">
		Karl Schroeder
	</text>
</object>
<object id="18">
	<ocn>18</ocn>
	<text class="norm">
		Author, <i>Permanence</i>
	</text>
</object>
<object id="19">
	<ocn>19</ocn>
	<text class="norm">
		Cory Doctorow is the most interesting new SF writer I've come across in
years. He starts out at the point where older SF writers' speculations
end. It's a distinct pleasure to give him some Whuffie.
	</text>
</object>
<object id="20">
	<ocn>20</ocn>
	<text class="norm">
		Rudy Rucker
	</text>
</object>
<object id="21">
	<ocn>21</ocn>
	<text class="norm">
		Author, <i>Spaceland</i>
	</text>
</object>
<object id="22">
	<ocn>22</ocn>
	<text class="norm">
		Cory Doctorow rocks! I check his blog about ten times a day, because
he's always one of the first to notice a major incursion from the
social-technological-pop-cultural future, and his voice is a compelling
vehicle for news from the future. Down and Out in The Magic Kingdom is
about a world that is visible in its outlines today, if you know where
to look, from reputation systems to peer-to-peer adhocracies. Doctorow
knows where to look, and how to word-paint the rest of us into the
picture.
	</text>
</object>
<object id="23">
	<ocn>23</ocn>
	<text class="norm">
		Howard Rheingold
	</text>
</object>
<object id="24">
	<ocn>24</ocn>
	<text class="norm">
		Author, <i>Smart Mobs</i>
	</text>
</object>
<object id="25">
	<ocn>25</ocn>
	<text class="norm">
		Doctorow is more than just a sick mind looking to twist the perceptions
of those whose realities remain uncorrupted - though that should be
enough recommendation to read his work. <i>Down and Out in the Magic
Kingdom</i> is black comedic, sci-fi prophecy on the dangers of
surrendering our consensual hallucination to the regime. Fun to read,
but difficult to sleep afterwards.
	</text>
</object>
<object id="26">
	<ocn>26</ocn>
	<text class="norm">
		Douglas Rushkoff
	</text>
</object>
<object id="27">
	<ocn>27</ocn>
	<text class="norm">
		Author of <i>Cyberia</i> and <i>Media Virus!</i>
	</text>
</object>
<object id="28">
	<ocn>28</ocn>
	<text class="norm">
		&#8220; Wow! Disney imagineering meets nanotechnology, the reputation
economy, and Ray Kurzweil's transhuman future. As much fun as Neal
Stephenson's Snow Crash, and as packed with mind bending ideas about
social changes cascading from the frontiers of science.&#8221;
	</text>
</object>
<object id="29">
	<ocn>29</ocn>
	<text class="norm">
		Tim O'Reilly
	</text>
</object>
<object id="30">
	<ocn>30</ocn>
	<text class="norm">
		Publisher and Founder, O'Reilly and Associates
	</text>
</object>
<object id="31">
	<ocn>31</ocn>
	<text class="norm">
		Doctorow has created a rich and exciting vision of the future, and then
wrote a page-turner of a story in it. I couldn't put the book down.
	</text>
</object>
<object id="32">
	<ocn>32</ocn>
	<text class="norm">
		Bruce Schneier
	</text>
</object>
<object id="33">
	<ocn>33</ocn>
	<text class="norm">
		Author, <i>Secrets and Lies</i>
	</text>
</object>
<object id="34">
	<ocn>34</ocn>
	<text class="norm">
		Cory Doctorow is one of our best new writers: smart, daring, savvy,
entertaining, ambitious, plugged-in, and as good a guide to the wired
world of the twenty-first century that stretches out before us as
you're going to find.
	</text>
</object>
<object id="35">
	<ocn>35</ocn>
	<text class="norm">
		Gardner Dozois
	</text>
</object>
<object id="36">
	<ocn>36</ocn>
	<text class="norm">
		Editor, <i>Asimov's SF</i>
	</text>
</object>
<object id="37">
	<ocn>37</ocn>
	<text class="norm">
		Cory Doctorow's &#8220; Down and Out in the Magic Kingdom&#8221; tells
a gripping, fast-paced story that hinges on thought-provoking
extrapolation from today's technical realities. This is the sort of
book that captures and defines the spirit of a turning point in human
history when our tools remake ourselves and our world.
	</text>
</object>
<object id="38">
	<ocn>38</ocn>
	<text class="norm">
		Mitch Kapor
	</text>
</object>
<object id="39">
	<ocn>39</ocn>
	<text class="norm">
		Founder, Lotus, Inc., co-founder Electronic Frontier Foundation
	</text>
</object>
<object id="40">
	<ocn>40</ocn>
	<text class="h4">
		PROLOGUE
	</text>
</object>
<object id="41">
	<ocn>41</ocn>
	<text class="norm">
		I lived long enough to see the cure for death; to see the rise of the
Bitchun Society, to learn ten languages; to compose three symphonies;
to realize my boyhood dream of taking up residence in Disney World; to
see the death of the workplace and of work.
	</text>
</object>
<object id="42">
	<ocn>42</ocn>
	<text class="norm">
		I never thought I'd live to see the day when Keep A-Movin' Dan would
decide to deadhead until the heat death of the Universe.
	</text>
</object>
<object id="43">
	<ocn>43</ocn>
	<text class="norm">
		Dan was in his second or third blush of youth when I first met him,
sometime late-XXI. He was a rangy cowpoke, apparent 25 or so, all
rawhide squint-lines and sunburned neck, boots worn thin and infinitely
comfortable. I was in the middle of my Chem thesis, my fourth
Doctorate, and he was taking a break from Saving the World, chilling on
campus in Toronto and core-dumping for some poor Anthro major. We
hooked up at the Grad Students' Union&#8212;the GSU, or Gazoo for those
who knew&#8212;on a busy Friday night, summer-ish. I was fighting a
coral-slow battle for a stool at the scratched bar, inching my way
closer every time the press of bodies shifted, and he had one of the
few seats, surrounded by a litter of cigarette junk and empties,
clearly encamped.
	</text>
</object>
<object id="44">
	<ocn>44</ocn>
	<text class="norm">
		Some duration into my foray, he cocked his head at me and raised a
sun-bleached eyebrow. &#8220; You get any closer, son, and we're going
to have to get a pre-nup.&#8221;
	</text>
</object>
<object id="45">
	<ocn>45</ocn>
	<text class="norm">
		I was apparent forty or so, and I thought about bridling at being
called son, but I looked into his eyes and decided that he had enough
realtime that he could call me son anytime he wanted. I backed off a
little and apologized.
	</text>
</object>
<object id="46">
	<ocn>46</ocn>
	<text class="norm">
		He struck a cig and blew a pungent, strong plume over the bartender's
head. &#8220; Don't worry about it. I'm probably a little over
accustomed to personal space.&#8221;
	</text>
</object>
<object id="47">
	<ocn>47</ocn>
	<text class="norm">
		I couldn't remember the last time I'd heard anyone on-world talk about
personal space. With the mortality rate at zero and the birth-rate at
non-zero, the world was inexorably accreting a dense carpet of people,
even with the migratory and deadhead drains on the population. &#8220;
You've been jaunting?&#8221; I asked&#8212;his eyes were too sharp for
him to have missed an instant's experience to deadheading.
	</text>
</object>
<object id="48">
	<ocn>48</ocn>
	<text class="norm">
		He chuckled. &#8220; No sir, not me. I'm into the kind of macho
shitheadery that you only come across on-world. Jaunting's for play; I
need work.&#8221; The bar-glass tinkled a counterpoint.
	</text>
</object>
<object id="49">
	<ocn>49</ocn>
	<text class="norm">
		I took a moment to conjure a HUD with his Whuffie score on it. I had to
resize the window&#8212;he had too many zeroes to fit on my standard
display. I tried to act cool, but he caught the upwards flick of my
eyes and then their involuntary widening. He tried a little
aw-shucksery, gave it up and let a prideful grin show.
	</text>
</object>
<object id="50">
	<ocn>50</ocn>
	<text class="norm">
		&#8220; I try not to pay it much mind. Some people, they get overly
grateful.&#8221; He must've seen my eyes flick up again, to pull his
Whuffie history. &#8220; Wait, don't go doing that&#8212;I'll tell you
about it, you really got to know.
	</text>
</object>
<object id="51">
	<ocn>51</ocn>
	<text class="norm">
		&#8220; Damn, you know, it's so easy to get used to life without
hyperlinks. You'd think you'd really miss 'em, but you don't.&#8221;
	</text>
</object>
<object id="52">
	<ocn>52</ocn>
	<text class="norm">
		And it clicked for me. He was a missionary&#8212;one of those
fringe-dwellers who act as emissary from the Bitchun Society to the
benighted corners of the world where, for whatever reasons, they want
to die, starve, and choke on petrochem waste. It's amazing that these
communities survive more than a generation; in the Bitchun Society
proper, we usually outlive our detractors. The missionaries don't have
such a high success rate&#8212;you have to be awfully convincing to get
through to a culture that's already successfully resisted nearly a
century's worth of propaganda&#8212;but when you convert a whole
village, you accrue all the Whuffie they have to give. More often,
missionaries end up getting refreshed from a backup after they aren't
heard from for a decade or so. I'd never met one in the flesh before.
	</text>
</object>
<object id="53">
	<ocn>53</ocn>
	<text class="norm">
		&#8220; How many successful missions have you had?&#8221; I asked.
	</text>
</object>
<object id="54">
	<ocn>54</ocn>
	<text class="norm">
		&#8220; Figured it out, huh? I've just come off my fifth in twenty
years&#8212;counterrevolutionaries hidden out in the old Cheyenne
Mountain NORAD site, still there a generation later.&#8221; He
sandpapered his whiskers with his fingertips. &#8220; Their parents
went to ground after their life's savings vanished, and they had no use
for tech any more advanced than a rifle. Plenty of those,
though.&#8221;
	</text>
</object>
<object id="55">
	<ocn>55</ocn>
	<text class="norm">
		He spun a fascinating yarn then, how he slowly gained the acceptance of
the mountain-dwellers, and then their trust, and then betrayed it in
subtle, beneficent ways: introducing Free Energy to their greenhouses,
then a gengineered crop or two, then curing a couple deaths, slowly
inching them toward the Bitchun Society, until they couldn't remember
why they hadn't wanted to be a part of it from the start. Now they were
mostly off-world, exploring toy frontiers with unlimited energy and
unlimited supplies and deadheading through the dull times en route.
	</text>
</object>
<object id="56">
	<ocn>56</ocn>
	<text class="norm">
		&#8220; I guess it'd be too much of a shock for them to stay on-world.
They think of us as the enemy, you know&#8212;they had all kinds of
plans drawn up for when we invaded them and took them away; hollow
suicide teeth, booby-traps, fall-back-and-rendezvous points for the
survivors. They just can't get over hating us, even though we don't
even know they exist. Off-world, they can pretend that they're still
living rough and hard.&#8221; He rubbed his chin again, his hard
calluses grating over his whiskers. &#8220; But for me, the real rough
life is right here, on-world. The little enclaves, each one is like an
alternate history of humanity&#8212;what if we'd taken the Free Energy,
but not deadheading? What if we'd taken deadheading, but only for the
critically ill, not for people who didn't want to be bored on long
bus-rides? Or no hyperlinks, no ad-hocracy, no Whuffie? Each one is
different and wonderful.&#8221;
	</text>
</object>
<object id="57">
	<ocn>57</ocn>
	<text class="norm">
		I have a stupid habit of arguing for the sake of, and I found myself
saying, &#8220; Wonderful? Oh sure, nothing finer than, oh, let's see,
dying, starving, freezing, broiling, killing, cruelty and ignorance and
pain and misery. I know I sure miss it.&#8221;
	</text>
</object>
<object id="58">
	<ocn>58</ocn>
	<text class="norm">
		Keep A-Movin' Dan snorted. &#8220; You think a junkie misses
sobriety?&#8221;
	</text>
</object>
<object id="59">
	<ocn>59</ocn>
	<text class="norm">
		I knocked on the bar. &#8220; Hello! There aren't any junkies
anymore!&#8221;
	</text>
</object>
<object id="60">
	<ocn>60</ocn>
	<text class="norm">
		He struck another cig. &#8220; But you know what a junkie <i>is</i>,
right? Junkies don't miss sobriety, because they don't remember how
sharp everything was, how the pain made the joy sweeter. We can't
remember what it was like to work to earn our keep; to worry that there
might not be <i>enough</i>, that we might get sick or get hit by a bus.
We don't remember what it was like to take chances, and we sure as shit
don't remember what it felt like to have them pay off.&#8221;
	</text>
</object>
<object id="61">
	<ocn>61</ocn>
	<text class="norm">
		He had a point. Here I was, only in my second or third adulthood, and
already ready to toss it all in and do something, <i>anything</i>,
else. He had a point&#8212;but I wasn't about to admit it. &#8220; So
you say. I say, I take a chance when I strike up a conversation in a
bar, when I fall in love… and what about the deadheads? Two people I
know, they just went deadhead for ten thousand years! Tell me that's
not taking a chance!&#8221; Truth be told, almost everyone I'd known in
my eighty-some years were deadheading or jaunting or just <i>gone</i>.
Lonely days, then.
	</text>
</object>
<object id="62">
	<ocn>62</ocn>
	<text class="norm">
		&#8220; Brother, that's committing half-assed suicide. The way we're
going, they'll be lucky if someone doesn't just switch 'em off when it
comes time to reanimate. In case you haven't noticed, it's getting a
little crowded around here.&#8221;
	</text>
</object>
<object id="63">
	<ocn>63</ocn>
	<text class="norm">
		I made pish-tosh sounds and wiped off my forehead with a
bar-napkin&#8212;the Gazoo was beastly hot on summer nights. &#8220;
Uh-huh, just like the world was getting a little crowded a hundred
years ago, before Free Energy. Like it was getting too greenhousey, too
nukey, too hot or too cold. We fixed it then, we'll fix it again when
the time comes. I'm gonna be here in ten thousand years, you damn
betcha, but I think I'll do it the long way around.&#8221;
	</text>
</object>
<object id="64">
	<ocn>64</ocn>
	<text class="norm">
		He cocked his head again, and gave it some thought. If it had been any
of the other grad students, I'd have assumed he was grepping for some
bolstering factoids to support his next sally. But with him, I just
knew he was thinking about it, the old-fashioned way.
	</text>
</object>
<object id="65">
	<ocn>65</ocn>
	<text class="norm">
		&#8220; I think that if I'm still here in ten thousand years, I'm going
to be crazy as hell. Ten thousand years, pal! Ten thousand years ago,
the state-of-the-art was a goat. You really think you're going to be
anything recognizably human in a hundred centuries? Me, I'm not
interested in being a post-person. I'm going to wake up one day, and
I'm going to say, &#8216; Well, I guess I've seen about enough,' and
that'll be my last day.&#8221;
	</text>
</object>
<object id="66">
	<ocn>66</ocn>
	<text class="norm">
		I had seen where he was going with this, and I had stopped paying
attention while I readied my response. I probably should have paid more
attention. &#8220; But why? Why not just deadhead for a few centuries,
see if there's anything that takes your fancy, and if not, back to
sleep for a few more? Why do anything so <i>final</i>?&#8221;
	</text>
</object>
<object id="67">
	<ocn>67</ocn>
	<text class="norm">
		He embarrassed me by making a show of thinking it over again, making me
feel like I was just a half-pissed glib poltroon. &#8220; I suppose
it's because nothing else is. I've always known that someday, I was
going to stop moving, stop seeking, stop kicking, and have done with
it. There'll come a day when I don't have anything left to do, except
stop.&#8221;
	</text>
</object>
<object id="68">
	<ocn>68</ocn>
	<text class="norm">
		On campus, they called him Keep-A-Movin' Dan, because of his cowboy
vibe and because of his lifestyle, and he somehow grew to take over
every conversation I had for the next six months. I pinged his Whuffie
a few times, and noticed that it was climbing steadily upward as he
accumulated more esteem from the people he met.
	</text>
</object>
<object id="69">
	<ocn>69</ocn>
	<text class="norm">
		I'd pretty much pissed away most of my Whuffie&#8212;all the savings
from the symphonies and the first three theses&#8212;drinking myself
stupid at the Gazoo, hogging library terminals, pestering profs, until
I'd expended all the respect anyone had ever afforded me. All except
Dan, who, for some reason, stood me to regular beers and meals and
movies.
	</text>
</object>
<object id="70">
	<ocn>70</ocn>
	<text class="norm">
		I got to feeling like I was someone special&#8212;not everyone had a
chum as exotic as Keep-A-Movin' Dan, the legendary missionary who
visited the only places left that were closed to the Bitchun Society. I
can't say for sure why he hung around with me. He mentioned once or
twice that he'd liked my symphonies, and he'd read my Ergonomics thesis
on applying theme-park crowd-control techniques in urban settings, and
liked what I had to say there. But I think it came down to us having a
good time needling each other.
	</text>
</object>
<object id="71">
	<ocn>71</ocn>
	<text class="norm">
		I'd talk to him about the vast carpet of the future unrolling before
us, of the certainty that we would encounter alien intelligences some
day, of the unimaginable frontiers open to each of us. He'd tell me
that deadheading was a strong indicator that one's personal reservoir
of introspection and creativity was dry; and that without struggle,
there is no real victory.
	</text>
</object>
<object id="72">
	<ocn>72</ocn>
	<text class="norm">
		This was a good fight, one we could have a thousand times without
resolving. I'd get him to concede that Whuffie recaptured the true
essence of money: in the old days, if you were broke but respected, you
wouldn't starve; contrariwise, if you were rich and hated, no sum could
buy you security and peace. By measuring the thing that money really
represented&#8212;your personal capital with your friends and
neighbors&#8212;you more accurately gauged your success.
	</text>
</object>
<object id="73">
	<ocn>73</ocn>
	<text class="norm">
		And then he'd lead me down a subtle, carefully baited trail that led to
my allowing that while, yes, we might someday encounter alien species
with wild and fabulous ways, that right now, there was a slightly
depressing homogeneity to the world.
	</text>
</object>
<object id="74">
	<ocn>74</ocn>
	<text class="norm">
		On a fine spring day, I defended my thesis to two embodied humans and
one prof whose body was out for an overhaul, whose consciousness was
present via speakerphone from the computer where it was resting. They
all liked it. I collected my sheepskin and went out hunting for Dan in
the sweet, flower-stinking streets.
	</text>
</object>
<object id="75">
	<ocn>75</ocn>
	<text class="norm">
		He'd gone. The Anthro major he'd been torturing with his war-stories
said that they'd wrapped up that morning, and he'd headed to the walled
city of Tijuana, to take his shot with the descendants of a platoon of
US Marines who'd settled there and cut themselves off from the Bitchun
Society.
	</text>
</object>
<object id="76">
	<ocn>76</ocn>
	<text class="norm">
		So I went to Disney World.
	</text>
</object>
<object id="77">
	<ocn>77</ocn>
	<text class="norm">
		In deference to Dan, I took the flight in realtime, in the minuscule
cabin reserved for those of us who stubbornly refused to be frozen and
stacked like cordwood for the two hour flight. I was the only one
taking the trip in realtime, but a flight attendant dutifully served me
a urine-sample-sized orange juice and a rubbery, pungent, cheese
omelet. I stared out the windows at the infinite clouds while the
autopilot banked around the turbulence, and wondered when I'd see Dan
next.
	</text>
</object>
<object id="78">
	<ocn>78</ocn>
	<text class="h4">
		CHAPTER 1
	</text>
</object>
<object id="79">
	<ocn>79</ocn>
	<text class="norm">
		My girlfriend was 15 percent of my age, and I was old-fashioned enough
that it bugged me. Her name was Lil, and she was second-generation
Disney World, her parents being among the original ad-hocracy that took
over the management of Liberty Square and Tom Sawyer Island. She was,
quite literally, raised in Walt Disney World and it showed.
	</text>
</object>
<object id="80">
	<ocn>80</ocn>
	<text class="norm">
		It showed. She was neat and efficient in her every little thing, from
her shining red hair to her careful accounting of each gear and cog in
the animatronics that were in her charge. Her folks were in canopic
jars in Kissimmee, deadheading for a few centuries.
	</text>
</object>
<object id="81">
	<ocn>81</ocn>
	<text class="norm">
		On a muggy Wednesday, we dangled our feet over the edge of the Liberty
Belle's riverboat pier, watching the listless Confederate flag over
Fort Langhorn on Tom Sawyer Island by moonlight. The Magic Kingdom was
all closed up and every last guest had been chased out the gate
underneath the Main Street train station, and we were able to breathe a
heavy sigh of relief, shuck parts of our costumes, and relax together
while the cicadas sang.
	</text>
</object>
<object id="82">
	<ocn>82</ocn>
	<text class="norm">
		I was more than a century old, but there was still a kind of magic in
having my arm around the warm, fine shoulders of a girl by moonlight,
hidden from the hustle of the cleaning teams by the turnstiles,
breathing the warm, moist air. Lil plumped her head against my shoulder
and gave me a butterfly kiss under my jaw.
	</text>
</object>
<object id="83">
	<ocn>83</ocn>
	<text class="norm">
		&#8220; Her name was McGill,&#8221; I sang, gently.
	</text>
</object>
<object id="84">
	<ocn>84</ocn>
	<text class="norm">
		&#8220; But she called herself Lil,&#8221; she sang, warm breath on my
collarbones.
	</text>
</object>
<object id="85">
	<ocn>85</ocn>
	<text class="norm">
		&#8220; And everyone knew her as Nancy,&#8221; I sang.
	</text>
</object>
<object id="86">
	<ocn>86</ocn>
	<text class="norm">
		I'd been startled to know that she knew the Beatles. They'd been old
news in my youth, after all. But her parents had given her a
thorough&#8212;if eclectic&#8212;education.
	</text>
</object>
<object id="87">
	<ocn>87</ocn>
	<text class="norm">
		&#8220; Want to do a walk-through?&#8221; she asked. It was one of her
favorite duties, exploring every inch of the rides in her care with the
lights on, after the horde of tourists had gone. We both liked to see
the underpinnings of the magic. Maybe that was why I kept picking at
the relationship.
	</text>
</object>
<object id="88">
	<ocn>88</ocn>
	<text class="norm">
		&#8220; I'm a little pooped. Let's sit a while longer, if you don't
mind.&#8221;
	</text>
</object>
<object id="89">
	<ocn>89</ocn>
	<text class="norm">
		She heaved a dramatic sigh. &#8220; Oh, all right. Old man.&#8221; She
reached up and gently tweaked my nipple, and I gave a satisfying little
jump. I think the age difference bothered her, too, though she teased
me for letting it get to me.
	</text>
</object>
<object id="90">
	<ocn>90</ocn>
	<text class="norm">
		&#8220; I think I'll be able to manage a totter through the Haunted
Mansion, if you just give me a moment to rest my bursitis.&#8221; I
felt her smile against my shirt. She loved the Mansion; loved to turn
on the ballroom ghosts and dance their waltz with them on the dusty
floor, loved to try and stare down the marble busts in the library that
followed your gaze as you passed.
	</text>
</object>
<object id="91">
	<ocn>91</ocn>
	<text class="norm">
		I liked it too, but I really liked just sitting there with her,
watching the water and the trees. I was just getting ready to go when I
heard a soft <i>ping</i> inside my cochlea. &#8220; Damn,&#8221; I
said. &#8220; I've got a call.&#8221;
	</text>
</object>
<object id="92">
	<ocn>92</ocn>
	<text class="norm">
		&#8220; Tell them you're busy,&#8221; she said.
	</text>
</object>
<object id="93">
	<ocn>93</ocn>
	<text class="norm">
		&#8220; I will,&#8221; I said, and answered the call subvocally.
&#8220; Julius here.&#8221;
	</text>
</object>
<object id="94">
	<ocn>94</ocn>
	<text class="norm">
		&#8220; Hi, Julius. It's Dan. You got a minute?&#8221;
	</text>
</object>
<object id="95">
	<ocn>95</ocn>
	<text class="norm">
		I knew a thousand Dans, but I recognized the voice immediately, though
it'd been ten years since we last got drunk at the Gazoo together. I
muted the subvocal and said, &#8220; Lil, I've got to take this. Do you
mind?&#8221;
	</text>
</object>
<object id="96">
	<ocn>96</ocn>
	<text class="norm">
		&#8220; Oh, <i>no</i>, not at all,&#8221; she sarcased at me. She sat
up and pulled out her crack pipe and lit up.
	</text>
</object>
<object id="97">
	<ocn>97</ocn>
	<text class="norm">
		&#8220; Dan,&#8221; I subvocalized, &#8220; long time no speak.&#8221;
	</text>
</object>
<object id="98">
	<ocn>98</ocn>
	<text class="norm">
		&#8220; Yeah, buddy, it sure has been,&#8221; he said, and his voice
cracked on a sob.
	</text>
</object>
<object id="99">
	<ocn>99</ocn>
	<text class="norm">
		I turned and gave Lil such a look, she dropped her pipe. &#8220; How
can I help?&#8221; she said, softly but swiftly. I waved her off and
switched the phone to full-vocal mode. My voice sounded unnaturally
loud in the cricket-punctuated calm.
	</text>
</object>
<object id="100">
	<ocn>100</ocn>
	<text class="norm">
		&#8220; Where you at, Dan?&#8221; I asked.
	</text>
</object>
<object id="101">
	<ocn>101</ocn>
	<text class="norm">
		&#8220; Down here, in Orlando. I'm stuck out on Pleasure Island.&#8221;
	</text>
</object>
<object id="102">
	<ocn>102</ocn>
	<text class="norm">
		&#8220; All right,&#8221; I said. &#8220; Meet me at, uh, the
Adventurer's Club, upstairs on the couch by the door. I'll be there
in&#8212;&#8221; I shot a look at Lil, who knew the castmember-only
roads better than I. She flashed ten fingers at me. &#8220; Ten
minutes.&#8221;
	</text>
</object>
<object id="103">
	<ocn>103</ocn>
	<text class="norm">
		&#8220; Okay,&#8221; he said. &#8220; Sorry.&#8221; He had his voice
back under control. I switched off.
	</text>
</object>
<object id="104">
	<ocn>104</ocn>
	<text class="norm">
		&#8220; What's up?&#8221; Lil asked.
	</text>
</object>
<object id="105">
	<ocn>105</ocn>
	<text class="norm">
		&#8220; I'm not sure. An old friend is in town. He sounds like he's got
a problem.&#8221;
	</text>
</object>
<object id="106">
	<ocn>106</ocn>
	<text class="norm">
		Lil pointed a finger at me and made a trigger-squeezing gesture.
&#8220; There,&#8221; she said. &#8220; I've just dumped the best route
to Pleasure Island to your public directory. Keep me in the loop,
okay?&#8221;
	</text>
</object>
<object id="107">
	<ocn>107</ocn>
	<text class="norm">
		I set off for the utilidor entrance near the Hall of Presidents and
booted down the stairs to the hum of the underground tunnel-system. I
took the slidewalk to cast parking and zipped my little cart out to
Pleasure Island.
	</text>
</object>
<object id="108">
	<ocn>108</ocn>
	<text class="norm">
		I found Dan sitting on the L-shaped couch underneath rows of faked-up
trophy shots with humorous captions. Downstairs, castmembers were
working the animatronic masks and idols, chattering with the guests.
	</text>
</object>
<object id="109">
	<ocn>109</ocn>
	<text class="norm">
		Dan was apparent fifty plus, a little paunchy and stubbled. He had
raccoon-mask bags under his eyes and he slumped listlessly. As I
approached, I pinged his Whuffie and was startled to see that it had
dropped to nearly zero.
	</text>
</object>
<object id="110">
	<ocn>110</ocn>
	<text class="norm">
		&#8220; Jesus,&#8221; I said, as I sat down next to him. &#8220; You
look like hell, Dan.&#8221;
	</text>
</object>
<object id="111">
	<ocn>111</ocn>
	<text class="norm">
		He nodded. &#8220; Appearances can be deceptive,&#8221; he said.
&#8220; But in this case, they're bang-on.&#8221;
	</text>
</object>
<object id="112">
	<ocn>112</ocn>
	<text class="norm">
		&#8220; You want to talk about it?&#8221; I asked.
	</text>
</object>
<object id="113">
	<ocn>113</ocn>
	<text class="norm">
		&#8220; Somewhere else, huh? I hear they ring in the New Year every
night at midnight; I think that'd be a little too much for me right
now.&#8221;
	</text>
</object>
<object id="114">
	<ocn>114</ocn>
	<text class="norm">
		I led him out to my cart and cruised back to the place I shared with
Lil, out in Kissimmee. He smoked eight cigarettes on the twenty minute
ride, hammering one after another into his mouth, filling my runabout
with stinging clouds. I kept glancing at him in the rear-view. He had
his eyes closed, and in repose he looked dead. I could hardly believe
that this was my vibrant action-hero pal of yore.
	</text>
</object>
<object id="115">
	<ocn>115</ocn>
	<text class="norm">
		Surreptitiously, I called Lil's phone. &#8220; I'm bringing him
home,&#8221; I subvocalized. &#8220; He's in rough shape. Not sure what
it's all about.&#8221;
	</text>
</object>
<object id="116">
	<ocn>116</ocn>
	<text class="norm">
		&#8220; I'll make up the couch,&#8221; she said. &#8220; And get some
coffee together. Love you.&#8221;
	</text>
</object>
<object id="117">
	<ocn>117</ocn>
	<text class="norm">
		&#8220; Back atcha, kid,&#8221; I said.
	</text>
</object>
<object id="118">
	<ocn>118</ocn>
	<text class="norm">
		As we approached the tacky little swaybacked ranch-house, he opened his
eyes. &#8220; You're a pal, Jules.&#8221; I waved him off. &#8220; No,
really. I tried to think of who I could call, and you were the only
one. I've missed you, bud.&#8221;
	</text>
</object>
<object id="119">
	<ocn>119</ocn>
	<text class="norm">
		&#8220; Lil said she'd put some coffee on,&#8221; I said. &#8220; You
sound like you need it.&#8221;
	</text>
</object>
<object id="120">
	<ocn>120</ocn>
	<text class="norm">
		Lil was waiting on the sofa, a folded blanket and an extra pillow on
the side table, a pot of coffee and some Disneyland Beijing mugs beside
them. She stood and extended her hand. &#8220; I'm Lil,&#8221; she
said.
	</text>
</object>
<object id="121">
	<ocn>121</ocn>
	<text class="norm">
		&#8220; Dan,&#8221; he said. &#8220; It's a pleasure.&#8221;
	</text>
</object>
<object id="122">
	<ocn>122</ocn>
	<text class="norm">
		I knew she was pinging his Whuffie and I caught her look of surprised
disapproval. Us oldsters who predate Whuffie know that it's important;
but to the kids, it's the <i>world</i>. Someone without any is
automatically suspect. I watched her recover quickly, smile, and
surreptitiously wipe her hand on her jeans. &#8220; Coffee?&#8221; she
said.
	</text>
</object>
<object id="123">
	<ocn>123</ocn>
	<text class="norm">
		&#8220; Oh, yeah,&#8221; Dan said, and slumped on the sofa.
	</text>
</object>
<object id="124">
	<ocn>124</ocn>
	<text class="norm">
		She poured him a cup and set it on a coaster on the coffee table.
&#8220; I'll let you boys catch up, then,&#8221; she said, and started
for the bedroom.
	</text>
</object>
<object id="125">
	<ocn>125</ocn>
	<text class="norm">
		&#8220; No,&#8221; Dan said. &#8220; Wait. If you don't mind. I think
it'd help if I could talk to someone… younger, too.&#8221;
	</text>
</object>
<object id="126">
	<ocn>126</ocn>
	<text class="norm">
		She set her face in the look of chirpy helpfulness that all the
second-gen castmembers have at their instant disposal and settled into
an armchair. She pulled out her pipe and lit a rock. I went through my
crack period before she was born, just after they made it decaf, and I
always felt old when I saw her and her friends light up. Dan surprised
me by holding out a hand to her and taking the pipe. He toked heavily,
then passed it back.
	</text>
</object>
<object id="127">
	<ocn>127</ocn>
	<text class="norm">
		Dan closed his eyes again, then ground his fists into them, sipped his
coffee. It was clear he was trying to figure out where to start.
	</text>
</object>
<object id="128">
	<ocn>128</ocn>
	<text class="norm">
		&#8220; I believed that I was braver than I really am, is what it boils
down to,&#8221; he said.
	</text>
</object>
<object id="129">
	<ocn>129</ocn>
	<text class="norm">
		&#8220; Who doesn't?&#8221; I said.
	</text>
</object>
<object id="130">
	<ocn>130</ocn>
	<text class="norm">
		&#8220; I really thought I could do it. I knew that someday I'd run out
of things to do, things to see. I knew that I'd finish some day. You
remember, we used to argue about it. I swore I'd be done, and that
would be the end of it. And now I am. There isn't a single place left
on-world that isn't part of the Bitchun Society. There isn't a single
thing left that I want any part of.&#8221;
	</text>
</object>
<object id="131">
	<ocn>131</ocn>
	<text class="norm">
		&#8220; So deadhead for a few centuries,&#8221; I said. &#8220; Put the
decision off.&#8221;
	</text>
</object>
<object id="132">
	<ocn>132</ocn>
	<text class="norm">
		&#8220; No!&#8221; he shouted, startling both of us. &#8220; I'm
<i>done</i>. It's <i>over</i>.&#8221;
	</text>
</object>
<object id="133">
	<ocn>133</ocn>
	<text class="norm">
		&#8220; So do it,&#8221; Lil said.
	</text>
</object>
<object id="134">
	<ocn>134</ocn>
	<text class="norm">
		&#8220; I <i>can't</i>,&#8221; he sobbed, and buried his face in his
hands. He cried like a baby, in great, snoring sobs that shook his
whole body. Lil went into the kitchen and got some tissue, and passed
it to me. I sat alongside him and awkwardly patted his back.
	</text>
</object>
<object id="135">
	<ocn>135</ocn>
	<text class="norm">
		&#8220; Jesus,&#8221; he said, into his palms. &#8220; Jesus.&#8221;
	</text>
</object>
<object id="136">
	<ocn>136</ocn>
	<text class="norm">
		&#8220; Dan?&#8221; I said, quietly.
	</text>
</object>
<object id="137">
	<ocn>137</ocn>
	<text class="norm">
		He sat up and took the tissue, wiped off his face and hands. &#8220;
Thanks,&#8221; he said. &#8220; I've tried to make a go of it, really I
have. I've spent the last eight years in Istanbul, writing papers on my
missions, about the communities. I did some followup studies,
interviews. No one was interested. Not even me. I smoked a lot of hash.
It didn't help. So, one morning I woke up and went to the bazaar and
said good bye to the friends I'd made there. Then I went to a pharmacy
and had the man make me up a lethal injection. He wished me good luck
and I went back to my rooms. I sat there with the hypo all afternoon,
then I decided to sleep on it, and I got up the next morning and did it
all over again. I looked inside myself, and I saw that I didn't have
the guts. I just didn't have the guts. I've stared down the barrels of
a hundred guns, had a thousand knives pressed up against my throat, but
I didn't have the guts to press that button.&#8221;
	</text>
</object>
<object id="138">
	<ocn>138</ocn>
	<text class="norm">
		&#8220; You were too late,&#8221; Lil said.
	</text>
</object>
<object id="139">
	<ocn>139</ocn>
	<text class="norm">
		We both turned to look at her.
	</text>
</object>
<object id="140">
	<ocn>140</ocn>
	<text class="norm">
		&#8220; You were a decade too late. Look at you. You're pathetic. If
you killed yourself right now, you'd just be a washed-up loser who
couldn't hack it. If you'd done it ten years earlier, you would've been
going out on top&#8212;a champion, retiring permanently.&#8221; She set
her mug down with a harder-than-necessary clunk.
	</text>
</object>
<object id="141">
	<ocn>141</ocn>
	<text class="norm">
		Sometimes, Lil and I are right on the same wavelength. Sometimes, it's
like she's on a different planet. All I could do was sit there,
horrified, and she was happy to discuss the timing of my pal's suicide.
	</text>
</object>
<object id="142">
	<ocn>142</ocn>
	<text class="norm">
		But she was right. Dan nodded heavily, and I saw that he knew it, too.
	</text>
</object>
<object id="143">
	<ocn>143</ocn>
	<text class="norm">
		&#8220; A day late and a dollar short,&#8221; he sighed.
	</text>
</object>
<object id="144">
	<ocn>144</ocn>
	<text class="norm">
		&#8220; Well, don't just sit there,&#8221; she said. &#8220; You know
what you've got to do.&#8221;
	</text>
</object>
<object id="145">
	<ocn>145</ocn>
	<text class="norm">
		&#8220; What?&#8221; I said, involuntarily irritated by her tone.
	</text>
</object>
<object id="146">
	<ocn>146</ocn>
	<text class="norm">
		She looked at me like I was being deliberately stupid. &#8220; He's got
to get back on top. Cleaned up, dried out, into some productive work.
Get that Whuffie up, too. <i>Then</i> he can kill himself with
dignity.&#8221;
	</text>
</object>
<object id="147">
	<ocn>147</ocn>
	<text class="norm">
		It was the stupidest thing I'd ever heard. Dan, though, was cocking an
eyebrow at her and thinking hard. &#8220; How old did you say you
were?&#8221; he asked.
	</text>
</object>
<object id="148">
	<ocn>148</ocn>
	<text class="norm">
		&#8220; Twenty-three,&#8221; she said.
	</text>
</object>
<object id="149">
	<ocn>149</ocn>
	<text class="norm">
		&#8220; Wish I'd had your smarts at twenty-three,&#8221; he said, and
heaved a sigh, straightening up. &#8220; Can I stay here while I get
the job done?&#8221;
	</text>
</object>
<object id="150">
	<ocn>150</ocn>
	<text class="norm">
		I looked askance at Lil, who considered for a moment, then nodded.
	</text>
</object>
<object id="151">
	<ocn>151</ocn>
	<text class="norm">
		&#8220; Sure, pal, sure,&#8221; I said. I clapped him on the shoulder.
&#8220; You look beat.&#8221;
	</text>
</object>
<object id="152">
	<ocn>152</ocn>
	<text class="norm">
		&#8220; Beat doesn't begin to cover it,&#8221; he said.
	</text>
</object>
<object id="153">
	<ocn>153</ocn>
	<text class="norm">
		&#8220; Good night, then,&#8221; I said.
	</text>
</object>
<object id="154">
	<ocn>154</ocn>
	<text class="h4">
		CHAPTER 2
	</text>
</object>
<object id="155">
	<ocn>155</ocn>
	<text class="norm">
		Ad-hocracy works well, for the most part. Lil's folks had taken over
the running of Liberty Square with a group of other interested,
compatible souls. They did a fine job, racked up gobs of Whuffie, and
anyone who came around and tried to take it over would be so reviled by
the guests they wouldn't find a pot to piss in. Or they'd have such a
wicked, radical approach that they'd ouster Lil's parents and their
pals, and do a better job.
	</text>
</object>
<object id="156">
	<ocn>156</ocn>
	<text class="norm">
		It can break down, though. There were pretenders to the throne&#8212;a
group who'd worked with the original ad-hocracy and then had moved off
to other pursuits&#8212;some of them had gone to school, some of them
had made movies, written books, or gone off to Disneyland Beijing to
help start things up. A few had deadheaded for a couple decades.
	</text>
</object>
<object id="157">
	<ocn>157</ocn>
	<text class="norm">
		They came back to Liberty Square with a message: update the
attractions. The Liberty Square ad-hocs were the staunchest
conservatives in the Magic Kingdom, preserving the wheezing technology
in the face of a Park that changed almost daily. The
newcomer/old-timers were on-side with the rest of the Park, had their
support, and looked like they might make a successful go of it.
	</text>
</object>
<object id="158">
	<ocn>158</ocn>
	<text class="norm">
		So it fell to Lil to make sure that there were no bugs in the meager
attractions of Liberty Square: the Hall of the Presidents, the Liberty
Belle riverboat, and the glorious Haunted Mansion, arguably the coolest
attraction to come from the fevered minds of the old-time Disney
Imagineers.
	</text>
</object>
<object id="159">
	<ocn>159</ocn>
	<text class="norm">
		I caught her backstage at the Hall of the Presidents, tinkering with
Lincoln II, the backup animatronic. Lil tried to keep two of everything
running at speed, just in case. She could swap out a dead bot for a
backup in five minutes flat, which is all that crowd-control would
permit.
	</text>
</object>
<object id="160">
	<ocn>160</ocn>
	<text class="norm">
		It had been two weeks since Dan's arrival, and though I'd barely seen
him in that time, his presence was vivid in our lives. Our little
ranch-house had a new smell, not unpleasant, of rejuve and hope and
loss, something barely noticeable over the tropical flowers nodding in
front of our porch. My phone rang three or four times a day, Dan
checking in from his rounds of the Park, seeking out some way to
accumulate personal capital. His excitement and dedication to the task
were inspiring, pulling me into his over-the-top-and-damn-the-torpedoes
mode of being.
	</text>
</object>
<object id="161">
	<ocn>161</ocn>
	<text class="norm">
		&#8220; You just missed Dan,&#8221; she said. She had her head in
Lincoln's chest, working with an autosolder and a magnifier. Bent over,
red hair tied back in a neat bun, sweat sheening her wiry freckled
arms, smelling of girl-sweat and machine lubricant, she made me wish
there were a mattress somewhere backstage. I settled for patting her
behind affectionately, and she wriggled appreciatively. &#8220; He's
looking better.&#8221;
	</text>
</object>
<object id="162">
	<ocn>162</ocn>
	<text class="norm">
		His rejuve had taken him back to apparent 25, the way I remembered him.
He was rawboned and leathery, but still had the defeated stoop that had
startled me when I saw him at the Adventurer's Club. &#8220; What did
he want?&#8221;
	</text>
</object>
<object id="163">
	<ocn>163</ocn>
	<text class="norm">
		&#8220; He's been hanging out with Debra&#8212;he wanted to make sure I
knew what she's up to.&#8221;
	</text>
</object>
<object id="164">
	<ocn>164</ocn>
	<text class="norm">
		Debra was one of the old guard, a former comrade of Lil's parents.
She'd spent a decade in Disneyland Beijing, coding sim-rides. If she
had her way, we'd tear down every marvelous rube goldberg in the Park
and replace them with pristine white sim boxes on giant, articulated
servos.
	</text>
</object>
<object id="165">
	<ocn>165</ocn>
	<text class="norm">
		The problem was that she was <i>really good</i> at coding sims. Her
Great Movie Ride rehab at MGM was breathtaking&#8212;the Star Wars
sequence had already inspired a hundred fan-sites that fielded millions
of hits.
	</text>
</object>
<object id="166">
	<ocn>166</ocn>
	<text class="norm">
		She'd leveraged her success into a deal with the Adventureland ad-hocs
to rehab the Pirates of the Caribbean, and their backstage areas were
piled high with reference: treasure chests and cutlasses and bowsprits.
It was terrifying to walk through; the Pirates was the last ride Walt
personally supervised, and we'd thought it was sacrosanct. But Debra
had built a Pirates sim in Beijing, based on Chend I Sao, the XIXth
century Chinese pirate queen, which was credited with rescuing the Park
from obscurity and ruin. The Florida iteration would incorporate the
best aspects of its Chinese cousin&#8212;the AI-driven sims that
communicated with each other and with the guests, greeting them by name
each time they rode and spinning age-appropriate tales of piracy on the
high seas; the spectacular fly-through of the aquatic necropolis of
rotting junks on the sea-floor; the thrilling pitch and yaw of the sim
as it weathered a violent, breath-taking storm&#8212;but with Western
themes: wafts of Jamaican pepper sauce crackling through the air;
liquid Afro-Caribbean accents; and swordfights conducted in the manner
of the pirates who plied the blue waters of the New World. Identical
sims would stack like cordwood in the space currently occupied by the
bulky ride-apparatus and dioramas, quintupling capacity and halving
load-time.
	</text>
</object>
<object id="167">
	<ocn>167</ocn>
	<text class="norm">
		&#8220; So, what's she up to?&#8221;
	</text>
</object>
<object id="168">
	<ocn>168</ocn>
	<text class="norm">
		Lil extracted herself from the Rail-Splitter's mechanical guts and made
a comical moue of worry. &#8220; She's rehabbing the Pirates&#8212;and
doing an incredible job. They're ahead of schedule, they've got good
net-buzz, the focus groups are cumming themselves.&#8221; The comedy
went out of her expression, baring genuine worry.
	</text>
</object>
<object id="169">
	<ocn>169</ocn>
	<text class="norm">
		She turned away and closed up Honest Abe, then fired her finger at him.
Smoothly, he began to run through his spiel, silent but for the soft
hum and whine of his servos. Lil mimed twiddling a knob and his
audiotrack kicked in low: &#8220; All the armies of Europe, Asia, and
Africa <i>combined</i> could not, by force, make a track on the Blue
Ridge, nor take a drink from the Ohio. If destruction be our lot, then
we ourselves must be its author&#8212;and its finisher.&#8221; She
mimed turning down the gain and he fell silent again.
	</text>
</object>
<object id="170">
	<ocn>170</ocn>
	<text class="norm">
		&#8220; You said it, Mr. President,&#8221; she said, and fired her
finger at him again, powering him down. She bent and adjusted his
hand-sewn period topcoat, then carefully wound and set the turnip-watch
in his vest-pocket.
	</text>
</object>
<object id="171">
	<ocn>171</ocn>
	<text class="norm">
		I put my arm around her shoulders. &#8220; You're doing all you
can&#8212;and it's good work,&#8221; I said. I'd fallen into the easy
castmember mode of speaking, voicing bland affirmations. Hearing the
words, I felt a flush of embarrassment. I pulled her into a long, hard
hug and fumbled for better reassurance. Finding no words that would do,
I gave her a final squeeze and let her go.
	</text>
</object>
<object id="172">
	<ocn>172</ocn>
	<text class="norm">
		She looked at me sidelong and nodded her head. &#8220; It'll be fine,
of course,&#8221; she said. &#8220; I mean, the worst possible scenario
is that Debra will do her job very, very well, and make things even
better than they are now. That's not so bad.&#8221;
	</text>
</object>
<object id="173">
	<ocn>173</ocn>
	<text class="norm">
		This was a 180-degree reversal of her position on the subject the last
time we'd talked, but you don't live more than a century without
learning when to point out that sort of thing and when not to.
	</text>
</object>
<object id="174">
	<ocn>174</ocn>
	<text class="norm">
		My cochlea struck twelve noon and a HUD appeared with my weekly backup
reminder. Lil was maneuvering Ben Franklin II out of his niche. I waved
good-bye at her back and walked away, to an uplink terminal. Once I was
close enough for secure broadband communications, I got ready to back
up. My cochlea chimed again and I answered it.
	</text>
</object>
<object id="175">
	<ocn>175</ocn>
	<text class="norm">
		&#8220; Yes,&#8221; I subvocalized, impatiently. I hated getting
distracted from a backup&#8212;one of my enduring fears was that I'd
forget the backup altogether and leave myself vulnerable for an entire
week until the next reminder. I'd lost the knack of getting into habits
in my adolescence, giving in completely to machine-generated reminders
over conscious choice.
	</text>
</object>
<object id="176">
	<ocn>176</ocn>
	<text class="norm">
		&#8220; It's Dan.&#8221; I heard the sound of the Park in full swing
behind him&#8212;children's laughter; bright, recorded animatronic
spiels; the tromp of thousands of feet. &#8220; Can you meet me at the
Tiki Room? It's pretty important.&#8221;
	</text>
</object>
<object id="177">
	<ocn>177</ocn>
	<text class="norm">
		&#8220; Can it wait for fifteen?&#8221; I asked.
	</text>
</object>
<object id="178">
	<ocn>178</ocn>
	<text class="norm">
		&#8220; Sure&#8212;see you in fifteen.&#8221;
	</text>
</object>
<object id="179">
	<ocn>179</ocn>
	<text class="norm">
		I rung off and initiated the backup. A status-bar zipped across a HUD,
dumping the parts of my memory that were purely digital; then it
finished and started in on organic memory. My eyes rolled back in my
head and my life flashed before my eyes.
	</text>
</object>
<object id="180">
	<ocn>180</ocn>
	<text class="h4">
		CHAPTER 3
	</text>
</object>
<object id="181">
	<ocn>181</ocn>
	<text class="norm">
		The Bitchun Society has had much experience with restores from
backup&#8212;in the era of the cure for death, people live pretty
recklessly. Some people get refreshed a couple dozen times a year.
	</text>
</object>
<object id="182">
	<ocn>182</ocn>
	<text class="norm">
		Not me. I hate the process. Not so much that I won't participate in it.
Everyone who had serious philosophical conundra on that subject just,
you know, <i>died</i>, a generation before. The Bitchun Society didn't
need to convert its detractors, just outlive them.
	</text>
</object>
<object id="183">
	<ocn>183</ocn>
	<text class="norm">
		The first time I died, it was not long after my sixtieth birthday. I
was SCUBA diving at Playa Coral, near Veradero, Cuba. Of course, I
don't remember the incident, but knowing my habits at that particular
dive-site and having read the dive-logs of my SCUBA-buddies, I've
reconstructed the events.
	</text>
</object>
<object id="184">
	<ocn>184</ocn>
	<text class="norm">
		I was eeling my way through the lobster-caves, with a borrowed bottle
and mask. I'd also borrowed a wetsuit, but I wasn't wearing
it&#8212;the blood-temp salt water was balm, and I hated erecting
barriers between it and my skin. The caves were made of coral and
rocks, and they coiled and twisted like intestines. Through each hole
and around each corner, there was a hollow, rough sphere of surpassing,
alien beauty. Giant lobsters skittered over the walls and through the
holes. Schools of fish as bright as jewels darted and executed
breath-taking precision maneuvers as I disturbed their busy days. I do
some of my best thinking under water, and I'm often slipping off into
dangerous reverie at depth. Normally, my diving buddies ensure that I
don't hurt myself, but this time I got away from them, spidering
forward into a tiny hole.
	</text>
</object>
<object id="185">
	<ocn>185</ocn>
	<text class="norm">
		Where I got stuck.
	</text>
</object>
<object id="186">
	<ocn>186</ocn>
	<text class="norm">
		My diving buddies were behind me, and I rapped on my bottle with the
hilt of my knife until one of them put a hand on my shoulder. My
buddies saw what was up, and attempted to pull me loose, but my bottle
and buoyancy-control vest were firmly wedged. The others exchanged hand
signals, silently debating the best way to get me loose. Suddenly, I
was thrashing and kicking, and then I disappeared into the cave, minus
my vest and bottle. I'd apparently attempted to cut through my vest's
straps and managed to sever the tube of my regulator. After inhaling a
jolt of sea water, I'd thrashed free into the cave, rolling into a
monstrous patch of spindly fire-coral. I'd inhaled another lungful of
water and kicked madly for a tiny hole in the cave's ceiling, whence my
buddies retrieved me shortly thereafter, drowned-blue except for the
patchy red welts from the stinging coral.
	</text>
</object>
<object id="187">
	<ocn>187</ocn>
	<text class="norm">
		In those days, making a backup was a lot more complicated; the
procedure took most of a day, and had to be undertaken at a special
clinic. Luckily, I'd had one made just before I left for Cuba, a few
weeks earlier. My next-most-recent backup was three years old, dating
from the completion of my second symphony.
	</text>
</object>
<object id="188">
	<ocn>188</ocn>
	<text class="norm">
		They recovered me from backup and into a force-grown clone at Toronto
General. As far as I knew, I'd laid down in the backup clinic one
moment and arisen the next. It took most of a year to get over the
feeling that the whole world was putting a monstrous joke over on me,
that the drowned corpse I'd seen was indeed my own. In my mind, the
rebirth was figurative as well as literal&#8212;the missing time was
enough that I found myself hard-pressed to socialize with my pre-death
friends.
	</text>
</object>
<object id="189">
	<ocn>189</ocn>
	<text class="norm">
		I told Dan the story during our first friendship, and he immediately
pounced on the fact that I'd gone to Disney World to spend a week
sorting out my feelings, reinventing myself, moving to space, marrying
a crazy lady. He found it very curious that I always rebooted myself at
Disney World. When I told him that I was going to live there someday,
he asked me if that would mean that I was done reinventing myself.
Sometimes, as I ran my fingers through Lil's sweet red curls, I thought
of that remark and sighed great gusts of contentment and marveled that
my friend Dan had been so prescient.
	</text>
</object>
<object id="190">
	<ocn>190</ocn>
	<text class="norm">
		The next time I died, they'd improved the technology somewhat. I'd had
a massive stroke in my seventy-third year, collapsing on the ice in the
middle of a house-league hockey game. By the time they cut my helmet
away, the hematomae had crushed my brain into a pulpy, blood-sotted
mess. I'd been lax in backing up, and I lost most of a year. But they
woke me gently, with a computer-generated precis of the events of the
missing interval, and a counselor contacted me daily for a year until I
felt at home again in my skin. Again, my life rebooted, and I found
myself in Disney World, methodically flensing away the relationships
I'd built and starting afresh in Boston, living on the ocean floor and
working the heavy-metal harvesters, a project that led, eventually, to
my Chem thesis at U of T.
	</text>
</object>
<object id="191">
	<ocn>191</ocn>
	<text class="norm">
		After I was shot dead at the Tiki Room, I had the opportunity to
appreciate the great leaps that restores had made in the intervening
ten years. I woke in my own bed, instantly aware of the events that led
up to my third death as seen from various third-party POVs: security
footage from the Adventureland cameras, synthesized memories extracted
from Dan's own backup, and a computer-generated fly-through of the
scene. I woke feeling preternaturally calm and cheerful, and knowing
that I felt that way because of certain temporary neurotransmitter
presets that had been put in place when I was restored.
	</text>
</object>
<object id="192">
	<ocn>192</ocn>
	<text class="norm">
		Dan and Lil sat at my bedside. Lil's tired, smiling face was limned
with hairs that had snuck loose of her ponytail. She took my hand and
kissed the smooth knuckles. Dan smiled beneficently at me and I was
seized with a warm, comforting feeling of being surrounded by people
who really loved me. I dug for words appropriate to the scene, decided
to wing it, opened my mouth and said, to my surprise, &#8220; I have to
pee.&#8221;
	</text>
</object>
<object id="193">
	<ocn>193</ocn>
	<text class="norm">
		Dan and Lil smiled at each other. I lurched out of the bed, naked, and
thumped to the bathroom. My muscles were wonderfully limber, with a
brand-new spring to them. After I flushed I leaned over and took hold
of my ankles, then pulled my head right to the floor, feeling the
marvelous flexibility of my back and legs and buttocks. A scar on my
knee was missing, as were the many lines that had crisscrossed my
fingers. When I looked in the mirror, I saw that my nose and earlobes
were smaller and perkier. The familiar crow's-feet and the frown-lines
between my eyebrows were gone. I had a day's beard all over&#8212;head,
face, pubis, arms, legs. I ran my hands over my body and chuckled at
the ticklish newness of it all. I was briefly tempted to depilate all
over, just to keep this feeling of newness forever, but the
neurotransmitter presets were evaporating and a sense of urgency over
my murder was creeping up on me.
	</text>
</object>
<object id="194">
	<ocn>194</ocn>
	<text class="norm">
		I tied a towel around my waist and made my way back to the bedroom. The
smells of tile-cleaner and flowers and rejuve were bright in my nose,
effervescent as camphor. Dan and Lil stood when I came into the room
and helped me to the bed. &#8220; Well, this <i>sucks</i>,&#8221; I
said.
	</text>
</object>
<object id="195">
	<ocn>195</ocn>
	<text class="norm">
		I'd gone straight from the uplink through the utilidors&#8212;three
quick cuts of security cam footage, one at the uplink, one in the
corridor, and one at the exit in the underpass between Liberty Square
and Adventureland. I seemed bemused and a little sad as I emerged from
the door, and began to weave my way through the crowd, using a kind of
sinuous, darting shuffle that I'd developed when I was doing field-work
on my crowd-control thesis. I cut rapidly through the lunchtime crowd
toward the long roof of the Tiki Room, thatched with strips of
shimmering aluminum cut and painted to look like long grass.
	</text>
</object>
<object id="196">
	<ocn>196</ocn>
	<text class="norm">
		Fuzzy shots now, from Dan's POV, of me moving closer to him, passing
close to a group of teenaged girls with extra elbows and knees, wearing
environmentally controlled cloaks and cowls covered with Epcot Center
logomarks. One of them is wearing a pith helmet, from the Jungle
Traders shop outside of the Jungle Cruise. Dan's gaze flicks away, to
the Tiki Room's entrance, where there is a short queue of older men,
then back, just as the girl with the pith helmet draws a stylish little
organic pistol, like a penis with a tail that coils around her arm.
Casually, grinning, she raises her arm and gestures with the pistol,
exactly like Lil does with her finger when she's uploading, and the
pistol lunges forward. Dan's gaze flicks back to me. I'm pitching over,
my lungs bursting out of my chest and spreading before me like wings,
spinal gristle and viscera showering the guests before me. A piece of
my nametag, now shrapnel, strikes Dan in the forehead, causing him to
blink. When he looks again, the group of girls is still there, but the
girl with the pistol is long gone.
	</text>
</object>
<object id="197">
	<ocn>197</ocn>
	<text class="norm">
		The fly-through is far less confused. Everyone except me, Dan and the
girl is grayed-out. We're limned in highlighter yellow, moving in
slow-motion. I emerge from the underpass and the girl moves from the
Swiss Family Robinson Treehouse to the group of her friends. Dan starts
to move towards me. The girl raises, arms and fires her pistol. The
self-guiding smart-slug, keyed to my body chemistry, flies low, near
ground level, weaving between the feet of the crowd, moving just below
the speed of sound. When it reaches me, it screams upwards and into my
spine, detonating once it's entered my chest cavity.
	</text>
</object>
<object id="198">
	<ocn>198</ocn>
	<text class="norm">
		The girl has already made a lot of ground, back toward the
Adventureland/Main Street, USA gateway. The fly-through speeds up,
following her as she merges with the crowds on the street, ducking and
weaving between them, moving toward the breezeway at Sleeping Beauty
Castle. She vanishes, then reappears, forty minutes later, in
Tomorrowland, near the new Space Mountain complex, then disappears
again.
	</text>
</object>
<object id="199">
	<ocn>199</ocn>
	<text class="norm">
		&#8220; Has anyone ID'd the girl?&#8221; I asked, once I'd finished
reliving the events. The anger was starting to boil within me now. My
new fists clenched for the first time, soft palms and uncallused
fingertips.
	</text>
</object>
<object id="200">
	<ocn>200</ocn>
	<text class="norm">
		Dan shook his head. &#8220; None of the girls she was with had ever
seen her before. The face was one of the Seven
Sisters&#8212;Hope.&#8221; The Seven Sisters were a trendy collection
of designer faces. Every second teenage girl wore one of them.
	</text>
</object>
<object id="201">
	<ocn>201</ocn>
	<text class="norm">
		&#8220; How about Jungle Traders?&#8221; I asked. &#8220; Did they have
a record of the pith helmet purchase?&#8221;
	</text>
</object>
<object id="202">
	<ocn>202</ocn>
	<text class="norm">
		Lil frowned. &#8220; We ran the Jungle Traders purchases back for six
months: only three matched the girl's apparent age; all three have
alibis. Chances are she stole it.&#8221;
	</text>
</object>
<object id="203">
	<ocn>203</ocn>
	<text class="norm">
		&#8220; Why?&#8221; I asked, finally. In my mind's eye, I saw my lungs
bursting out of my chest, like wings, like jellyfish, vertebrae
spraying like shrapnel. I saw the girl's smile, an almost sexual smirk
as she pulled the trigger on me.
	</text>
</object>
<object id="204">
	<ocn>204</ocn>
	<text class="norm">
		&#8220; It wasn't random,&#8221; Lil said. &#8220; The slug was
definitely keyed to you&#8212;that means that she'd gotten close to you
at some point.&#8221;
	</text>
</object>
<object id="205">
	<ocn>205</ocn>
	<text class="norm">
		Right&#8212;which meant that she'd been to Disney World in the last ten
years. That narrowed it down, all right.
	</text>
</object>
<object id="206">
	<ocn>206</ocn>
	<text class="norm">
		&#8220; What happened to her after Tomorrowland?&#8221; I said.
	</text>
</object>
<object id="207">
	<ocn>207</ocn>
	<text class="norm">
		&#8220; We don't know,&#8221; Lil said. &#8220; Something wrong with
the cameras. We lost her and she never reappeared.&#8221; She sounded
hot and angry&#8212;she took equipment failures in the Magic Kingdom
personally.
	</text>
</object>
<object id="208">
	<ocn>208</ocn>
	<text class="norm">
		&#8220; Who'd want to do this?&#8221; I asked, hating the self-pity in
my voice. It was the first time I'd been murdered, but I didn't need to
be a drama-queen about it.
	</text>
</object>
<object id="209">
	<ocn>209</ocn>
	<text class="norm">
		Dan's eyes got a far-away look. &#8220; Sometimes, people do things for
reasons that seem perfectly reasonable to them, that the rest of the
world couldn't hope to understand. I've seen a few assassinations, and
they never made sense afterwards.&#8221; He stroked his chin. &#8220;
Sometimes, it's better to look for temperament, rather than motivation:
who <i>could</i> do something like this?&#8221;
	</text>
</object>
<object id="210">
	<ocn>210</ocn>
	<text class="norm">
		Right. All we needed to do was investigate all the psychopaths who'd
visited the Magic Kingdom in ten years. That narrowed it down
considerably. I pulled up a HUD and checked the time. It had been four
days since my murder. I had a shift coming up, working the turnstiles
at the Haunted Mansion. I liked to pull a couple of those shifts a
month, just to keep myself grounded; it helped to take a reality check
while I was churning away in the rarified climate of my crowd-control
simulations.
	</text>
</object>
<object id="211">
	<ocn>211</ocn>
	<text class="norm">
		I stood and went to my closet, started to dress.
	</text>
</object>
<object id="212">
	<ocn>212</ocn>
	<text class="norm">
		&#8220; /{What}/ are you doing?&#8221; Lil asked, alarmed.
	</text>
</object>
<object id="213">
	<ocn>213</ocn>
	<text class="norm">
		&#8220; I've got a shift. I'm running late.&#8221;
	</text>
</object>
<object id="214">
	<ocn>214</ocn>
	<text class="norm">
		&#8220; You're in no shape to work,&#8221; Lil said, tugging at my
elbow. I jerked free of her.
	</text>
</object>
<object id="215">
	<ocn>215</ocn>
	<text class="norm">
		&#8220; I'm fine&#8212;good as new.&#8221; I barked a humorless laugh.
&#8220; I'm not going to let those bastards disrupt my life any
more.&#8221;
	</text>
</object>
<object id="216">
	<ocn>216</ocn>
	<text class="norm">
		<i>Those bastards</i>? I thought&#8212;when had I decided that there
was more than one? But I knew it was true. There was no way that this
was all planned by one person: it had been executed too precisely, too
thoroughly.
	</text>
</object>
<object id="217">
	<ocn>217</ocn>
	<text class="norm">
		Dan moved to block the bedroom door. &#8220; Wait a second,&#8221; he
said. &#8220; You need rest.&#8221;
	</text>
</object>
<object id="218">
	<ocn>218</ocn>
	<text class="norm">
		I fixed him with a doleful glare. &#8220; I'll decide that,&#8221; I
said. He stepped aside.
	</text>
</object>
<object id="219">
	<ocn>219</ocn>
	<text class="norm">
		&#8220; I'll tag along, then,&#8221; he said. &#8220; Just in
case.&#8221;
	</text>
</object>
<object id="220">
	<ocn>220</ocn>
	<text class="norm">
		I pinged my Whuffie. I was up a couple percentiles&#8212;sympathy
Whuffie&#8212;but it was falling: Dan and Lil were radiating
disapproval. Screw 'em.
	</text>
</object>
<object id="221">
	<ocn>221</ocn>
	<text class="norm">
		I got into my runabout and Dan scrambled for the passenger door as I
put it in gear and sped out.
	</text>
</object>
<object id="222">
	<ocn>222</ocn>
	<text class="norm">
		&#8220; Are you sure you're all right?&#8221; Dan said as I nearly
rolled the runabout taking the corner at the end of our cul-de-sac.
	</text>
</object>
<object id="223">
	<ocn>223</ocn>
	<text class="norm">
		&#8220; Why wouldn't I be?&#8221; I said. &#8220; I'm as good as
new.&#8221;
	</text>
</object>
<object id="224">
	<ocn>224</ocn>
	<text class="norm">
		&#8220; Funny choice of words,&#8221; he said. &#8220; Some would say
that you <i>were</i> new.&#8221;
	</text>
</object>
<object id="225">
	<ocn>225</ocn>
	<text class="norm">
		I groaned. &#8220; Not this argument again,&#8221; I said. &#8220; I
feel like me and no one else is making that claim. Who cares if I've
been restored from a backup?&#8221;
	</text>
</object>
<object id="226">
	<ocn>226</ocn>
	<text class="norm">
		&#8220; All I'm saying is, there's a difference between <i>you</i> and
an exact copy of you, isn't there?&#8221;
	</text>
</object>
<object id="227">
	<ocn>227</ocn>
	<text class="norm">
		I knew what he was doing, distracting me with one of our old fights,
but I couldn't resist the bait, and as I marshalled my arguments, it
actually helped calm me down some. Dan was that kind of friend, a
person who knew you better than you knew yourself. &#8220; So you're
saying that if you were obliterated and then recreated, atom-for-atom,
that you wouldn't be you anymore?&#8221;
	</text>
</object>
<object id="228">
	<ocn>228</ocn>
	<text class="norm">
		&#8220; For the sake of argument, sure. Being destroyed and recreated
is different from not being destroyed at all, right?&#8221;
	</text>
</object>
<object id="229">
	<ocn>229</ocn>
	<text class="norm">
		&#8220; Brush up on your quantum mechanics, pal. You're being destroyed
and recreated a trillion times a second.&#8221;
	</text>
</object>
<object id="230">
	<ocn>230</ocn>
	<text class="norm">
		&#8220; On a very, very small level&#8212;&#8221;
	</text>
</object>
<object id="231">
	<ocn>231</ocn>
	<text class="norm">
		&#8220; What difference does that make?&#8221;
	</text>
</object>
<object id="232">
	<ocn>232</ocn>
	<text class="norm">
		&#8220; Fine, I'll concede that. But you're not really an atom-for-atom
copy. You're a clone, with a copied <i>brain</i>&#8212;that's not the
same as quantum destruction.&#8221;
	</text>
</object>
<object id="233">
	<ocn>233</ocn>
	<text class="norm">
		&#8220; Very nice thing to say to someone who's just been murdered,
pal. You got a problem with clones?&#8221;
	</text>
</object>
<object id="234">
	<ocn>234</ocn>
	<text class="norm">
		And we were off and running.
	</text>
</object>
<object id="235">
	<ocn>235</ocn>
	<text class="norm">
		The Mansion's cast were sickeningly cheerful and solicitous. Each of
them made a point of coming around and touching the stiff, starched
shoulder of my butler's costume, letting me know that if there was
anything they could do for me… I gave them all a fixed smile and
tried to concentrate on the guests, how they waited, when they arrived,
how they dispersed through the exit gate. Dan hovered nearby,
occasionally taking the eight minute, twenty-two second ride-through,
running interference for me with the other castmembers.
	</text>
</object>
<object id="236">
	<ocn>236</ocn>
	<text class="norm">
		He was nearby when my break came up. I changed into civvies and we
walked over the cobbled streets, past the Hall of the Presidents,
noting as I rounded the corner that there was something different about
the queue-area. Dan groaned. &#8220; They did it already,&#8221; he
said.
	</text>
</object>
<object id="237">
	<ocn>237</ocn>
	<text class="norm">
		I looked closer. The turnstiles were blocked by a sandwich board:
Mickey in a Ben Franklin wig and bifocals, holding a trowel. &#8220;
Excuse our mess!&#8221; the sign declared. &#8220; We're renovating to
serve you better!&#8221;
	</text>
</object>
<object id="238">
	<ocn>238</ocn>
	<text class="norm">
		I spotted one of Debra's cronies standing behind the sign, a
self-satisfied smile on his face. He'd started off life as a squat,
northern Chinese, but had had his bones lengthened and his cheekbones
raised so that he looked almost elfin. I took one look at his smile and
understood&#8212;Debra had established a toehold in Liberty Square.
	</text>
</object>
<object id="239">
	<ocn>239</ocn>
	<text class="norm">
		&#8220; They filed plans for the new Hall with the steering committee
an hour after you got shot. The committee loved the plans; so did the
net. They're promising not to touch the Mansion.&#8221;
	</text>
</object>
<object id="240">
	<ocn>240</ocn>
	<text class="norm">
		&#8220; You didn't mention this,&#8221; I said, hotly.
	</text>
</object>
<object id="241">
	<ocn>241</ocn>
	<text class="norm">
		&#8220; We thought you'd jump to conclusions. The timing was bad, but
there's no indication that they arranged for the shooter. Everyone's
got an alibi; furthermore, they've all offered to submit their backups
for proof.&#8221;
	</text>
</object>
<object id="242">
	<ocn>242</ocn>
	<text class="norm">
		&#8220; Right,&#8221; I said. &#8220; Right. So they just
<i>happened</i> to have plans for a new Hall standing by. And they just
<i>happened</i> to file them after I got shot, when all our ad-hocs
were busy worrying about me. It's all a big coincidence.&#8221;
	</text>
</object>
<object id="243">
	<ocn>243</ocn>
	<text class="norm">
		Dan shook his head. &#8220; We're not stupid, Jules. No one thinks that
it's a coincidence. Debra's the sort of person who keeps a lot of plans
standing by, just in case. But that just makes her a well-prepared
opportunist, not a murderer.&#8221;
	</text>
</object>
<object id="244">
	<ocn>244</ocn>
	<text class="norm">
		I felt nauseated and exhausted. I was enough of a castmember that I
sought out a utilidor before I collapsed against a wall, head down.
Defeat seeped through me, saturating me.
	</text>
</object>
<object id="245">
	<ocn>245</ocn>
	<text class="norm">
		Dan crouched down beside me. I looked over at him. He was grinning
wryly. &#8220; Posit,&#8221; he said, &#8220; for the moment, that
Debra really did do this thing, set you up so that she could take
over.&#8221;
	</text>
</object>
<object id="246">
	<ocn>246</ocn>
	<text class="norm">
		I smiled, in spite of myself. This was his explaining act, the thing he
would do whenever I fell into one of his rhetorical tricks back in the
old days. &#8220; All right, I've posited it.&#8221;
	</text>
</object>
<object id="247">
	<ocn>247</ocn>
	<text class="norm">
		&#8220; Why would she: one, take out you instead of Lil or one of the
real old-timers; two, go after the Hall of Presidents instead of Tom
Sawyer Island or even the Mansion; and three, follow it up with such a
blatant, suspicious move?&#8221;
	</text>
</object>
<object id="248">
	<ocn>248</ocn>
	<text class="norm">
		&#8220; All right,&#8221; I said, warming to the challenge. &#8220;
One: I'm important enough to be disruptive but not so important as to
rate a full investigation. Two: Tom Sawyer Island is too visible, you
can't rehab it without people seeing the dust from shore. Three,
Debra's coming off of a decade in Beijing, where subtlety isn't real
important.&#8221;
	</text>
</object>
<object id="249">
	<ocn>249</ocn>
	<text class="norm">
		&#8220; Sure,&#8221; Dan said, &#8220; sure.&#8221; Then he launched an
answering salvo, and while I was thinking up my answer, he helped me to
my feet and walked me out to my runabout, arguing all the way, so that
by the time I noticed we weren't at the Park anymore, I was home and in
bed.
	</text>
</object>
<object id="250">
	<ocn>250</ocn>
	<text class="norm">
		With all the Hall's animatronics mothballed for the duration, Lil had
more time on her hands than she knew what to do with. She hung around
the little bungalow, the two of us in the living room, staring blankly
at the windows, breathing shallowly in the claustrophobic, superheated
Florida air. I had my working notes on queue management for the
Mansion, and I pecked at them aimlessly. Sometimes, Lil mirrored my HUD
so she could watch me work, and made suggestions based on her long
experience.
	</text>
</object>
<object id="251">
	<ocn>251</ocn>
	<text class="norm">
		It was a delicate process, this business of increasing throughput
without harming the guest experience. But for every second I could
shave off of the queue-to-exit time, I could put another sixty guests
through and lop thirty seconds off total wait-time. And the more guests
who got to experience the Mansion, the more of a Whuffie-hit Debra's
people would suffer if they made a move on it. So I dutifully pecked at
my notes, and found three seconds I could shave off the graveyard
sequence by swiveling the Doom Buggy carriages stage-left as they
descended from the attic window: by expanding their fields-of-vision, I
could expose the guests to all the scenes more quickly.
	</text>
</object>
<object id="252">
	<ocn>252</ocn>
	<text class="norm">
		I ran the change in fly-through, then implemented it after closing and
invited the other Liberty Square ad-hocs to come and test it out.
	</text>
</object>
<object id="253">
	<ocn>253</ocn>
	<text class="norm">
		It was another muggy winter evening, prematurely dark. The ad-hocs had
enough friends and family with them that we were able to simulate an
off-peak queue-time, and we all stood and sweated in the preshow area,
waiting for the doors to swing open, listening to the wolf-cries and
assorted boo-spookery from the hidden speakers.
	</text>
</object>
<object id="254">
	<ocn>254</ocn>
	<text class="norm">
		The doors swung open, revealing Lil in a rotting maid's uniform, her
eyes lined with black, her skin powdered to a deathly pallor. She gave
us a cold, considering glare, then intoned, &#8220; Master Gracey
requests more bodies.&#8221;
	</text>
</object>
<object id="255">
	<ocn>255</ocn>
	<text class="norm">
		As we crowded into the cool, musty gloom of the parlor, Lil contrived
to give my ass an affectionate squeeze. I turned to return the favor,
and saw Debra's elfin comrade looming over Lil's shoulder. My smile
died on my lips.
	</text>
</object>
<object id="256">
	<ocn>256</ocn>
	<text class="norm">
		The man locked eyes with me for a moment, and I saw something in
there&#8212;some admixture of cruelty and worry that I didn't know what
to make of. He looked away immediately. I'd known that Debra would have
spies in the crowd, of course, but with elf-boy watching, I resolved to
make this the best show I knew how.
	</text>
</object>
<object id="257">
	<ocn>257</ocn>
	<text class="norm">
		It's subtle, this business of making the show better from within. Lil
had already slid aside the paneled wall that led to stretch-room number
two, the most recently serviced one. Once the crowd had moved inside, I
tried to lead their eyes by adjusting my body language to poses of
subtle attention directed at the new spotlights. When the newly
remastered soundtrack came from behind the sconce-bearing gargoyles at
the corners of the octagonal room, I leaned my body slightly in the
direction of the moving stereo-image. And an instant before the lights
snapped out, I ostentatiously cast my eyes up into the scrim ceiling,
noting that others had taken my cue, so they were watching when the
UV-lit corpse dropped from the pitch-dark ceiling, jerking against the
noose at its neck.
	</text>
</object>
<object id="258">
	<ocn>258</ocn>
	<text class="norm">
		The crowd filed into the second queue area, where they boarded the Doom
Buggies. There was a low buzz of marveling conversation as we made our
way onto the moving sidewalk. I boarded my Doom Buggy and an instant
later, someone slid in beside me. It was the elf.
	</text>
</object>
<object id="259">
	<ocn>259</ocn>
	<text class="norm">
		He made a point of not making eye contact with me, but I sensed his
sidelong glances at me as we rode through past the floating chandelier
and into the corridor where the portraits' eyes watched us. Two years
before, I'd accelerated this sequence and added some random swivel to
the Doom Buggies, shaving 25 seconds off the total, taking the hourly
throughput cap from 2365 to 2600. It was the proof-of-concept that led
to all the other seconds I'd shaved away since. The violent pitching of
the Buggy brought me and the elf into inadvertent contact with one
another, and when I brushed his hand as I reached for the safety bar, I
felt that it was cold and sweaty.
	</text>
</object>
<object id="260">
	<ocn>260</ocn>
	<text class="norm">
		He was nervous! <i>He</i> was nervous. What did <i>he</i> have to be
nervous about? I was the one who'd been murdered&#8212;maybe he was
nervous because he was supposed to finish the job. I cast my own
sidelong looks at him, trying to see suspicious bulges in his tight
clothes, but the Doom Buggy's pebbled black plastic interior was too
dim. Dan was in the Buggy behind us, with one of the Mansion's regular
castmembers. I rang his cochlea and subvocalized: &#8220; Get ready to
jump out on my signal.&#8221; Anyone leaving their Buggy would
interrupt an infrared beam and stop the ride system. I knew I could
rely on Dan to trust me without a lot of explaining, which meant that I
could keep a close watch on Debra's crony.
	</text>
</object>
<object id="261">
	<ocn>261</ocn>
	<text class="norm">
		We went past the hallway of mirrors and into the hallway of doors,
where monstrous hands peeked out around the sills, straining against
the hinges, recorded groans mixed in with pounding. I thought about
it&#8212;if I wanted to kill someone on the Mansion, what would be the
best place to do it? The attic staircase-- the next
sequence&#8212;seemed like a good bet. A cold clarity washed over me.
The elf would kill me in the gloom of the staircase, dump me out over
the edge at the blind turn toward the graveyard, and that would be it.
Would he be able to do it if I were staring straight at him? He seemed
terribly nervous as it was. I swiveled in my seat and looked him
straight in the eye.
	</text>
</object>
<object id="262">
	<ocn>262</ocn>
	<text class="norm">
		He quirked half a smile at me and nodded a greeting. I kept on staring
at him, my hands balled into fists, ready for anything. We rode down
the staircase, facing up, listening to the clamour of voices from the
cemetery and the squawk of the red-eyed raven. I caught sight of the
quaking groundkeeper animatronic from the corner of my eye and
startled. I let out a subvocal squeal and was pitched forward as the
ride system shuddered to a stop.
	</text>
</object>
<object id="263">
	<ocn>263</ocn>
	<text class="norm">
		&#8220; Jules?&#8221; came Dan's voice in my cochlea. &#8220; You all
right?&#8221;
	</text>
</object>
<object id="264">
	<ocn>264</ocn>
	<text class="norm">
		He'd heard my involuntary note of surprise and had leapt clear of the
Buggy, stopping the ride. The elf was looking at me with a mixture of
surprise and pity.
	</text>
</object>
<object id="265">
	<ocn>265</ocn>
	<text class="norm">
		&#8220; It's all right, it's all right. False alarm.&#8221; I paged Lil
and subvocalized to her, telling her to start up the ride ASAP, it was
all right.
	</text>
</object>
<object id="266">
	<ocn>266</ocn>
	<text class="norm">
		I rode the rest of the way with my hands on the safety bar, my eyes
fixed ahead of me, steadfastly ignoring the elf. I checked the timer
I'd been running. The demo was a debacle&#8212;instead of shaving off
three seconds, I'd added thirty. I wanted to cry.
	</text>
</object>
<object id="267">
	<ocn>267</ocn>
	<text class="norm">
		I debarked the Buggy and stalked quickly out of the exit queue, leaning
heavily against the fence, staring blindly at the pet cemetery. My head
swam: I was out of control, jumping at shadows. I was spooked.
	</text>
</object>
<object id="268">
	<ocn>268</ocn>
	<text class="norm">
		And I had no reason to be. Sure, I'd been murdered, but what had it
cost me? A few days of &#8220; unconsciousness&#8221; while they
decanted my backup into my new body, a merciful gap in memory from my
departure at the backup terminal up until my death. I wasn't one of
those nuts who took death <i>seriously</i>. It wasn't like they'd done
something <i>permanent</i>.
	</text>
</object>
<object id="269">
	<ocn>269</ocn>
	<text class="norm">
		In the meantime, I <i>had</i> done something permanent: I'd dug Lil's
grave a little deeper, endangered the ad-hocracy and, worst of all, the
Mansion. I'd acted like an idiot. I tasted my dinner, a wolfed-down
hamburger, and swallowed hard, forcing down the knob of nausea.
	</text>
</object>
<object id="270">
	<ocn>270</ocn>
	<text class="norm">
		I sensed someone at my elbow, and thinking it was Lil, come to ask me
what had gone on, I turned with a sheepish grin and found myself facing
the elf.
	</text>
</object>
<object id="271">
	<ocn>271</ocn>
	<text class="norm">
		He stuck his hand out and spoke in the flat no-accent of someone
running a language module. &#8220; Hi there. We haven't been
introduced, but I wanted to tell you how much I enjoy your work. I'm
Tim Fung.&#8221;
	</text>
</object>
<object id="272">
	<ocn>272</ocn>
	<text class="norm">
		I pumped his hand, which was still cold and particularly clammy in the
close heat of the Florida night. &#8220; Julius,&#8221; I said,
startled at how much like a bark it sounded. <i>Careful</i>, I thought,
<i>no need to escalate the hostilities.</i> &#8220; It's kind of you to
say that. I like what you-all have done with the Pirates.&#8221;
	</text>
</object>
<object id="273">
	<ocn>273</ocn>
	<text class="norm">
		He smiled: a genuine, embarrassed smile, as though he'd just been given
high praise from one of his heroes. &#8220; Really? I think it's pretty
good&#8212;the second time around you get a lot of chances to refine
things, really clarify the vision. Beijing&#8212;well, it was exciting,
but it was rushed, you know? I mean, we were really struggling. Every
day, there was another pack of squatters who wanted to tear the Park
down. Debra used to send me out to give the children piggyback rides,
just to keep our Whuffie up while she was evicting the squatters. It
was good to have the opportunity to refine the designs, revisit them
without the floor show.&#8221;
	</text>
</object>
<object id="274">
	<ocn>274</ocn>
	<text class="norm">
		I knew about this, of course&#8212;Beijing had been a real struggle for
the ad-hocs who built it. Lots of them had been killed, many times
over. Debra herself had been killed every day for a week and restored
to a series of prepared clones, beta-testing one of the ride systems.
It was faster than revising the CAD simulations. Debra had a reputation
for pursuing expedience.
	</text>
</object>
<object id="275">
	<ocn>275</ocn>
	<text class="norm">
		&#8220; I'm starting to find out how it feels to work under
pressure,&#8221; I said, and nodded significantly at the Mansion. I was
gratified to see him look embarrassed, then horrified.
	</text>
</object>
<object id="276">
	<ocn>276</ocn>
	<text class="norm">
		&#8220; We would <i>never</i> touch the Mansion,&#8221; he said.
&#8220; It's <i>perfect</i>!&#8221;
	</text>
</object>
<object id="277">
	<ocn>277</ocn>
	<text class="norm">
		Dan and Lil sauntered up as I was preparing a riposte. They both looked
concerned&#8212;now that I thought of it, they'd both seemed incredibly
concerned about me since the day I was revived.
	</text>
</object>
<object id="278">
	<ocn>278</ocn>
	<text class="norm">
		Dan's gait was odd, stilted, like he was leaning on Lil for support.
They looked like a couple. An irrational sear of jealousy jetted
through me. I was an emotional wreck. Still, I took Lil's big, scarred
hand in mine as soon as she was in reach, then cuddled her to me
protectively. She had changed out of her maid's uniform into civvies:
smart coveralls whose micropore fabric breathed in time with her own
respiration.
	</text>
</object>
<object id="279">
	<ocn>279</ocn>
	<text class="norm">
		&#8220; Lil, Dan, I want you to meet Tim Fung. He was just telling me
war stories from the Pirates project in Beijing.&#8221;
	</text>
</object>
<object id="280">
	<ocn>280</ocn>
	<text class="norm">
		Lil waved and Dan gravely shook his hand. &#8220; That was some hard
work,&#8221; Dan said.
	</text>
</object>
<object id="281">
	<ocn>281</ocn>
	<text class="norm">
		It occurred to me to turn on some Whuffie monitors. It was normally an
instantaneous reaction to meeting someone, but I was still disoriented.
I pinged the elf. He had a lot of left-handed Whuffie; respect garnered
from people who shared very few of my opinions. I expected that. What I
didn't expect was that his weighted Whuffie score, the one that lent
extra credence to the rankings of people I respected, was also
high&#8212;higher than my own. I regretted my nonlinear behavior even
more. Respect from the elf&#8212;/{Tim}/, I had to remember to call him
Tim&#8212;would carry a lot of weight in every camp that mattered.
	</text>
</object>
<object id="282">
	<ocn>282</ocn>
	<text class="norm">
		Dan's score was incrementing upwards, but he still had a rotten
profile. He had accrued a good deal of left-handed Whuffie, and I
curiously backtraced it to the occasion of my murder, when Debra's
people had accorded him a generous dollop of props for the levelheaded
way he had scraped up my corpse and moved it offstage, minimizing the
disturbance in front of their wondrous Pirates.
	</text>
</object>
<object id="283">
	<ocn>283</ocn>
	<text class="norm">
		I was fugueing, wandering off on the kind of mediated reverie that got
me killed on the reef at Playa Coral, and I came out of it with a
start, realizing that the other three were politely ignoring my blown
buffer. I could have run backwards through my short-term memory to get
the gist of the conversation, but that would have lengthened the pause.
Screw it. &#8220; So, how're things going over at the Hall of the
Presidents?&#8221; I asked Tim.
	</text>
</object>
<object id="284">
	<ocn>284</ocn>
	<text class="norm">
		Lil shot me a cautioning look. She'd ceded the Hall to Debra's ad-hocs,
that being the only way to avoid the appearance of childish
disattention to the almighty Whuffie. Now she had to keep up the
fiction of good-natured cooperation&#8212;that meant not
shoulder-surfing Debra, looking for excuses to pounce on her work.
	</text>
</object>
<object id="285">
	<ocn>285</ocn>
	<text class="norm">
		Tim gave us the same half-grin he'd greeted me with. On his smooth,
pointed features, it looked almost irredeemably cute. &#8220; We're
doing good stuff, I think. Debra's had her eye on the Hall for years,
back in the old days, before she went to China. We're replacing the
whole thing with broadband uplinks of gestalts from each of the
Presidents' lives: newspaper headlines, speeches, distilled
biographies, personal papers. It'll be like having each President
<i>inside</i> you, core-dumped in a few seconds. Debra said we're going
to <i>flash-bake</i> the Presidents on your mind!&#8221; His eyes
glittered in the twilight.
	</text>
</object>
<object id="286">
	<ocn>286</ocn>
	<text class="norm">
		Having only recently experienced my own cerebral flash-baking, Tim's
description struck a chord in me. My personality seemed to be rattling
around a little in my mind, as though it had been improperly fitted. It
made the idea of having the gestalt of 50-some Presidents squashed in
along with it perversely appealing.
	</text>
</object>
<object id="287">
	<ocn>287</ocn>
	<text class="norm">
		&#8220; Wow,&#8221; I said. &#8220; That sounds wild. What do you have
in mind for physical plant?&#8221; The Hall as it stood had a quiet,
patriotic dignity cribbed from a hundred official buildings of the dead
USA. Messing with it would be like redesigning the stars-and-bars.
	</text>
</object>
<object id="288">
	<ocn>288</ocn>
	<text class="norm">
		&#8220; That's not really my area,&#8221; Tim said. &#8220; I'm a
programmer. But I could have one of the designers squirt some plans at
you, if you want.&#8221;
	</text>
</object>
<object id="289">
	<ocn>289</ocn>
	<text class="norm">
		&#8220; That would be fine,&#8221; Lil said, taking my elbow. &#8220; I
think we should be heading home, now, though.&#8221; She began to tug
me away. Dan took my other elbow. Behind her, the Liberty Belle glowed
like a ghostly wedding cake in the twilight.
	</text>
</object>
<object id="290">
	<ocn>290</ocn>
	<text class="norm">
		&#8220; That's too bad,&#8221; Tim said. &#8220; My ad-hoc is pulling
an all-nighter on the new Hall. I'm sure they'd love to have you drop
by.&#8221;
	</text>
</object>
<object id="291">
	<ocn>291</ocn>
	<text class="norm">
		The idea seized hold of me. I would go into the camp of the enemy, sit
by their fire, learn their secrets. &#8220; That would be
<i>great</i>!&#8221; I said, too loudly. My head was buzzing slightly.
Lil's hands fell away.
	</text>
</object>
<object id="292">
	<ocn>292</ocn>
	<text class="norm">
		&#8220; But we've got an early morning tomorrow,&#8221; Lil said.
&#8220; You've got a shift at eight, and I'm running into town for
groceries.&#8221; She was lying, but she was telling me that this
wasn't her idea of a smart move. But my faith was unshakeable.
	</text>
</object>
<object id="293">
	<ocn>293</ocn>
	<text class="norm">
		&#8220; Eight a.m. shift? No problem&#8212;I'll be right here when it
starts. I'll just grab a shower at the Contemporary in the morning and
catch the monorail back in time to change. All right?&#8221;
	</text>
</object>
<object id="294">
	<ocn>294</ocn>
	<text class="norm">
		Dan tried. &#8220; But Jules, we were going to grab some dinner at
Cinderella's Royal Table, remember? I made reservations.&#8221;
	</text>
</object>
<object id="295">
	<ocn>295</ocn>
	<text class="norm">
		&#8220; Aw, we can eat any time,&#8221; I said. &#8220; This is a hell
of an opportunity.&#8221;
	</text>
</object>
<object id="296">
	<ocn>296</ocn>
	<text class="norm">
		&#8220; It sure is,&#8221; Dan said, giving up. &#8220; Mind if I come
along?&#8221;
	</text>
</object>
<object id="297">
	<ocn>297</ocn>
	<text class="norm">
		He and Lil traded meaningful looks that I interpreted to mean, <i>If
he's going to be a nut, one of us really should stay with him</i>. I
was past caring&#8212;I was going to beard the lion in his den!
	</text>
</object>
<object id="298">
	<ocn>298</ocn>
	<text class="norm">
		Tim was apparently oblivious to all of this. &#8220; Then it's settled!
Let's go.&#8221;
	</text>
</object>
<object id="299">
	<ocn>299</ocn>
	<text class="norm">
		On the walk to the Hall, Dan kept ringing my cochlea and I kept sending
him straight to voicemail. All the while, I kept up a patter of
small-talk with him and Tim. I was determined to make up for my debacle
in the Mansion with Tim, win him over.
	</text>
</object>
<object id="300">
	<ocn>300</ocn>
	<text class="norm">
		Debra's people were sitting around in the armchairs onstage, the
animatronic presidents stacked in neat piles in the wings. Debra was
sprawled in Lincoln's armchair, her head cocked lazily, her legs
extended before her. The Hall's normal smells of ozone and cleanliness
were overridden by sweat and machine-oil, the stink of an ad-hoc
pulling an all-nighter. The Hall took fifteen years to research and
execute, and a couple of days to tear down.
	</text>
</object>
<object id="301">
	<ocn>301</ocn>
	<text class="norm">
		She was au-naturel, still wearing the face she'd been born with, albeit
one that had been regenerated dozens of times after her deaths. It was
patrician, waxy, long, with a nose that was made for staring down. She
was at least as old as I was, though she was only apparent 22. I got
the sense that she picked this age because it was one that afforded
boundless reserves of energy.
	</text>
</object>
<object id="302">
	<ocn>302</ocn>
	<text class="norm">
		She didn't deign to rise as I approached, but she did nod languorously
at me. The other ad-hocs had been split into little clusters, hunched
over terminals. They all had the raccoon-eyed, sleep-deprived look of
fanatics, even Debra, who managed to look lazy and excited
simultaneously.
	</text>
</object>
<object id="303">
	<ocn>303</ocn>
	<text class="norm">
		<i>Did you have me killed</i>? I wondered, staring at Debra. After all,
she'd been killed dozens, if not hundreds of times. It might not be
such a big deal for her.
	</text>
</object>
<object id="304">
	<ocn>304</ocn>
	<text class="norm">
		&#8220; Hi there,&#8221; I said, brightly. &#8220; Tim offered to show
us around! You know Dan, right?&#8221;
	</text>
</object>
<object id="305">
	<ocn>305</ocn>
	<text class="norm">
		Debra nodded at him. &#8220; Oh, sure. Dan and I are pals,
right?&#8221;
	</text>
</object>
<object id="306">
	<ocn>306</ocn>
	<text class="norm">
		Dan's poker face didn't twitch a muscle. &#8220; Hello, Debra,&#8221;
he said. He'd been hanging out with them since Lil had briefed him on
the peril to the Mansion, trying to gather some intelligence for us to
use. They knew what he was up to, of course, but Dan was a fairly
charming guy and he worked like a mule, so they tolerated him. But it
seemed like he'd violated a boundary by accompanying me, as though the
polite fiction that he was more a part of Debra's ad-hoc than Lil's was
shattered by my presence.
	</text>
</object>
<object id="307">
	<ocn>307</ocn>
	<text class="norm">
		Tim said, &#8220; Can I show them the demo, Debra?&#8221;
	</text>
</object>
<object id="308">
	<ocn>308</ocn>
	<text class="norm">
		Debra quirked an eyebrow, then said, &#8220; Sure, why not. You'll like
this, guys.&#8221;
	</text>
</object>
<object id="309">
	<ocn>309</ocn>
	<text class="norm">
		Tim hustled us backstage, where Lil and I used to sweat over the
animatronics and cop surreptitious feels. Everything had been torn
loose, packed up, stacked. They hadn't wasted a moment&#8212;they'd
spent a week tearing down a show that had run for more than a century.
The scrim that the projected portions of the show normally screened on
was ground into the floor, spotted with grime, footprints and oil.
	</text>
</object>
<object id="310">
	<ocn>310</ocn>
	<text class="norm">
		Tim showed me to a half-assembled backup terminal. Its housing was off,
and any number of wireless keyboards, pointers and gloves lay strewn
about it. It had the look of a prototype.
	</text>
</object>
<object id="311">
	<ocn>311</ocn>
	<text class="norm">
		&#8220; This is it&#8212;our uplink. So far, we've got a demo app
running on it: Lincoln's old speech, along with the civil-war montage.
Just switch on guest access and I'll core-dump it to you. It's
wild.&#8221;
	</text>
</object>
<object id="312">
	<ocn>312</ocn>
	<text class="norm">
		I pulled up my HUD and switched on guest access. Tim pointed a finger
at the terminal and my brain was suffused with the essence of Lincoln:
every nuance of his speech, the painstakingly researched movement tics,
his warts and beard and topcoat. It almost felt like I <i>was</i>
Lincoln, for a moment, and then it passed. But I could still taste the
lingering coppery flavor of cannon-fire and chewing tobacco.
	</text>
</object>
<object id="313">
	<ocn>313</ocn>
	<text class="norm">
		I staggered backwards. My head swam with flash-baked sense-impressions,
rich and detailed. I knew on the spot that Debra's Hall of the
Presidents was going to be a hit.
	</text>
</object>
<object id="314">
	<ocn>314</ocn>
	<text class="norm">
		Dan took a shot off the uplink, too. Tim and I watched him as his
expression shifted from skepticism to delight. Tim looked expectantly
at me.
	</text>
</object>
<object id="315">
	<ocn>315</ocn>
	<text class="norm">
		&#8220; That's really fine,&#8221; I said. &#8220; Really, really fine.
Moving.&#8221;
	</text>
</object>
<object id="316">
	<ocn>316</ocn>
	<text class="norm">
		Tim blushed. &#8220; Thanks! I did the gestalt programming&#8212;it's
my specialty.&#8221;
	</text>
</object>
<object id="317">
	<ocn>317</ocn>
	<text class="norm">
		Debra spoke up from behind him&#8212;she'd sauntered over while Dan was
getting his jolt. &#8220; I got the idea in Beijing, when I was dying a
lot. There's something wonderful about having memories implanted, like
you're really working your brain. I love the synthetic clarity of it
all.&#8221;
	</text>
</object>
<object id="318">
	<ocn>318</ocn>
	<text class="norm">
		Tim sniffed. &#8220; Not synthetic at all,&#8221; he said, turning to
me. &#8220; It's nice and soft, right?&#8221;
	</text>
</object>
<object id="319">
	<ocn>319</ocn>
	<text class="norm">
		I sensed deep political shoals and was composing my reply when Debra
said: &#8220; Tim keeps trying to make it all more impressionistic,
less computer-y. He's wrong, of course. We don't want to simulate the
experience of watching the show&#8212;we want to <i>transcend
it</i>.&#8221;
	</text>
</object>
<object id="320">
	<ocn>320</ocn>
	<text class="norm">
		Tim nodded reluctantly. &#8220; Sure, transcend it. But the way we do
that is by making the experience <i>human</i>, a mile in the
presidents' shoes. Empathy-driven. What's the point of flash-baking a
bunch of dry facts on someone's brain?&#8221;
	</text>
</object>
<object id="321">
	<ocn>321</ocn>
	<text class="h4">
		CHAPTER 4
	</text>
</object>
<object id="322">
	<ocn>322</ocn>
	<text class="norm">
		One night in the Hall of Presidents convinced me of three things:
	</text>
</object>
<object id="323">
	<ocn>323</ocn>
	<text class="indent1">
		That Debra's people had had me killed, and screw their alibis,
	</text>
</object>
<object id="324">
	<ocn>324</ocn>
	<text class="indent1">
		That they would kill me again, when the time came for them to make a
play for the Haunted Mansion,
	</text>
</object>
<object id="325">
	<ocn>325</ocn>
	<text class="indent1">
		That our only hope for saving the Mansion was a preemptive strike
against them: we had to hit them hard, where it hurt.
	</text>
</object>
<object id="326">
	<ocn>326</ocn>
	<text class="norm">
		Dan and I had been treated to eight hours of insectile precision in the
Hall of Presidents, Debra's people working with effortless cooperation
born of the adversity they'd faced in Beijing. Debra moved from team to
team, making suggestions with body language as much as with words,
leaving bursts of inspired activity in her wake.
	</text>
</object>
<object id="327">
	<ocn>327</ocn>
	<text class="norm">
		It was that precision that convinced me of point one. Any ad-hoc this
tight could pull off anything if it advanced their agenda. Ad-hoc?
Hell, call them what they were: an army.
	</text>
</object>
<object id="328">
	<ocn>328</ocn>
	<text class="norm">
		Point two came to me when I sampled the Lincoln build that Tim finished
at about three in the morning, after intensive consultation with Debra.
The mark of a great ride is that it gets better the second time around,
as the detail and flourishes start to impinge on your consciousness.
The Mansion was full of little gimcracks and sly nods that snuck into
your experience on each successive ride.
	</text>
</object>
<object id="329">
	<ocn>329</ocn>
	<text class="norm">
		Tim shuffled his feet nervously, bursting with barely restrained pride
as I switched on public access. He dumped the app to my public
directory, and, gingerly, I executed it.
	</text>
</object>
<object id="330">
	<ocn>330</ocn>
	<text class="norm">
		God! God and Lincoln and cannon-fire and oratory and ploughs and mules
and greatcoats! It rolled over me, it punched through me, it crashed
against the inside of my skull and rebounded. The first pass through,
there had been a sense of order, of narrative, but this, this was
gestalt, the whole thing in one undifferentiated ball, filling me and
spilling over. It was panicky for a moment, as the essence of
Lincolness seemed to threaten my own personality, and, just as it was
about to overwhelm me, it receded, leaving behind a rush of endorphin
and adrenaline that made me want to jump.
	</text>
</object>
<object id="331">
	<ocn>331</ocn>
	<text class="norm">
		&#8220; Tim,&#8221; I gasped. &#8220; Tim! That was…&#8221; Words
failed me. I wanted to hug him. What we could do for the Mansion with
this! What elegance! Directly imprinting the experience, without
recourse to the stupid, blind eyes; the thick, deaf ears.
	</text>
</object>
<object id="332">
	<ocn>332</ocn>
	<text class="norm">
		Tim beamed and basked, and Debra nodded solemnly from her throne.
&#8220; You liked it?&#8221; Tim said. I nodded, and staggered back to
the theatre seat where Dan slept, head thrown back, snores softly
rattling in his throat.
	</text>
</object>
<object id="333">
	<ocn>333</ocn>
	<text class="norm">
		Incrementally, reason trickled back into my mind, and with it came ire.
How dare they? The wonderful compromises of technology and expense that
had given us the Disney rides&#8212;rides that had entertained the
world for two centuries and more&#8212;could never compete head to head
with what they were working on.
	</text>
</object>
<object id="334">
	<ocn>334</ocn>
	<text class="norm">
		My hands knotted into fists in my lap. Why the fuck couldn't they do
this somewhere else? Why did they have to destroy everything I loved to
realize this? They could build this tech anywhere&#8212;they could
distribute it online and people could access it from their living
rooms!
	</text>
</object>
<object id="335">
	<ocn>335</ocn>
	<text class="norm">
		But that would never do. Doing it here was better for the old
Whuffie&#8212;they'd make over Disney World and hold it, a single
ad-hoc where three hundred had flourished before, smoothly operating a
park twice the size of Manhattan.
	</text>
</object>
<object id="336">
	<ocn>336</ocn>
	<text class="norm">
		I stood and stalked out of the theater, out into Liberty Square and the
Park. It had cooled down without drying out, and there was a damp chill
that crawled up my back and made my breath stick in my throat. I turned
to contemplate the Hall of Presidents, staid and solid as it had been
since my boyhood and before, a monument to the Imagineers who
anticipated the Bitchun Society, inspired it.
	</text>
</object>
<object id="337">
	<ocn>337</ocn>
	<text class="norm">
		I called Dan, still snoring back in the theater, and woke him. He
grunted unintelligibly in my cochlea.
	</text>
</object>
<object id="338">
	<ocn>338</ocn>
	<text class="norm">
		&#8220; They did it&#8212;they killed me.&#8221; I knew they had, and I
was glad. It made what I had to do next easier.
	</text>
</object>
<object id="339">
	<ocn>339</ocn>
	<text class="norm">
		&#8220; Oh, Jesus. They didn't kill you&#8212;they offered their
backups, remember? They couldn't have done it.&#8221;
	</text>
</object>
<object id="340">
	<ocn>340</ocn>
	<text class="norm">
		&#8220; Bullshit!&#8221; I shouted into the empty night. &#8220;
Bullshit! They did it, and they fucked with their backups somehow. They
must have. It's all too neat and tidy. How else could they have gotten
so far with the Hall so fast? They knew it was coming, they planned a
disruption, and they moved in. Tell me that you think they just had
these plans lying around and moved on them when they could.&#8221;
	</text>
</object>
<object id="341">
	<ocn>341</ocn>
	<text class="norm">
		Dan groaned, and I heard his joints popping. He must have been
stretching. The Park breathed around me, the sounds of maintenance
crews scurrying in the night. &#8220; I do believe that. Clearly, you
don't. It's not the first time we've disagreed. So now what?&#8221;
	</text>
</object>
<object id="342">
	<ocn>342</ocn>
	<text class="norm">
		&#8220; Now we save the Mansion,&#8221; I said. &#8220; Now we fight
back.&#8221;
	</text>
</object>
<object id="343">
	<ocn>343</ocn>
	<text class="norm">
		&#8220; Oh, shit,&#8221; Dan said.
	</text>
</object>
<object id="344">
	<ocn>344</ocn>
	<text class="norm">
		I have to admit, there was a part of me that concurred.
	</text>
</object>
<object id="345">
	<ocn>345</ocn>
	<text class="norm">
		My opportunity came later that week. Debra's ad-hocs were showboating,
announcing a special preview of the new Hall to the other ad-hocs that
worked in the Park. It was classic chutzpah, letting the key
influencers in the Park in long before the bugs were hammered out. A
smooth run would garner the kind of impressed reaction that guaranteed
continued support while they finished up; a failed demo could doom
them. There were plenty of people in the Park who had a sentimental
attachment to the Hall of Presidents, and whatever Debra's people came
up with would have to answer their longing.
	</text>
</object>
<object id="346">
	<ocn>346</ocn>
	<text class="norm">
		&#8220; I'm going to do it during the demo,&#8221; I told Dan, while I
piloted the runabout from home to the castmember parking. I snuck a
look at him to gauge his reaction. He had his poker face on.
	</text>
</object>
<object id="347">
	<ocn>347</ocn>
	<text class="norm">
		&#8220; I'm not going to tell Lil,&#8221; I continued. &#8220; It's
better that she doesn't know&#8212;plausible deniability.&#8221;
	</text>
</object>
<object id="348">
	<ocn>348</ocn>
	<text class="norm">
		&#8220; And me?&#8221; he said. &#8220; Don't I need plausible
deniability?&#8221;
	</text>
</object>
<object id="349">
	<ocn>349</ocn>
	<text class="norm">
		&#8220; No,&#8221; I said. &#8220; No, you don't. You're an outsider.
You can make the case that you were working on your own&#8212;gone
rogue.&#8221; I knew it wasn't fair. Dan was here to build up his
Whuffie, and if he was implicated in my dirty scheme, he'd have to
start over again. I knew it wasn't fair, but I didn't care. I knew that
we were fighting for our own survival. &#8220; It's good versus evil,
Dan. You don't want to be a post-person. You want to stay human. The
rides are human. We each mediate them through our own experience. We're
physically inside of them, and they talk to us through our senses. What
Debra's people are building&#8212;it's hive-mind shit. Directly
implanting thoughts! Jesus! It's not an experience, it's brainwashing!
You gotta know that.&#8221; I was pleading, arguing with myself as much
as with him.
	</text>
</object>
<object id="350">
	<ocn>350</ocn>
	<text class="norm">
		I snuck another look at him as I sped along the Disney back-roads,
lined with sweaty Florida pines and immaculate purple signage. Dan was
looking thoughtful, the way he had back in our old days in Toronto.
Some of my tension dissipated. He was thinking about it&#8212;I'd
gotten through to him.
	</text>
</object>
<object id="351">
	<ocn>351</ocn>
	<text class="norm">
		&#8220; Jules, this isn't one of your better ideas.&#8221; My chest
tightened, and he patted my shoulder. He had the knack of putting me at
my ease, even when he was telling me that I was an idiot. &#8220; Even
if Debra was behind your assassination&#8212;and that's not a
certainty, we both know that. Even if that's the case, we've got better
means at our disposal. Improving the Mansion, competing with her head
to head, that's smart. Give it a little while and we can come back at
her, take over the Hall&#8212;even the Pirates, that'd really piss her
off. Hell, if we can prove she was behind the assassination, we can
chase her off right now. Sabotage is not going to do you any good.
You've got lots of other options.&#8221;
	</text>
</object>
<object id="352">
	<ocn>352</ocn>
	<text class="norm">
		&#8220; But none of them are fast enough, and none of them are
emotionally satisfying. This way has some goddamn <i>balls</i>.&#8221;
	</text>
</object>
<object id="353">
	<ocn>353</ocn>
	<text class="norm">
		We reached castmember parking, I swung the runabout into a slot and
stalked out before it had a chance to extrude its recharger cock. I
heard Dan's door slam behind me and knew that he was following behind.
	</text>
</object>
<object id="354">
	<ocn>354</ocn>
	<text class="norm">
		We took to the utilidors grimly. I walked past the cameras, knowing
that my image was being archived, my presence logged. I'd picked the
timing of my raid carefully: by arriving at high noon, I was sticking
to my traditional pattern for watching hot-weather crowd dynamics. I'd
made a point of visiting twice during the previous week at this time,
and of dawdling in the commissary before heading topside. The delay
between my arrival in the runabout and my showing up at the Mansion
would not be discrepant.
	</text>
</object>
<object id="355">
	<ocn>355</ocn>
	<text class="norm">
		Dan dogged my heels as I swung towards the commissary, and then hugged
the wall, in the camera's blindspot. Back in my early days in the Park,
when I was courting Lil, she showed me the A-Vac, the old pneumatic
waste-disposal system, decommissioned in the 20s. The kids who grew up
in the Park had been notorious explorers of the tubes, which still
whiffed faintly of the garbage bags they'd once whisked at 60 mph to
the dump on the property's outskirts, but for a brave, limber kid, the
tubes were a subterranean wonderland to explore when the hypermediated
experiences of the Park lost their luster.
	</text>
</object>
<object id="356">
	<ocn>356</ocn>
	<text class="norm">
		I snarled a grin and popped open the service entrance. &#8220; If they
hadn't killed me and forced me to switch to a new body, I probably
wouldn't be flexible enough to fit in,&#8221; I hissed at Dan. &#8220;
Ironic, huh?&#8221;
	</text>
</object>
<object id="357">
	<ocn>357</ocn>
	<text class="norm">
		I clambered inside without waiting for a reply, and started inching my
way under the Hall of Presidents.
	</text>
</object>
<object id="358">
	<ocn>358</ocn>
	<text class="norm">
		My plan had covered every conceivable detail, except one, which didn't
occur to me until I was forty minutes into the pneumatic tube, arms
held before me and legs angled back like a swimmer's.
	</text>
</object>
<object id="359">
	<ocn>359</ocn>
	<text class="norm">
		How was I going to reach into my pockets?
	</text>
</object>
<object id="360">
	<ocn>360</ocn>
	<text class="norm">
		Specifically, how was I going to retrieve my HERF gun from my back
pants-pocket, when I couldn't even bend my elbows? The HERF gun was the
crux of the plan: a High Energy Radio Frequency generator with a
directional, focused beam that would punch up through the floor of the
Hall of Presidents and fuse every goddamn scrap of unshielded
electronics on the premises. I'd gotten the germ of the idea during
Tim's first demo, when I'd seen all of his prototypes spread out
backstage, cases off, ready to be tinkered with. Unshielded.
	</text>
</object>
<object id="361">
	<ocn>361</ocn>
	<text class="norm">
		&#8220; Dan,&#8221; I said, my voice oddly muffled by the tube's walls.
	</text>
</object>
<object id="362">
	<ocn>362</ocn>
	<text class="norm">
		&#8220; Yeah?&#8221; he said. He'd been silent during the journey, the
sound of his painful, elbow-dragging progress through the lightless
tube my only indicator of his presence.
	</text>
</object>
<object id="363">
	<ocn>363</ocn>
	<text class="norm">
		&#8220; Can you reach my back pocket?&#8221;
	</text>
</object>
<object id="364">
	<ocn>364</ocn>
	<text class="norm">
		&#8220; Oh, shit,&#8221; he said.
	</text>
</object>
<object id="365">
	<ocn>365</ocn>
	<text class="norm">
		&#8220; Goddamn it,&#8221; I said, &#8220; keep the fucking editorial
to yourself. Can you reach it or not?&#8221;
	</text>
</object>
<object id="366">
	<ocn>366</ocn>
	<text class="norm">
		I heard him grunt as he pulled himself up in the tube, then felt his
hand groping up my calf. Soon, his chest was crushing my calves into
the tube's floor and his hand was pawing around my ass.
	</text>
</object>
<object id="367">
	<ocn>367</ocn>
	<text class="norm">
		&#8220; I can reach it,&#8221; he said. I could tell from his tone that
he wasn't too happy about my snapping at him, but I was too wrapped up
to consider an apology, despite what must be happening to my Whuffie as
Dan did his slow burn.
	</text>
</object>
<object id="368">
	<ocn>368</ocn>
	<text class="norm">
		He fumbled the gun&#8212;a narrow cylinder as long as my palm&#8212;out
of my pocket. &#8220; Now what?&#8221; he said.
	</text>
</object>
<object id="369">
	<ocn>369</ocn>
	<text class="norm">
		&#8220; Can you pass it up?&#8221; I asked.
	</text>
</object>
<object id="370">
	<ocn>370</ocn>
	<text class="norm">
		Dan crawled higher, overtop of me, but stuck fast when his ribcage met
my glutes. &#8220; I can't get any further,&#8221; he said.
	</text>
</object>
<object id="371">
	<ocn>371</ocn>
	<text class="norm">
		&#8220; Fine,&#8221; I said. &#8220; You'll have to fire it,
then.&#8221; I held my breath. Would he do it? It was one thing to be
my accomplice, another to be the author of the destruction.
	</text>
</object>
<object id="372">
	<ocn>372</ocn>
	<text class="norm">
		&#8220; Aw, Jules,&#8221; he said.
	</text>
</object>
<object id="373">
	<ocn>373</ocn>
	<text class="norm">
		&#8220; A simple yes or no, Dan. That's all I want to hear from
you.&#8221; I was boiling with anger&#8212;at myself, at Dan, at Debra,
at the whole goddamn thing.
	</text>
</object>
<object id="374">
	<ocn>374</ocn>
	<text class="norm">
		&#8220; Fine,&#8221; he said.
	</text>
</object>
<object id="375">
	<ocn>375</ocn>
	<text class="norm">
		&#8220; Good. Dial it up to max dispersion and point it straight
up.&#8221;
	</text>
</object>
<object id="376">
	<ocn>376</ocn>
	<text class="norm">
		I heard him release the catch, felt a staticky crackle in the air, and
then it was done. The gun was a one-shot, something I'd confiscated
from a mischievous guest a decade before, when they'd had a brief
vogue.
	</text>
</object>
<object id="377">
	<ocn>377</ocn>
	<text class="norm">
		&#8220; Hang on to it,&#8221; I said. I had no intention of leaving
such a damning bit of evidence behind. I resumed my bellycrawl forward
to the next service hatch, near the parking lot, where I'd stashed an
identical change of clothes for both of us.
	</text>
</object>
<object id="378">
	<ocn>378</ocn>
	<text class="norm">
		We made it back just as the demo was getting underway. Debra's ad-hocs
were ranged around the mezzanine inside the Hall of Presidents, a
collection of influential castmembers from other ad-hocs filling the
pre-show area to capacity.
	</text>
</object>
<object id="379">
	<ocn>379</ocn>
	<text class="norm">
		Dan and I filed in just as Tim was stringing the velvet rope up behind
the crowd. He gave me a genuine smile and shook my hand, and I smiled
back, full of good feelings now that I knew that he was going down in
flames. I found Lil and slipped my hand into hers as we filed into the
auditorium, which had the new-car smell of rug shampoo and fresh
electronics.
	</text>
</object>
<object id="380">
	<ocn>380</ocn>
	<text class="norm">
		We took our seats and I bounced my leg nervously, compulsively, while
Debra, dressed in Lincoln's coat and stovepipe, delivered a short
speech. There was some kind of broadcast rig mounted over the stage
now, something to allow them to beam us all their app in one humongous
burst.
	</text>
</object>
<object id="381">
	<ocn>381</ocn>
	<text class="norm">
		Debra finished up and stepped off the stage to a polite round of
applause, and they started the demo.
	</text>
</object>
<object id="382">
	<ocn>382</ocn>
	<text class="norm">
		Nothing happened. I tried to keep the shit-eating grin off my face as
nothing happened. No tone in my cochlea indicating a new file in my
public directory, no rush of sensation, nothing. I turned to Lil to
make some snotty remark, but her eyes were closed, her mouth lolling
open, her breath coming in short huffs. Down the row, every castmember
was in the same attitude of deep, mind-blown concentration. I pulled up
a diagnostic HUD.
	</text>
</object>
<object id="383">
	<ocn>383</ocn>
	<text class="norm">
		Nothing. No diagnostics. No HUD. I cold-rebooted.
	</text>
</object>
<object id="384">
	<ocn>384</ocn>
	<text class="norm">
		Nothing.
	</text>
</object>
<object id="385">
	<ocn>385</ocn>
	<text class="norm">
		I was offline.
	</text>
</object>
<object id="386">
	<ocn>386</ocn>
	<text class="norm">
		Offline, I filed out of the Hall of Presidents. Offline, I took Lil's
hand and walked to the Liberty Belle load-zone, our spot for private
conversations. Offline, I bummed a cigarette from her.
	</text>
</object>
<object id="387">
	<ocn>387</ocn>
	<text class="norm">
		Lil was upset&#8212;even through my bemused, offline haze, I could tell
that. Tears pricked her eyes.
	</text>
</object>
<object id="388">
	<ocn>388</ocn>
	<text class="norm">
		&#8220; Why didn't you tell me?&#8221; she said, after a hard moment's
staring into the moonlight reflecting off the river.
	</text>
</object>
<object id="389">
	<ocn>389</ocn>
	<text class="norm">
		&#8220; Tell you?&#8221; I said, dumbly.
	</text>
</object>
<object id="390">
	<ocn>390</ocn>
	<text class="norm">
		&#8220; They're really good. They're better than good. They're better
than us. Oh, God.&#8221;
	</text>
</object>
<object id="391">
	<ocn>391</ocn>
	<text class="norm">
		Offline, I couldn't find stats or signals to help me discuss the
matter. Offline, I tried it without help. &#8220; I don't think so. I
don't think they've got soul, I don't think they've got history, I
don't think they've got any kind of connection to the past. The world
grew up in the Disneys&#8212;they visit this place for continuity as
much as for entertainment. We provide that.&#8221; I'm offline, and
they're not&#8212;what the hell happened?
	</text>
</object>
<object id="392">
	<ocn>392</ocn>
	<text class="norm">
		&#8220; It'll be okay, Lil. There's nothing in that place that's better
than us. Different and new, but not better. You know that&#8212;you've
spent more time in the Mansion than anyone, you know how much
refinement, how much work there is in there. How can something they
whipped up in a couple weeks possibly be better that this thing we've
been maintaining for all these years?&#8221;
	</text>
</object>
<object id="393">
	<ocn>393</ocn>
	<text class="norm">
		She ground the back of her sleeve against her eyes and smiled. &#8220;
Sorry,&#8221; she said. Her nose was red, her eyes puffy, her freckles
livid over the flush of her cheeks. &#8220; Sorry&#8212;it's just
shocking. Maybe you're right. And even if you're not&#8212;hey, that's
the whole point of a meritocracy, right? The best stuff survives,
everything else gets supplanted.
	</text>
</object>
<object id="394">
	<ocn>394</ocn>
	<text class="norm">
		&#8220; Oh, shit, I hate how I look when I cry,&#8221; she said.
&#8220; Let's go congratulate them.&#8221;
	</text>
</object>
<object id="395">
	<ocn>395</ocn>
	<text class="norm">
		As I took her hand, I was obscurely pleased with myself for having
improved her mood without artificial assistance.
	</text>
</object>
<object id="396">
	<ocn>396</ocn>
	<text class="norm">
		Dan was nowhere to be seen as Lil and I mounted the stage at the Hall,
where Debra's ad-hocs and a knot of well-wishers were celebrating by
passing a rock around. Debra had lost the tailcoat and hat, and was in
an extreme state of relaxation, arms around the shoulders of two of her
cronies, pipe between her teeth.
	</text>
</object>
<object id="397">
	<ocn>397</ocn>
	<text class="norm">
		She grinned around the pipe as Lil and I stumbled through some
insincere compliments, nodded, and toked heavily while Tim applied a
torch to the bowl.
	</text>
</object>
<object id="398">
	<ocn>398</ocn>
	<text class="norm">
		&#8220; Thanks,&#8221; she said, laconically. &#8220; It was a team
effort.&#8221; She hugged her cronies to her, almost knocking their
heads together.
	</text>
</object>
<object id="399">
	<ocn>399</ocn>
	<text class="norm">
		Lil said, &#8220; What's your timeline, then?&#8221;
	</text>
</object>
<object id="400">
	<ocn>400</ocn>
	<text class="norm">
		Debra started unreeling a long spiel about critical paths, milestones,
requirements meetings, and I tuned her out. Ad-hocs were crazy for that
process stuff. I stared at my feet, at the floorboards, and realized
that they weren't floorboards at all, but faux-finish painted over a
copper mesh&#8212;a Faraday cage. That's why the HERF gun hadn't done
anything; that's why they'd been so casual about working with the
shielding off their computers. With my eye, I followed the copper
shielding around the entire stage and up the walls, where it
disappeared into the ceiling. Once again, I was struck by the
evolvedness of Debra's ad-hocs, how their trial by fire in China had
armored them against the kind of bush-league jiggery-pokery that the
fuzzy bunnies in Florida&#8212;myself included&#8212;came up with.
	</text>
</object>
<object id="401">
	<ocn>401</ocn>
	<text class="norm">
		For instance, I didn't think there was a single castmember in the Park
outside of Deb's clique with the stones to stage an assassination. Once
I'd made that leap, I realized that it was only a matter of time until
they staged another one&#8212;and another, and another. Whatever they
could get away with.
	</text>
</object>
<object id="402">
	<ocn>402</ocn>
	<text class="norm">
		Debra's spiel finally wound down and Lil and I headed away. I stopped
in front of the backup terminal in the gateway between Liberty Square
and Fantasyland. &#8220; When was the last time you backed up?&#8221; I
asked her. If they could go after me, they might go after any of us.
	</text>
</object>
<object id="403">
	<ocn>403</ocn>
	<text class="norm">
		&#8220; Yesterday,&#8221; she said. She exuded bone-weariness at me,
looking more like an overmediated guest than a tireless castmember.
	</text>
</object>
<object id="404">
	<ocn>404</ocn>
	<text class="norm">
		&#8220; Let's run another backup, huh? We should really back up at
night and at lunchtime&#8212;with things the way they are, we can't
afford to lose an afternoon's work, much less a week's.&#8221;
	</text>
</object>
<object id="405">
	<ocn>405</ocn>
	<text class="norm">
		Lil rolled her eyes. I knew better than to argue with her when she was
tired, but this was too crucial to set aside for petulance. &#8220; You
can back up that often if you want to, Julius, but don't tell me how to
live my life, okay?&#8221;
	</text>
</object>
<object id="406">
	<ocn>406</ocn>
	<text class="norm">
		&#8220; Come on, Lil&#8212;it only takes a minute, and it'd make me
feel a lot better. Please?&#8221; I hated the whine in my voice.
	</text>
</object>
<object id="407">
	<ocn>407</ocn>
	<text class="norm">
		&#8220; No, Julius. No. Let's go home and get some sleep. I want to do
some work on new merch for the Mansion&#8212;some collectible stuff,
maybe.&#8221;
	</text>
</object>
<object id="408">
	<ocn>408</ocn>
	<text class="norm">
		&#8220; For Christ's sake, is it really so much to ask? Fine. Wait
while I back up, then, all right?&#8221;
	</text>
</object>
<object id="409">
	<ocn>409</ocn>
	<text class="norm">
		Lil groaned and glared at me.
	</text>
</object>
<object id="410">
	<ocn>410</ocn>
	<text class="norm">
		I approached the terminal and cued a backup. Nothing happened. Oh,
yeah, right, I was offline. A cool sweat broke out all over my new
body.
	</text>
</object>
<object id="411">
	<ocn>411</ocn>
	<text class="norm">
		Lil grabbed the couch as soon as we got in, mumbling something about
wanting to work on some revised merch ideas she'd had. I glared at her
as she subvocalized and air-typed in the corner, shut away from me. I
hadn't told her that I was offline yet&#8212;it just seemed like
insignificant personal bitching relative to the crises she was coping
with.
	</text>
</object>
<object id="412">
	<ocn>412</ocn>
	<text class="norm">
		Besides, I'd been knocked offline before, though not in fifty years,
and often as not the system righted itself after a good night's sleep.
I could visit the doctor in the morning if things were still screwy.
	</text>
</object>
<object id="413">
	<ocn>413</ocn>
	<text class="norm">
		So I crawled into bed, and when my bladder woke me in the night, I had
to go into the kitchen to consult our old starburst clock to get the
time. It was 3 a.m., and when the hell had we expunged the house of all
timepieces, anyway?
	</text>
</object>
<object id="414">
	<ocn>414</ocn>
	<text class="norm">
		Lil was sacked out on the couch, and complained feebly when I tried to
rouse her, so I covered her with a blanket and went back to bed, alone.
	</text>
</object>
<object id="415">
	<ocn>415</ocn>
	<text class="norm">
		I woke disoriented and crabby, without my customary morning jolt of
endorphin. Vivid dreams of death and destruction slipped away as I sat
up. I preferred to let my subconscious do its own thing, so I'd long
ago programmed my systems to keep me asleep during REM cycles except in
emergencies. The dream left a foul taste in my mind as I staggered into
the kitchen, where Lil was fixing coffee.
	</text>
</object>
<object id="416">
	<ocn>416</ocn>
	<text class="norm">
		&#8220; Why didn't you wake me up last night? I'm one big ache from
sleeping on the couch,&#8221; Lil said as I stumbled in.
	</text>
</object>
<object id="417">
	<ocn>417</ocn>
	<text class="norm">
		She had the perky, jaunty quality of someone who could instruct her
nervous system to manufacture endorphin and adrenaline at will. I felt
like punching the wall.
	</text>
</object>
<object id="418">
	<ocn>418</ocn>
	<text class="norm">
		&#8220; You wouldn't get up,&#8221; I said, and slopped coffee in the
general direction of a mug, then scalded my tongue with it.
	</text>
</object>
<object id="419">
	<ocn>419</ocn>
	<text class="norm">
		&#8220; And why are you up so late? I was hoping you would cover a
shift for me&#8212;the merch ideas are really coming together and I
wanted to hit the Imagineering shop and try some prototyping.&#8221;
	</text>
</object>
<object id="420">
	<ocn>420</ocn>
	<text class="norm">
		&#8220; Can't.&#8221; I foraged a slice of bread with cheese and
noticed a crumby plate in the sink. Dan had already eaten and gone,
apparently.
	</text>
</object>
<object id="421">
	<ocn>421</ocn>
	<text class="norm">
		&#8220; Really?&#8221; she said, and my blood started to boil in
earnest. I slammed Dan's plate into the dishwasher and shoved bread
into my maw.
	</text>
</object>
<object id="422">
	<ocn>422</ocn>
	<text class="norm">
		&#8220; Yes. Really. It's your shift&#8212;fucking work it or call in
sick.&#8221;
	</text>
</object>
<object id="423">
	<ocn>423</ocn>
	<text class="norm">
		Lil reeled. Normally, I was the soul of sweetness in the morning, when
I was hormonally enhanced, anyway. &#8220; What's wrong, honey?&#8221;
she said, going into helpful castmember mode. Now I wanted to hit
something besides the wall.
	</text>
</object>
<object id="424">
	<ocn>424</ocn>
	<text class="norm">
		&#8220; Just leave me alone, all right? Go fiddle with fucking merch.
I've got real work to do&#8212;in case you haven't noticed, Debra's
about to eat you and your little band of plucky adventurers and pick
her teeth with the bones. For God's sake, Lil, don't you ever get
fucking angry about anything? Don't you have any goddamned
passion?&#8221;
	</text>
</object>
<object id="425">
	<ocn>425</ocn>
	<text class="norm">
		Lil whitened and I felt a sinking feeling in my gut. It was the worst
thing I could possibly have said.
	</text>
</object>
<object id="426">
	<ocn>426</ocn>
	<text class="norm">
		Lil and I met three years before, at a barbecue that some friends of
her parents threw, a kind of castmember mixer. She'd been just
19&#8212;apparent and real&#8212;and had a bubbly, flirty vibe that
made me dismiss her, at first, as just another airhead castmember.
	</text>
</object>
<object id="427">
	<ocn>427</ocn>
	<text class="norm">
		Her parents&#8212;Tom and Rita&#8212;on the other hand, were
fascinating people, members of the original ad-hoc that had seized
power in Walt Disney World, wresting control from a gang of wealthy
former shareholders who'd been operating it as their private preserve.
Rita was apparent 20 or so, but she radiated a maturity and a fiery
devotion to the Park that threw her daughter's superficiality into
sharp relief.
	</text>
</object>
<object id="428">
	<ocn>428</ocn>
	<text class="norm">
		They throbbed with Whuffie, Whuffie beyond measure, beyond use. In a
world where even a zeroed-out Whuffie loser could eat, sleep, travel
and access the net without hassle, their wealth was more than
sufficient to repeatedly access the piffling few scarce things left on
earth over and over.
	</text>
</object>
<object id="429">
	<ocn>429</ocn>
	<text class="norm">
		The conversation turned to the first day, when she and her pals had
used a cutting torch on the turnstiles and poured in, wearing homemade
costumes and name tags. They infiltrated the shops, the control
centers, the rides, first by the hundred, then, as the hot July day
ticked by, by the thousand. The shareholders' lackeys&#8212;who worked
the Park for the chance to be a part of the magic, even if they had no
control over the management decisions&#8212;put up a token resistance.
Before the day was out, though, the majority had thrown in their lots
with the raiders, handing over security codes and pitching in.
	</text>
</object>
<object id="430">
	<ocn>430</ocn>
	<text class="norm">
		&#8220; But we knew the shareholders wouldn't give in as easy as
that,&#8221; Lil's mother said, sipping her lemonade. &#8220; We kept
the Park running 24/7 for the next two weeks, never giving the
shareholders a chance to fight back without doing it in front of the
guests. We'd prearranged with a couple of airline ad-hocs to add extra
routes to Orlando and the guests came pouring in.&#8221; She smiled,
remembering the moment, and her features in repose were Lil's almost
identically. It was only when she was talking that her face changed,
muscles tugging it into an expression decades older than the face that
bore it.
	</text>
</object>
<object id="431">
	<ocn>431</ocn>
	<text class="norm">
		&#8220; I spent most of the time running the merch stand at Madame
Leota's outside the Mansion, gladhanding the guests while hissing
nasties back and forth with the shareholders who kept trying to shove
me out. I slept in a sleeping bag on the floor of the utilidor, with a
couple dozen others, in three hour shifts. That was when I met this
asshole&#8221;&#8212;she chucked her husband on the
shoulder&#8212;&#8220;he'd gotten the wrong sleeping bag by mistake and
wouldn't budge when I came down to crash. I just crawled in next to him
and the rest, as they say, is history.&#8221;
	</text>
</object>
<object id="432">
	<ocn>432</ocn>
	<text class="norm">
		Lil rolled her eyes and made gagging noises. &#8220; Jesus, Rita, no
one needs to hear about that part of it.&#8221;
	</text>
</object>
<object id="433">
	<ocn>433</ocn>
	<text class="norm">
		Tom patted her arm. &#8220; Lil, you're an adult&#8212;if you can't
stomach hearing about your parents' courtship, you can either sit
somewhere else or grin and bear it. But you don't get to dictate the
topic of conversation.&#8221;
	</text>
</object>
<object id="434">
	<ocn>434</ocn>
	<text class="norm">
		Lil gave us adults a very youthful glare and flounced off. Rita shook
her head at Lil's departing backside. &#8220; There's not much fire in
that generation,&#8221; she said. &#8220; Not a lot of passion. It's
our fault&#8212;we thought that Disney World would be the best place to
raise a child in the Bitchun Society. Maybe it was, but…&#8221; She
trailed off and rubbed her palms on her thighs, a gesture I'd come to
know in Lil, by and by. &#8220; I guess there aren't enough challenges
for them these days. They're too cooperative.&#8221; She laughed and
her husband took her hand.
	</text>
</object>
<object id="435">
	<ocn>435</ocn>
	<text class="norm">
		&#8220; We sound like our parents,&#8221; Tom said. &#8220; 'When we
were growing up, we didn't have any of this newfangled life-extension
stuff&#8212;we took our chances with the cave bears and the
dinosaurs!'&#8221; Tom wore himself older, apparent 50, with graying
sidewalls and crinkled smile-lines, the better to present a
non-threatening air of authority to the guests. It was a truism among
the first-gen ad-hocs that women castmembers should wear themselves
young, men old. &#8220; We're just a couple of Bitchun fundamentalists,
I guess.&#8221;
	</text>
</object>
<object id="436">
	<ocn>436</ocn>
	<text class="norm">
		Lil called over from a nearby conversation: &#8220; Are they telling
you what a pack of milksops we are, Julius? When you get tired of that,
why don't you come over here and have a smoke?&#8221; I noticed that
she and her cohort were passing a crack pipe.
	</text>
</object>
<object id="437">
	<ocn>437</ocn>
	<text class="norm">
		&#8220; What's the use?&#8221; Lil's mother sighed.
	</text>
</object>
<object id="438">
	<ocn>438</ocn>
	<text class="norm">
		&#8220; Oh, I don't know that it's as bad as all that,&#8221; I said,
virtually my first words of the afternoon. I was painfully conscious
that I was only there by courtesy, just one of the legion of hopefuls
who flocked to Orlando every year, aspiring to a place among the ruling
cliques. &#8220; They're passionate about maintaining the Park, that's
for sure. I made the mistake of lifting a queue-gate at the Jungleboat
Cruise last week and I got a very earnest lecture about the smooth
functioning of the Park from a castmember who couldn't have been more
than 18. I think that they don't have the passion for creating
Bitchunry that we have&#8212;they don't need it&#8212;but they've got
plenty of drive to maintain it.&#8221;
	</text>
</object>
<object id="439">
	<ocn>439</ocn>
	<text class="norm">
		Lil's mother gave me a long, considering look that I didn't know what
to make of. I couldn't tell if I had offended her or what.
	</text>
</object>
<object id="440">
	<ocn>440</ocn>
	<text class="norm">
		&#8220; I mean, you can't be a revolutionary after the revolution, can
you? Didn't we all struggle so that kids like Lil wouldn't have
to?&#8221;
	</text>
</object>
<object id="441">
	<ocn>441</ocn>
	<text class="norm">
		&#8220; Funny you should say that,&#8221; Tom said. He had the same
considering look on his face. &#8220; Just yesterday we were talking
about the very same thing. We were talking&#8212;&#8221; he drew a
breath and looked askance at his wife, who nodded&#8212;&#8220;about
deadheading. For a while, anyway. See if things changed much in fifty
or a hundred years.&#8221;
	</text>
</object>
<object id="442">
	<ocn>442</ocn>
	<text class="norm">
		I felt a kind of shameful disappointment. Why was I wasting my time
schmoozing with these two, when they wouldn't be around when the time
came to vote me in? I banished the thought as quickly as it
came&#8212;I was talking to them because they were nice people. Not
every conversation had to be strategically important.
	</text>
</object>
<object id="443">
	<ocn>443</ocn>
	<text class="norm">
		&#8220; Really? Deadheading.&#8221; I remember that I thought of Dan
then, about his views on the cowardice of deadheading, on the bravery
of ending it when you found yourself obsolete. He'd comforted me once,
when my last living relative, my uncle, opted to go to sleep for three
thousand years. My uncle had been born pre-Bitchun, and had never quite
gotten the hang of it. Still, he was my link to my family, to my first
adulthood and my only childhood. Dan had taken me to Gananoque and we'd
spent the day bounding around the countryside on seven-league boots,
sailing high over the lakes of the Thousand Islands and the crazy fiery
carpet of autumn leaves. We topped off the day at a dairy commune he
knew where they still made cheese from cow's milk and there'd been a
thousand smells and bottles of strong cider and a girl whose name I'd
long since forgotten but whose exuberant laugh I'd remember forever.
And it wasn't so important, then, my uncle going to sleep for three
milliennia, because whatever happened, there were the leaves and the
lakes and the crisp sunset the color of blood and the girl's laugh.
	</text>
</object>
<object id="444">
	<ocn>444</ocn>
	<text class="norm">
		&#8220; Have you talked to Lil about it?&#8221;
	</text>
</object>
<object id="445">
	<ocn>445</ocn>
	<text class="norm">
		Rita shook her head. &#8220; It's just a thought, really. We don't want
to worry her. She's not good with hard decisions&#8212;it's her
generation.&#8221;
	</text>
</object>
<object id="446">
	<ocn>446</ocn>
	<text class="norm">
		They changed the subject not long thereafter, and I sensed discomfort,
knew that they had told me too much, more than they'd intended. I
drifted off and found Lil and her young pals, and we toked a little and
cuddled a little.
	</text>
</object>
<object id="447">
	<ocn>447</ocn>
	<text class="norm">
		Within a month, I was working at the Haunted Mansion, Tom and Rita were
invested in Canopic jars in Kissimee with instructions not to be woken
until their newsbots grabbed sufficient interesting material to make it
worth their while, and Lil and I were a hot item.
	</text>
</object>
<object id="448">
	<ocn>448</ocn>
	<text class="norm">
		Lil didn't deal well with her parents' decision to deadhead. For her,
it was a slap in the face, a reproach to her and her generation of
twittering Polyannic castmembers.
	</text>
</object>
<object id="449">
	<ocn>449</ocn>
	<text class="norm">
		For God's sake, Lil, don't you ever get fucking angry about anything?
Don't you have any goddamned passion?
	</text>
</object>
<object id="450">
	<ocn>450</ocn>
	<text class="norm">
		The words were out of my mouth before I knew I was saying them, and
Lil, 15 percent of my age, young enough to be my great-granddaughter;
Lil, my lover and best friend and sponsor to the Liberty Square
ad-hocracy; Lil turned white as a sheet, turned on her heel and walked
out of the kitchen. She got in her runabout and went to the Park to
take her shift.
	</text>
</object>
<object id="451">
	<ocn>451</ocn>
	<text class="norm">
		I went back to bed and stared at the ceiling fan as it made its lazy
turns, and felt like shit.
	</text>
</object>
<object id="452">
	<ocn>452</ocn>
	<text class="h4">
		CHAPTER 5
	</text>
</object>
<object id="453">
	<ocn>453</ocn>
	<text class="norm">
		When I finally returned to the Park, 36 hours had passed and Lil had
not come back to the house. If she'd tried to call, she would've gotten
my voicemail&#8212;I had no way of answering my phone. As it turned
out, she hadn't been trying to reach me at all.
	</text>
</object>
<object id="454">
	<ocn>454</ocn>
	<text class="norm">
		I'd spent the time alternately moping, drinking, and plotting terrible,
irrational vengeance on Debra for killing me, destroying my
relationship, taking away my beloved (in hindsight, anyway) Hall of
Presidents and threatening the Mansion. Even in my addled state, I knew
that this was pretty unproductive, and I kept promising that I would
cut it out, take a shower and some sober-ups, and get to work at the
Mansion.
	</text>
</object>
<object id="455">
	<ocn>455</ocn>
	<text class="norm">
		I was working up the energy to do just that when Dan came in.
	</text>
</object>
<object id="456">
	<ocn>456</ocn>
	<text class="norm">
		&#8220; Jesus,&#8221; he said, shocked. I guess I was a bit of a mess,
sprawled on the sofa in my underwear, all gamy and baggy and bloodshot.
	</text>
</object>
<object id="457">
	<ocn>457</ocn>
	<text class="norm">
		&#8220; Hey, Dan. How's it goin'?&#8221;
	</text>
</object>
<object id="458">
	<ocn>458</ocn>
	<text class="norm">
		He gave me one of his patented wry looks and I felt the same weird
reversal of roles that we'd undergone at the U of T, when he had become
the native, and I had become the interloper. He was the together one
with the wry looks and I was the pathetic seeker who'd burned all his
reputation capital. Out of habit, I checked my Whuffie, and a moment
later I stopped being startled by its low score and was instead shocked
by the fact that I could check it at all. I was back online!
	</text>
</object>
<object id="459">
	<ocn>459</ocn>
	<text class="norm">
		&#8220; Now, what do you know about that?&#8221; I said, staring at my
dismal Whuffie.
	</text>
</object>
<object id="460">
	<ocn>460</ocn>
	<text class="norm">
		&#8220; What?&#8221; he said.
	</text>
</object>
<object id="461">
	<ocn>461</ocn>
	<text class="norm">
		I called his cochlea. &#8220; My systems are back online,&#8221; I
subvocalized.
	</text>
</object>
<object id="462">
	<ocn>462</ocn>
	<text class="norm">
		He started. &#8220; You were offline?&#8221;
	</text>
</object>
<object id="463">
	<ocn>463</ocn>
	<text class="norm">
		I jumped up from the couch and did a little happy underwear dance.
&#8220; I <i>was</i>, but I'm not <i>now</i>.&#8221; I felt better than
I had in days, ready to beat the world&#8212;or at least Debra.
	</text>
</object>
<object id="464">
	<ocn>464</ocn>
	<text class="norm">
		&#8220; Let me take a shower, then let's get to the Imagineering labs.
I've got a pretty kickass idea.&#8221;
	</text>
</object>
<object id="465">
	<ocn>465</ocn>
	<text class="norm">
		The idea, as I explained it in the runabout, was a preemptive rehab of
the Mansion. Sabotaging the Hall had been a nasty, stupid idea, and I'd
gotten what I deserved for it. The whole point of the Bitchun Society
was to be more reputable than the next ad-hoc, to succeed on merit, not
trickery, despite assassinations and the like.
	</text>
</object>
<object id="466">
	<ocn>466</ocn>
	<text class="norm">
		So a rehab it would be.
	</text>
</object>
<object id="467">
	<ocn>467</ocn>
	<text class="norm">
		&#8220; Back in the early days of the Disneyland Mansion, in
California,&#8221; I explained, &#8220; Walt had a guy in a suit of
armor just past the first Doom Buggy curve, he'd leap out and scare the
hell out of the guests as they went by. It didn't last long, of course.
The poor bastard kept getting punched out by startled guests, and
besides, the armor wasn't too comfortable for long shifts.&#8221;
	</text>
</object>
<object id="468">
	<ocn>468</ocn>
	<text class="norm">
		Dan chuckled appreciatively. The Bitchun Society had all but done away
with any sort of dull, repetitious labor, and what
remained&#8212;tending bar, mopping toilets&#8212;commanded Whuffie
aplenty and a life of leisure in your off-hours.
	</text>
</object>
<object id="469">
	<ocn>469</ocn>
	<text class="norm">
		&#8220; But that guy in the suit of armor, he could <i>improvise</i>.
You'd get a slightly different show every time. It's like the
castmembers who spiel on the Jungleboat Cruise. They've each got their
own patter, their own jokes, and even though the animatronics aren't so
hot, it makes the show worth seeing.&#8221;
	</text>
</object>
<object id="470">
	<ocn>470</ocn>
	<text class="norm">
		&#8220; You're going to fill the Mansion with castmembers in
armor?&#8221; Dan asked, shaking his head.
	</text>
</object>
<object id="471">
	<ocn>471</ocn>
	<text class="norm">
		I waved away his objections, causing the runabout to swerve, terrifying
a pack of guests who were taking a ride on rented bikes around the
property. &#8220; No,&#8221; I said, flapping a hand apologetically at
the white-faced guests. &#8220; Not at all. But what if all of the
animatronics had human operators&#8212;telecontrollers, working with
waldoes? We'll let them interact with the guests, talk with them, scare
them… We'll get rid of the existing animatronics, replace 'em with
full-mobility robots, then cast the parts over the Net. Think of the
Whuffie! You could put, say, a thousand operators online at once, ten
shifts per day, each of them caught up in our Mansion… We'll give out
awards for outstanding performances, the shifts'll be based on popular
vote. In effect, we'll be adding another ten thousand guests to the
Mansion's throughput every day, only these guests will be honorary
castmembers.&#8221;
	</text>
</object>
<object id="472">
	<ocn>472</ocn>
	<text class="norm">
		&#8220; That's pretty good,&#8221; Dan said. &#8220; Very Bitchun.
Debra may have AI and flash-baking, but you'll have human interaction,
courtesy of the biggest Mansion-fans in the world&#8212;&#8221;
	</text>
</object>
<object id="473">
	<ocn>473</ocn>
	<text class="norm">
		&#8220; And those are the very fans Debra'll have to win over to make a
play for the Mansion. Very elegant, huh?&#8221;
	</text>
</object>
<object id="474">
	<ocn>474</ocn>
	<text class="norm">
		The first order of business was to call Lil, patch things up, and pitch
the idea to her. The only problem was, my cochlea was offline again. My
mood started to sour, and I had Dan call her instead.
	</text>
</object>
<object id="475">
	<ocn>475</ocn>
	<text class="norm">
		We met her up at Imagineering, a massive complex of prefab aluminum
buildings painted Go-Away Green that had thronged with mad inventors
since the Bitchun Society had come to Walt Disney World. The ad-hocs
who had built an Imagineering department in Florida and now ran the
thing were the least political in the Park, classic
labcoat-and-clipboard types who would work for anyone so long as the
ideas were cool. Not caring about Whuffie meant that they accumulated
it in plenty on both the left and right hands.
	</text>
</object>
<object id="476">
	<ocn>476</ocn>
	<text class="norm">
		Lil was working with Suneep, AKA the Merch Miracle. He could design,
prototype and produce a souvenir faster than anyone&#8212;shirts,
sculptures, pens, toys, housewares, he was the king. They were
collaborating on their HUDs, facing each other across a lab-bench in
the middle of a lab as big as a basketball court, cluttered with
logomarked tchotchkes and gabbling away while their eyes danced over
invisible screens.
	</text>
</object>
<object id="477">
	<ocn>477</ocn>
	<text class="norm">
		Dan reflexively joined the collaborative space as he entered the lab,
leaving me the only one out on the joke. Dan was clearly delighted by
what he saw.
	</text>
</object>
<object id="478">
	<ocn>478</ocn>
	<text class="norm">
		I nudged him with an elbow. &#8220; Make a hardcopy,&#8221; I hissed.
	</text>
</object>
<object id="479">
	<ocn>479</ocn>
	<text class="norm">
		Instead of pitying me, he just airtyped a few commands and pages
started to roll out of a printer in the lab's corner. Anyone else would
have made a big deal out of it, but he just brought me into the
discussion.
	</text>
</object>
<object id="480">
	<ocn>480</ocn>
	<text class="norm">
		If I needed proof that Lil and I were meant for each other, the designs
she and Suneep had come up with were more than enough. She'd been
thinking just the way I had&#8212;souvenirs that stressed the human
scale of the Mansion. There were miniature animatronics of the
Hitchhiking Ghosts in a black-light box, their skeletal robotics
visible through their layers of plastic clothing; action figures that
communicated by IR, so that placing one in proximity with another would
unlock its Mansion-inspired behaviors&#8212;the raven cawed, Mme.
Leota's head incanted, the singing busts sang. She'd worked up some
formal attire based on the castmember costume, cut in this year's
stylish lines.
	</text>
</object>
<object id="481">
	<ocn>481</ocn>
	<text class="norm">
		It was good merch, is what I'm trying to say. In my mind's eye, I was
seeing the relaunch of the Mansion in six months, filled with robotic
avatars of Mansion-nuts the world 'round, Mme. Leota's gift cart piled
high with brilliant swag, strolling human players ad-libbing with the
guests in the queue area…
	</text>
</object>
<object id="482">
	<ocn>482</ocn>
	<text class="norm">
		Lil looked up from her mediated state and glared at me as I pored over
the hardcopy, nodding enthusiastically.
	</text>
</object>
<object id="483">
	<ocn>483</ocn>
	<text class="norm">
		&#8220; Passionate enough for you?&#8221; she snapped.
	</text>
</object>
<object id="484">
	<ocn>484</ocn>
	<text class="norm">
		I felt a flush creeping into face, my ears. It was somewhere between
anger and shame, and I reminded myself that I was more than a century
older than her, and it was my responsibility to be mature. Also, I'd
started the fight.
	</text>
</object>
<object id="485">
	<ocn>485</ocn>
	<text class="norm">
		&#8220; This is fucking fantastic, Lil,&#8221; I said. Her look didn't
soften. &#8220; Really choice stuff. I had a great idea&#8212;&#8221; I
ran it down for her, the avatars, the robots, the rehab. She stopped
glaring, started taking notes, smiling, showing me her dimples, her
slanted eyes crinkling at the corners.
	</text>
</object>
<object id="486">
	<ocn>486</ocn>
	<text class="norm">
		&#8220; This isn't easy,&#8221; she said, finally. Suneep, who'd been
politely pretending not to listen in, nodded involuntarily. Dan, too.
	</text>
</object>
<object id="487">
	<ocn>487</ocn>
	<text class="norm">
		&#8220; I know that,&#8221; I said. The flush burned hotter. &#8220;
But that's the point&#8212;what Debra does isn't easy either. It's
risky, dangerous. It made her and her ad-hoc better&#8212;it made them
sharper.&#8221; <i>Sharper than us, that's for sure</i>. &#8220; They
can make decisions like this fast, and execute them just as quickly. We
need to be able to do that, too.&#8221;
	</text>
</object>
<object id="488">
	<ocn>488</ocn>
	<text class="norm">
		Was I really advocating being more like Debra? The words'd just popped
out, but I saw that I'd been right&#8212;we'd have to beat Debra at her
own game, out-evolve her ad-hocs.
	</text>
</object>
<object id="489">
	<ocn>489</ocn>
	<text class="norm">
		&#8220; I understand what you're saying,&#8221; Lil said. I could tell
she was upset&#8212;she'd reverted to castmemberspeak. &#8220; It's a
very good idea. I think that we stand a good chance of making it happen
if we approach the group and put it to them, after doing the research,
building the plans, laying out the critical path, and privately
soliciting feedback from some of them.&#8221;
	</text>
</object>
<object id="490">
	<ocn>490</ocn>
	<text class="norm">
		I felt like I was swimming in molasses. At the rate that the Liberty
Square ad-hoc moved, we'd be holding formal requirements reviews while
Debra's people tore down the Mansion around us. So I tried a different
tactic.
	</text>
</object>
<object id="491">
	<ocn>491</ocn>
	<text class="norm">
		&#8220; Suneep, you've been involved in some rehabs, right?&#8221;
	</text>
</object>
<object id="492">
	<ocn>492</ocn>
	<text class="norm">
		Suneep nodded slowly, with a cautious expression, a nonpolitical animal
being drawn into a political discussion.
	</text>
</object>
<object id="493">
	<ocn>493</ocn>
	<text class="norm">
		&#8220; Okay, so tell me, if we came to you with this plan and asked
you to pull together a production schedule&#8212;one that didn't have
any review, just take the idea and run with it&#8212;and then pull it
off, how long would it take you to execute it?&#8221;
	</text>
</object>
<object id="494">
	<ocn>494</ocn>
	<text class="norm">
		Lil smiled primly. She'd dealt with Imagineering before.
	</text>
</object>
<object id="495">
	<ocn>495</ocn>
	<text class="norm">
		&#8220; About five years,&#8221; he said, almost instantly.
	</text>
</object>
<object id="496">
	<ocn>496</ocn>
	<text class="norm">
		&#8220; Five years?&#8221; I squawked. &#8220; Why five years? Debra's
people overhauled the Hall in a month!&#8221;
	</text>
</object>
<object id="497">
	<ocn>497</ocn>
	<text class="norm">
		&#8220; Oh, wait,&#8221; he said. &#8220; No review at all?&#8221;
	</text>
</object>
<object id="498">
	<ocn>498</ocn>
	<text class="norm">
		&#8220; No review. Just come up with the best way you can to do this,
and do it. And we can provide you with unlimited, skilled labor, three
shifts around the clock.&#8221;
	</text>
</object>
<object id="499">
	<ocn>499</ocn>
	<text class="norm">
		He rolled his eyes back and ticked off days on his fingers while
muttering under his breath. He was a tall, thin man with a shock of
curly dark hair that he smoothed unconsciously with surprisingly stubby
fingers while he thought.
	</text>
</object>
<object id="500">
	<ocn>500</ocn>
	<text class="norm">
		&#8220; About eight weeks,&#8221; he said. &#8220; Barring accidents,
assuming off-the-shelf parts, unlimited labor, capable management,
material availability…&#8221; He trailed off again, and his short
fingers waggled as he pulled up a HUD and started making a list.
	</text>
</object>
<object id="501">
	<ocn>501</ocn>
	<text class="norm">
		&#8220; Wait,&#8221; Lil said, alarmed. &#8220; How do you get from
five years to eight weeks?&#8221;
	</text>
</object>
<object id="502">
	<ocn>502</ocn>
	<text class="norm">
		Now it was my turn to smirk. I'd seen how Imagineering worked when they
were on their own, building prototypes and conceptual mockups&#8212;I
knew that the real bottleneck was the constant review and revisions,
the ever-fluctuating groupmind consensus of the ad-hoc that
commissioned their work.
	</text>
</object>
<object id="503">
	<ocn>503</ocn>
	<text class="norm">
		Suneep looked sheepish. &#8220; Well, if all I have to do is satisfy
myself that my plans are good and my buildings won't fall down, I can
make it happen very fast. Of course, my plans aren't perfect.
Sometimes, I'll be halfway through a project when someone suggests a
new flourish or approach that makes the whole thing immeasurably
better. Then it's back to the drawing board… So I stay at the drawing
board for a long time at the start, get feedback from other Imagineers,
from the ad-hocs, from focus groups and the Net. Then we do reviews at
every stage of construction, check to see if anyone has had a great
idea we haven't thought of and incorporate it, sometimes rolling back
the work.
	</text>
</object>
<object id="504">
	<ocn>504</ocn>
	<text class="norm">
		&#8220; It's slow, but it works.&#8221;
	</text>
</object>
<object id="505">
	<ocn>505</ocn>
	<text class="norm">
		Lil was flustered. &#8220; But if you can do a complete revision in
eight weeks, why not just finish it, then plan another revision, do
<i>that</i> one in eight weeks, and so on? Why take five years before
anyone can ride the thing?&#8221;
	</text>
</object>
<object id="506">
	<ocn>506</ocn>
	<text class="norm">
		&#8220; Because that's how it's done,&#8221; I said to Lil. &#8220; But
that's not how it <i>has</i> to be done. That's how we'll save the
Mansion.&#8221;
	</text>
</object>
<object id="507">
	<ocn>507</ocn>
	<text class="norm">
		I felt the surety inside of me, the certain knowledge that I was right.
Ad-hocracy was a great thing, a Bitchun thing, but the organization
needed to turn on a dime&#8212;that would be even <i>more</i> Bitchun.
	</text>
</object>
<object id="508">
	<ocn>508</ocn>
	<text class="norm">
		&#8220; Lil,&#8221; I said, looking into her eyes, trying to burn my
POV into her. &#8220; We have to do this. It's our only chance. We'll
recruit hundreds to come to Florida and work on the rehab. We'll give
every Mansion nut on the planet a shot at joining up, then we'll
recruit them again to work at it, to run the telepresence rigs. We'll
get buy-in from the biggest super-recommenders in the world, and we'll
build something better and faster than any ad-hoc ever has, without
abandoning the original Imagineers' vision. It will be unspeakably
Bitchun.&#8221;
	</text>
</object>
<object id="509">
	<ocn>509</ocn>
	<text class="norm">
		Lil dropped her eyes and it was her turn to flush. She paced the floor,
hands swinging at her sides. I could tell that she was still angry with
me, but excited and scared and yes, passionate.
	</text>
</object>
<object id="510">
	<ocn>510</ocn>
	<text class="norm">
		&#8220; It's not up to me, you know,&#8221; she said at length, still
pacing. Dan and I exchanged wicked grins. She was in.
	</text>
</object>
<object id="511">
	<ocn>511</ocn>
	<text class="norm">
		&#8220; I know,&#8221; I said. But it was, almost&#8212;she was a real
opinion-leader in the Liberty Square ad-hoc, someone who knew the
systems back and forth, someone who made good, reasonable decisions and
kept her head in a crisis. Not a hothead. Not prone to taking radical
switchbacks. This plan would burn up that reputation and the Whuffie
that accompanied it, in short order, but by the time that happened,
she'd have plenty of Whuffie with the new, thousands-strong ad-hoc.
	</text>
</object>
<object id="512">
	<ocn>512</ocn>
	<text class="norm">
		&#8220; I mean, I can't guarantee anything. I'd like to study the plans
that Imagineering comes through with, do some
walk-throughs&#8212;&#8221;
	</text>
</object>
<object id="513">
	<ocn>513</ocn>
	<text class="norm">
		I started to object, to remind her that speed was of the essence, but
she beat me to it.
	</text>
</object>
<object id="514">
	<ocn>514</ocn>
	<text class="norm">
		&#8220; But I won't. We have to move fast. I'm in.&#8221;
	</text>
</object>
<object id="515">
	<ocn>515</ocn>
	<text class="norm">
		She didn't come into my arms, didn't kiss me and tell me everything was
forgiven, but she bought in, and that was enough.
	</text>
</object>
<object id="516">
	<ocn>516</ocn>
	<text class="norm">
		My systems came back online sometime that day, and I hardly noticed, I
was so preoccupied with the new Mansion. Holy shit, was it ever
audacious: since the first Mansion opened in California in 1969, no one
had ever had the guts to seriously fuxor with it. Oh, sure, the Paris
version, Phantom Manor, had a slightly different storyline, but it was
just a minor bit of tweakage to satisfy the European market at the
time. No one wanted to screw up the legend.
	</text>
</object>
<object id="517">
	<ocn>517</ocn>
	<text class="norm">
		What the hell made the Mansion so cool, anyway? I'd been to Disney
World any number of times as a guest before I settled in, and truth be
told, it had never been my absolute favorite.
	</text>
</object>
<object id="518">
	<ocn>518</ocn>
	<text class="norm">
		But when I returned to Disney World, live and in person, freshly bored
stupid by the three-hour liveheaded flight from Toronto, I'd found
myself crowd-driven to it.
	</text>
</object>
<object id="519">
	<ocn>519</ocn>
	<text class="norm">
		I'm a terrible, terrible person to visit theme-parks with. Since I was
a punk kid snaking my way through crowded subway platforms, eeling into
the only seat on a packed car, I'd been obsessed with Beating The
Crowd.
	</text>
</object>
<object id="520">
	<ocn>520</ocn>
	<text class="norm">
		In the early days of the Bitchun Society, I'd known a blackjack player,
a compulsive counter of cards, an idiot savant of odds. He was a pudgy,
unassuming engineer, the moderately successful founder of a moderately
successful high-tech startup that had done something arcane with
software agents. While he was only moderately successful, he was
fabulously wealthy: he'd never raised a cent of financing for his
company, and had owned it outright when he finally sold it for a
bathtub full of money. His secret was the green felt tables of Vegas,
where he'd pilgrim off to every time his bank balance dropped, there to
count the monkey-cards and calculate the odds and Beat The House.
	</text>
</object>
<object id="521">
	<ocn>521</ocn>
	<text class="norm">
		Long after his software company was sold, long after he'd made his nut,
he was dressing up in silly disguises and hitting the tables, grinding
out hand after hand of twenty-one, for the sheer satisfaction of
Beating The House. For him, it was pure brain-reward, a jolt of
happy-juice every time the dealer busted and every time he doubled down
on a deckfull of face cards.
	</text>
</object>
<object id="522">
	<ocn>522</ocn>
	<text class="norm">
		Though I'd never bought so much as a lottery ticket, I immediately got
his compulsion: for me, it was Beating The Crowd, finding the path of
least resistance, filling the gaps, guessing the short queue, dodging
the traffic, changing lanes with a whisper to spare&#8212;moving with
precision and grace and, above all, <i>expedience</i>.
	</text>
</object>
<object id="523">
	<ocn>523</ocn>
	<text class="norm">
		On that fateful return, I checked into the Fort Wilderness Campground,
pitched my tent, and fairly ran to the ferry docks to catch a barge
over to the Main Gate.
	</text>
</object>
<object id="524">
	<ocn>524</ocn>
	<text class="norm">
		Crowds were light until I got right up to Main Gate and the ticketing
queues. Suppressing an initial instinct to dash for the farthest one,
beating my ferrymates to what rule-of-thumb said would have the
shortest wait, I stepped back and did a quick visual survey of the
twenty kiosks and evaluated the queued-up huddle in front of each.
Pre-Bitchun, I'd have been primarily interested in their ages, but that
is less and less a measure of anything other than outlook, so instead I
carefully examined their queuing styles, their dress, and more than
anything, their burdens.
	</text>
</object>
<object id="525">
	<ocn>525</ocn>
	<text class="norm">
		You can tell more about someone's ability to efficiently negotiate the
complexities of a queue through what they carry than through any other
means&#8212;if only more people realized it. The classic, of course, is
the unladen citizen, a person naked of even a modest shoulderbag or
marsupial pocket. To the layperson, such a specimen might be thought of
as a sure bet for a fast transaction, but I'd done an informal study
and come to the conclusion that these brave iconoclasts are often the
flightiest of the lot, left smiling with bovine mystification, patting
down their pockets in a fruitless search for a writing implement, a
piece of ID, a keycard, a rabbit's foot, a rosary, a tuna sandwich.
	</text>
</object>
<object id="526">
	<ocn>526</ocn>
	<text class="norm">
		No, for my money, I'll take what I call the Road Worrier anytime. Such
a person is apt to be carefully slung with four or five carriers of one
description or another, from bulging cargo pockets to clever
military-grade strap-on pouches with biometrically keyed closures. The
thing to watch for is the ergonomic consideration given to these
conveyances: do they balance, are they slung for minimum interference
and maximum ease of access? Someone who's given that much consideration
to their gear is likely spending their time in line determining which
bits and pieces they'll need when they reach its headwaters and is
holding them at ready for fastest-possible processing.
	</text>
</object>
<object id="527">
	<ocn>527</ocn>
	<text class="norm">
		This is a tricky call, since there are lookalike pretenders, gear-pigs
who pack <i>everything</i> because they lack the organizational smarts
to figure out what they should pack&#8212;they're just as apt to be
burdened with bags and pockets and pouches, but the telltale is the
efficiency of that slinging. These pack mules will sag beneath their
loads, juggling this and that while pushing overloose straps up on
their shoulders.
	</text>
</object>
<object id="528">
	<ocn>528</ocn>
	<text class="norm">
		I spied a queue that was made up of a group of Road Worriers, a queue
that was slightly longer than the others, but I joined it and ticced
nervously as I watched my progress relative to the other spots I
could've chosen. I was borne out, a positive omen for a wait-free
World, and I was sauntering down Main Street, USA long before my
ferrymates.
	</text>
</object>
<object id="529">
	<ocn>529</ocn>
	<text class="norm">
		Returning to Walt Disney World was a homecoming for me. My parents had
brought me the first time when I was all of ten, just as the first
inklings of the Bitchun society were trickling into everyone's
consciousness: the death of scarcity, the death of death, the struggle
to rejig an economy that had grown up focused on nothing but scarcity
and death. My memories of the trip are dim but warm, the balmy Florida
climate and a sea of smiling faces punctuated by magical, darkened
moments riding in OmniMover cars, past diorama after diorama.
	</text>
</object>
<object id="530">
	<ocn>530</ocn>
	<text class="norm">
		I went again when I graduated high school and was amazed by the
richness of detail, the grandiosity and grandeur of it all. I spent a
week there stunned bovine, grinning and wandering from corner to
corner. Someday, I knew, I'd come to live there.
	</text>
</object>
<object id="531">
	<ocn>531</ocn>
	<text class="norm">
		The Park became a touchstone for me, a constant in a world where
everything changed. Again and again, I came back to the Park, grounding
myself, communing with all the people I'd been.
	</text>
</object>
<object id="532">
	<ocn>532</ocn>
	<text class="norm">
		That day I bopped from land to land, ride to ride, seeking out the
short lines, the eye of the hurricane that crowded the Park to
capacity. I'd take high ground, standing on a bench or hopping up on a
fence, and do a visual reccy of all the queues in sight, try to spot
prevailing currents in the flow of the crowd, generally having a high
old obsessive time. Truth be told, I probably spent as much time
looking for walk-ins as I would've spent lining up like a good little
sheep, but I had more fun and got more exercise.
	</text>
</object>
<object id="533">
	<ocn>533</ocn>
	<text class="norm">
		The Haunted Mansion was experiencing a major empty spell: the Snow
Crash Spectacular parade had just swept through Liberty Square en route
to Fantasyland, dragging hordes of guests along with it, dancing to the
JapRap sounds of the comical Sushi-K and aping the movements of the
brave Hiro Protagonist. When they blew out, Liberty Square was a ghost
town, and I grabbed the opportunity to ride the Mansion five times in a
row, walking on every time.
	</text>
</object>
<object id="534">
	<ocn>534</ocn>
	<text class="norm">
		The way I tell it to Lil, I noticed her and then I noticed the Mansion,
but to tell the truth it was the other way around.
	</text>
</object>
<object id="535">
	<ocn>535</ocn>
	<text class="norm">
		The first couple rides through, I was just glad of the aggressive air
conditioning and the delicious sensation of sweat drying on my skin.
But on the third pass, I started to notice just how goddamn cool the
thing was. There wasn't a single bit of tech more advanced than a
film-loop projector in the whole place, but it was all so cunningly
contrived that the illusion of a haunted house was perfect: the ghosts
that whirled through the ballroom were <i>ghosts</i>, three-dimensional
and ethereal and phantasmic. The ghosts that sang in comical tableaux
through the graveyard were equally convincing, genuinely witty and
simultaneously creepy.
	</text>
</object>
<object id="536">
	<ocn>536</ocn>
	<text class="norm">
		My fourth pass through, I noticed the <i>detail</i>, the hostile eyes
worked into the wallpaper's pattern, the motif repeated in the molding,
the chandeliers, the photo gallery. I began to pick out the words to
&#8220; Grim Grinning Ghosts,&#8221; the song that is repeated
throughout the ride, whether in sinister organ-tones repeating the main
theme troppo troppo or the spritely singing of the four musical busts
in the graveyard.
	</text>
</object>
<object id="537">
	<ocn>537</ocn>
	<text class="norm">
		It's a catchy tune, one that I hummed on my fifth pass through, this
time noticing that the overaggressive AC was, actually, mysterious
chills that blew through the rooms as wandering spirits made their
presence felt. By the time I debarked for the fifth time, I was
whistling the tune with jazzy improvisations in a mixed-up tempo.
	</text>
</object>
<object id="538">
	<ocn>538</ocn>
	<text class="norm">
		That's when Lil and I ran into each other. She was picking up a
discarded ice-cream wrapper&#8212;I'd seen a dozen castmembers picking
up trash that day, seen it so frequently that I'd started doing it
myself. She grinned slyly at me as I debarked into the
fried-food-and-disinfectant perfume of the Park, hands in pockets,
thoroughly pleased with myself for having so completely
<i>experienced</i> a really fine hunk of art.
	</text>
</object>
<object id="539">
	<ocn>539</ocn>
	<text class="norm">
		I smiled back at her, because it was only natural that one of the
Whuffie-kings who were privileged to tend this bit of heavenly
entertainment should notice how thoroughly I was enjoying her work.
	</text>
</object>
<object id="540">
	<ocn>540</ocn>
	<text class="norm">
		&#8220; That's really, really Bitchun,&#8221; I said to her, admiring
the titanic mountains of Whuffie my HUD attributed to her.
	</text>
</object>
<object id="541">
	<ocn>541</ocn>
	<text class="norm">
		She was in character, and not supposed to be cheerful, but castmembers
of her generation can't help but be friendly. She compromised between
ghastly demeanor and her natural sweet spirit, and leered a grin at me,
thumped through a zombie's curtsey, and moaned &#8220; Thank
you&#8212;we <i>do</i> try to keep it <i>spirited</i>.&#8221;
	</text>
</object>
<object id="542">
	<ocn>542</ocn>
	<text class="norm">
		I groaned appreciatively, and started to notice just how very cute she
was, this little button of a girl with her rotting maid's uniform and
her feather-shedding duster. She was just so clean and scrubbed and
happy about everything, she radiated it and made me want to pinch her
cheeks&#8212;either set.
	</text>
</object>
<object id="543">
	<ocn>543</ocn>
	<text class="norm">
		The moment was on me, and so I said, &#8220; When do they let you
ghouls off? I'd love to take you out for a Zombie or a Bloody
Mary.&#8221;
	</text>
</object>
<object id="544">
	<ocn>544</ocn>
	<text class="norm">
		Which led to more horrifying banter, and to my taking her out for a
couple at the Adventurer's Club, learning her age in the process and
losing my nerve, telling myself that there was nothing we could
possibly have to say to each other across a century-wide gap.
	</text>
</object>
<object id="545">
	<ocn>545</ocn>
	<text class="norm">
		While I tell Lil that I noticed her first and the Mansion second, the
reverse is indeed true. But it's also true&#8212;and I never told her
this&#8212;that the thing I love best about the Mansion is:
	</text>
</object>
<object id="546">
	<ocn>546</ocn>
	<text class="norm">
		It's where I met her.
	</text>
</object>
<object id="547">
	<ocn>547</ocn>
	<text class="norm">
		Dan and I spent the day riding the Mansion, drafting scripts for the
telepresence players who we hoped to bring on-board. We were in a
totally creative zone, the dialog running as fast as he could
transcribe it. Jamming on ideas with Dan was just about as terrific as
a pass-time could be.
	</text>
</object>
<object id="548">
	<ocn>548</ocn>
	<text class="norm">
		I was all for leaking the plan to the Net right away, getting
hearts-and-minds action with our core audience, but Lil turned it down.
	</text>
</object>
<object id="549">
	<ocn>549</ocn>
	<text class="norm">
		She was going to spend the next couple days quietly politicking among
the rest of the ad-hoc, getting some support for the idea, and she
didn't want the appearance of impropriety that would come from having
outsiders being brought in before the ad-hoc.
	</text>
</object>
<object id="550">
	<ocn>550</ocn>
	<text class="norm">
		Talking to the ad-hocs, bringing them around&#8212;it was a skill I'd
never really mastered. Dan was good at it, Lil was good at it, but me,
I think that I was too self-centered to ever develop good skills as a
peacemaker. In my younger days, I assumed that it was because I was
smarter than everyone else, with no patience for explaining things in
short words for mouth-breathers who just didn't get it.
	</text>
</object>
<object id="551">
	<ocn>551</ocn>
	<text class="norm">
		The truth of the matter is, I'm a bright enough guy, but I'm hardly a
genius. Especially when it comes to people. Probably comes from Beating
The Crowd, never seeing individuals, just the mass&#8212;the enemy of
expedience.
	</text>
</object>
<object id="552">
	<ocn>552</ocn>
	<text class="norm">
		I never would have made it into the Liberty Square ad-hoc on my own.
Lil made it happen for me, long before we started sleeping together.
I'd assumed that her folks would be my best allies in the process of
joining up, but they were too jaded, too ready to take the long sleep
to pay much attention to a newcomer like me.
	</text>
</object>
<object id="553">
	<ocn>553</ocn>
	<text class="norm">
		Lil took me under her wing, inviting me to after-work parties, talking
me up to her cronies, quietly passing around copies of my thesis-work.
And she did the same in reverse, sincerely extolling the virtues of the
others I met, so that I knew what there was to respect about them and
couldn't help but treat them as individuals.
	</text>
</object>
<object id="554">
	<ocn>554</ocn>
	<text class="norm">
		In the years since, I'd lost that respect. Mostly, I palled around with
Lil, and once he arrived, Dan, and with net-friends around the world.
The ad-hocs that I worked with all day treated me with basic courtesy
but not much friendliness.
	</text>
</object>
<object id="555">
	<ocn>555</ocn>
	<text class="norm">
		I guess I treated them the same. When I pictured them in my mind, they
were a faceless, passive-aggressive mass, too caught up in the starchy
world of consensus-building to ever do much of anything.
	</text>
</object>
<object id="556">
	<ocn>556</ocn>
	<text class="norm">
		Dan and I threw ourselves into it headlong, trolling the Net for
address lists of Mansion-otakus from the four corners of the globe,
spreadsheeting them against their timezones, temperaments, and, of
course, their Whuffie.
	</text>
</object>
<object id="557">
	<ocn>557</ocn>
	<text class="norm">
		&#8220; That's weird,&#8221; I said, looking up from the old-fashioned
terminal I was using&#8212;my systems were back offline. They'd been
sputtering up and down for a couple days now, and I kept meaning to go
to the doctor, but I'd never gotten 'round to it. Periodically, I'd get
a jolt of urgency when I remembered that this meant my backup was
stale-dating, but the Mansion always took precedence.
	</text>
</object>
<object id="558">
	<ocn>558</ocn>
	<text class="norm">
		&#8220; Huh?&#8221; he said.
	</text>
</object>
<object id="559">
	<ocn>559</ocn>
	<text class="norm">
		I tapped the display. &#8220; See these?&#8221; It was a fan-site,
displaying a collection of animated 3-D meshes of various elements of
the Mansion, part of a giant collaborative project that had been
ongoing for decades, to build an accurate 3-D walkthrough of every inch
of the Park. I'd used those meshes to build my own testing
fly-throughs.
	</text>
</object>
<object id="560">
	<ocn>560</ocn>
	<text class="norm">
		&#8220; Those are terrific,&#8221; Dan said. &#8220; That guy must be a
total <i>fiend</i>.&#8221; The meshes' author had painstakingly
modeled, chained and animated every ghost in the ballroom scene,
complete with the kinematics necessary for full motion. Where a &#8220;
normal&#8221; fan-artist might've used a standard human kinematics
library for the figures, this one had actually written his own from the
ground up, so that the ghosts moved with a spectral fluidity that was
utterly unhuman.
	</text>
</object>
<object id="561">
	<ocn>561</ocn>
	<text class="norm">
		&#8220; Who's the author?&#8221; Dan asked. &#8220; Do we have him on
our list yet?&#8221;
	</text>
</object>
<object id="562">
	<ocn>562</ocn>
	<text class="norm">
		I scrolled down to display the credits. &#8220; I'll be damned,&#8221;
Dan breathed.
	</text>
</object>
<object id="563">
	<ocn>563</ocn>
	<text class="norm">
		The author was Tim, Debra's elfin crony. He'd submitted the designs a
week before my assassination.
	</text>
</object>
<object id="564">
	<ocn>564</ocn>
	<text class="norm">
		&#8220; What do you think it means?&#8221; I asked Dan, though I had a
couple ideas on the subject myself.
	</text>
</object>
<object id="565">
	<ocn>565</ocn>
	<text class="norm">
		&#8220; Tim's a Mansion nut,&#8221; Dan said. &#8220; I knew
that.&#8221;
	</text>
</object>
<object id="566">
	<ocn>566</ocn>
	<text class="norm">
		&#8220; You knew?&#8221;
	</text>
</object>
<object id="567">
	<ocn>567</ocn>
	<text class="norm">
		He looked a little defensive. &#8220; Sure. I told you, back when you
had me hanging out with Debra's gang.&#8221;
	</text>
</object>
<object id="568">
	<ocn>568</ocn>
	<text class="norm">
		Had I asked him to hang out with Debra? As I remembered it, it had been
his suggestion. Too much to think about.
	</text>
</object>
<object id="569">
	<ocn>569</ocn>
	<text class="norm">
		&#8220; But what does it mean, Dan? Is he an ally? Should we try to
recruit him? Or is he the one that'd convinced Debra she needs to take
over the Mansion?&#8221;
	</text>
</object>
<object id="570">
	<ocn>570</ocn>
	<text class="norm">
		Dan shook his head. &#8220; I'm not even sure that she wants to take
over the Mansion. I know Debra, all she wants to do is turn ideas into
things, as fast and as copiously as possible. She picks her projects
carefully. She's acquisitive, sure, but she's cautious. She had a great
idea for Presidents, and so she took over. I never heard her talk about
the Mansion.&#8221;
	</text>
</object>
<object id="571">
	<ocn>571</ocn>
	<text class="norm">
		&#8220; Of course you didn't. She's cagey. Did you hear her talk about
the Hall of Presidents?&#8221;
	</text>
</object>
<object id="572">
	<ocn>572</ocn>
	<text class="norm">
		Dan fumbled. &#8220; Not really… I mean, not in so many words,
but&#8212;&#8221;
	</text>
</object>
<object id="573">
	<ocn>573</ocn>
	<text class="norm">
		&#8220; But nothing,&#8221; I said. &#8220; She's after the Mansion,
she's after the Magic Kingdom, she's after the Park. She's taking over,
goddamn it, and I'm the only one who seems to have noticed.&#8221;
	</text>
</object>
<object id="574">
	<ocn>574</ocn>
	<text class="norm">
		I came clean to Lil about my systems that night, as we were fighting.
Fighting had become our regular evening pastime, and Dan had taken to
sleeping at one of the hotels on-site rather than endure it.
	</text>
</object>
<object id="575">
	<ocn>575</ocn>
	<text class="norm">
		I'd started it, of course. &#8220; We're going to get killed if we
don't get off our asses and start the rehab,&#8221; I said, slamming
myself down on the sofa and kicking at the scratched coffee table. I
heard the hysteria and unreason in my voice and it just made me madder.
I was frustrated by not being able to check in on Suneep and Dan, and,
as usual, it was too late at night to call anyone and do anything about
it. By the morning, I'd have forgotten again.
	</text>
</object>
<object id="576">
	<ocn>576</ocn>
	<text class="norm">
		From the kitchen, Lil barked back, &#8220; I'm doing what I can, Jules.
If you've got a better way, I'd love to hear about it.&#8221;
	</text>
</object>
<object id="577">
	<ocn>577</ocn>
	<text class="norm">
		&#8220; Oh, bullshit. I'm doing what I can, planning the thing out. I'm
ready to <i>go</i>. It was your job to get the ad-hocs ready for it,
but you keep telling me they're not. When will they be?&#8221;
	</text>
</object>
<object id="578">
	<ocn>578</ocn>
	<text class="norm">
		&#8220; Jesus, you're a nag.&#8221;
	</text>
</object>
<object id="579">
	<ocn>579</ocn>
	<text class="norm">
		&#8220; I wouldn't nag if you'd only fucking make it happen. What are
you doing all day, anyway? Working shifts at the Mansion? Rearranging
deck chairs on the Great Titanic Adventure?&#8221;
	</text>
</object>
<object id="580">
	<ocn>580</ocn>
	<text class="norm">
		&#8220; I'm working my fucking <i>ass</i> off. I've spoken to every
goddamn one of them at least twice this week about it.&#8221;
	</text>
</object>
<object id="581">
	<ocn>581</ocn>
	<text class="norm">
		&#8220; Sure,&#8221; I hollered at the kitchen. &#8220; Sure you
have.&#8221;
	</text>
</object>
<object id="582">
	<ocn>582</ocn>
	<text class="norm">
		&#8220; Don't take my word for it, then. Check my fucking phone
logs.&#8221;
	</text>
</object>
<object id="583">
	<ocn>583</ocn>
	<text class="norm">
		She waited.
	</text>
</object>
<object id="584">
	<ocn>584</ocn>
	<text class="norm">
		&#8220; Well? Check them!&#8221;
	</text>
</object>
<object id="585">
	<ocn>585</ocn>
	<text class="norm">
		&#8220; I'll check them later,&#8221; I said, dreading where this was
going.
	</text>
</object>
<object id="586">
	<ocn>586</ocn>
	<text class="norm">
		&#8220; Oh, no you <i>don't</i>,&#8221; she said, stalking into the
room, fuming. &#8220; You can't call me a liar and then refuse to look
at the evidence.&#8221; She planted her hands on her slim little hips
and glared at me. She'd gone pale and I could count every freckle on
her face, her throat, her collarbones, the swell of her cleavage in the
old vee-neck shirt I'd given her on a day-trip to Nassau.
	</text>
</object>
<object id="587">
	<ocn>587</ocn>
	<text class="norm">
		&#8220; Well?&#8221; she asked. She looked ready to wring my neck.
	</text>
</object>
<object id="588">
	<ocn>588</ocn>
	<text class="norm">
		&#8220; I can't,&#8221; I admitted, not meeting her eyes.
	</text>
</object>
<object id="589">
	<ocn>589</ocn>
	<text class="norm">
		&#8220; Yes you can&#8212;here, I'll dump it to your public
directory.&#8221;
	</text>
</object>
<object id="590">
	<ocn>590</ocn>
	<text class="norm">
		Her expression shifted to one of puzzlement when she failed to locate
me on her network. &#8220; What's going on?&#8221;
	</text>
</object>
<object id="591">
	<ocn>591</ocn>
	<text class="norm">
		So I told her. Offline, outcast, malfunctioning.
	</text>
</object>
<object id="592">
	<ocn>592</ocn>
	<text class="norm">
		&#8220; Well, why haven't you gone to the doctor? I mean, it's been
<i>weeks</i>. I'll call him right now.&#8221;
	</text>
</object>
<object id="593">
	<ocn>593</ocn>
	<text class="norm">
		&#8220; Forget it,&#8221; I said. &#8220; I'll see him tomorrow. No
sense in getting him out of bed.&#8221;
	</text>
</object>
<object id="594">
	<ocn>594</ocn>
	<text class="norm">
		But I didn't see him the day after, or the day after that. Too much to
do, and the only times I remembered to call someone, I was too far from
a public terminal or it was too late or too early. My systems came
online a couple times, and I was too busy with the plans for the
Mansion. Lil grew accustomed to the drifts of hard copy that littered
the house, to printing out her annotations to my designs and leaving
them on my favorite chair&#8212;to living like the cavemen of the
information age had, surrounded by dead trees and ticking clocks.
	</text>
</object>
<object id="595">
	<ocn>595</ocn>
	<text class="norm">
		Being offline helped me focus. Focus is hardly the word for it&#8212;I
obsessed. I sat in front of the terminal I'd brought home all day,
every day, crunching plans, dictating voicemail. People who wanted to
reach me had to haul ass out to the house, and <i>speak</i> to me.
	</text>
</object>
<object id="596">
	<ocn>596</ocn>
	<text class="norm">
		I grew too obsessed to fight, and Dan moved back, and then it was my
turn to take hotel rooms so that the rattle of my keyboard wouldn't
keep him up nights. He and Lil were working a full-time campaign to
recruit the ad-hoc to our cause, and I started to feel like we were
finally in harmony, about to reach our goal.
	</text>
</object>
<object id="597">
	<ocn>597</ocn>
	<text class="norm">
		I went home one afternoon clutching a sheaf of hardcopy and burst into
the living room, gabbling a mile-a-minute about a wrinkle on my
original plan that would add a third walk-through segment to the ride,
increasing the number of telepresence rigs we could use without
decreasing throughput.
	</text>
</object>
<object id="598">
	<ocn>598</ocn>
	<text class="norm">
		I was mid-babble when my systems came back online. The public chatter
in the room sprang up on my HUD.
	</text>
</object>
<object id="599">
	<ocn>599</ocn>
	<text class="norm">
		<i>And then I'm going to tear off every stitch of clothing and jump
you.</i>
	</text>
</object>
<object id="600">
	<ocn>600</ocn>
	<text class="norm">
		<i>And then what?</i>
	</text>
</object>
<object id="601">
	<ocn>601</ocn>
	<text class="norm">
		<i>I'm going to bang you till you limp.</i>
	</text>
</object>
<object id="602">
	<ocn>602</ocn>
	<text class="norm">
		<i>Jesus, Lil, you are one rangy cowgirl.</i>
	</text>
</object>
<object id="603">
	<ocn>603</ocn>
	<text class="norm">
		My eyes closed, shutting out everything except for the glowing letters.
Quickly, they vanished. I opened my eyes again, looking at Lil, who was
flushed and distracted. Dan looked scared.
	</text>
</object>
<object id="604">
	<ocn>604</ocn>
	<text class="norm">
		&#8220; What's going on, Dan?&#8221; I asked quietly. My heart hammered
in my chest, but I felt calm and detached.
	</text>
</object>
<object id="605">
	<ocn>605</ocn>
	<text class="norm">
		&#8220; Jules,&#8221; he began, then gave up and looked at Lil.
	</text>
</object>
<object id="606">
	<ocn>606</ocn>
	<text class="norm">
		Lil had, by that time, figured out that I was back online, that their
secret messaging had been discovered.
	</text>
</object>
<object id="607">
	<ocn>607</ocn>
	<text class="norm">
		&#8220; Having fun, Lil?&#8221; I asked.
	</text>
</object>
<object id="608">
	<ocn>608</ocn>
	<text class="norm">
		Lil shook her head and glared at me. &#8220; Just go, Julius. I'll send
your stuff to the hotel.&#8221;
	</text>
</object>
<object id="609">
	<ocn>609</ocn>
	<text class="norm">
		&#8220; You want me to go, huh? So you can bang him till he
limps?&#8221;
	</text>
</object>
<object id="610">
	<ocn>610</ocn>
	<text class="norm">
		&#8220; This is my house, Julius. I'm asking you to get out of it. I'll
see you at work tomorrow&#8212;we're having a general ad-hoc meeting to
vote on the rehab.&#8221;
	</text>
</object>
<object id="611">
	<ocn>611</ocn>
	<text class="norm">
		It was her house.
	</text>
</object>
<object id="612">
	<ocn>612</ocn>
	<text class="norm">
		&#8220; Lil, Julius&#8212;&#8221; Dan began.
	</text>
</object>
<object id="613">
	<ocn>613</ocn>
	<text class="norm">
		&#8220; This is between me and him,&#8221; Lil said. &#8220; Stay out
of it.&#8221;
	</text>
</object>
<object id="614">
	<ocn>614</ocn>
	<text class="norm">
		I dropped my papers&#8212;I wanted to throw them, but I dropped them,
<i>flump</i>, and I turned on my heel and walked out, not bothering to
close the door behind me.
	</text>
</object>
<object id="615">
	<ocn>615</ocn>
	<text class="norm">
		Dan showed up at the hotel ten minutes after I did and rapped on my
door. I was all-over numb as I opened the door. He had a bottle of
tequila&#8212;/{my}/ tequila, brought over from the house that I'd
shared with Lil.
	</text>
</object>
<object id="616">
	<ocn>616</ocn>
	<text class="norm">
		He sat down on the bed and stared at the logo-marked wallpaper. I took
the bottle from him, got a couple glasses from the bathroom and poured.
	</text>
</object>
<object id="617">
	<ocn>617</ocn>
	<text class="norm">
		&#8220; It's my fault,&#8221; he said.
	</text>
</object>
<object id="618">
	<ocn>618</ocn>
	<text class="norm">
		&#8220; I'm sure it is,&#8221; I said.
	</text>
</object>
<object id="619">
	<ocn>619</ocn>
	<text class="norm">
		&#8220; We got to drinking a couple nights ago. She was really upset.
Hadn't seen you in days, and when she <i>did</i> see you, you freaked
her out. Snapping at her. Arguing. Insulting her.&#8221;
	</text>
</object>
<object id="620">
	<ocn>620</ocn>
	<text class="norm">
		&#8220; So you made her,&#8221; I said.
	</text>
</object>
<object id="621">
	<ocn>621</ocn>
	<text class="norm">
		He shook his head, then nodded, took a drink. &#8220; I did. It's been
a long time since I…&#8221;
	</text>
</object>
<object id="622">
	<ocn>622</ocn>
	<text class="norm">
		&#8220; You had sex with my girlfriend, in my house, while I was away,
working.&#8221;
	</text>
</object>
<object id="623">
	<ocn>623</ocn>
	<text class="norm">
		&#8220; Jules, I'm sorry. I did it, and I kept on doing it. I'm not
much of a friend to either of you.
	</text>
</object>
<object id="624">
	<ocn>624</ocn>
	<text class="norm">
		&#8220; She's pretty broken up. She wanted me to come out here and tell
you it was all a mistake, that you were just being paranoid.&#8221;
	</text>
</object>
<object id="625">
	<ocn>625</ocn>
	<text class="norm">
		We sat in silence for a long time. I refilled his glass, then my own.
	</text>
</object>
<object id="626">
	<ocn>626</ocn>
	<text class="norm">
		&#8220; I couldn't do that,&#8221; he said. &#8220; I'm worried about
you. You haven't been right, not for months. I don't know what it is,
but you should get to a doctor.&#8221;
	</text>
</object>
<object id="627">
	<ocn>627</ocn>
	<text class="norm">
		&#8220; I don't need a doctor,&#8221; I snapped. The liquor had melted
the numbness and left burning anger and bile, my constant companions.
&#8220; I need a friend who doesn't fuck my girlfriend when my back is
turned.&#8221;
	</text>
</object>
<object id="628">
	<ocn>628</ocn>
	<text class="norm">
		I threw my glass at the wall. It bounced off, leaving tequila-stains on
the wallpaper, and rolled under the bed. Dan started, but stayed
seated. If he'd stood up, I would've hit him. Dan's good at crises.
	</text>
</object>
<object id="629">
	<ocn>629</ocn>
	<text class="norm">
		&#8220; If it's any consolation, I expect to be dead pretty
soon,&#8221; he said. He gave me a wry grin. &#8220; My Whuffie's doing
good. This rehab should take it up over the top. I'll be ready to
go.&#8221;
	</text>
</object>
<object id="630">
	<ocn>630</ocn>
	<text class="norm">
		That stopped me. I'd somehow managed to forget that Dan, my good friend
Dan, was going to kill himself.
	</text>
</object>
<object id="631">
	<ocn>631</ocn>
	<text class="norm">
		&#8220; You're going to do it,&#8221; I said, sitting down next to him.
It hurt to think about it. I really liked the bastard. He might've been
my best friend.
	</text>
</object>
<object id="632">
	<ocn>632</ocn>
	<text class="norm">
		There was a knock at the door. I opened it without checking the
peephole. It was Lil.
	</text>
</object>
<object id="633">
	<ocn>633</ocn>
	<text class="norm">
		She looked younger than ever. Young and small and miserable. A snide
remark died in my throat. I wanted to hold her.
	</text>
</object>
<object id="634">
	<ocn>634</ocn>
	<text class="norm">
		She brushed past me and went to Dan, who squirmed out of her embrace.
	</text>
</object>
<object id="635">
	<ocn>635</ocn>
	<text class="norm">
		&#8220; No,&#8221; he said, and stood up and sat on the windowsill,
staring down at the Seven Seas Lagoon.
	</text>
</object>
<object id="636">
	<ocn>636</ocn>
	<text class="norm">
		&#8220; Dan's just been explaining to me that he plans on being dead in
a couple months,&#8221; I said. &#8220; Puts a damper on the long-term
plans, doesn't it, Lil?&#8221;
	</text>
</object>
<object id="637">
	<ocn>637</ocn>
	<text class="norm">
		Tears streamed down her face and she seemed to fold in on herself.
&#8220; I'll take what I can get,&#8221; she said.
	</text>
</object>
<object id="638">
	<ocn>638</ocn>
	<text class="norm">
		I choked on a knob of misery, and I realized that it was Dan, not Lil,
whose loss upset me the most.
	</text>
</object>
<object id="639">
	<ocn>639</ocn>
	<text class="norm">
		Lil took Dan's hand and led him out of the room.
	</text>
</object>
<object id="640">
	<ocn>640</ocn>
	<text class="norm">
		<i>I guess I'll take what I can get, too</i>, I thought.
	</text>
</object>
<object id="641">
	<ocn>641</ocn>
	<text class="h4">
		CHAPTER 6
	</text>
</object>
<object id="642">
	<ocn>642</ocn>
	<text class="norm">
		Lying on my hotel bed, mesmerized by the lazy turns of the ceiling fan,
I pondered the possibility that I was nuts.
	</text>
</object>
<object id="643">
	<ocn>643</ocn>
	<text class="norm">
		It wasn't unheard of, even in the days of the Bitchun Society, and even
though there were cures, they weren't pleasant.
	</text>
</object>
<object id="644">
	<ocn>644</ocn>
	<text class="norm">
		I was once married to a crazy person. We were both about 70, and I was
living for nothing but joy. Her name was Zoya, and I called her Zed.
	</text>
</object>
<object id="645">
	<ocn>645</ocn>
	<text class="norm">
		We met in orbit, where I'd gone to experience the famed low-gravity
sybarites. Getting staggering drunk is not much fun at one gee, but at
ten to the neg eight, it's a blast. You don't stagger, you
<i>bounce</i>, and when you're bouncing in a sphere full of other
bouncing, happy, boisterous naked people, things get deeply fun.
	</text>
</object>
<object id="646">
	<ocn>646</ocn>
	<text class="norm">
		I was bouncing around inside a clear sphere that was a mile in
diameter, filled with smaller spheres in which one could procure bulbs
of fruity, deadly concoctions. Musical instruments littered the
sphere's floor, and if you knew how to play, you'd snag one, tether it
to you and start playing. Others would pick up their own axes and jam
along. The tunes varied from terrific to awful, but they were always
energetic.
	</text>
</object>
<object id="647">
	<ocn>647</ocn>
	<text class="norm">
		I had been working on my third symphony on and off, and whenever I
thought I had a nice bit nailed, I'd spend some time in the sphere
playing it. Sometimes, the strangers who jammed in gave me new and
interesting lines of inquiry, and that was good. Even when they didn't,
playing an instrument was a fast track to intriguing an interesting,
naked stranger.
	</text>
</object>
<object id="648">
	<ocn>648</ocn>
	<text class="norm">
		Which is how we met. She snagged a piano and pounded out barrelhouse
runs in quirky time as I carried the main thread of the movement on a
cello. At first it was irritating, but after a short while I came to a
dawning comprehension of what she was doing to my music, and it was
really <i>good</i>. I'm a sucker for musicians.
	</text>
</object>
<object id="649">
	<ocn>649</ocn>
	<text class="norm">
		We brought the session to a crashing stop, me bowing furiously as
spheres of perspiration beaded on my body and floated gracefully into
the hydrotropic recyclers, she beating on the 88 like they were the
perp who killed her partner.
	</text>
</object>
<object id="650">
	<ocn>650</ocn>
	<text class="norm">
		I collapsed dramatically as the last note crashed through the bubble.
The singles, couples and groups stopped in midflight coitus to applaud.
She took a bow, untethered herself from the Steinway, and headed for
the hatch.
	</text>
</object>
<object id="651">
	<ocn>651</ocn>
	<text class="norm">
		I coiled my legs up and did a fast burn through the sphere, desperate
to reach the hatch before she did. I caught her as she was leaving.
	</text>
</object>
<object id="652">
	<ocn>652</ocn>
	<text class="norm">
		&#8220; Hey!&#8221; I said. &#8220; That was great! I'm Julius! How're
you doing?&#8221;
	</text>
</object>
<object id="653">
	<ocn>653</ocn>
	<text class="norm">
		She reached out with both hands and squeezed my nose and my unit
simultaneously&#8212;not hard, you understand, but playfully. &#8220;
Honk!&#8221; she said, and squirmed through the hatch while I gaped at
my burgeoning chub-on.
	</text>
</object>
<object id="654">
	<ocn>654</ocn>
	<text class="norm">
		I chased after her. &#8220; Wait,&#8221; I called as she tumbled
through the spoke of the station towards the gravity.
	</text>
</object>
<object id="655">
	<ocn>655</ocn>
	<text class="norm">
		She had a pianist's body&#8212;re-engineered arms and hands that
stretched for impossible lengths, and she used them with a spacehand's
grace, vaulting herself forward at speed. I bumbled after her best as I
could on my freshman spacelegs, but by the time I reached the half-gee
rim of the station, she was gone.
	</text>
</object>
<object id="656">
	<ocn>656</ocn>
	<text class="norm">
		I didn't find her again until the next movement was done and I went to
the bubble to try it out on an oboe. I was just getting warmed up when
she passed through the hatch and tied off to the piano.
	</text>
</object>
<object id="657">
	<ocn>657</ocn>
	<text class="norm">
		This time, I clamped the oboe under my arm and bopped over to her
before moistening the reed and blowing. I hovered over the piano's top,
looking her in the eye as we jammed. Her mood that day was 4/4 time and
I-IV-V progressions, in a feel that swung around from blues to rock to
folk, teasing at the edge of my own melodies. She noodled at me, I
noodled back at her, and her eyes crinkled charmingly whenever I
managed a smidge of tuneful wit.
	</text>
</object>
<object id="658">
	<ocn>658</ocn>
	<text class="norm">
		She was almost completely flatchested, and covered in a fine, red downy
fur, like a chipmunk. It was a jaunter's style, suited to the
climate-controlled, soft-edged life in space. Fifty years later, I was
dating Lil, another redhead, but Zed was my first.
	</text>
</object>
<object id="659">
	<ocn>659</ocn>
	<text class="norm">
		I played and played, entranced by the fluidity of her movements at the
keyboard, her comical moues of concentration when picking out a
particularly kicky little riff. When I got tired, I took it to a slow
bridge or gave her a solo. I was going to make this last as long as I
could. Meanwhile, I maneuvered my way between her and the hatch.
	</text>
</object>
<object id="660">
	<ocn>660</ocn>
	<text class="norm">
		When I blew the last note, I was wrung out as a washcloth, but I
summoned the energy to zip over to the hatch and block it. She calmly
untied and floated over to me.
	</text>
</object>
<object id="661">
	<ocn>661</ocn>
	<text class="norm">
		I looked in her eyes, silvered slanted cat-eyes, eyes that I'd been
staring into all afternoon, and watched the smile that started at their
corners and spread right down to her long, elegant toes. She looked
back at me, then, at length, grabbed ahold of my joint again.
	</text>
</object>
<object id="662">
	<ocn>662</ocn>
	<text class="norm">
		&#8220; You'll do,&#8221; she said, and led me to her sleeping
quarters, across the station.
	</text>
</object>
<object id="663">
	<ocn>663</ocn>
	<text class="norm">
		We didn't sleep.
	</text>
</object>
<object id="664">
	<ocn>664</ocn>
	<text class="norm">
		Zoya had been an early network engineer for the geosynch broadband
constellations that went up at the cusp of the world's ascent into
Bitchunry. She'd been exposed to a lot of hard rads and low gee and had
generally become pretty transhuman as time went by, upgrading with a
bewildering array of third-party enhancements: a vestigial tail, eyes
that saw through most of the RF spectrum, her arms, her fur, dogleg
reversible knee joints and a completely mechanical spine that wasn't
prone to any of the absolutely inane bullshit that plagues the rest of
us, like lower-back pain, intrascapular inflammation, sciatica and
slipped discs.
	</text>
</object>
<object id="665">
	<ocn>665</ocn>
	<text class="norm">
		I thought I lived for fun, but I didn't have anything on Zed. She only
talked when honking and whistling and grabbing and kissing wouldn't do,
and routinely slapped upgrades into herself on the basis of any whim
that crossed her mind, like when she resolved to do a spacewalk
bare-skinned and spent the afternoon getting tin-plated and
iron-lunged.
	</text>
</object>
<object id="666">
	<ocn>666</ocn>
	<text class="norm">
		I fell in love with her a hundred times a day, and wanted to strangle
her twice as often. She stayed on her spacewalk for a couple of days,
floating around the bubble, making crazy faces at its mirrored
exterior. She had no way of knowing if I was inside, but she assumed
that I was watching. Or maybe she didn't, and she was making faces for
anyone's benefit.
	</text>
</object>
<object id="667">
	<ocn>667</ocn>
	<text class="norm">
		But then she came back through the lock, strange and wordless and her
eyes full of the stars she'd seen and her metallic skin cool with the
breath of empty space, and she led me a merry game of tag through the
station, the mess hall where we skidded sloppy through a wobbly ovoid
of rice pudding, the greenhouses where she burrowed like a gopher and
shinnied like a monkey, the living quarters and bubbles as we
interrupted a thousand acts of coitus.
	</text>
</object>
<object id="668">
	<ocn>668</ocn>
	<text class="norm">
		You'd have thought that we'd have followed it up with an act of our
own, and truth be told, that was certainly my expectation when we
started the game I came to think of as the steeplechase, but we never
did. Halfway through, I'd lose track of carnal urges and return to a
state of childlike innocence, living only for the thrill of the chase
and the giggly feeling I got whenever she found some new,
even-more-outrageous corner to turn. I think we became legendary on the
station, that crazy pair that's always zipping in and zipping away,
like having your party crashed by two naked, coed Marx Brothers.
	</text>
</object>
<object id="669">
	<ocn>669</ocn>
	<text class="norm">
		When I asked her to marry me, to return to Earth with me, to live with
me until the universe's mainspring unwound, she laughed, honked my nose
and my willie and shouted, &#8220; YOU'LL <i>DO</i>!&#8221;
	</text>
</object>
<object id="670">
	<ocn>670</ocn>
	<text class="norm">
		I took her home to Toronto and we took up residence ten stories
underground in overflow residence for the University. Our Whuffie
wasn't so hot earthside, and the endless institutional corridors made
her feel at home while affording her opportunities for mischief.
	</text>
</object>
<object id="671">
	<ocn>671</ocn>
	<text class="norm">
		But bit by bit, the mischief dwindled, and she started talking more. At
first, I admit I was relieved, glad that my strange, silent wife was
finally acting normal, making nice with the neighbors instead of
pranking them with endless honks and fanny-kicks and squirt guns. We
gave up the steeplechase and she had the doglegs taken out, her fur
removed, her eyes unsilvered to a hazel that was pretty and as
fathomable as the silver had been inscrutable.
	</text>
</object>
<object id="672">
	<ocn>672</ocn>
	<text class="norm">
		We wore clothes. We entertained. I started to rehearse my symphony in
low-Whuffie halls and parks with any musicians I could drum up, and she
came out and didn't play, just sat to the side and smiled and smiled
with a smile that never went beyond her lips.
	</text>
</object>
<object id="673">
	<ocn>673</ocn>
	<text class="norm">
		She went nuts.
	</text>
</object>
<object id="674">
	<ocn>674</ocn>
	<text class="norm">
		She shat herself. She pulled her hair. She cut herself with knives. She
accused me of plotting to kill her. She set fire to the neighbors'
apartments, wrapped herself in plastic sheeting, dry-humped the
furniture.
	</text>
</object>
<object id="675">
	<ocn>675</ocn>
	<text class="norm">
		She went nuts. She did it in broad strokes, painting the walls of our
bedroom with her blood, jagging all night through rant after rant. I
smiled and nodded and faced it for as long as I could, then I grabbed
her and hauled her, kicking like a mule, to the doctor's office on the
second floor. She'd been dirtside for a year and nuts for a month, but
it took me that long to face up to it.
	</text>
</object>
<object id="676">
	<ocn>676</ocn>
	<text class="norm">
		The doc diagnosed nonchemical dysfunction, which was by way of saying
that it was her mind, not her brain, that was broken. In other words,
I'd driven her nuts.
	</text>
</object>
<object id="677">
	<ocn>677</ocn>
	<text class="norm">
		You can get counseling for nonchemical dysfunction, basically trying to
talk it out, learn to feel better about yourself. She didn't want to.
	</text>
</object>
<object id="678">
	<ocn>678</ocn>
	<text class="norm">
		She was miserable, suicidal, murderous. In the brief moments of
lucidity that she had under sedation, she consented to being restored
from a backup that was made before we came to Toronto.
	</text>
</object>
<object id="679">
	<ocn>679</ocn>
	<text class="norm">
		I was at her side in the hospital when she woke up. I had prepared a
written synopsis of the events since her last backup for her, and she
read it over the next couple days.
	</text>
</object>
<object id="680">
	<ocn>680</ocn>
	<text class="norm">
		&#8220; Julius,&#8221; she said, while I was making breakfast in our
subterranean apartment. She sounded so serious, so fun-free, that I
knew immediately that the news wouldn't be good.
	</text>
</object>
<object id="681">
	<ocn>681</ocn>
	<text class="norm">
		&#8220; Yes?&#8221; I said, setting out plates of bacon and eggs,
steaming cups of coffee.
	</text>
</object>
<object id="682">
	<ocn>682</ocn>
	<text class="norm">
		&#8220; I'm going to go back to space, and revert to an older
version.&#8221; She had a shoulderbag packed, and she had traveling
clothes on.
	</text>
</object>
<object id="683">
	<ocn>683</ocn>
	<text class="norm">
		<i>Oh, shit.</i> &#8220; Great,&#8221; I said, with forced
cheerfulness, making a mental inventory of my responsibilities
dirtside. &#8220; Give me a minute or two, I'll pack up. I miss space,
too.&#8221;
	</text>
</object>
<object id="684">
	<ocn>684</ocn>
	<text class="norm">
		She shook her head, and anger blazed in her utterly scrutable hazel
eyes. &#8220; No. I'm going back to who I was, before I met you.&#8221;
	</text>
</object>
<object id="685">
	<ocn>685</ocn>
	<text class="norm">
		It hurt, bad. I had loved the old, steeplechase Zed, had loved her fun
and mischief. The Zed she'd become after we wed was terrible and
terrifying, but I'd stuck with her out of respect for the person she'd
been.
	</text>
</object>
<object id="686">
	<ocn>686</ocn>
	<text class="norm">
		Now she was off to restore herself from a backup made before she met
me. She was going to lop 18 months out of her life, start over again,
revert to a saved version.
	</text>
</object>
<object id="687">
	<ocn>687</ocn>
	<text class="norm">
		Hurt? It ached like a motherfucker.
	</text>
</object>
<object id="688">
	<ocn>688</ocn>
	<text class="norm">
		I went back to the station a month later, and saw her jamming in the
sphere with a guy who had three extra sets of arms depending from his
hips. He scuttled around the sphere while she played a jig on the
piano, and when her silver eyes lit on me, there wasn't a shred of
recognition in them. She'd never met me.
	</text>
</object>
<object id="689">
	<ocn>689</ocn>
	<text class="norm">
		I died some, too, putting the incident out of my head and sojourning to
Disney World, there to reinvent myself with a new group of friends, a
new career, a new life. I never spoke of Zed again&#8212;especially not
to Lil, who hardly needed me to pollute her with remembrances of my
crazy exes.
	</text>
</object>
<object id="690">
	<ocn>690</ocn>
	<text class="norm">
		If I was nuts, it wasn't the kind of spectacular nuts that Zed had
gone. It was a slow, seething, ugly nuts that had me alienating my
friends, sabotaging my enemies, driving my girlfriend into my best
friend's arms.
	</text>
</object>
<object id="691">
	<ocn>691</ocn>
	<text class="norm">
		I decided that I would see a doctor, just as soon as we'd run the rehab
past the ad-hoc's general meeting. I had to get my priorities straight.
	</text>
</object>
<object id="692">
	<ocn>692</ocn>
	<text class="norm">
		I pulled on last night's clothes and walked out to the Monorail station
in the main lobby. The platform was jammed with happy guests, bright
and cheerful and ready for a day of steady, hypermediated fun. I tried
to make myself attend to them as individuals, but try as I might, they
kept turning into a crowd, and I had to plant my feet firmly on the
platform to keep from weaving among them to the edge, the better to
snag a seat.
	</text>
</object>
<object id="693">
	<ocn>693</ocn>
	<text class="norm">
		The meeting was being held over the Sunshine Tree Terrace in
Adventureland, just steps from where I'd been turned into a road-pizza
by the still-unidentified assassin. The Adventureland ad-hocs owed the
Liberty Square crew a favor since my death had gone down on their turf,
so they had given us use of their prize meeting room, where the Florida
sun streamed through the slats of the shutters, casting a hash of
dust-filled shafts of light across the room. The faint sounds of the
tiki-drums and the spieling Jungle Cruise guides leaked through the
room, a low-key ambient buzz from two of the Park's oldest rides.
	</text>
</object>
<object id="694">
	<ocn>694</ocn>
	<text class="norm">
		There were almost a hundred ad-hocs in the Liberty Square crew, almost
all second-gen castmembers with big, friendly smiles. They filled the
room to capacity, and there was much hugging and handshaking before the
meeting came to order. I was thankful that the room was too small for
the <i>de rigueur</i> ad-hoc circle-of-chairs, so that Lil was able to
stand at a podium and command a smidge of respect.
	</text>
</object>
<object id="695">
	<ocn>695</ocn>
	<text class="norm">
		&#8220; Hi there!&#8221; she said, brightly. The weepy puffiness was
still present around her eyes, if you knew how to look for it, but she
was expert at putting on a brave face no matter what the ache.
	</text>
</object>
<object id="696">
	<ocn>696</ocn>
	<text class="norm">
		The ad-hocs roared back a collective, &#8220; Hi, Lil!&#8221; and
laughed at their own corny tradition. Oh, they sure were a barrel of
laughs at the Magic Kingdom.
	</text>
</object>
<object id="697">
	<ocn>697</ocn>
	<text class="norm">
		&#8220; Everybody knows why we're here, right?&#8221; Lil said, with a
self-deprecating smile. She'd been lobbying hard for weeks, after all.
&#8220; Does anyone have any questions about the plans? We'd like to
start executing right away.&#8221;
	</text>
</object>
<object id="698">
	<ocn>698</ocn>
	<text class="norm">
		A guy with deliberately boyish, wholesome features put his arm in the
air. Lil acknowledged him with a nod. &#8220; When you say &#8216;
right away,' do you mean&#8212;&#8221;
	</text>
</object>
<object id="699">
	<ocn>699</ocn>
	<text class="norm">
		I cut in. &#8220; Tonight. After this meeting. We're on an eight-week
production schedule, and the sooner we start, the sooner it'll be
finished.&#8221;
	</text>
</object>
<object id="700">
	<ocn>700</ocn>
	<text class="norm">
		The crowd murmured, unsettled. Lil shot me a withering look. I
shrugged. Politics was not my game.
	</text>
</object>
<object id="701">
	<ocn>701</ocn>
	<text class="norm">
		Lil said, &#8220; Don, we're trying something new here, a really
streamlined process. The good part is, the process is <i>short</i>. In
a couple months, we'll know if it's working for us. If it's not, hey,
we can turn it around in a couple months, too. That's why we're not
spending as much time planning as we usually do. It won't take five
years for the idea to prove out, so the risks are lower.&#8221;
	</text>
</object>
<object id="702">
	<ocn>702</ocn>
	<text class="norm">
		Another castmember, a woman, apparent 40 with a round, motherly
demeanor said, &#8220; I'm all for moving fast&#8212;Lord knows, our
pacing hasn't always been that hot. But I'm concerned about all these
new people you propose to recruit&#8212;won't having more people slow
us down when it comes to making new decisions?&#8221;
	</text>
</object>
<object id="703">
	<ocn>703</ocn>
	<text class="norm">
		<i>No</i>, I thought sourly, <i>because the people I'm bringing in
aren't addicted to meetings</i>.
	</text>
</object>
<object id="704">
	<ocn>704</ocn>
	<text class="norm">
		Lil nodded. &#8220; That's a good point, Lisa. The offer we're making
to the telepresence players is probationary&#8212;they don't get to
vote until after we've agreed that the rehab is a success.&#8221;
	</text>
</object>
<object id="705">
	<ocn>705</ocn>
	<text class="norm">
		Another castmember stood. I recognized him: Dave, a heavyset,
self-important jerk who loved to work the front door, even though he
blew his spiel about half the time. &#8220; Lillian,&#8221; he said,
smiling sadly at her, &#8220; I think you're really making a big
mistake here. We love the Mansion, all of us, and so do the guests.
It's a piece of history, and we're its custodians, not its masters.
Changing it like this, well…&#8221; he shook his head. &#8220; It's
not good stewardship. If the guests wanted to walk through a funhouse
with guys jumping out of the shadows saying &#8216; booga-booga,'
they'd go to one of the Halloween Houses in their hometowns. The
Mansion's better than that. I can't be a part of this plan.&#8221;
	</text>
</object>
<object id="706">
	<ocn>706</ocn>
	<text class="norm">
		I wanted to knock the smug grin off his face. I'd delivered essentially
the same polemic a thousand times&#8212;in reference to Debra's
work&#8212;and hearing it from this jerk in reference to <i>mine</i>
made me go all hot and red inside.
	</text>
</object>
<object id="707">
	<ocn>707</ocn>
	<text class="norm">
		&#8220; Look,&#8221; I said. &#8220; If we don't do this, if we don't
change things, they'll get changed <i>for</i> us. By someone else. The
question, <i>Dave</i>, is whether a responsible custodian lets his
custodianship be taken away from him, or whether he does everything he
can to make sure that he's still around to ensure that his charge is
properly cared for. Good custodianship isn't sticking your head in the
sand.&#8221;
	</text>
</object>
<object id="708">
	<ocn>708</ocn>
	<text class="norm">
		I could tell I wasn't doing any good. The mood of the crowd was getting
darker, the faces more set. I resolved not to speak again until the
meeting was done, no matter what the provocation.
	</text>
</object>
<object id="709">
	<ocn>709</ocn>
	<text class="norm">
		Lil smoothed my remarks over, and fielded a dozen more, and it looked
like the objections would continue all afternoon and all night and all
the next day, and I felt woozy and overwrought and miserable all at the
same time, staring at Lil and her harried smile and her nervous
smoothing of her hair over her ears.
	</text>
</object>
<object id="710">
	<ocn>710</ocn>
	<text class="norm">
		Finally, she called the question. By tradition, the votes were
collected in secret and publicly tabulated over the data-channels. The
group's eyes unfocussed as they called up HUDs and watched the totals
as they rolled in. I was offline and unable to vote or watch.
	</text>
</object>
<object id="711">
	<ocn>711</ocn>
	<text class="norm">
		At length, Lil heaved a relieved sigh and smiled, dropping her hands
behind her back.
	</text>
</object>
<object id="712">
	<ocn>712</ocn>
	<text class="norm">
		&#8220; All right then,&#8221; she said, over the crowd's buzz. &#8220;
Let's get to work.&#8221;
	</text>
</object>
<object id="713">
	<ocn>713</ocn>
	<text class="norm">
		I stood up, saw Dan and Lil staring into each other's eyes, a
meaningful glance between new lovers, and I saw red. Literally. My
vision washed over pink, and a strobe pounded at the edges of my
vision. I took two lumbering steps towards them and opened my mouth to
say something horrible, and what came out was &#8220; Waaagh.&#8221; My
right side went numb and my leg slipped out from under me and I crashed
to the floor.
	</text>
</object>
<object id="714">
	<ocn>714</ocn>
	<text class="norm">
		The slatted light from the shutters cast its way across my chest as I
tried to struggle up with my left arm, and then it all went black.
	</text>
</object>
<object id="715">
	<ocn>715</ocn>
	<text class="norm">
		I wasn't nuts after all.
	</text>
</object>
<object id="716">
	<ocn>716</ocn>
	<text class="norm">
		The doctor's office in the Main Street infirmary was clean and white
and decorated with posters of Jiminy Cricket in doctors' whites with an
outsized stethoscope. I came to on a hard pallet under a sign that
reminded me to get a check-up twice a year, by gum! and I tried to
bring my hands up to shield my eyes from the over bright light and the
over-cheerful signage, and discovered that I couldn't move my arms.
Further investigation revealed that this was because I was strapped
down, in full-on four-point restraint.
	</text>
</object>
<object id="717">
	<ocn>717</ocn>
	<text class="norm">
		&#8220; Waaagh,&#8221; I said again.
	</text>
</object>
<object id="718">
	<ocn>718</ocn>
	<text class="norm">
		Dan's worried face swam into my field of vision, along with a
serious-looking doctor, apparent 70, with a Norman Rockwell face full
of crow'sfeet and smile-lines.
	</text>
</object>
<object id="719">
	<ocn>719</ocn>
	<text class="norm">
		&#8220; Welcome back, Julius. I'm Doctor Pete,&#8221; the doctor said,
in a kindly voice that matched the face. Despite my recent disillusion
with castmember bullshit, I found his schtick comforting.
	</text>
</object>
<object id="720">
	<ocn>720</ocn>
	<text class="norm">
		I slumped back against the pallet while the doc shone lights in my eyes
and consulted various diagnostic apparati. I bore it in stoic silence,
too confounded by the horrible Waaagh sounds to attempt more speech.
The doc would tell me what was going on when he was ready.
	</text>
</object>
<object id="721">
	<ocn>721</ocn>
	<text class="norm">
		&#8220; Does he need to be tied up still?&#8221; Dan asked, and I shook
my head urgently. Being tied up wasn't my idea of a good time.
	</text>
</object>
<object id="722">
	<ocn>722</ocn>
	<text class="norm">
		The doc smiled kindly. &#8220; I think it's for the best, for now.
Don't worry, Julius, we'll have you up and about soon enough.&#8221;
	</text>
</object>
<object id="723">
	<ocn>723</ocn>
	<text class="norm">
		Dan protested, but stopped when the doc threatened to send him out of
the room. He took my hand instead.
	</text>
</object>
<object id="724">
	<ocn>724</ocn>
	<text class="norm">
		My nose itched. I tried to ignore it, but it got worse and worse, until
it was all I could think of, the flaming lance of itch that strobed at
the tip of my nostril. Furiously, I wrinkled my face, rattled at my
restraints. The doc absentmindedly noticed my gyrations and delicately
scratched my nose with a gloved finger. The relief was fantastic. I
just hoped my nuts didn't start itching anytime soon.
	</text>
</object>
<object id="725">
	<ocn>725</ocn>
	<text class="norm">
		Finally, the doctor pulled up a chair and did something that caused the
head of the bed to raise up so that I could look him in the eye.
	</text>
</object>
<object id="726">
	<ocn>726</ocn>
	<text class="norm">
		&#8220; Well, now,&#8221; he said, stroking his chin. &#8220; Julius,
you've got a problem. Your friend here tells me your systems have been
offline for more than a month. It sure would've been better if you'd
come in to see me when it started up.
	</text>
</object>
<object id="727">
	<ocn>727</ocn>
	<text class="norm">
		&#8220; But you didn't, and things got worse.&#8221; He nodded up at
Jiminy Cricket's recriminations: Go ahead, see your doc! &#8220; It's
good advice, son, but what's done is done. You were restored from a
backup about eight weeks ago, I see. Without more tests, I can't be
sure, but my theory is that the brain-machine interface they installed
at that time had a material defect. It's been deteriorating ever since,
misfiring and rebooting. The shut-downs are a protective mechanism,
meant to keep it from introducing the kind of seizure you experienced
this afternoon. When the interface senses malfunction, it shuts itself
down and boots a diagnostic mode, attempts to fix itself and come back
online.
	</text>
</object>
<object id="728">
	<ocn>728</ocn>
	<text class="norm">
		&#8220; Well, that's fine for minor problems, but in cases like this,
it's bad news. The interface has been deteriorating steadily, and it's
only a matter of time before it does some serious damage.&#8221;
	</text>
</object>
<object id="729">
	<ocn>729</ocn>
	<text class="norm">
		&#8220; Waaagh?&#8221; I asked. I meant to say, <i>All right, but
what's wrong with my mouth?</i>
	</text>
</object>
<object id="730">
	<ocn>730</ocn>
	<text class="norm">
		The doc put a finger to my lips. &#8220; Don't try. The interface has
locked up, and it's taken some of your voluntary nervous processes with
it. In time, it'll probably shut down, but for now, there's no point.
That's why we've got you strapped down&#8212;you were thrashing pretty
hard when they brought you in, and we didn't want you to hurt
yourself.&#8221;
	</text>
</object>
<object id="731">
	<ocn>731</ocn>
	<text class="norm">
		<i>Probably shut down</i>? Jesus. I could end up stuck like this
forever. I started shaking.
	</text>
</object>
<object id="732">
	<ocn>732</ocn>
	<text class="norm">
		The doc soothed me, stroking my hand, and in the process pressed a
transdermal on my wrist. The panic receded as the transdermal's
sedative oozed into my bloodstream.
	</text>
</object>
<object id="733">
	<ocn>733</ocn>
	<text class="norm">
		&#8220; There, there,&#8221; he said. &#8220; It's nothing permanent.
We can grow you a new clone and refresh it from your last backup.
Unfortunately, that backup is a few months old. If we'd caught it
earlier, we may've been able to salvage a current backup, but given the
deterioration you've displayed to date… Well, there just wouldn't be
any point.&#8221;
	</text>
</object>
<object id="734">
	<ocn>734</ocn>
	<text class="norm">
		My heart hammered. I was going to lose two months&#8212;lose it all,
never happened. My assassination, the new Hall of Presidents and my
shameful attempt thereon, the fights with Lil, Lil and Dan, the
meeting. My plans for the rehab! All of it, good and bad, every moment
flensed away.
	</text>
</object>
<object id="735">
	<ocn>735</ocn>
	<text class="norm">
		I couldn't do it. I had a rehab to finish, and I was the only one who
understood how it had to be done. Without my relentless prodding, the
ad-hocs would surely revert to their old, safe ways. They might even
leave it half-done, halt the process for an interminable review,
present a soft belly for Debra to savage.
	</text>
</object>
<object id="736">
	<ocn>736</ocn>
	<text class="norm">
		I wouldn't be restoring from backup.
	</text>
</object>
<object id="737">
	<ocn>737</ocn>
	<text class="norm">
		I had two more seizures before the interface finally gave up and shut
itself down. I remember the first, a confusion of vision-occluding
strobes and uncontrollable thrashing and the taste of copper, but the
second happened without waking me from deep unconsciousness.
	</text>
</object>
<object id="738">
	<ocn>738</ocn>
	<text class="norm">
		When I came to again in the infirmary, Dan was still there. He had a
day's growth of beard and new worrylines at the corners of his newly
rejuvenated eyes. The doctor came in, shaking his head.
	</text>
</object>
<object id="739">
	<ocn>739</ocn>
	<text class="norm">
		&#8220; Well, now, it seems like the worst is over. I've drawn up the
consent forms for the refresh and the new clone will be ready in an
hour or two. In the meantime, I think heavy sedation is in order. Once
the restore's been completed, we'll retire this body for you and we'll
be all finished up.&#8221;
	</text>
</object>
<object id="740">
	<ocn>740</ocn>
	<text class="norm">
		Retire this body? Kill me, is what it meant.
	</text>
</object>
<object id="741">
	<ocn>741</ocn>
	<text class="norm">
		&#8220; No,&#8221; I said. I thrilled in my restraints: my voice was
back under my control!
	</text>
</object>
<object id="742">
	<ocn>742</ocn>
	<text class="norm">
		&#8220; Oh, really now.&#8221; The doc lost his bedside manner, let his
exasperation slip through. &#8220; There's nothing else for it. If
you'd come to me when it all started, well, we might've had other
options. You've got no one to blame but yourself.&#8221;
	</text>
</object>
<object id="743">
	<ocn>743</ocn>
	<text class="norm">
		&#8220; No,&#8221; I repeated. &#8220; Not now. I won't sign.&#8221;
	</text>
</object>
<object id="744">
	<ocn>744</ocn>
	<text class="norm">
		Dan put his hand on mine. I tried to jerk out from under it, but the
restraints and his grip held me fast. &#8220; You've got to do it,
Julius. It's for the best,&#8221; he said.
	</text>
</object>
<object id="745">
	<ocn>745</ocn>
	<text class="norm">
		&#8220; I'm not going to let you kill me,&#8221; I said, through
clenched teeth. His fingertips were callused, worked rough with
exertion well beyond the normal call of duty.
	</text>
</object>
<object id="746">
	<ocn>746</ocn>
	<text class="norm">
		&#8220; No one's killing you, son,&#8221; the doctor said. Son, son,
son. Who knew how old he was? He could be 18 for all I knew. &#8220;
It's just the opposite: we're saving you. If you continue like this, it
will only get worse. The seizures, mental breakdown, the whole melon
going soft. You don't want that.&#8221;
	</text>
</object>
<object id="747">
	<ocn>747</ocn>
	<text class="norm">
		I thought of Zed's spectacular transformation into a crazy person.
<i>No, I sure don't</i>. &#8220; I don't care about the interface. Chop
it out. I can't do it now.&#8221; I swallowed. &#8220; Later. After the
rehab. Eight more weeks.&#8221;
	</text>
</object>
<object id="748">
	<ocn>748</ocn>
	<text class="norm">
		The irony! Once the doc knew I was serious, he sent Dan out of the room
and rolled his eyes up while he placed a call. I saw his gorge work as
he subvocalized. He left me bound to the table, to wait.
	</text>
</object>
<object id="749">
	<ocn>749</ocn>
	<text class="norm">
		No clocks in the infirmary, and no internal clock, and it may have been
ten minutes or five hours. I was catheterized, but I didn't know it
until urgent necessity made the discovery for me.
	</text>
</object>
<object id="750">
	<ocn>750</ocn>
	<text class="norm">
		When the doc came back, he held a small device that I instantly
recognized: a HERF gun.
	</text>
</object>
<object id="751">
	<ocn>751</ocn>
	<text class="norm">
		Oh, it wasn't the same model I'd used on the Hall of Presidents. This
one was smaller, and better made, with the precise engineering of a
surgical tool. The doc raised his eyebrows at me. &#8220; You know what
this is,&#8221; he said, flatly. A dim corner of my mind gibbered,
<i>he knows, he knows, the Hall of Presidents</i>. But he didn't know.
That episode was locked in my mind, invulnerable to backup.
	</text>
</object>
<object id="752">
	<ocn>752</ocn>
	<text class="norm">
		&#8220; I know,&#8221; I said.
	</text>
</object>
<object id="753">
	<ocn>753</ocn>
	<text class="norm">
		&#8220; This one is high-powered in the extreme. It will penetrate the
interface's shielding and fuse it. It probably won't turn you into a
vegetable. That's the best I can do. If this fails, we will restore you
from your last backup. You have to sign the consent before I use
it.&#8221; He'd dropped all kindly pretense from his voice, not
bothering to disguise his disgust. I was pitching out the miracle of
the Bitchun Society, the thing that had all but obsoleted the medical
profession: why bother with surgery when you can grow a clone, take a
backup, and refresh the new body? Some people swapped corpuses just to
get rid of a cold.
	</text>
</object>
<object id="754">
	<ocn>754</ocn>
	<text class="norm">
		I signed. The doc wheeled my gurney into the crash and hum of the
utilidors and then put it on a freight tram that ran to the
Imagineering compound, and thence to a heavy, exposed Faraday cage. Of
course: using the HERF on me would kill any electronics in the
neighborhood. They had to shield me before they pulled the trigger.
	</text>
</object>
<object id="755">
	<ocn>755</ocn>
	<text class="norm">
		The doc placed the gun on my chest and loosened my restraints. He
sealed the cage and retreated to the lab's door. He pulled a heavy
apron and helmet with faceguard from a hook beside the door.
	</text>
</object>
<object id="756">
	<ocn>756</ocn>
	<text class="norm">
		&#8220; Once I am outside the door, point it at your head and pull the
trigger. I'll come back in five minutes. Once I am in the room, place
the gun on the floor and do not touch it. It is only good for a single
usage, but I have no desire to find out I'm wrong.&#8221;
	</text>
</object>
<object id="757">
	<ocn>757</ocn>
	<text class="norm">
		He closed the door. I took the pistol in my hand. It was heavy, dense
with its stored energy, the tip a parabolic hollow to better focus its
cone.
	</text>
</object>
<object id="758">
	<ocn>758</ocn>
	<text class="norm">
		I lifted the gun to my temple and let it rest there. My thumb found the
trigger-stud.
	</text>
</object>
<object id="759">
	<ocn>759</ocn>
	<text class="norm">
		I paused. This wouldn't kill me, but it might lock the interface
forever, paralyzing me, turning me into a thrashing maniac. I knew that
I would never be able to pull the trigger. The doc must've known,
too&#8212;this was his way of convincing me to let him do that restore.
	</text>
</object>
<object id="760">
	<ocn>760</ocn>
	<text class="norm">
		I opened my mouth to call the doc, and what came out was &#8220;
Waaagh!&#8221;
	</text>
</object>
<object id="761">
	<ocn>761</ocn>
	<text class="norm">
		The seizure started. My arm jerked and my thumb nailed the stud, and
there was an ozone tang. The seizure stopped.
	</text>
</object>
<object id="762">
	<ocn>762</ocn>
	<text class="norm">
		I had no more interface.
	</text>
</object>
<object id="763">
	<ocn>763</ocn>
	<text class="norm">
		The doc looked sour and pinched when he saw me sitting up on the
gurney, rubbing at my biceps. He produced a handheld diagnostic tool
and pointed it at my melon, then pronounced every bit of digital
microcircuitry in it dead. For the first time since my twenties, I was
no more advanced than nature had made me.
	</text>
</object>
<object id="764">
	<ocn>764</ocn>
	<text class="norm">
		The restraints left purple bruises at my wrists and ankles, where I'd
thrashed against them. I hobbled out of the Faraday cage and the lab
under my own power, but just barely, my muscles groaning from the
inadvertent isometric exercises of my seizure.
	</text>
</object>
<object id="765">
	<ocn>765</ocn>
	<text class="norm">
		Dan was waiting in the utilidor, crouched and dozing against the wall.
The doc shook him awake and his head snapped up, his hand catching the
doc's in a lightning-quick reflex. It was easy to forget Dan's old line
of work here in the Magic Kingdom, but when he smoothly snagged the
doc's arm and sprang to his feet, eyes hard and alert, I remembered. My
old pal, the action hero.
	</text>
</object>
<object id="766">
	<ocn>766</ocn>
	<text class="norm">
		Quickly, Dan released the doc and apologized. He assessed my physical
state and wordlessly wedged his shoulder in my armpit, supporting me. I
didn't have the strength to stop him. I needed sleep.
	</text>
</object>
<object id="767">
	<ocn>767</ocn>
	<text class="norm">
		&#8220; I'm taking you home,&#8221; he said. &#8220; We'll fight Debra
off tomorrow.&#8221;
	</text>
</object>
<object id="768">
	<ocn>768</ocn>
	<text class="norm">
		&#8220; Sure,&#8221; I said, and boarded the waiting tram.
	</text>
</object>
<object id="769">
	<ocn>769</ocn>
	<text class="norm">
		But we didn't go home. Dan took me back to my hotel, the Contemporary,
and brought me up to my door. He keycarded the lock and stood awkwardly
as I hobbled into the empty room that was my new home, as I collapsed
into the bed that was mine now.
	</text>
</object>
<object id="770">
	<ocn>770</ocn>
	<text class="norm">
		With an apologetic look, he slunk away, back to Lil and the house we'd
shared.
	</text>
</object>
<object id="771">
	<ocn>771</ocn>
	<text class="norm">
		I slapped on a sedative transdermal that the doc had given me, and
added a mood-equalizer that he'd recommended to control my &#8220;
personality swings.&#8221; In seconds, I was asleep.
	</text>
</object>
<object id="772">
	<ocn>772</ocn>
	<text class="h4">
		CHAPTER 7
	</text>
</object>
<object id="773">
	<ocn>773</ocn>
	<text class="norm">
		The meds helped me cope with the next couple of days, starting the
rehab on the Mansion. We worked all night erecting a scaffolding around
the facade, though no real work would be done on it&#8212;we wanted the
appearance of rapid progress, and besides, I had an idea.
	</text>
</object>
<object id="774">
	<ocn>774</ocn>
	<text class="norm">
		I worked alongside Dan, using him as a personal secretary, handling my
calls, looking up plans, monitoring the Net for the first grumblings as
the Disney-going public realized that the Mansion was being taken down
for a full-blown rehab. We didn't exchange any unnecessary words,
standing side by side without ever looking into one another's eyes. I
couldn't really feel awkward around Dan, anyway. He never let me, and
besides we had our hands full directing disappointed guests away from
the Mansion. A depressing number of them headed straight for the Hall
of Presidents.
	</text>
</object>
<object id="775">
	<ocn>775</ocn>
	<text class="norm">
		We didn't have to wait long for the first panicked screed about the
Mansion to appear. Dan read it aloud off his HUD: &#8220; Hey! Anyone
hear anything about scheduled maintenance at the HM? I just buzzed by
on the way to the new H of P's and it looks like some big stuff's
afoot&#8212;scaffolding, castmembers swarming in and out, see the pic.
I hope they're not screwing up a good thing. BTW, don't miss the new H
of P's&#8212;very Bitchun.&#8221;
	</text>
</object>
<object id="776">
	<ocn>776</ocn>
	<text class="norm">
		&#8220; Right,&#8221; I said. &#8220; Who's the author, and is he on
the list?&#8221;
	</text>
</object>
<object id="777">
	<ocn>777</ocn>
	<text class="norm">
		Dan cogitated a moment. &#8220; /{She}/ is Kim Wright, and she's on the
list. Good Whuffie, lots of Mansion fanac, big readership.&#8221;
	</text>
</object>
<object id="778">
	<ocn>778</ocn>
	<text class="norm">
		&#8220; Call her,&#8221; I said.
	</text>
</object>
<object id="779">
	<ocn>779</ocn>
	<text class="norm">
		This was the plan: recruit rabid fans right away, get 'em in costume,
and put 'em up on the scaffolds. Give them outsized, bat-adorned tools
and get them to play at construction activity in thumpy, undead
pantomime. In time, Suneep and his gang would have a batch of
telepresence robots up and running, and we'd move to them, get them
wandering the queue area, interacting with curious guests. The new
Mansion would be open for business in 48 hours, albeit in stripped-down
fashion. The scaffolding made for a nice weenie, a visual draw that
would pull the hordes that thronged Debra's Hall of Presidents over for
a curious peek or two. Buzz city.
	</text>
</object>
<object id="780">
	<ocn>780</ocn>
	<text class="norm">
		I'm a pretty smart guy.
	</text>
</object>
<object id="781">
	<ocn>781</ocn>
	<text class="norm">
		Dan paged this Kim person and spoke to her as she was debarking the
Pirates of the Caribbean. I wondered if she was the right person for
the job: she seemed awfully enamored of the rehabs that Debra and her
crew had performed. If I'd had more time, I would've run a deep
background check on every one of the names on my list, but that
would've taken months.
	</text>
</object>
<object id="782">
	<ocn>782</ocn>
	<text class="norm">
		Dan made some small talk with Kim, speaking aloud in deference to my
handicap, before coming to the point. &#8220; We read your post about
the Mansion's rehab. You're the first one to notice it, and we wondered
if you'd be interested in coming by to find out a little more about our
plans.&#8221;
	</text>
</object>
<object id="783">
	<ocn>783</ocn>
	<text class="norm">
		Dan winced. &#8220; She's a screamer,&#8221; he whispered.
	</text>
</object>
<object id="784">
	<ocn>784</ocn>
	<text class="norm">
		Reflexively, I tried to pull up a HUD with my files on the Mansion fans
we hoped to recruit. Of course, nothing happened. I'd done that a dozen
times that morning, and there was no end in sight. I couldn't seem to
get lathered up about it, though, nor about anything else, not even the
hickey just visible under Dan's collar. The transdermal mood-balancer
on my bicep was seeing to that&#8212;doctor's orders.
	</text>
</object>
<object id="785">
	<ocn>785</ocn>
	<text class="norm">
		&#8220; Fine, fine. We're standing by the Pet Cemetery, two cast
members, male, in Mansion costumes. About five-ten, apparent 30. You
can't miss us.&#8221;
	</text>
</object>
<object id="786">
	<ocn>786</ocn>
	<text class="norm">
		She didn't. She arrived out of breath and excited, jogging. She was
apparent 20, and dressed like a real 20 year old, in a hipster
climate-control cowl that clung to and released her limbs, which were
long and double-kneed. All the rage among the younger set, including
the girl who'd shot me.
	</text>
</object>
<object id="787">
	<ocn>787</ocn>
	<text class="norm">
		But the resemblance to my killer ended with her dress and body. She
wasn't wearing a designer face, rather one that had enough
imperfections to be the one she was born with, eyes set close and nose
wide and slightly squashed.
	</text>
</object>
<object id="788">
	<ocn>788</ocn>
	<text class="norm">
		I admired the way she moved through the crowd, fast and low but without
jostling anyone. &#8220; Kim,&#8221; I called as she drew near. &#8220;
Over here.&#8221;
	</text>
</object>
<object id="789">
	<ocn>789</ocn>
	<text class="norm">
		She gave a happy shriek and made a beeline for us. Even charging
full-bore, she was good enough at navigating the crowd that she didn't
brush against a single soul. When she reached us, she came up short and
bounced a little. &#8220; Hi, I'm Kim!&#8221; she said, pumping my arm
with the peculiar violence of the extra-jointed. &#8220; Julius,&#8221;
I said, then waited while she repeated the process with Dan.
	</text>
</object>
<object id="790">
	<ocn>790</ocn>
	<text class="norm">
		&#8220; So,&#8221; she said, &#8220; what's the deal?&#8221;
	</text>
</object>
<object id="791">
	<ocn>791</ocn>
	<text class="norm">
		I took her hand. &#8220; Kim, we've got a job for you, if you're
interested.&#8221;
	</text>
</object>
<object id="792">
	<ocn>792</ocn>
	<text class="norm">
		She squeezed my hand hard and her eyes shone. &#8220; I'll take
it!&#8221; she said.
	</text>
</object>
<object id="793">
	<ocn>793</ocn>
	<text class="norm">
		I laughed, and so did Dan. It was a polite, castmembery sort of laugh,
but underneath it was relief. &#8220; I think I'd better explain it to
you first,&#8221; I said.
	</text>
</object>
<object id="794">
	<ocn>794</ocn>
	<text class="norm">
		&#8220; Explain away!&#8221; she said, and gave my hand another
squeeze.
	</text>
</object>
<object id="795">
	<ocn>795</ocn>
	<text class="norm">
		I let go of her hand and ran down an abbreviated version of the rehab
plans, leaving out anything about Debra and her ad-hocs. Kim drank it
all in greedily. She cocked her head at me as I ran it down, eyes wide.
It was disconcerting, and I finally asked, &#8220; Are you recording
this?&#8221;
	</text>
</object>
<object id="796">
	<ocn>796</ocn>
	<text class="norm">
		Kim blushed. &#8220; I hope that's okay! I'm starting a new Mansion
scrapbook. I have one for every ride in the Park, but this one's gonna
be a world-beater!&#8221;
	</text>
</object>
<object id="797">
	<ocn>797</ocn>
	<text class="norm">
		Here was something I hadn't thought about. Publishing ad-hoc business
was tabu inside Park, so much so that it hadn't occurred to me that the
new castmembers we brought in would want to record every little detail
and push it out over the Net as a big old Whuffie collector.
	</text>
</object>
<object id="798">
	<ocn>798</ocn>
	<text class="norm">
		&#8220; I can switch it off,&#8221; Kim said. She looked worried, and I
really started to grasp how important the Mansion was to the people we
were recruiting, how much of a privilege we were offering them.
	</text>
</object>
<object id="799">
	<ocn>799</ocn>
	<text class="norm">
		&#8220; Leave it rolling,&#8221; I said. &#8220; Let's show the world
how it's done.&#8221;
	</text>
</object>
<object id="800">
	<ocn>800</ocn>
	<text class="norm">
		We led Kim into a utilidor and down to costuming. She was half-naked by
the time we got there, literally tearing off her clothes in
anticipation of getting into character. Sonya, a Liberty Square ad-hoc
that we'd stashed at costuming, already had clothes waiting for her, a
rotting maid's uniform with an oversized toolbelt.
	</text>
</object>
<object id="801">
	<ocn>801</ocn>
	<text class="norm">
		We left Kim on the scaffolding, energetically troweling a water-based
cement substitute onto the wall, scraping it off and moving to a new
spot. It looked boring to me, but I could believe that we'd have to
tear her away when the time came.
	</text>
</object>
<object id="802">
	<ocn>802</ocn>
	<text class="norm">
		We went back to trawling the Net for the next candidate.
	</text>
</object>
<object id="803">
	<ocn>803</ocn>
	<text class="norm">
		By lunchtime, there were ten drilling, hammering, troweling new
castmembers around the scaffolding, pushing black wheelbarrows, singing
&#8220; Grim Grinning Ghosts&#8221; and generally having a high old
time.
	</text>
</object>
<object id="804">
	<ocn>804</ocn>
	<text class="norm">
		&#8220; This'll do,&#8221; I said to Dan. I was exhausted and soaked
with sweat, and the transdermal under my costume itched. Despite the
happy-juice in my bloodstream, a streak of uncastmemberly crankiness
was shot through my mood. I needed to get offstage.
	</text>
</object>
<object id="805">
	<ocn>805</ocn>
	<text class="norm">
		Dan helped me hobble away, and as we hit the utilidor, he whispered in
my ear, &#8220; This was a great idea, Julius. Really.&#8221;
	</text>
</object>
<object id="806">
	<ocn>806</ocn>
	<text class="norm">
		We jumped a tram over to Imagineering, my chest swollen with pride.
Suneep had three of his assistants working on the first generation of
mobile telepresence robots for the exterior, and had promised a
prototype for that afternoon. The robots were easy enough&#8212;just
off-the-shelf stuff, really&#8212;but the costumes and kinematics
routines were something else. Thinking about what he and Suneep's gang
of hypercreative super-geniuses would come up with cheered me up a
little, as did being out of the public eye.
	</text>
</object>
<object id="807">
	<ocn>807</ocn>
	<text class="norm">
		Suneep's lab looked like it had been hit by a tornado. Imagineer packs
rolled in and out with arcane gizmos, or formed tight argumentative
knots in the corners as they shouted over whatever their HUDs were
displaying. In the middle of it all was Suneep, who looked like he was
barely restraining an urge to shout Yippee! He was clearly in his
element.
	</text>
</object>
<object id="808">
	<ocn>808</ocn>
	<text class="norm">
		He threw his arms open when he caught sight of Dan and me, threw them
wide enough to embrace the whole mad, gibbering chaos. &#8220; What
wonderful flumgubbery!&#8221; he shouted, over the noise.
	</text>
</object>
<object id="809">
	<ocn>809</ocn>
	<text class="norm">
		&#8220; Sure is,&#8221; I agreed. &#8220; How's the prototype
coming?&#8221;
	</text>
</object>
<object id="810">
	<ocn>810</ocn>
	<text class="norm">
		Suneep waved absently, his short fingers describing trivialities in the
air. &#8220; In due time, in due time. I've put that team onto
something else, a kinematics routine for a class of flying spooks that
use gasbags to stay aloft&#8212;silent and scary. It's old spy-tech,
and the retrofit's coming tremendously. Take a look!&#8221; He pointed
a finger at me and, presumably, squirted some data my way.
	</text>
</object>
<object id="811">
	<ocn>811</ocn>
	<text class="norm">
		&#8220; I'm offline,&#8221; I reminded him gently.
	</text>
</object>
<object id="812">
	<ocn>812</ocn>
	<text class="norm">
		He slapped his forehead, took a moment to push his hair off his face,
and gave me an apologetic wave. &#8220; Of course, of course.
Here.&#8221; He unrolled an LCD and handed it to me. A flock of spooks
danced on the screen, rendered against the ballroom scene. They were
thematically consistent with the existing Mansion ghosts, more funny
than scary, and their faces were familiar. I looked around the lab and
realized that they'd caricatured various Imagineers.
	</text>
</object>
<object id="813">
	<ocn>813</ocn>
	<text class="norm">
		&#8220; Ah! You noticed,&#8221; Suneep said, rubbing his hands
together. &#8220; A very good joke, yes?&#8221;
	</text>
</object>
<object id="814">
	<ocn>814</ocn>
	<text class="norm">
		&#8220; This is terrific,&#8221; I said, carefully. &#8220; But I
really need some robots up and running by tomorrow night, Suneep. We
discussed this, remember?&#8221; Without telepresence robots, my
recruiting would be limited to fans like Kim, who lived in the area. I
had broader designs than that.
	</text>
</object>
<object id="815">
	<ocn>815</ocn>
	<text class="norm">
		Suneep looked disappointed. &#8220; Of course. We discussed it. I don't
like to stop my people when they have good ideas, but there's a time
and a place. I'll put them on it right away. Leave it to me.&#8221;
	</text>
</object>
<object id="816">
	<ocn>816</ocn>
	<text class="norm">
		Dan turned to greet someone, and I looked to see who it was. Lil. Of
course. She was raccoon-eyed with fatigue, and she reached out for
Dan's hand, saw me, and changed her mind.
	</text>
</object>
<object id="817">
	<ocn>817</ocn>
	<text class="norm">
		&#8220; Hi, guys,&#8221; she said, with studied casualness.
	</text>
</object>
<object id="818">
	<ocn>818</ocn>
	<text class="norm">
		&#8220; Oh, hello!&#8221; said Suneep. He fired his finger at
her&#8212;the flying ghosts, I imagined. Lil's eyes rolled up for a
moment, then she nodded exhaustedly at him.
	</text>
</object>
<object id="819">
	<ocn>819</ocn>
	<text class="norm">
		&#8220; Very good,&#8221; she said. &#8220; I just heard from Lisa. She
says the indoor crews are on-schedule. They've got most of the
animatronics dismantled, and they're taking down the glass in the
Ballroom now.&#8221; The Ballroom ghost effects were accomplished by
means of a giant pane of polished glass that laterally bisected the
room. The Mansion had been built around it&#8212;it was too big to take
out in one piece. &#8220; They say it'll be a couple days before
they've got it cut up and ready to remove.&#8221;
	</text>
</object>
<object id="820">
	<ocn>820</ocn>
	<text class="norm">
		A pocket of uncomfortable silence descended on us, the roar of the
Imagineers rushing in to fill it.
	</text>
</object>
<object id="821">
	<ocn>821</ocn>
	<text class="norm">
		&#8220; You must be exhausted,&#8221; Dan said, at length.
	</text>
</object>
<object id="822">
	<ocn>822</ocn>
	<text class="norm">
		&#8220; Goddamn right,&#8221; I said, at the same moment that Lil said,
&#8220; I guess I am.&#8221;
	</text>
</object>
<object id="823">
	<ocn>823</ocn>
	<text class="norm">
		We both smiled wanly. Suneep put his arms around Lil's and my shoulders
and squeezed. He smelled of an exotic cocktail of industrial lubricant,
ozone, and fatigue poisons.
	</text>
</object>
<object id="824">
	<ocn>824</ocn>
	<text class="norm">
		&#8220; You two should go home and give each other a massage,&#8221; he
said. &#8220; You've earned some rest.&#8221;
	</text>
</object>
<object id="825">
	<ocn>825</ocn>
	<text class="norm">
		Dan met my eye and shook his head apologetically. I squirmed out from
under Suneep's arm and thanked him quietly, then slunk off to the
Contemporary for a hot tub and a couple hours of sleep.
	</text>
</object>
<object id="826">
	<ocn>826</ocn>
	<text class="norm">
		I came back to the Mansion at sundown. It was cool enough that I took a
surface route, costume rolled in a shoulderbag, instead of riding
through the clattering, air-conditioned comfort of the utilidors.
	</text>
</object>
<object id="827">
	<ocn>827</ocn>
	<text class="norm">
		As a freshening breeze blew across me, I suddenly had a craving for
<i>real</i> weather, the kind of climate I'd grown up with in Toronto.
It was October, for chrissakes, and a lifetime of conditioning told me
that it was May. I stopped and leaned on a bench for a moment and
closed my eyes. Unbidden, and with the clarity of a HUD, I saw High
Park in Toronto, clothed in its autumn colors, fiery reds and oranges,
shades of evergreen and earthy brown. God, I needed a vacation.
	</text>
</object>
<object id="828">
	<ocn>828</ocn>
	<text class="norm">
		I opened my eyes and realized that I was standing in front of the Hall
of Presidents, and that there was a queue ahead of me for it, one that
stretched back and back. I did a quick sum in my head and sucked air
between my teeth: they had enough people for five or six full houses
waiting here&#8212;easily an hour's wait. The Hall <i>never</i> drew
crowds like this. Debra was working the turnstiles in Betsy Ross
gingham, and she caught my eye and snapped a nod at me.
	</text>
</object>
<object id="829">
	<ocn>829</ocn>
	<text class="norm">
		I stalked off to the Mansion. A choir of zombie-shambling new recruits
had formed up in front of the gate, and were groaning their way through
&#8220; Grim Grinning Ghosts,&#8221; with a new call-and-response
structure. A small audience participated, urged on by the recruits on
the scaffolding.
	</text>
</object>
<object id="830">
	<ocn>830</ocn>
	<text class="norm">
		&#8220; Well, at least that's going right,&#8221; I muttered to myself.
And it was, except that I could see members of the ad-hoc looking on
from the sidelines, and the looks weren't kindly. Totally obsessive
fans are a good measure of a ride's popularity, but they're kind of a
pain in the ass, too. They lipsynch the soundtrack, cadge souvenirs and
pester you with smarmy, show-off questions. After a while, even the
cheeriest castmember starts to lose patience, develop an automatic
distaste for them.
	</text>
</object>
<object id="831">
	<ocn>831</ocn>
	<text class="norm">
		The Liberty Square ad-hocs who were working on the Mansion had been
railroaded into approving a rehab, press-ganged into working on it, and
were now forced to endure the company of these grandstanding megafans.
If I'd been there when it all started&#8212;instead of
sleeping!&#8212;I may've been able to massage their bruised egos, but
now I wondered if it was too late.
	</text>
</object>
<object id="832">
	<ocn>832</ocn>
	<text class="norm">
		Nothing for it but to do it. I ducked into a utilidor, changed into my
costume and went back onstage. I joined the call-and-response
enthusiastically, walking around to the ad-hocs and getting them to
join in, reluctantly or otherwise.
	</text>
</object>
<object id="833">
	<ocn>833</ocn>
	<text class="norm">
		By the time the choir retired, sweaty and exhausted, a group of ad-hocs
were ready to take their place, and I escorted my recruits to an
offstage break-room.
	</text>
</object>
<object id="834">
	<ocn>834</ocn>
	<text class="norm">
		Suneep didn't deliver the robot prototypes for a week, and told me that
it would be another week before I could have even five production
units. Though he didn't say it, I got the sense that his guys were out
of control, so excited by the freedom from ad-hoc oversight that they
were running wild. Suneep himself was nearly a wreck, nervous and
jumpy. I didn't press it.
	</text>
</object>
<object id="835">
	<ocn>835</ocn>
	<text class="norm">
		Besides, I had problems of my own. The new recruits were multiplying. I
was staying on top of the fan response to the rehab from a terminal I'd
had installed in my hotel room. Kim and her local colleagues were
fielding millions of hits every day, their Whuffie accumulating as
envious fans around the world logged in to watch their progress on the
scaffolding.
	</text>
</object>
<object id="836">
	<ocn>836</ocn>
	<text class="norm">
		That was all according to plan. What wasn't according to plan was that
the new recruits were doing their own recruiting, extending invitations
to their net-pals to come on down to Florida, bunk on their sofas and
guest-beds, and present themselves to me for active duty.
	</text>
</object>
<object id="837">
	<ocn>837</ocn>
	<text class="norm">
		The tenth time it happened, I approached Kim in the break-room. Her
gorge was working, her eyes tracked invisible words across the middle
distance. No doubt she was penning yet another breathless missive about
the magic of working in the Mansion. &#8220; Hey, there,&#8221; I said.
&#8220; Have you got a minute to meet with me?&#8221;
	</text>
</object>
<object id="838">
	<ocn>838</ocn>
	<text class="norm">
		She held up a single finger, then, a moment later, gave me a bright
smile.
	</text>
</object>
<object id="839">
	<ocn>839</ocn>
	<text class="norm">
		&#8220; Hi, Julius!&#8221; she said. &#8220; Sure!&#8221;
	</text>
</object>
<object id="840">
	<ocn>840</ocn>
	<text class="norm">
		&#8220; Why don't you change into civvies, we'll take a walk through
the Park and talk?&#8221;
	</text>
</object>
<object id="841">
	<ocn>841</ocn>
	<text class="norm">
		Kim wore her costume every chance she got. I'd been quite firm about
her turning it in to the laundry every night instead of wearing it
home.
	</text>
</object>
<object id="842">
	<ocn>842</ocn>
	<text class="norm">
		Reluctantly, she stepped into a change-room and switched into her cowl.
We took the utilidor to the Fantasyland exit and walked through the
late-afternoon rush of children and their adults, queued deep and thick
for Snow White, Dumbo and Peter Pan.
	</text>
</object>
<object id="843">
	<ocn>843</ocn>
	<text class="norm">
		&#8220; How're you liking it here?&#8221; I asked.
	</text>
</object>
<object id="844">
	<ocn>844</ocn>
	<text class="norm">
		Kim gave a little bounce. &#8220; Oh, Julius, it's the best time of my
life, really! A dream come true. I'm meeting so many interesting
people, and I'm really feeling creative. I can't wait to try out the
telepresence rigs, too.&#8221;
	</text>
</object>
<object id="845">
	<ocn>845</ocn>
	<text class="norm">
		&#8220; Well, I'm really pleased with what you and your friends are up
to here. You're working hard, putting on a good show. I like the songs
you've been working up, too.&#8221;
	</text>
</object>
<object id="846">
	<ocn>846</ocn>
	<text class="norm">
		She did one of those double-kneed shuffles that was the basis of any
number of action vids those days and she was suddenly standing in front
of me, hand on my shoulder, looking into my eyes. She looked serious.
	</text>
</object>
<object id="847">
	<ocn>847</ocn>
	<text class="norm">
		&#8220; Is there a problem, Julius? If there is, I'd rather we just
talked about it, instead of making chitchat.&#8221;
	</text>
</object>
<object id="848">
	<ocn>848</ocn>
	<text class="norm">
		I smiled and took her hand off my shoulder. &#8220; How old are you,
Kim?&#8221;
	</text>
</object>
<object id="849">
	<ocn>849</ocn>
	<text class="norm">
		&#8220; Nineteen,&#8221; she said. &#8220; What's the problem?&#8221;
	</text>
</object>
<object id="850">
	<ocn>850</ocn>
	<text class="norm">
		Nineteen! Jesus, no wonder she was so volatile. <i>What's my excuse,
then?</i>
	</text>
</object>
<object id="851">
	<ocn>851</ocn>
	<text class="norm">
		&#8220; It's not a problem, Kim, it's just something I wanted to
discuss with you. The people you-all have been bringing down to work
for me, they're all really great castmembers.&#8221;
	</text>
</object>
<object id="852">
	<ocn>852</ocn>
	<text class="norm">
		&#8220; But?&#8221;
	</text>
</object>
<object id="853">
	<ocn>853</ocn>
	<text class="norm">
		&#8220; But we have limited resources around here. Not enough hours in
the day for me to stay on top of the new folks, the rehab, everything.
Not to mention that until we open the new Mansion, there's a limited
number of extras we can use out front. I'm concerned that we're going
to put someone on stage without proper training, or that we're going to
run out of uniforms; I'm also concerned about people coming all the way
here and discovering that there aren't any shifts for them to
take.&#8221;
	</text>
</object>
<object id="854">
	<ocn>854</ocn>
	<text class="norm">
		She gave me a relieved look. &#8220; Is <i>that</i> all? Don't worry
about it. I've been talking to Debra, over at the Hall of Presidents,
and she says she can pick up any people who can't be used at the
Mansion&#8212;we could even rotate back and forth!&#8221; She was
clearly proud of her foresight.
	</text>
</object>
<object id="855">
	<ocn>855</ocn>
	<text class="norm">
		My ears buzzed. Debra, one step ahead of me all along the way. She
probably suggested that Kim do some extra recruiting in the first
place. She'd take in the people who came down to work the Mansion,
convince them they'd been hard done by the Liberty Square crew, and
rope them into her little Whuffie ranch, the better to seize the
Mansion, the Park, the whole of Walt Disney World.
	</text>
</object>
<object id="856">
	<ocn>856</ocn>
	<text class="norm">
		&#8220; Oh, I don't think it'll come to that,&#8221; I said, carefully.
&#8220; I'm sure we can find a use for them all at the Mansion. More
the merrier.&#8221;
	</text>
</object>
<object id="857">
	<ocn>857</ocn>
	<text class="norm">
		Kim cocked quizzical, but let it go. I bit my tongue. The pain brought
me back to reality, and I started planning costume production, training
rosters, bunking. God, if only Suneep would finish the robots!
	</text>
</object>
<object id="858">
	<ocn>858</ocn>
	<text class="norm">
		&#8220; What do you mean, &#8216; no'?&#8221; I said, hotly.
	</text>
</object>
<object id="859">
	<ocn>859</ocn>
	<text class="norm">
		Lil folded her arms and glared. &#8220; No, Julius. It won't fly. The
group is already upset that all the glory is going to the new people,
they'll never let us bring more in. They also won't stop working on the
rehab to train them, costume them, feed them and mother them. They're
losing Whuffie every day that the Mansion's shut up, and they don't
want any more delays. Dave's already joined up with Debra, and I'm sure
he's not the last one.&#8221;
	</text>
</object>
<object id="860">
	<ocn>860</ocn>
	<text class="norm">
		Dave&#8212;the jerk who'd pissed all over the rehab in the meeting. Of
course he'd gone over. Lil and Dan stood side by side on the porch of
the house where I'd lived. I'd driven out that night to convince Lil to
sell the ad-hocs on bringing in more recruits, but it wasn't going
according to plan. They wouldn't even let me in the house.
	</text>
</object>
<object id="861">
	<ocn>861</ocn>
	<text class="norm">
		&#8220; So what do I tell Kim?&#8221;
	</text>
</object>
<object id="862">
	<ocn>862</ocn>
	<text class="norm">
		&#8220; Tell her whatever you want,&#8221; Lil said. &#8220; You
brought her in&#8212;you manage her. Take some goddamn responsibility
for once in your life.&#8221;
	</text>
</object>
<object id="863">
	<ocn>863</ocn>
	<text class="norm">
		It wasn't going to get any better. Dan gave me an apologetic look. Lil
glared a moment longer, then went into the house.
	</text>
</object>
<object id="864">
	<ocn>864</ocn>
	<text class="norm">
		&#8220; Debra's doing real well,&#8221; he said. &#8220; The net's all
over her. Biggest thing ever. Flash-baking is taking off in nightclubs,
dance mixes with the DJ's backup being shoved in bursts into the
dancers.&#8221;
	</text>
</object>
<object id="865">
	<ocn>865</ocn>
	<text class="norm">
		&#8220; God,&#8221; I said. &#8220; I fucked up, Dan. I fucked it all
up.&#8221;
	</text>
</object>
<object id="866">
	<ocn>866</ocn>
	<text class="norm">
		He didn't say anything, and that was the same as agreeing.
	</text>
</object>
<object id="867">
	<ocn>867</ocn>
	<text class="norm">
		Driving back to the hotel, I decided I needed to talk to Kim. She was a
problem I didn't need, and maybe a problem I could solve. I pulled a
screeching U-turn and drove the little runabout to her place, a tiny
condo in a crumbling complex that had once been a gated seniors'
village, pre-Bitchun.
	</text>
</object>
<object id="868">
	<ocn>868</ocn>
	<text class="norm">
		Her place was easy to spot. All the lights were burning, faint
conversation audible through the screen door. I jogged up the steps two
at a time, and was about to knock when a familiar voice drifted through
the screen.
	</text>
</object>
<object id="869">
	<ocn>869</ocn>
	<text class="norm">
		Debra, saying: &#8220; Oh yes, oh yes! Terrific idea! I'd never really
thought about using streetmosphere players to liven up the queue area,
but you're making a lot of sense. You people have just been doing the
<i>best</i> work over at the Mansion&#8212;find me more like you and
I'll take them for the Hall any day!&#8221;
	</text>
</object>
<object id="870">
	<ocn>870</ocn>
	<text class="norm">
		I heard Kim and her young friends chatting excitedly, proudly. The
anger and fear suffused me from tip to toe, and I felt suddenly light
and cool and ready to do something terrible.
	</text>
</object>
<object id="871">
	<ocn>871</ocn>
	<text class="norm">
		I padded silently down the steps and got into my runabout.
	</text>
</object>
<object id="872">
	<ocn>872</ocn>
	<text class="norm">
		Some people never learn. I'm one of them, apparently.
	</text>
</object>
<object id="873">
	<ocn>873</ocn>
	<text class="norm">
		I almost chortled over the foolproof simplicity of my plan as I slipped
in through the cast entrance using the ID card I'd scored when my
systems went offline and I was no longer able to squirt my
authorization at the door.
	</text>
</object>
<object id="874">
	<ocn>874</ocn>
	<text class="norm">
		I changed clothes in a bathroom on Main Street, switching into a black
cowl that completely obscured my features, then slunk through the
shadows along the storefronts until I came to the moat around
Cinderella's castle. Keeping low, I stepped over the fence and
duck-walked down the embankment, then slipped into the water and
sloshed across to the Adventureland side.
	</text>
</object>
<object id="875">
	<ocn>875</ocn>
	<text class="norm">
		Slipping along to the Liberty Square gateway, I flattened myself in
doorways whenever I heard maintenance crews passing in the distance,
until I reached the Hall of Presidents, and in a twinkling I was inside
the theater itself.
	</text>
</object>
<object id="876">
	<ocn>876</ocn>
	<text class="norm">
		Humming the Small World theme, I produced a short wrecking bar from my
cowl's tabbed pocket and set to work.
	</text>
</object>
<object id="877">
	<ocn>877</ocn>
	<text class="norm">
		The primary broadcast units were hidden behind a painted scrim over the
stage, and they were surprisingly well built for a first generation
tech. I really worked up a sweat smashing them, but I kept at it until
not a single component remained recognizable. The work was slow and
loud in the silent Park, but it lulled me into a sleepy reverie, an
autohypnotic swing-bang-swing-bang timeless time. To be on the safe
side, I grabbed the storage units and slipped them into the cowl.
	</text>
</object>
<object id="878">
	<ocn>878</ocn>
	<text class="norm">
		Locating their backup units was a little trickier, but years of hanging
out at the Hall of Presidents while Lil tinkered with the animatronics
helped me. I methodically investigated every nook, cranny and storage
area until I located them, in what had been a break-room closet. By
now, I had the rhythm of the thing, and I made short work of them.
	</text>
</object>
<object id="879">
	<ocn>879</ocn>
	<text class="norm">
		I did one more pass, wrecking anything that looked like it might be a
prototype for the next generation or notes that would help them
reconstruct the units I'd smashed.
	</text>
</object>
<object id="880">
	<ocn>880</ocn>
	<text class="norm">
		I had no illusions about Debra's preparedness&#8212;she'd have
something offsite that she could get up and running in a few days. I
wasn't doing anything permanent, I was just buying myself a day or two.
	</text>
</object>
<object id="881">
	<ocn>881</ocn>
	<text class="norm">
		I made my way clean out of the Park without being spotted, and sloshed
my way into my runabout, shoes leaking water from the moat.
	</text>
</object>
<object id="882">
	<ocn>882</ocn>
	<text class="norm">
		For the first time in weeks, I slept like a baby.
	</text>
</object>
<object id="883">
	<ocn>883</ocn>
	<text class="norm">
		Of course, I got caught. I don't really have the temperament for
Machiavellian shenanigans, and I left a trail a mile wide, from the
muddy footprints in the Contemporary's lobby to the wrecking bar
thoughtlessly left behind, with my cowl and the storage units from the
Hall, forgotten on the back seat of my runabout.
	</text>
</object>
<object id="884">
	<ocn>884</ocn>
	<text class="norm">
		I whistled my personal jazzy uptempo version of &#8220; Grim Grinning
Ghosts&#8221; as I made my way from Costuming, through the utilidor,
out to Liberty Square, a few minutes before the Park opened.
	</text>
</object>
<object id="885">
	<ocn>885</ocn>
	<text class="norm">
		Standing in front of me were Lil and Debra. Debra was holding my cowl
and wrecking bar. Lil held the storage units.
	</text>
</object>
<object id="886">
	<ocn>886</ocn>
	<text class="norm">
		I hadn't put on my transdermals that morning, and so the emotion I felt
was unmuffled, loud and yammering.
	</text>
</object>
<object id="887">
	<ocn>887</ocn>
	<text class="norm">
		I ran.
	</text>
</object>
<object id="888">
	<ocn>888</ocn>
	<text class="norm">
		I ran past them, along the road to Adventureland, past the Tiki Room
where I'd been killed, past the Adventureland gate where I'd waded
through the moat, down Main Street. I ran and ran, elbowing early
guests, trampling flowers, knocking over an apple cart across from the
Penny Arcade.
	</text>
</object>
<object id="889">
	<ocn>889</ocn>
	<text class="norm">
		I ran until I reached the main gate, and turned, thinking I'd outrun
Lil and Debra and all my problems. I'd thought wrong. They were both
there, a step behind me, puffing and red. Debra held my wrecking bar
like a weapon, and she brandished it at me.
	</text>
</object>
<object id="890">
	<ocn>890</ocn>
	<text class="norm">
		&#8220; You're a goddamn idiot, you know that?&#8221; she said. I think
if we'd been alone, she would've swung it at me.
	</text>
</object>
<object id="891">
	<ocn>891</ocn>
	<text class="norm">
		&#8220; Can't take it when someone else plays rough, huh, Debra?&#8221;
I sneered.
	</text>
</object>
<object id="892">
	<ocn>892</ocn>
	<text class="norm">
		Lil shook her head disgustedly. &#8220; She's right, you are an idiot.
The ad-hoc's meeting in Adventureland. You're coming.&#8221;
	</text>
</object>
<object id="893">
	<ocn>893</ocn>
	<text class="norm">
		&#8220; Why?&#8221; I asked, feeling belligerent. &#8220; You going to
honor me for all my hard work?&#8221;
	</text>
</object>
<object id="894">
	<ocn>894</ocn>
	<text class="norm">
		&#8220; We're going to talk about the future, Julius, what's left of it
for us.&#8221;
	</text>
</object>
<object id="895">
	<ocn>895</ocn>
	<text class="norm">
		&#8220; For God's sake, Lil, can't you see what's going on? They
<i>killed</i> me! They did it, and now we're fighting each other
instead of her! Why can't you see how <i>wrong</i> that is?&#8221;
	</text>
</object>
<object id="896">
	<ocn>896</ocn>
	<text class="norm">
		&#8220; You'd better watch those accusations, Julius,&#8221; Debra
said, quietly and intensely, almost hissing. &#8220; I don't know who
killed you or why, but you're the one who's guilty here. You need
help.&#8221;
	</text>
</object>
<object id="897">
	<ocn>897</ocn>
	<text class="norm">
		I barked a humorless laugh. Guests were starting to stream into the
now-open Park, and several of them were watching intently as the three
costumed castmembers shouted at each other. I could feel my Whuffie
hemorrhaging. &#8220; Debra, you are purely full of shit, and your work
is trite and unimaginative. You're a fucking despoiler and you don't
even have the guts to admit it.&#8221;
	</text>
</object>
<object id="898">
	<ocn>898</ocn>
	<text class="norm">
		&#8220; That's <i>enough</i>, Julius,&#8221; Lil said, her face hard,
her rage barely in check. &#8220; We're going.&#8221;
	</text>
</object>
<object id="899">
	<ocn>899</ocn>
	<text class="norm">
		Debra walked a pace behind me, Lil a pace before, all the way through
the crowd to Adventureland. I saw a dozen opportunities to slip into a
gap in the human ebb and flow and escape custody, but I didn't try. I
wanted a chance to tell the whole world what I'd done and why I'd done
it.
	</text>
</object>
<object id="900">
	<ocn>900</ocn>
	<text class="norm">
		Debra followed us in when we mounted the steps to the meeting room. Lil
turned. &#8220; I don't think you should be here, Debra,&#8221; she
said in measured tones.
	</text>
</object>
<object id="901">
	<ocn>901</ocn>
	<text class="norm">
		Debra shook her head. &#8220; You can't keep me out, you know. And you
shouldn't want to. We're on the same side.&#8221;
	</text>
</object>
<object id="902">
	<ocn>902</ocn>
	<text class="norm">
		I snorted derisively, and I think it decided Lil. &#8220; Come on,
then,&#8221; she said.
	</text>
</object>
<object id="903">
	<ocn>903</ocn>
	<text class="norm">
		It was SRO in the meeting room, packed to the gills with the entire
ad-hoc, except for my new recruits. No work was being done on the
rehab, then, and the Liberty Belle would be sitting at her dock. Even
the restaurant crews were there. Liberty Square must've been a ghost
town. It gave the meeting a sense of urgency: the knowledge that there
were guests in Liberty Square wandering aimlessly, looking for
castmembers to help them out. Of course, Debra's crew might've been
around.
	</text>
</object>
<object id="904">
	<ocn>904</ocn>
	<text class="norm">
		The crowd's faces were hard and bitter, leaving no doubt in my mind
that I was in deep shit. Even Dan, sitting in the front row, looked
angry. I nearly started crying right then. Dan&#8212;oh, Dan. My pal,
my confidant, my patsy, my rival, my nemesis. Dan, Dan, Dan. I wanted
to beat him to death and hug him at the same time.
	</text>
</object>
<object id="905">
	<ocn>905</ocn>
	<text class="norm">
		Lil took the podium and tucked stray hairs behind her ears. &#8220; All
right, then,&#8221; she said. I stood to her left and Debra stood to
her right.
	</text>
</object>
<object id="906">
	<ocn>906</ocn>
	<text class="norm">
		&#8220; Thanks for coming out today. I'd like to get this done quickly.
We all have important work to get to. I'll run down the facts: last
night, a member of this ad-hoc vandalized the Hall of Presidents,
rendering it useless. It's estimated that it will take at least a week
to get it back up and running.
	</text>
</object>
<object id="907">
	<ocn>907</ocn>
	<text class="norm">
		&#8220; I don't have to tell you that this isn't acceptable. This has
never happened before, and it will never happen again. We're going to
see to that.
	</text>
</object>
<object id="908">
	<ocn>908</ocn>
	<text class="norm">
		&#8220; I'd like to propose that no further work be done on the Mansion
until the Hall of Presidents is fully operational. I will be
volunteering my services on the repairs.&#8221;
	</text>
</object>
<object id="909">
	<ocn>909</ocn>
	<text class="norm">
		There were nods in the audience. Lil wouldn't be the only one working
at the Hall that week. &#8220; Disney World isn't a competition,&#8221;
Lil said. &#8220; All the different ad-hocs work together, and we do it
to make the Park as good as we can. We lose sight of that at our
peril.&#8221;
	</text>
</object>
<object id="910">
	<ocn>910</ocn>
	<text class="norm">
		I nearly gagged on bile. &#8220; I'd like to say something,&#8221; I
said, as calmly as I could manage.
	</text>
</object>
<object id="911">
	<ocn>911</ocn>
	<text class="norm">
		Lil shot me a look. &#8220; That's fine, Julius. Any member of the
ad-hoc can speak.&#8221;
	</text>
</object>
<object id="912">
	<ocn>912</ocn>
	<text class="norm">
		I took a deep breath. &#8220; I did it, all right?&#8221; I said. My
voice cracked. &#8220; I did it, and I don't have any excuse for having
done it. It may not have been the smartest thing I've ever done, but I
think you all should understand how I was driven to it.
	</text>
</object>
<object id="913">
	<ocn>913</ocn>
	<text class="norm">
		&#8220; We're not <i>supposed</i> to be in competition with one another
here, but we all know that that's just a polite fiction. The truth is
that there's real competition in the Park, and that the hardest players
are the crew that rehabbed the Hall of Presidents. They <i>stole</i>
the Hall from you! They did it while you were distracted, they used
<i>me</i> to engineer the distraction, they <i>murdered</i> me!&#8221;
I heard the shriek creeping into my voice, but I couldn't do anything
about it.
	</text>
</object>
<object id="914">
	<ocn>914</ocn>
	<text class="norm">
		&#8220; Usually, the lie that we're all on the same side is fine. It
lets us work together in peace. But that changed the day they had me
shot. If you keep on believing it, you're going to lose the Mansion,
the Liberty Belle, Tom Sawyer Island&#8212;all of it. All the history
we have with this place&#8212;all the history that the billions who've
visited it have&#8212;it's going to be destroyed and replaced with the
sterile, thoughtless shit that's taken over the Hall. Once that
happens, there's nothing left that makes this place special. Anyone can
get the same experience sitting at home on the sofa! What happens then,
huh? How much longer do you think this place will stay open once the
only people here are <i>you?</i>&#8221;
	</text>
</object>
<object id="915">
	<ocn>915</ocn>
	<text class="norm">
		Debra smiled condescendingly. &#8220; Are you finished, then?&#8221;
she asked, sweetly. &#8220; Fine. I know I'm not a member of this
group, but since it was my work that was destroyed last night, I think
I would like to address Julius's statements, if you don't mind.&#8221;
She paused, but no one spoke up.
	</text>
</object>
<object id="916">
	<ocn>916</ocn>
	<text class="norm">
		&#8220; First of all, I want you all to know that we don't hold you
responsible for what happened last night. We know who was responsible,
and he needs help. I urge you to see to it that he gets it.
	</text>
</object>
<object id="917">
	<ocn>917</ocn>
	<text class="norm">
		&#8220; Next, I'd like to say that as far as I'm concerned, we are on
the same side&#8212;the side of the Park. This is a special place, and
it couldn't exist without all of our contributions. What happened to
Julius was terrible, and I sincerely hope that the person responsible
is caught and brought to justice. But that person wasn't me or any of
the people in my ad-hoc.
	</text>
</object>
<object id="918">
	<ocn>918</ocn>
	<text class="norm">
		&#8220; Lil, I'd like to thank you for your generous offer of
assistance, and we'll take you up on it. That goes for all of
you&#8212;come on by the Hall, we'll put you to work. We'll be up and
running in no time.
	</text>
</object>
<object id="919">
	<ocn>919</ocn>
	<text class="norm">
		&#8220; Now, as far as the Mansion goes, let me say this once and for
all: neither me nor my ad-hoc have any desire to take over the
operations of the Mansion. It is a terrific attraction, and it's
getting better with the work you're all doing. If you've been worrying
about it, then you can stop worrying now. We're all on the same side.
	</text>
</object>
<object id="920">
	<ocn>920</ocn>
	<text class="norm">
		&#8220; Thanks for hearing me out. I've got to go see my team
now.&#8221;
	</text>
</object>
<object id="921">
	<ocn>921</ocn>
	<text class="norm">
		She turned and left, a chorus of applause following her out.
	</text>
</object>
<object id="922">
	<ocn>922</ocn>
	<text class="norm">
		Lil waited until it died down, then said, &#8220; All right, then,
we've got work to do, too. I'd like to ask you all a favor, first. I'd
like us to keep the details of last night's incident to ourselves.
Letting the guests and the world know about this ugly business isn't
good for anyone. Can we all agree to do that?&#8221;
	</text>
</object>
<object id="923">
	<ocn>923</ocn>
	<text class="norm">
		There was a moment's pause while the results were tabulated on the
HUDs, then Lil gave them a million-dollar smile. &#8220; I knew you'd
come through. Thanks, guys. Let's get to work.&#8221;
	</text>
</object>
<object id="924">
	<ocn>924</ocn>
	<text class="norm">
		I spent the day at the hotel, listlessly scrolling around on my
terminal. Lil had made it very clear to me after the meeting that I
wasn't to show my face inside the Park until I'd &#8220; gotten
help,&#8221; whatever that meant.
	</text>
</object>
<object id="925">
	<ocn>925</ocn>
	<text class="norm">
		By noon, the news was out. It was hard to pin down the exact source,
but it seemed to revolve around the new recruits. One of them had told
their net-pals about the high drama in Liberty Square, and mentioned my
name.
	</text>
</object>
<object id="926">
	<ocn>926</ocn>
	<text class="norm">
		There were already a couple of sites vilifying me, and I expected more.
I needed some kind of help, that was for sure.
	</text>
</object>
<object id="927">
	<ocn>927</ocn>
	<text class="norm">
		I thought about leaving then, turning my back on the whole business and
leaving Walt Disney World to start yet another new life, Whuffie-poor
and fancy-free.
	</text>
</object>
<object id="928">
	<ocn>928</ocn>
	<text class="norm">
		It wouldn't be so bad. I'd been in poor repute before, not so long ago.
That first time Dan and I had palled around, back at the U of T, I'd
been the center of a lot of pretty ambivalent sentiment, and
Whuffie-poor as a man can be.
	</text>
</object>
<object id="929">
	<ocn>929</ocn>
	<text class="norm">
		I slept in a little coffin on-campus, perfectly climate controlled. It
was cramped and dull, but my access to the network was free and I had
plenty of material to entertain myself. While I couldn't get a table in
a restaurant, I was free to queue up at any of the makers around town
and get myself whatever I wanted to eat and drink, whenever I wanted
it. Compared to 99.99999 percent of all the people who'd ever lived, I
had a life of unparalleled luxury.
	</text>
</object>
<object id="930">
	<ocn>930</ocn>
	<text class="norm">
		Even by the standards of the Bitchun Society, I was hardly a rarity.
The number of low-esteem individuals at large was significant, and they
got along just fine, hanging out in parks, arguing, reading, staging
plays, playing music.
	</text>
</object>
<object id="931">
	<ocn>931</ocn>
	<text class="norm">
		Of course, that wasn't the life for me. I had Dan to pal around with, a
rare high-net-Whuffie individual who was willing to fraternize with a
shmuck like me. He'd stand me to meals at sidewalk cafes and concerts
at the SkyDome, and shoot down any snotty reputation-punk who sneered
at my Whuffie tally. Being with Dan was a process of constantly
reevaluating my beliefs in the Bitchun Society, and I'd never had a
more vibrant, thought-provoking time in all my life.
	</text>
</object>
<object id="932">
	<ocn>932</ocn>
	<text class="norm">
		I could have left the Park, deadheaded to anywhere in the world,
started over. I could have turned my back on Dan, on Debra, on Lil and
the whole mess.
	</text>
</object>
<object id="933">
	<ocn>933</ocn>
	<text class="norm">
		I didn't.
	</text>
</object>
<object id="934">
	<ocn>934</ocn>
	<text class="norm">
		I called up the doc.
	</text>
</object>
<object id="935">
	<ocn>935</ocn>
	<text class="h4">
		CHAPTER 8
	</text>
</object>
<object id="936">
	<ocn>936</ocn>
	<text class="norm">
		Doctor Pete answered on the third ring, audio-only. In the background,
I heard a chorus of crying children, the constant backdrop of the Magic
Kingdom infirmary.
	</text>
</object>
<object id="937">
	<ocn>937</ocn>
	<text class="norm">
		&#8220; Hi, doc,&#8221; I said.
	</text>
</object>
<object id="938">
	<ocn>938</ocn>
	<text class="norm">
		&#8220; Hello, Julius. What can I do for you?&#8221; Under the veneer
of professional medical and castmember friendliness, I sensed
irritation.
	</text>
</object>
<object id="939">
	<ocn>939</ocn>
	<text class="norm">
		<i>Make it all good again</i>. &#8220; I'm not really sure. I wanted to
see if I could talk it over with you. I'm having some pretty big
problems.&#8221;
	</text>
</object>
<object id="940">
	<ocn>940</ocn>
	<text class="norm">
		&#8220; I'm on-shift until five. Can it wait until then?&#8221;
	</text>
</object>
<object id="941">
	<ocn>941</ocn>
	<text class="norm">
		By then, I had no idea if I'd have the nerve to see him. &#8220; I
don't think so&#8212;I was hoping we could meet right away.&#8221;
	</text>
</object>
<object id="942">
	<ocn>942</ocn>
	<text class="norm">
		&#8220; If it's an emergency, I can have an ambulance sent for
you.&#8221;
	</text>
</object>
<object id="943">
	<ocn>943</ocn>
	<text class="norm">
		&#8220; It's urgent, but not an emergency. I need to talk about it in
person. Please?&#8221;
	</text>
</object>
<object id="944">
	<ocn>944</ocn>
	<text class="norm">
		He sighed in undoctorly, uncastmemberly fashion. &#8220; Julius, I've
got important things to do here. Are you sure this can't wait?&#8221;
	</text>
</object>
<object id="945">
	<ocn>945</ocn>
	<text class="norm">
		I bit back a sob. &#8220; I'm sure, doc.&#8221;
	</text>
</object>
<object id="946">
	<ocn>946</ocn>
	<text class="norm">
		&#8220; All right then. When can you be here?&#8221;
	</text>
</object>
<object id="947">
	<ocn>947</ocn>
	<text class="norm">
		Lil had made it clear that she didn't want me in the Park. &#8220; Can
you meet me? I can't really come to you. I'm at the Contemporary, Tower
B, room 2334.&#8221;
	</text>
</object>
<object id="948">
	<ocn>948</ocn>
	<text class="norm">
		&#8220; I don't really make house calls, son.&#8221;
	</text>
</object>
<object id="949">
	<ocn>949</ocn>
	<text class="norm">
		&#8220; I know, I know.&#8221; I hated how pathetic I sounded. &#8220;
Can you make an exception? I don't know who else to turn to.&#8221;
	</text>
</object>
<object id="950">
	<ocn>950</ocn>
	<text class="norm">
		&#8220; I'll be there as soon as I can. I'll have to get someone to
cover for me. Let's not make a habit of this, all right?&#8221;
	</text>
</object>
<object id="951">
	<ocn>951</ocn>
	<text class="norm">
		I whooshed out my relief. &#8220; I promise.&#8221;
	</text>
</object>
<object id="952">
	<ocn>952</ocn>
	<text class="norm">
		He disconnected abruptly, and I found myself dialing Dan.
	</text>
</object>
<object id="953">
	<ocn>953</ocn>
	<text class="norm">
		&#8220; Yes?&#8221; he said, cautiously.
	</text>
</object>
<object id="954">
	<ocn>954</ocn>
	<text class="norm">
		&#8220; Doctor Pete is coming over, Dan. I don't know if he can help
me&#8212;I don't know if anyone can. I just wanted you to know.&#8221;
	</text>
</object>
<object id="955">
	<ocn>955</ocn>
	<text class="norm">
		He surprised me, then, and made me remember why he was still my friend,
even after everything. &#8220; Do you want me to come over?&#8221;
	</text>
</object>
<object id="956">
	<ocn>956</ocn>
	<text class="norm">
		&#8220; That would be very nice,&#8221; I said, quietly. &#8220; I'm at
the hotel.&#8221;
	</text>
</object>
<object id="957">
	<ocn>957</ocn>
	<text class="norm">
		&#8220; Give me ten minutes,&#8221; he said, and rang off.
	</text>
</object>
<object id="958">
	<ocn>958</ocn>
	<text class="norm">
		He found me on my patio, looking out at the Castle and the peaks of
Space Mountain. To my left spread the sparkling waters of the Seven
Seas Lagoon, to my right, the Property stretched away for mile after
manicured mile. The sun was warm on my skin, faint strains of happy
laughter drifted with the wind, and the flowers were in bloom. In
Toronto, it would be freezing rain, gray buildings, noisome rapid
transit (a monorail hissed by), and hard-faced anonymity. I missed it.
	</text>
</object>
<object id="959">
	<ocn>959</ocn>
	<text class="norm">
		Dan pulled up a chair next to mine and sat without a word. We both
stared out at the view for a long while.
	</text>
</object>
<object id="960">
	<ocn>960</ocn>
	<text class="norm">
		&#8220; It's something else, isn't it?&#8221; I said, finally.
	</text>
</object>
<object id="961">
	<ocn>961</ocn>
	<text class="norm">
		&#8220; I suppose so,&#8221; he said. &#8220; I want to say something
before the doc comes by, Julius.&#8221;
	</text>
</object>
<object id="962">
	<ocn>962</ocn>
	<text class="norm">
		&#8220; Go ahead.&#8221;
	</text>
</object>
<object id="963">
	<ocn>963</ocn>
	<text class="norm">
		&#8220; Lil and I are through. It should never have happened in the
first place, and I'm not proud of myself. If you two were breaking up,
that's none of my business, but I had no right to hurry it
along.&#8221;
	</text>
</object>
<object id="964">
	<ocn>964</ocn>
	<text class="norm">
		&#8220; All right,&#8221; I said. I was too drained for emotion.
	</text>
</object>
<object id="965">
	<ocn>965</ocn>
	<text class="norm">
		&#8220; I've taken a room here, moved my things.&#8221;
	</text>
</object>
<object id="966">
	<ocn>966</ocn>
	<text class="norm">
		&#8220; How's Lil taking it?&#8221;
	</text>
</object>
<object id="967">
	<ocn>967</ocn>
	<text class="norm">
		&#8220; Oh, she thinks I'm a total bastard. I suppose she's
right.&#8221;
	</text>
</object>
<object id="968">
	<ocn>968</ocn>
	<text class="norm">
		&#8220; I suppose she's partly right,&#8221; I corrected him.
	</text>
</object>
<object id="969">
	<ocn>969</ocn>
	<text class="norm">
		He gave me a gentle slug in the shoulder. &#8220; Thanks.&#8221;
	</text>
</object>
<object id="970">
	<ocn>970</ocn>
	<text class="norm">
		We waited in companionable silence until the doc arrived.
	</text>
</object>
<object id="971">
	<ocn>971</ocn>
	<text class="norm">
		He bustled in, his smile lines drawn up into a sour purse and waited
expectantly. I left Dan on the patio while I took a seat on the bed.
	</text>
</object>
<object id="972">
	<ocn>972</ocn>
	<text class="norm">
		&#8220; I'm cracking up or something,&#8221; I said. &#8220; I've been
acting erratically, sometimes violently. I don't know what's wrong with
me.&#8221; I'd rehearsed the speech, but it still wasn't easy to choke
out.
	</text>
</object>
<object id="973">
	<ocn>973</ocn>
	<text class="norm">
		&#8220; We both know what's wrong, Julius,&#8221; the doc said,
impatiently. &#8220; You need to be refreshed from your backup, get set
up with a fresh clone and retire this one. We've had this talk.&#8221;
	</text>
</object>
<object id="974">
	<ocn>974</ocn>
	<text class="norm">
		&#8220; I can't do it,&#8221; I said, not meeting his eye. &#8220; I
just can't&#8212;isn't there another way?&#8221;
	</text>
</object>
<object id="975">
	<ocn>975</ocn>
	<text class="norm">
		The doc shook his head. &#8220; Julius, I've got limited resources to
allocate. There's a perfectly good cure for what's ailing you, and if
you won't take it, there's not much I can do for you.&#8221;
	</text>
</object>
<object id="976">
	<ocn>976</ocn>
	<text class="norm">
		&#8220; But what about meds?&#8221;
	</text>
</object>
<object id="977">
	<ocn>977</ocn>
	<text class="norm">
		&#8220; Your problem isn't a chemical imbalance, it's a mental defect.
Your <i>brain</i> is <i>broken</i>, son. All that meds will do is mask
the symptoms, while you get worse. I can't tell you what you want to
hear, unfortunately. Now, If you're ready to take the cure, I can
retire this clone immediately and get you restored into a new one in 48
hours.&#8221;
	</text>
</object>
<object id="978">
	<ocn>978</ocn>
	<text class="norm">
		&#8220; Isn't there another way? Please? You have to help me&#8212;I
can't lose all this.&#8221; I couldn't admit my real reasons for being
so attached to this singularly miserable chapter in my life, not even
to myself.
	</text>
</object>
<object id="979">
	<ocn>979</ocn>
	<text class="norm">
		The doctor rose to go. &#8220; Look, Julius, you haven't got the
Whuffie to make it worth anyone's time to research a solution to this
problem, other than the one that we all know about. I can give you
mood-suppressants, but that's not a permanent solution.&#8221;
	</text>
</object>
<object id="980">
	<ocn>980</ocn>
	<text class="norm">
		&#8220; Why not?&#8221;
	</text>
</object>
<object id="981">
	<ocn>981</ocn>
	<text class="norm">
		He boggled. &#8220; You <i>can't</i> just take dope for the rest of
your life, son. Eventually, something will happen to this body&#8212;I
see from your file that you're stroke-prone&#8212;and you're going to
get refreshed from your backup. The longer you wait, the more traumatic
it'll be. You're robbing from your future self for your selfish
present.&#8221;
	</text>
</object>
<object id="982">
	<ocn>982</ocn>
	<text class="norm">
		It wasn't the first time the thought had crossed my mind. Every passing
day made it harder to take the cure. To lie down and wake up friends
with Dan, to wake up and be in love with Lil again. To wake up to a
Mansion the way I remembered it, a Hall of Presidents where I could
find Lil bent over with her head in a President's guts of an afternoon.
To lie down and wake without disgrace, without knowing that my lover
and my best friend would betray me, <i>had</i> betrayed me.
	</text>
</object>
<object id="983">
	<ocn>983</ocn>
	<text class="norm">
		I just couldn't do it&#8212;not yet, anyway.
	</text>
</object>
<object id="984">
	<ocn>984</ocn>
	<text class="norm">
		Dan&#8212;Dan was going to kill himself soon, and if I restored myself
from my old backup, I'd lose my last year with him. I'd lose <i>his</i>
last year.
	</text>
</object>
<object id="985">
	<ocn>985</ocn>
	<text class="norm">
		&#8220; Let's table that, doc. I hear what you're saying, but there're
complications. I guess I'll take the mood-suppressants for now.&#8221;
	</text>
</object>
<object id="986">
	<ocn>986</ocn>
	<text class="norm">
		He gave me a cold look. &#8220; I'll give you a scrip, then. I could've
done that without coming out here. Please don't call me anymore.&#8221;
	</text>
</object>
<object id="987">
	<ocn>987</ocn>
	<text class="norm">
		I was shocked by his obvious ire, but I didn't understand it until he
was gone and I told Dan what had happened.
	</text>
</object>
<object id="988">
	<ocn>988</ocn>
	<text class="norm">
		&#8220; Us old-timers, we're used to thinking of doctors as highly
trained professionals&#8212;all that pre-Bitchun med-school stuff, long
internships, anatomy drills... Truth is, the average doc today gets
more training in bedside manner than bioscience. &#8216; Doctor' Pete
is a technician, not an MD, not the way you and I mean it. Anyone with
the kind of knowledge you're looking for is working as a historical
researcher, not a doctor.
	</text>
</object>
<object id="989">
	<ocn>989</ocn>
	<text class="norm">
		&#8220; But that's not the illusion. The doc is supposed to be the
authority on medical matters, even though he's only got one trick:
restore from backup. You're reminding Pete of that, and he's not happy
to have it happen.&#8221;
	</text>
</object>
<object id="990">
	<ocn>990</ocn>
	<text class="norm">
		I waited a week before returning to the Magic Kingdom, sunning myself
on the white sand beach at the Contemporary, jogging the Walk Around
the World, taking a canoe out to the wild and overgrown Discovery
Island, and generally cooling out. Dan came by in the evenings and it
was like old times, running down the pros and cons of Whuffie and
Bitchunry and life in general, sitting on my porch with a sweating
pitcher of lemonade.
	</text>
</object>
<object id="991">
	<ocn>991</ocn>
	<text class="norm">
		On the last night, he presented me with a clever little handheld, a
museum piece that I recalled fondly from the dawning days of the
Bitchun Society. It had much of the functionality of my defunct
systems, in a package I could slip in my shirt pocket. It felt like
part of a costume, like the turnip watches the Ben Franklin
streetmosphere players wore at the American Adventure.
	</text>
</object>
<object id="992">
	<ocn>992</ocn>
	<text class="norm">
		Museum piece or no, it meant that I was once again qualified to
participate in the Bitchun Society, albeit more slowly and less
efficiently than I once may've. I took it downstairs the next morning
and drove to the Magic Kingdom's castmember lot.
	</text>
</object>
<object id="993">
	<ocn>993</ocn>
	<text class="norm">
		At least, that was the plan. When I got down to the Contemporary's
parking lot, my runabout was gone. A quick check with the handheld
revealed the worst: my Whuffie was low enough that someone had just
gotten inside and driven away, realizing that they could make more
popular use of it than I could.
	</text>
</object>
<object id="994">
	<ocn>994</ocn>
	<text class="norm">
		With a sinking feeling, I trudged up to my room and swiped my key
through the lock. It emitted a soft, unsatisfied <u>bzzz</u> and lit
up, &#8220; Please see the front desk.&#8221; My room had been
reassigned, too. I had the short end of the Whuffie stick.
	</text>
</object>
<object id="995">
	<ocn>995</ocn>
	<text class="norm">
		At least there was no mandatory Whuffie check on the monorail platform,
but the other people on the car were none too friendly to me, and no
one offered me an inch more personal space than was necessary. I had
hit bottom.
	</text>
</object>
<object id="996">
	<ocn>996</ocn>
	<text class="norm">
		I took the castmember entrance to the Magic Kingdom, clipping my name
tag to my Disney Operations polo shirt, ignoring the glares of my
fellow castmembers in the utilidors.
	</text>
</object>
<object id="997">
	<ocn>997</ocn>
	<text class="norm">
		I used the handheld to page Dan. &#8220; Hey there,&#8221; he said,
brightly. I could tell instantly that I was being humored.
	</text>
</object>
<object id="998">
	<ocn>998</ocn>
	<text class="norm">
		&#8220; Where are you?&#8221; I asked.
	</text>
</object>
<object id="999">
	<ocn>999</ocn>
	<text class="norm">
		&#8220; Oh, up in the Square. By the Liberty Tree.&#8221;
	</text>
</object>
<object id="1000">
	<ocn>1000</ocn>
	<text class="norm">
		In front of the Hall of Presidents. I worked the handheld, pinged some
Whuffie manually. Debra was spiked so high it seemed she'd never come
down, as were Tim and her whole crew in aggregate. They were drawing
from guests by the millions, and from castmembers and from people who'd
read the popular accounts of their struggle against the forces of petty
jealousy and sabotage&#8212;i.e., me.
	</text>
</object>
<object id="1001">
	<ocn>1001</ocn>
	<text class="norm">
		I felt light-headed. I hurried along to costuming and changed into the
heavy green Mansion costume, then ran up the stairs to the Square.
	</text>
</object>
<object id="1002">
	<ocn>1002</ocn>
	<text class="norm">
		I found Dan sipping a coffee and sitting on a bench under the giant,
lantern-hung Liberty Tree. He had a second cup waiting for me, and
patted the bench next to him. I sat with him and sipped, waiting for
him to spill whatever bit of rotten news he had for me this
morning&#8212;I could feel it hovering like storm clouds.
	</text>
</object>
<object id="1003">
	<ocn>1003</ocn>
	<text class="norm">
		He wouldn't talk though, not until we finished the coffee. Then he
stood and strolled over to the Mansion. It wasn't rope-drop yet, and
there weren't any guests in the Park, which was all for the better,
given what was coming next.
	</text>
</object>
<object id="1004">
	<ocn>1004</ocn>
	<text class="norm">
		&#8220; Have you taken a look at Debra's Whuffie lately?&#8221; he
asked, finally, as we stood by the pet cemetery, considering the empty
scaffolding.
	</text>
</object>
<object id="1005">
	<ocn>1005</ocn>
	<text class="norm">
		I started to pull out the handheld but he put a hand on my arm. &#8220;
Don't bother,&#8221; he said, morosely. &#8220; Suffice it to say,
Debra's gang is number one with a bullet. Ever since word got out about
what happened to the Hall, they've been stacking it deep. They can do
just about anything, Jules, and get away with it.&#8221;
	</text>
</object>
<object id="1006">
	<ocn>1006</ocn>
	<text class="norm">
		My stomach tightened and I found myself grinding my molars. &#8220; So,
what is it they've done, Dan?&#8221; I asked, already knowing the
answer.
	</text>
</object>
<object id="1007">
	<ocn>1007</ocn>
	<text class="norm">
		Dan didn't have to respond, because at that moment, Tim emerged from
the Mansion, wearing a light cotton work-smock. He had a thoughtful
expression, and when he saw us, he beamed his elfin grin and came over.
	</text>
</object>
<object id="1008">
	<ocn>1008</ocn>
	<text class="norm">
		&#8220; Hey guys!&#8221; he said.
	</text>
</object>
<object id="1009">
	<ocn>1009</ocn>
	<text class="norm">
		&#8220; Hi, Tim,&#8221; Dan said. I nodded, not trusting myself to
speak.
	</text>
</object>
<object id="1010">
	<ocn>1010</ocn>
	<text class="norm">
		&#8220; Pretty exciting stuff, huh?&#8221; he said.
	</text>
</object>
<object id="1011">
	<ocn>1011</ocn>
	<text class="norm">
		&#8220; I haven't told him yet,&#8221; Dan said, with forced lightness.
&#8220; Why don't you run it down?&#8221;
	</text>
</object>
<object id="1012">
	<ocn>1012</ocn>
	<text class="norm">
		&#8220; Well, it's pretty radical, I have to admit. We've learned some
stuff from the Hall that we wanted to apply, and at the same time, we
wanted to capture some of the historical character of the ghost
story.&#8221;
	</text>
</object>
<object id="1013">
	<ocn>1013</ocn>
	<text class="norm">
		I opened my mouth to object, but Dan put a hand on my forearm. &#8220;
Really?&#8221; he asked innocently. &#8220; How do you plan on doing
that?&#8221;
	</text>
</object>
<object id="1014">
	<ocn>1014</ocn>
	<text class="norm">
		&#8220; Well, we're keeping the telepresence robots&#8212;that's a
honey of an idea, Julius&#8212;but we're giving each one an uplink so
that it can flash-bake. We've got some high-Whuffie horror writers
pulling together a series of narratives about the lives of each ghost:
how they met their tragic ends, what they've done since, you know.
	</text>
</object>
<object id="1015">
	<ocn>1015</ocn>
	<text class="norm">
		&#8220; The way we've storyboarded it, the guests stream through the
ride pretty much the way they do now, walking through the preshow and
then getting into the ride-vehicles, the Doom Buggies. But here's the
big change: we <i>slow it all down</i>. We trade off throughput for
intensity, make it more of a premium product.
	</text>
</object>
<object id="1016">
	<ocn>1016</ocn>
	<text class="norm">
		&#8220; So you're a guest. From the queue to the unload zone, you're
being chased by these ghosts, these telepresence robots, and they're
really scary&#8212;I've got Suneep's concept artists going back to the
drawing board, hitting basic research on stuff that'll just scare the
guests silly. When a ghost catches you, lays its hands on
you&#8212;wham! Flash-bake! You get its whole grisly story in three
seconds, across your frontal lobe. By the time you've left, you've had
ten or more ghost-contacts, and the next time you come back, it's all
new ghosts with all new stories. The way that the Hall's drawing 'em,
we're bound to be a hit.&#8221; He put his hands behind his back and
rocked on his heels, clearly proud of himself.
	</text>
</object>
<object id="1017">
	<ocn>1017</ocn>
	<text class="norm">
		When Epcot Center first opened, long, long ago, there'd been an ugly
decade or so in ride design. Imagineering found a winning formula for
Spaceship Earth, the flagship ride in the big golf ball, and, in their
drive to establish thematic continuity, they'd turned the formula into
a cookie-cutter, stamping out half a dozen clones for each of the
&#8220; themed&#8221; areas in the Future Showcase. It went like this:
first, we were cavemen, then there was ancient Greece, then Rome burned
(cue sulfur-odor FX), then there was the Great Depression, and,
finally, we reached the modern age. Who knows what the future holds? We
do! We'll all have videophones and be living on the ocean floor. Once
was cute&#8212;compelling and inspirational, even&#8212;but six times
was embarrassing. Like everyone, once Imagineering got themselves a
good hammer, everything started to resemble a nail. Even now, the Epcot
ad-hocs were repeating the sins of their forebears, closing every ride
with a scene of Bitchun utopia.
	</text>
</object>
<object id="1018">
	<ocn>1018</ocn>
	<text class="norm">
		And Debra was repeating the classic mistake, tearing her way through
the Magic Kingdom with her blaster set to flash-bake.
	</text>
</object>
<object id="1019">
	<ocn>1019</ocn>
	<text class="norm">
		&#8220; Tim,&#8221; I said, hearing the tremble in my voice. &#8220; I
thought you said that you had no designs on the Mansion, that you and
Debra wouldn't be trying to take it away from us. Didn't you say
that?&#8221;
	</text>
</object>
<object id="1020">
	<ocn>1020</ocn>
	<text class="norm">
		Tim rocked back as if I'd slapped him and the blood drained from his
face. &#8220; But we're not taking it away!&#8221; he said. &#8220; You
<i>invited</i> us to help.&#8221;
	</text>
</object>
<object id="1021">
	<ocn>1021</ocn>
	<text class="norm">
		I shook my head, confused. &#8220; We did?&#8221; I said.
	</text>
</object>
<object id="1022">
	<ocn>1022</ocn>
	<text class="norm">
		&#8220; Sure,&#8221; he said.
	</text>
</object>
<object id="1023">
	<ocn>1023</ocn>
	<text class="norm">
		&#8220; Yes,&#8221; Dan said. &#8220; Kim and some of the other rehab
cast went to Debra yesterday and asked her to do a design review of the
current rehab and suggest any changes. She was good enough to agree,
and they've come up with some great ideas.&#8221; I read between the
lines: the newbies you invited in have gone over to the other side and
we're going to lose everything because of them. I felt like shit.
	</text>
</object>
<object id="1024">
	<ocn>1024</ocn>
	<text class="norm">
		&#8220; Well, I stand corrected,&#8221; I said, carefully. Tim's grin
came back and he clapped his hands together. <i>He really loves the
Mansion</i>, I thought. <i>He could have been on our side, if we had
only played it all right.</i>
	</text>
</object>
<object id="1025">
	<ocn>1025</ocn>
	<text class="norm">
		Dan and I took to the utilidors and grabbed a pair of bicycles and sped
towards Suneep's lab, jangling our bells at the rushing castmembers.
&#8220; They don't have the authority to invite Debra in,&#8221; I
panted as we pedaled.
	</text>
</object>
<object id="1026">
	<ocn>1026</ocn>
	<text class="norm">
		&#8220; Says who?&#8221; Dan said.
	</text>
</object>
<object id="1027">
	<ocn>1027</ocn>
	<text class="norm">
		&#8220; It was part of the deal&#8212;they knew that they were
probationary members right from the start. They weren't even allowed
into the design meetings.&#8221;
	</text>
</object>
<object id="1028">
	<ocn>1028</ocn>
	<text class="norm">
		&#8220; Looks like they took themselves off probation,&#8221; he said.
	</text>
</object>
<object id="1029">
	<ocn>1029</ocn>
	<text class="norm">
		Suneep gave us both a chilly look when we entered his lab. He had dark
circles under his eyes and his hands shook with exhaustion. He seemed
to be holding himself erect with nothing more than raw anger.
	</text>
</object>
<object id="1030">
	<ocn>1030</ocn>
	<text class="norm">
		&#8220; So much for building without interference,&#8221; he said.
&#8220; We agreed that this project wouldn't change midway through. Now
it has, and I've got other commitments that I'm going to have to cancel
because this is going off-schedule.&#8221;
	</text>
</object>
<object id="1031">
	<ocn>1031</ocn>
	<text class="norm">
		I made soothing apologetic gestures with my hands. &#8220; Suneep,
believe me, I'm just as upset about this as you are. We don't like this
one little bit.&#8221;
	</text>
</object>
<object id="1032">
	<ocn>1032</ocn>
	<text class="norm">
		He harrumphed. &#8220; We had a deal, Julius,&#8221; he said, hotly.
&#8220; I would do the rehab for you and you would keep the ad-hocs off
my back. I've been holding up my end of the bargain, but where the hell
have you been? If they replan the rehab now, I'll <i>have</i> to go
along with them. I can't just leave the Mansion half-done&#8212;they'll
murder me.&#8221;
	</text>
</object>
<object id="1033">
	<ocn>1033</ocn>
	<text class="norm">
		The kernel of a plan formed in my mind. &#8220; Suneep, we don't like
the new rehab plan, and we're going to stop it. You can help. Just
stonewall them&#8212;tell them they'll have to find other Imagineering
support if they want to go through with it, that you're booked
solid.&#8221;
	</text>
</object>
<object id="1034">
	<ocn>1034</ocn>
	<text class="norm">
		Dan gave me one of his long, considering looks, then nodded a minute
approval. &#8220; Yeah,&#8221; he drawled. &#8220; That'll help all
right. Just tell 'em that they're welcome to make any changes they want
to the plan, <i>if</i> they can find someone else to execute
them.&#8221;
	</text>
</object>
<object id="1035">
	<ocn>1035</ocn>
	<text class="norm">
		Suneep looked unhappy. &#8220; Fine&#8212;so then they go and find
someone else to do it, and that person gets all the credit for the work
my team's done so far. I just flush my time down the toilet.&#8221;
	</text>
</object>
<object id="1036">
	<ocn>1036</ocn>
	<text class="norm">
		&#8220; It won't come to that,&#8221; I said quickly. &#8220; If you
can just keep saying no for a couple days, we'll do the rest.&#8221;
	</text>
</object>
<object id="1037">
	<ocn>1037</ocn>
	<text class="norm">
		Suneep looked doubtful.
	</text>
</object>
<object id="1038">
	<ocn>1038</ocn>
	<text class="norm">
		&#8220; I promise,&#8221; I said.
	</text>
</object>
<object id="1039">
	<ocn>1039</ocn>
	<text class="norm">
		Suneep ran his stubby fingers through his already crazed hair. &#8220;
All right,&#8221; he said, morosely.
	</text>
</object>
<object id="1040">
	<ocn>1040</ocn>
	<text class="norm">
		Dan slapped him on the back. &#8220; Good man,&#8221; he said.
	</text>
</object>
<object id="1041">
	<ocn>1041</ocn>
	<text class="norm">
		It should have worked. It almost did.
	</text>
</object>
<object id="1042">
	<ocn>1042</ocn>
	<text class="norm">
		I sat in the back of the Adventureland conference room while Dan
exhorted.
	</text>
</object>
<object id="1043">
	<ocn>1043</ocn>
	<text class="norm">
		&#8220; Look, you don't have to roll over for Debra and her people!
This is <i>your</i> garden, and you've tended it responsibly for years.
She's got no right to move in on you&#8212;you've got all the Whuffie
you need to defend the place, if you all work together.&#8221;
	</text>
</object>
<object id="1044">
	<ocn>1044</ocn>
	<text class="norm">
		No castmember likes confrontation, and the Liberty Square bunch were
tough to rouse to action. Dan had turned down the air conditioning an
hour before the meeting and closed up all the windows, so that the room
was a kiln for hard-firing irritation into rage. I stood meekly in the
back, as far as possible from Dan. He was working his magic on my
behalf, and I was content to let him do his thing.
	</text>
</object>
<object id="1045">
	<ocn>1045</ocn>
	<text class="norm">
		When Lil had arrived, she'd sized up the situation with a sour
expression: sit in the front, near Dan, or in the back, near me. She'd
chosen the middle, and to concentrate on Dan I had to tear my eyes away
from the sweat glistening on her long, pale neck.
	</text>
</object>
<object id="1046">
	<ocn>1046</ocn>
	<text class="norm">
		Dan stalked the aisles like a preacher, eyes blazing. &#8220; They're
<i>stealing</i> your future! They're <i>stealing</i> your <i>past</i>!
They claim they've got your support!&#8221;
	</text>
</object>
<object id="1047">
	<ocn>1047</ocn>
	<text class="norm">
		He lowered his tone. &#8220; I don't think that's true.&#8221; He
grabbed a castmember by her hand and looked into her eyes. &#8220; Is
it true?&#8221; he said so low it was almost a whisper.
	</text>
</object>
<object id="1048">
	<ocn>1048</ocn>
	<text class="norm">
		&#8220; No,&#8221; the castmember said.
	</text>
</object>
<object id="1049">
	<ocn>1049</ocn>
	<text class="norm">
		He dropped her hand and whirled to face another castmember. &#8220; Is
it true?&#8221; he demanded, raising his voice, slightly.
	</text>
</object>
<object id="1050">
	<ocn>1050</ocn>
	<text class="norm">
		&#8220; No!&#8221; the castmember said, his voice unnaturally loud
after the whispers. A nervous chuckle rippled through the crowd.
	</text>
</object>
<object id="1051">
	<ocn>1051</ocn>
	<text class="norm">
		&#8220; Is it true?&#8221; he said, striding to the podium, shouting
now.
	</text>
</object>
<object id="1052">
	<ocn>1052</ocn>
	<text class="norm">
		&#8220; No!&#8221; the crowd roared.
	</text>
</object>
<object id="1053">
	<ocn>1053</ocn>
	<text class="norm">
		&#8220; NO!&#8221; he shouted back.
	</text>
</object>
<object id="1054">
	<ocn>1054</ocn>
	<text class="norm">
		&#8220; You don't <i>have to</i> roll over and take it! You can fight
back, carry on with the plan, send them packing. They're only taking
over because you're letting them. Are you going to let them?&#8221;
	</text>
</object>
<object id="1055">
	<ocn>1055</ocn>
	<text class="norm">
		&#8220; NO!&#8221;
	</text>
</object>
<object id="1056">
	<ocn>1056</ocn>
	<text class="norm">
		Bitchun wars are rare. Long before anyone tries a takeover of anything,
they've done the arithmetic and ensured themselves that the ad-hoc
they're displacing doesn't have a hope of fighting back.
	</text>
</object>
<object id="1057">
	<ocn>1057</ocn>
	<text class="norm">
		For the defenders, it's a simple decision: step down gracefully and
salvage some reputation out of the thing&#8212;fighting back will
surely burn away even that meager reward.
	</text>
</object>
<object id="1058">
	<ocn>1058</ocn>
	<text class="norm">
		No one benefits from fighting back&#8212;least of all the thing
everyone's fighting over. For example:
	</text>
</object>
<object id="1059">
	<ocn>1059</ocn>
	<text class="norm">
		It was the second year of my undergrad, taking a double-major in not
making trouble for my profs and keeping my mouth shut. It was the early
days of Bitchun, and most of us were still a little unclear on the
concept.
	</text>
</object>
<object id="1060">
	<ocn>1060</ocn>
	<text class="norm">
		Not all of us, though: a group of campus shit-disturbers, grad students
in the Sociology Department, were on the bleeding edge of the
revolution, and they knew what they wanted: control of the Department,
oustering of the tyrannical, stodgy profs, a bully pulpit from which to
preach the Bitchun gospel to a generation of impressionable undergrads
who were too cowed by their workloads to realize what a load of shit
they were being fed by the University.
	</text>
</object>
<object id="1061">
	<ocn>1061</ocn>
	<text class="norm">
		At least, that's what the intense, heavyset woman who seized the mic at
my Soc 200 course said, that sleepy morning mid-semester at Convocation
Hall. Nineteen hundred students filled the hall, a capacity crowd of
bleary, coffee-sipping time-markers, and they woke up in a hurry when
the woman's strident harangue burst over their heads.
	</text>
</object>
<object id="1062">
	<ocn>1062</ocn>
	<text class="norm">
		I saw it happen from the very start. The prof was down there on the
stage, a speck with a tie-mic, droning over his slides, and then there
was a blur as half a dozen grad students rushed the stage. They were
dressed in University poverty-chic, wrinkled slacks and tattered sports
coats, and five of them formed a human wall in front of the prof while
the sixth, the heavyset one with the dark hair and the prominent mole
on her cheek, unclipped his mic and clipped it to her lapel.
	</text>
</object>
<object id="1063">
	<ocn>1063</ocn>
	<text class="norm">
		&#8220; Wakey wakey!&#8221; she called, and the reality of the moment
hit home for me: this wasn't on the lesson-plan.
	</text>
</object>
<object id="1064">
	<ocn>1064</ocn>
	<text class="norm">
		&#8220; Come on, heads up! This is <i>not</i> a drill. The University
of Toronto Department of Sociology is under new management. If you'll
set your handhelds to &#8216; receive,' we'll be beaming out new
lesson-plans momentarily. If you've forgotten your handhelds, you can
download the plans later on. I'm going to run it down for you right
now, anyway.
	</text>
</object>
<object id="1065">
	<ocn>1065</ocn>
	<text class="norm">
		&#8220; Before I start though, I have a prepared statement for you.
You'll probably hear this a couple times more today, in your other
classes. It's worth repeating. Here goes:
	</text>
</object>
<object id="1066">
	<ocn>1066</ocn>
	<text class="norm">
		&#8220; We reject the stodgy, tyrannical rule of the profs at this
Department. We demand bully pulpits from which to preach the Bitchun
gospel. Effective immediately, the University of Toronto Ad-Hoc
Sociology Department is <i>in charge</i>. We promise high-relevance
curriculum with an emphasis on reputation economies, post-scarcity
social dynamics, and the social theory of infinite life-extension. No
more Durkheim, kids, just deadheading! This will be <i>fun</i>.&#8221;
	</text>
</object>
<object id="1067">
	<ocn>1067</ocn>
	<text class="norm">
		She taught the course like a pro&#8212;you could tell she'd been
drilling her lecture for a while. Periodically, the human wall behind
her shuddered as the prof made a break for it and was restrained.
	</text>
</object>
<object id="1068">
	<ocn>1068</ocn>
	<text class="norm">
		At precisely 9:50 a.m. she dismissed the class, which had hung on her
every word. Instead of trudging out and ambling to our next class, the
whole nineteen hundred of us rose, and, as one, started buzzing to our
neighbors, a roar of &#8220; Can you believe it?&#8221; that followed
us out the door and to our next encounter with the Ad-Hoc Sociology
Department.
	</text>
</object>
<object id="1069">
	<ocn>1069</ocn>
	<text class="norm">
		It was cool, that day. I had another soc class, Constructing Social
Deviance, and we got the same drill there, the same stirring
propaganda, the same comical sight of a tenured prof battering himself
against a human wall of ad-hocs.
	</text>
</object>
<object id="1070">
	<ocn>1070</ocn>
	<text class="norm">
		Reporters pounced on us when we left the class, jabbing at us with mics
and peppering us with questions. I gave them a big thumbs-up and said,
&#8220; Bitchun!&#8221; in classic undergrad eloquence.
	</text>
</object>
<object id="1071">
	<ocn>1071</ocn>
	<text class="norm">
		The profs struck back the next morning. I got a heads-up from the
newscast as I brushed my teeth: the Dean of the Department of Sociology
told a reporter that the ad-hocs' courses would not be credited, that
they were a gang of thugs who were totally unqualified to teach. A
counterpoint interview from a spokesperson for the ad-hocs established
that all of the new lecturers had been writing course-plans and lecture
notes for the profs they replaced for years, and that they'd also
written most of their journal articles.
	</text>
</object>
<object id="1072">
	<ocn>1072</ocn>
	<text class="norm">
		The profs brought University security out to help them regain their
lecterns, only to be repelled by ad-hoc security guards in homemade
uniforms. University security got the message&#8212;anyone could be
replaced&#8212;and stayed away.
	</text>
</object>
<object id="1073">
	<ocn>1073</ocn>
	<text class="norm">
		The profs picketed. They held classes out front attended by
grade-conscious brown-nosers who worried that the ad-hocs' classes
wouldn't count towards their degrees. Fools like me alternated between
the outdoor and indoor classes, not learning much of anything.
	</text>
</object>
<object id="1074">
	<ocn>1074</ocn>
	<text class="norm">
		No one did. The profs spent their course-times whoring for Whuffie,
leading the seminars like encounter groups instead of lectures. The
ad-hocs spent their time badmouthing the profs and tearing apart their
coursework.
	</text>
</object>
<object id="1075">
	<ocn>1075</ocn>
	<text class="norm">
		At the end of the semester, everyone got a credit and the University
Senate disbanded the Sociology program in favor of a distance-ed
offering from Concordia in Montreal. Forty years later, the fight was
settled forever. Once you took backup-and-restore, the rest of the
Bitchunry just followed, a value-system settling over you.
	</text>
</object>
<object id="1076">
	<ocn>1076</ocn>
	<text class="norm">
		Those who didn't take backup-and-restore may have objected, but, hey,
they all died.
	</text>
</object>
<object id="1077">
	<ocn>1077</ocn>
	<text class="norm">
		The Liberty Square ad-hocs marched shoulder to shoulder through the
utilidors and, as a mass, took back the Haunted Mansion. Dan, Lil and I
were up front, careful not to brush against one another as we walked
quickly through the backstage door and started a bucket-brigade,
passing out the materials that Debra's people had stashed there, along
a line that snaked back to the front porch of the Hall of Presidents,
where they were unceremoniously dumped.
	</text>
</object>
<object id="1078">
	<ocn>1078</ocn>
	<text class="norm">
		Once the main stash was vacated, we split up and roamed the ride, its
service corridors and dioramas, the break-room and the secret passages,
rounding up every scrap of Debra's crap and passing it out the door.
	</text>
</object>
<object id="1079">
	<ocn>1079</ocn>
	<text class="norm">
		In the attic scene, I ran into Kim and three of her giggly little
friends, their eyes glinting in the dim light. The gaggle of transhuman
kids made my guts clench, made me think of Zed and of Lil and of my
unmediated brain, and I had a sudden urge to shred them verbally.
	</text>
</object>
<object id="1080">
	<ocn>1080</ocn>
	<text class="norm">
		No.
	</text>
</object>
<object id="1081">
	<ocn>1081</ocn>
	<text class="norm">
		No. That way lay madness and war. This was about taking back what was
ours, not punishing the interlopers. &#8220; Kim, I think you should
leave,&#8221; I said, quietly.
	</text>
</object>
<object id="1082">
	<ocn>1082</ocn>
	<text class="norm">
		She snorted and gave me a dire look. &#8220; Who died and made you
boss?&#8221; she said. Her friends thought it very brave, they made it
clear with double-jointed hip-thrusts and glares.
	</text>
</object>
<object id="1083">
	<ocn>1083</ocn>
	<text class="norm">
		&#8220; Kim, you can leave now or you can leave later. The longer you
wait, the worse it will be for you and your Whuffie. You blew it, and
you're not a part of the Mansion anymore. Go home, go to Debra. Don't
stay here, and don't come back. Ever.&#8221;
	</text>
</object>
<object id="1084">
	<ocn>1084</ocn>
	<text class="norm">
		Ever. Be cast out of this thing that you love, that you obsess over,
that you worked for. &#8220; Now,&#8221; I said, quiet, dangerous,
barely in control.
	</text>
</object>
<object id="1085">
	<ocn>1085</ocn>
	<text class="norm">
		They sauntered into the graveyard, hissing vitriol at me. Oh, they had
lots of new material to post to the anti-me sites, messages that would
get them Whuffie with people who thought I was the scum of the earth. A
popular view, those days.
	</text>
</object>
<object id="1086">
	<ocn>1086</ocn>
	<text class="norm">
		I got out of the Mansion and looked at the bucket-brigade, followed it
to the front of the Hall. The Park had been open for an hour, and a
herd of guests watched the proceedings in confusion. The Liberty Square
ad-hocs passed their loads around in clear embarrassment, knowing that
they were violating every principle they cared about.
	</text>
</object>
<object id="1087">
	<ocn>1087</ocn>
	<text class="norm">
		As I watched, gaps appeared in the bucket-brigade as castmembers
slipped away, faces burning scarlet with shame. At the Hall of
Presidents, Debra presided over an orderly relocation of her things, a
cheerful cadre of her castmembers quickly moving it all offstage. I
didn't have to look at my handheld to know what was happening to our
Whuffie.
	</text>
</object>
<object id="1088">
	<ocn>1088</ocn>
	<text class="norm">
		By evening, we were back on schedule. Suneep supervised the placement
of his telepresence rigs and Lil went over every system in minute
detail, bossing a crew of ad-hocs that trailed behind her, double- and
triple-checking it all.
	</text>
</object>
<object id="1089">
	<ocn>1089</ocn>
	<text class="norm">
		Suneep smiled at me when he caught sight of me, hand-scattering dust in
the parlor.
	</text>
</object>
<object id="1090">
	<ocn>1090</ocn>
	<text class="norm">
		&#8220; Congratulations, sir,&#8221; he said, and shook my hand.
&#8220; It was masterfully done.&#8221;
	</text>
</object>
<object id="1091">
	<ocn>1091</ocn>
	<text class="norm">
		&#8220; Thanks, Suneep. I'm not sure how masterful it was, but we got
the job done, and that's what counts.&#8221;
	</text>
</object>
<object id="1092">
	<ocn>1092</ocn>
	<text class="norm">
		&#8220; Your partners, they're happier than I've seen them since this
whole business started. I know how they feel!&#8221;
	</text>
</object>
<object id="1093">
	<ocn>1093</ocn>
	<text class="norm">
		My partners? Oh, yes, Dan and Lil. How happy were they, I wondered.
Happy enough to get back together? My mood fell, even though a part of
me said that Dan would never go back to her, not after all we'd been
through together.
	</text>
</object>
<object id="1094">
	<ocn>1094</ocn>
	<text class="norm">
		&#8220; I'm glad you're glad. We couldn't have done it without you, and
it looks like we'll be open for business in a week.&#8221;
	</text>
</object>
<object id="1095">
	<ocn>1095</ocn>
	<text class="norm">
		&#8220; Oh, I should think so. Are you coming to the party
tonight?&#8221;
	</text>
</object>
<object id="1096">
	<ocn>1096</ocn>
	<text class="norm">
		Party? Probably something the Liberty Square ad-hocs were putting on. I
would almost certainly be persona non grata. &#8220; I don't think
so,&#8221; I said, carefully. &#8220; I'll probably work late
here.&#8221;
	</text>
</object>
<object id="1097">
	<ocn>1097</ocn>
	<text class="norm">
		He chided me for working too hard, but once he saw that I had no
intention of being dragged to the party, he left off.
	</text>
</object>
<object id="1098">
	<ocn>1098</ocn>
	<text class="norm">
		And that's how I came to be in the Mansion at 2 a.m. the next morning,
dozing in a backstage break room when I heard a commotion from the
parlor. Festive voices, happy and loud, and I assumed it was Liberty
Square ad-hocs coming back from their party.
	</text>
</object>
<object id="1099">
	<ocn>1099</ocn>
	<text class="norm">
		I roused myself and entered the parlor.
	</text>
</object>
<object id="1100">
	<ocn>1100</ocn>
	<text class="norm">
		Kim and her friends were there, pushing hand-trucks of Debra's gear. I
got ready to shout something horrible at them, and that's when Debra
came in. I moderated the shout to a snap, opened my mouth to speak,
stopped.
	</text>
</object>
<object id="1101">
	<ocn>1101</ocn>
	<text class="norm">
		Behind Debra were Lil's parents, frozen these long years in their
canopic jars in Kissimmee.
	</text>
</object>
<object id="1102">
	<ocn>1102</ocn>
	<text class="h4">
		CHAPTER 9
	</text>
</object>
<object id="1103">
	<ocn>1103</ocn>
	<text class="norm">
		Lil's parents went into their jars with little ceremony. I saw them
just before they went in, when they stopped in at Lil's and my place to
kiss her goodbye and wish her well.
	</text>
</object>
<object id="1104">
	<ocn>1104</ocn>
	<text class="norm">
		Tom and I stood awkwardly to the side while Lil and her mother held an
achingly chipper and polite farewell.
	</text>
</object>
<object id="1105">
	<ocn>1105</ocn>
	<text class="norm">
		&#8220; So,&#8221; I said to Tom. &#8220; Deadheading.&#8221;
	</text>
</object>
<object id="1106">
	<ocn>1106</ocn>
	<text class="norm">
		He cocked an eyebrow. &#8220; Yup. Took the backup this morning.&#8221;
	</text>
</object>
<object id="1107">
	<ocn>1107</ocn>
	<text class="norm">
		Before coming to see their daughter, they'd taken their backups. When
they woke, this event&#8212;everything following the backup&#8212;would
never have happened for them.
	</text>
</object>
<object id="1108">
	<ocn>1108</ocn>
	<text class="norm">
		God, they were bastards.
	</text>
</object>
<object id="1109">
	<ocn>1109</ocn>
	<text class="norm">
		&#8220; When are you coming back?&#8221; I asked, keeping my castmember
face on, carefully hiding away the disgust.
	</text>
</object>
<object id="1110">
	<ocn>1110</ocn>
	<text class="norm">
		'We'll be sampling monthly, just getting a digest dumped to us. When
things look interesting enough, we'll come on back.&#8221; He waggled a
finger at me. &#8220; I'll be keeping an eye on you and
Lillian&#8212;you treat her right, you hear?&#8221;
	</text>
</object>
<object id="1111">
	<ocn>1111</ocn>
	<text class="norm">
		&#8220; We're sure going to miss you two around here,&#8221; I said.
	</text>
</object>
<object id="1112">
	<ocn>1112</ocn>
	<text class="norm">
		He pishtoshed and said, &#8220; You won't even notice we're gone. This
is your world now&#8212;we're just getting out of the way for a while,
letting you-all take a run at it. We wouldn't be going down if we
didn't have faith in you two.&#8221;
	</text>
</object>
<object id="1113">
	<ocn>1113</ocn>
	<text class="norm">
		Lil and her mom kissed one last time. Her mother was more affectionate
than I'd ever seen her, even to the point of tearing up a little. Here
in this moment of vanishing consciousness, she could be whomever she
wanted, knowing that it wouldn't matter the next time she awoke.
	</text>
</object>
<object id="1114">
	<ocn>1114</ocn>
	<text class="norm">
		&#8220; Julius,&#8221; she said, taking my hands, squeezing them.
&#8220; You've got some wonderful times ahead of you&#8212;between Lil
and the Park, you're going to have a tremendous experience, I just know
it.&#8221; She was infinitely serene and compassionate, and I knew it
didn't count.
	</text>
</object>
<object id="1115">
	<ocn>1115</ocn>
	<text class="norm">
		Still smiling, they got into their runabout and drove away to get the
lethal injections, to become disembodied consciousnesses, to lose their
last moments with their darling daughter.
	</text>
</object>
<object id="1116">
	<ocn>1116</ocn>
	<text class="norm">
		They were not happy to be returned from the dead. Their new bodies were
impossibly young, pubescent and hormonal and doleful and kitted out in
the latest trendy styles. In the company of Kim and her pals, they made
a solid mass of irate adolescence.
	</text>
</object>
<object id="1117">
	<ocn>1117</ocn>
	<text class="norm">
		&#8220; Just what the hell do you think you're doing?&#8221; Rita
asked, shoving me hard in the chest. I stumbled back into my carefully
scattered dust, raising a cloud.
	</text>
</object>
<object id="1118">
	<ocn>1118</ocn>
	<text class="norm">
		Rita came after me, but Tom held her back. &#8220; Julius, go away.
Your actions are totally indefensible. Keep your mouth shut and go
away.&#8221;
	</text>
</object>
<object id="1119">
	<ocn>1119</ocn>
	<text class="norm">
		I held up a hand, tried to wave away his words, opened my mouth to
speak.
	</text>
</object>
<object id="1120">
	<ocn>1120</ocn>
	<text class="norm">
		&#8220; Don't say a word,&#8221; he said. &#8220; Leave. Now.&#8221;
	</text>
</object>
<object id="1121">
	<ocn>1121</ocn>
	<text class="norm">
		&#8220; /{Don't stay here and don't come back. Ever}/,&#8221; Kim said,
an evil look on her face.
	</text>
</object>
<object id="1122">
	<ocn>1122</ocn>
	<text class="norm">
		&#8220; No,&#8221; I said. &#8220; No goddamn it no. You're going to
hear me out, and then I'm going to get Lil and her people and they're
going to back me up. That's not negotiable.&#8221;
	</text>
</object>
<object id="1123">
	<ocn>1123</ocn>
	<text class="norm">
		We stared at each other across the dim parlor. Debra made a twiddling
motion and the lights came up full and harsh. The expertly crafted
gloom went away and it was just a dusty room with a fake fireplace.
	</text>
</object>
<object id="1124">
	<ocn>1124</ocn>
	<text class="norm">
		&#8220; Let him speak,&#8221; Debra said. Rita folded her arms and
glared.
	</text>
</object>
<object id="1125">
	<ocn>1125</ocn>
	<text class="norm">
		&#8220; I did some really awful things,&#8221; I said, keeping my head
up, keeping my eyes on them. &#8220; I can't excuse them, and I don't
ask you to forgive them. But that doesn't change the fact that we've
put our hearts and souls into this place, and it's not right to take it
from us. Can't we have one constant corner of the world, one bit frozen
in time for the people who love it that way? Why does your success mean
our failure?
	</text>
</object>
<object id="1126">
	<ocn>1126</ocn>
	<text class="norm">
		&#8220; Can't you see that we're carrying on your work? That we're
tending a legacy you left us?&#8221;
	</text>
</object>
<object id="1127">
	<ocn>1127</ocn>
	<text class="norm">
		&#8220; Are you through?&#8221; Rita asked.
	</text>
</object>
<object id="1128">
	<ocn>1128</ocn>
	<text class="norm">
		I nodded.
	</text>
</object>
<object id="1129">
	<ocn>1129</ocn>
	<text class="norm">
		&#8220; This place is not a historical preserve, Julius, it's a ride.
If you don't understand that, you're in the wrong place. It's not my
goddamn fault that you decided that your stupidity was on my behalf,
and it doesn't make it any less stupid. All you've done is confirm my
worst fears.&#8221;
	</text>
</object>
<object id="1130">
	<ocn>1130</ocn>
	<text class="norm">
		Debra's mask of impartiality slipped. &#8220; You stupid, deluded
asshole,&#8221; she said, softly. &#8220; You totter around, pissing
and moaning about your little murder, your little health
problems&#8212;yes, I've heard&#8212;your little fixation on keeping
things the way they are. You need some perspective, Julius. You need to
get away from here: Disney World isn't good for you and you're sure as
hell not any good for Disney World.&#8221;
	</text>
</object>
<object id="1131">
	<ocn>1131</ocn>
	<text class="norm">
		It would have hurt less if I hadn't come to the same conclusion myself,
somewhere along the way.
	</text>
</object>
<object id="1132">
	<ocn>1132</ocn>
	<text class="norm">
		I found the ad-hoc at a Fort Wilderness campsite, sitting around a fire
and singing, necking, laughing. The victory party. I trudged into the
circle and hunted for Lil.
	</text>
</object>
<object id="1133">
	<ocn>1133</ocn>
	<text class="norm">
		She was sitting on a log, staring into the fire, a million miles away.
Lord, she was beautiful when she fretted. I stood in front of her for a
minute and she stared right through me until I tapped her shoulder. She
gave an involuntary squeak and then smiled at herself.
	</text>
</object>
<object id="1134">
	<ocn>1134</ocn>
	<text class="norm">
		&#8220; Lil,&#8221; I said, then stopped. <i>Your parents are home, and
they've joined the other side</i>.
	</text>
</object>
<object id="1135">
	<ocn>1135</ocn>
	<text class="norm">
		For the first time in an age, she looked at me softly, smiled even. She
patted the log next to her. I sat down, felt the heat of the fire on my
face, her body heat on my side. God, how did I screw this up?
	</text>
</object>
<object id="1136">
	<ocn>1136</ocn>
	<text class="norm">
		Without warning, she put her arms around me and hugged me hard. I
hugged her back, nose in her hair, woodsmoke smell and shampoo and
sweat. &#8220; We did it,&#8221; she whispered fiercely. I held onto
her. <i>No, we didn't</i>.
	</text>
</object>
<object id="1137">
	<ocn>1137</ocn>
	<text class="norm">
		&#8220; Lil,&#8221; I said again, and pulled away.
	</text>
</object>
<object id="1138">
	<ocn>1138</ocn>
	<text class="norm">
		&#8220; What?&#8221; she said, her eyes shining. She was stoned, I saw
that now.
	</text>
</object>
<object id="1139">
	<ocn>1139</ocn>
	<text class="norm">
		&#8220; Your parents are back. They came to the Mansion.&#8221;
	</text>
</object>
<object id="1140">
	<ocn>1140</ocn>
	<text class="norm">
		She was confused, shrinking, and I pressed on.
	</text>
</object>
<object id="1141">
	<ocn>1141</ocn>
	<text class="norm">
		&#8220; They were with Debra.&#8221;
	</text>
</object>
<object id="1142">
	<ocn>1142</ocn>
	<text class="norm">
		She reeled back as if I'd slapped her.
	</text>
</object>
<object id="1143">
	<ocn>1143</ocn>
	<text class="norm">
		&#8220; I told them I'd bring the whole group back to talk it
over.&#8221;
	</text>
</object>
<object id="1144">
	<ocn>1144</ocn>
	<text class="norm">
		She hung her head and her shoulders shook, and I tentatively put an arm
around her. She shook it off and sat up. She was crying and laughing at
the same time. &#8220; I'll have a ferry sent over,&#8221; she said.
	</text>
</object>
<object id="1145">
	<ocn>1145</ocn>
	<text class="norm">
		I sat in the back of the ferry with Dan, away from the confused and
angry ad-hocs. I answered his questions with terse, one-word answers,
and he gave up. We rode in silence, the trees on the edges of the Seven
Seas Lagoon whipping back and forth in an approaching storm.
	</text>
</object>
<object id="1146">
	<ocn>1146</ocn>
	<text class="norm">
		The ad-hoc shortcutted through the west parking lot and moved through
the quiet streets of Frontierland apprehensively, a funeral procession
that stopped the nighttime custodial staff in their tracks.
	</text>
</object>
<object id="1147">
	<ocn>1147</ocn>
	<text class="norm">
		As we drew up on Liberty Square, I saw that the work-lights were
blazing and a tremendous work-gang of Debra's ad-hocs were moving from
the Hall to the Mansion, undoing our teardown of their work.
	</text>
</object>
<object id="1148">
	<ocn>1148</ocn>
	<text class="norm">
		Working alongside of them were Tom and Rita, Lil's parents, sleeves
rolled up, forearms bulging with new, toned muscle. The group stopped
in its tracks and Lil went to them, stumbling on the wooden sidewalk.
	</text>
</object>
<object id="1149">
	<ocn>1149</ocn>
	<text class="norm">
		I expected hugs. There were none. In their stead, parents and daughter
stalked each other, shifting weight and posture to track each other,
maintain a constant, sizing distance.
	</text>
</object>
<object id="1150">
	<ocn>1150</ocn>
	<text class="norm">
		&#8220; What the hell are you doing?&#8221; Lil said, finally. She
didn't address her mother, which surprised me. It didn't surprise Tom,
though.
	</text>
</object>
<object id="1151">
	<ocn>1151</ocn>
	<text class="norm">
		He dipped forward, the shuffle of his feet loud in the quiet night.
&#8220; We're working,&#8221; he said.
	</text>
</object>
<object id="1152">
	<ocn>1152</ocn>
	<text class="norm">
		&#8220; No, you're not,&#8221; Lil said. &#8220; You're destroying.
Stop it.&#8221;
	</text>
</object>
<object id="1153">
	<ocn>1153</ocn>
	<text class="norm">
		Lil's mother darted to her husband's side, not saying anything, just
standing there.
	</text>
</object>
<object id="1154">
	<ocn>1154</ocn>
	<text class="norm">
		Wordlessly, Tom hefted the box he was holding and headed to the
Mansion. Lil caught his arm and jerked it so he dropped his load.
	</text>
</object>
<object id="1155">
	<ocn>1155</ocn>
	<text class="norm">
		&#8220; You're not listening. The Mansion is <i>ours</i>. <i>Stop</i>.
<i>It</i>.&#8221;
	</text>
</object>
<object id="1156">
	<ocn>1156</ocn>
	<text class="norm">
		Lil's mother gently took Lil's hand off Tom's arm, held it in her own.
&#8220; I'm glad you're passionate about it, Lillian,&#8221; she said.
&#8220; I'm proud of your commitment.&#8221;
	</text>
</object>
<object id="1157">
	<ocn>1157</ocn>
	<text class="norm">
		Even at a distance of ten yards, I heard Lil's choked sob, saw her
collapse in on herself. Her mother took her in her arms, rocked her. I
felt like a voyeur, but couldn't bring myself to turn away.
	</text>
</object>
<object id="1158">
	<ocn>1158</ocn>
	<text class="norm">
		&#8220; Shhh,&#8221; her mother said, a sibilant sound that matched the
rustling of the leaves on the Liberty Tree. &#8220; Shhh. We don't have
to be on the same side, you know.&#8221;
	</text>
</object>
<object id="1159">
	<ocn>1159</ocn>
	<text class="norm">
		They held the embrace and held it still. Lil straightened, then bent
again and picked up her father's box, carried it to the Mansion. One at
a time, the rest of her ad-hoc moved forward and joined them.
	</text>
</object>
<object id="1160">
	<ocn>1160</ocn>
	<text class="norm">
		This is how you hit bottom. You wake up in your friend's hotel room and
you power up your handheld and it won't log on. You press the
call-button for the elevator and it gives you an angry buzz in return.
You take the stairs to the lobby and no one looks at you as they jostle
past you.
	</text>
</object>
<object id="1161">
	<ocn>1161</ocn>
	<text class="norm">
		You become a non-person.
	</text>
</object>
<object id="1162">
	<ocn>1162</ocn>
	<text class="norm">
		Scared. I trembled when I ascended the stairs to Dan's room, when I
knocked at his door, louder and harder than I meant, a panicked
banging.
	</text>
</object>
<object id="1163">
	<ocn>1163</ocn>
	<text class="norm">
		Dan answered the door and I saw his eyes go to his HUD, back to me.
&#8220; Jesus,&#8221; he said.
	</text>
</object>
<object id="1164">
	<ocn>1164</ocn>
	<text class="norm">
		I sat on the edge of my bed, head in my hands.
	</text>
</object>
<object id="1165">
	<ocn>1165</ocn>
	<text class="norm">
		&#8220; What?&#8221; I said, what happened, what happened to me?
	</text>
</object>
<object id="1166">
	<ocn>1166</ocn>
	<text class="norm">
		&#8220; You're out of the ad-hoc,&#8221; he said. &#8220; You're out of
Whuffie. You're bottomed-out,&#8221; he said.
	</text>
</object>
<object id="1167">
	<ocn>1167</ocn>
	<text class="norm">
		This is how you hit bottom in Walt Disney World, in a hotel with the
hissing of the monorail and the sun streaming through the window, the
hooting of the steam engines on the railroad and the distant howl of
the recorded wolves at the Haunted Mansion. The world drops away from
you, recedes until you're nothing but a speck, a mote in blackness.
	</text>
</object>
<object id="1168">
	<ocn>1168</ocn>
	<text class="norm">
		I was hyperventilating, light-headed. Deliberately, I slowed my breath,
put my head between my knees until the dizziness passed.
	</text>
</object>
<object id="1169">
	<ocn>1169</ocn>
	<text class="norm">
		&#8220; Take me to Lil,&#8221; I said.
	</text>
</object>
<object id="1170">
	<ocn>1170</ocn>
	<text class="norm">
		Driving together, hammering cigarette after cigarette into my face, I
remembered the night Dan had come to Disney World, when I'd driven him
to my&#8212;/{Lil's}/&#8212;house, and how happy I'd been then, how
secure.
	</text>
</object>
<object id="1171">
	<ocn>1171</ocn>
	<text class="norm">
		I looked at Dan and he patted my hand. &#8220; Strange times,&#8221; he
said.
	</text>
</object>
<object id="1172">
	<ocn>1172</ocn>
	<text class="norm">
		It was enough. We found Lil in an underground break-room, lightly
dozing on a ratty sofa. Her head rested on Tom's lap, her feet on
Rita's. All three snored softly. They'd had a long night.
	</text>
</object>
<object id="1173">
	<ocn>1173</ocn>
	<text class="norm">
		Dan shook Lil awake. She stretched out and opened her eyes, looked
sleepily at me. The blood drained from her face.
	</text>
</object>
<object id="1174">
	<ocn>1174</ocn>
	<text class="norm">
		&#8220; Hello, Julius,&#8221; she said, coldly.
	</text>
</object>
<object id="1175">
	<ocn>1175</ocn>
	<text class="norm">
		Now Tom and Rita were awake, too. Lil sat up.
	</text>
</object>
<object id="1176">
	<ocn>1176</ocn>
	<text class="norm">
		&#8220; Were you going to tell me?&#8221; I asked, quietly. &#8220; Or
were you just going to kick me out and let me find out on my
own?&#8221;
	</text>
</object>
<object id="1177">
	<ocn>1177</ocn>
	<text class="norm">
		&#8220; You were my next stop,&#8221; Lil said.
	</text>
</object>
<object id="1178">
	<ocn>1178</ocn>
	<text class="norm">
		&#8220; Then I've saved you some time.&#8221; I pulled up a chair.
&#8220; Tell me all about it.&#8221;
	</text>
</object>
<object id="1179">
	<ocn>1179</ocn>
	<text class="norm">
		&#8220; There's nothing to tell,&#8221; Rita snapped. &#8220; You're
out. You had to know it was coming&#8212;for God's sake, you were
tearing Liberty Square apart!&#8221;
	</text>
</object>
<object id="1180">
	<ocn>1180</ocn>
	<text class="norm">
		&#8220; How would you know?&#8221; I asked. I struggled to remain calm.
&#8220; You've been asleep for ten years!&#8221;
	</text>
</object>
<object id="1181">
	<ocn>1181</ocn>
	<text class="norm">
		&#8220; We got updates,&#8221; Rita said. &#8220; That's why we're
back&#8212;we couldn't let it go on the way it was. We owed it to
Debra.&#8221;
	</text>
</object>
<object id="1182">
	<ocn>1182</ocn>
	<text class="norm">
		&#8220; And Lillian,&#8221; Tom said.
	</text>
</object>
<object id="1183">
	<ocn>1183</ocn>
	<text class="norm">
		&#8220; And Lillian,&#8221; Rita said, absently.
	</text>
</object>
<object id="1184">
	<ocn>1184</ocn>
	<text class="norm">
		Dan pulled up a chair of his own. &#8220; You're not being fair to
him,&#8221; he said. At least someone was on my side.
	</text>
</object>
<object id="1185">
	<ocn>1185</ocn>
	<text class="norm">
		&#8220; We've been more than fair,&#8221; Lil said. &#8220; You know
that better than anyone, Dan. We've forgiven and forgiven and forgiven,
made every allowance. He's sick and he won't take the cure. There's
nothing more we can do for him.&#8221;
	</text>
</object>
<object id="1186">
	<ocn>1186</ocn>
	<text class="norm">
		&#8220; You could be his friend,&#8221; Dan said. The light-headedness
was back, and I slumped in my chair, tried to control my breathing, the
panicked thumping of my heart.
	</text>
</object>
<object id="1187">
	<ocn>1187</ocn>
	<text class="norm">
		&#8220; You could try to understand, you could try to help him. You
could stick with him, the way he stuck with you. You don't have to toss
him out on his ass.&#8221;
	</text>
</object>
<object id="1188">
	<ocn>1188</ocn>
	<text class="norm">
		Lil had the good grace to look slightly shamed. &#8220; I'll get him a
room,&#8221; she said. &#8220; For a month. In Kissimmee. A motel. I'll
pick up his network access. Is that fair?&#8221;
	</text>
</object>
<object id="1189">
	<ocn>1189</ocn>
	<text class="norm">
		&#8220; It's more than fair,&#8221; Rita said. Why did she hate me so
much? I'd been there for her daughter while she was away&#8212;ah. That
might do it, all right. &#8220; I don't think it's warranted. If you
want to take care of him, sir, you can. It's none of my family's
business.&#8221;
	</text>
</object>
<object id="1190">
	<ocn>1190</ocn>
	<text class="norm">
		Lil's eyes blazed. &#8220; Let me handle this,&#8221; she said. &#8220;
All right?&#8221;
	</text>
</object>
<object id="1191">
	<ocn>1191</ocn>
	<text class="norm">
		Rita stood up abruptly. &#8220; You do whatever you want,&#8221; she
said, and stormed out of the room.
	</text>
</object>
<object id="1192">
	<ocn>1192</ocn>
	<text class="norm">
		&#8220; Why are you coming here for help?&#8221; Tom said, ever the
voice of reason. &#8220; You seem capable enough.&#8221;
	</text>
</object>
<object id="1193">
	<ocn>1193</ocn>
	<text class="norm">
		&#8220; I'm going to be taking a lethal injection at the end of the
week,&#8221; Dan said. &#8220; Three days. That's personal, but you
asked.&#8221;
	</text>
</object>
<object id="1194">
	<ocn>1194</ocn>
	<text class="norm">
		Tom shook his head. <i>Some friends you've got yourself</i>, I could
see him thinking it.
	</text>
</object>
<object id="1195">
	<ocn>1195</ocn>
	<text class="norm">
		&#8220; That soon?&#8221; Lil asked, a throb in her voice.
	</text>
</object>
<object id="1196">
	<ocn>1196</ocn>
	<text class="norm">
		Dan nodded.
	</text>
</object>
<object id="1197">
	<ocn>1197</ocn>
	<text class="norm">
		In a dreamlike buzz, I stood and wandered out into the utilidor, out
through the western castmember parking, and away.
	</text>
</object>
<object id="1198">
	<ocn>1198</ocn>
	<text class="norm">
		I wandered along the cobbled, disused Walk Around the World, each
flagstone engraved with the name of a family that had visited the Park
a century before. The names whipped past me like epitaphs.
	</text>
</object>
<object id="1199">
	<ocn>1199</ocn>
	<text class="norm">
		The sun came up noon high as I rounded the bend of deserted beach
between the Grand Floridian and the Polynesian. Lil and I had come here
often, to watch the sunset from a hammock, arms around each other, the
Park spread out before us like a lighted toy village.
	</text>
</object>
<object id="1200">
	<ocn>1200</ocn>
	<text class="norm">
		Now the beach was deserted, the Wedding Pavilion silent. I felt
suddenly cold though I was sweating freely. So cold.
	</text>
</object>
<object id="1201">
	<ocn>1201</ocn>
	<text class="norm">
		Dreamlike, I walked into the lake, water filling my shoes, logging my
pants, warm as blood, warm on my chest, on my chin, on my mouth, on my
eyes.
	</text>
</object>
<object id="1202">
	<ocn>1202</ocn>
	<text class="norm">
		I opened my mouth and inhaled deeply, water filling my lungs, choking
and warm. At first I sputtered, but I was in control now, and I inhaled
again. The water shimmered over my eyes, and then was dark.
	</text>
</object>
<object id="1203">
	<ocn>1203</ocn>
	<text class="norm">
		I woke on Doctor Pete's cot in the Magic Kingdom, restraints around my
wrists and ankles, a tube in my nose. I closed my eyes, for a moment
believing that I'd been restored from a backup, problems solved,
memories behind me.
	</text>
</object>
<object id="1204">
	<ocn>1204</ocn>
	<text class="norm">
		Sorrow knifed through me as I realized that Dan was probably dead by
now, my memories of him gone forever.
	</text>
</object>
<object id="1205">
	<ocn>1205</ocn>
	<text class="norm">
		Gradually, I realized that I was thinking nonsensically. The fact that
I remembered Dan meant that I hadn't been refreshed from my backup,
that my broken brain was still there, churning along in unmediated
isolation.
	</text>
</object>
<object id="1206">
	<ocn>1206</ocn>
	<text class="norm">
		I coughed again. My ribs ached and throbbed in counterpoint to my head.
Dan took my hand.
	</text>
</object>
<object id="1207">
	<ocn>1207</ocn>
	<text class="norm">
		&#8220; You're a pain in the ass, you know that?&#8221; he said,
smiling.
	</text>
</object>
<object id="1208">
	<ocn>1208</ocn>
	<text class="norm">
		&#8220; Sorry,&#8221; I choked.
	</text>
</object>
<object id="1209">
	<ocn>1209</ocn>
	<text class="norm">
		&#8220; You sure are,&#8221; he said. &#8220; Lucky for you they found
you&#8212;another minute or two and I'd be burying you right
now.&#8221;
	</text>
</object>
<object id="1210">
	<ocn>1210</ocn>
	<text class="norm">
		<i>No</i>, I thought, confused. <i>They'd have restored me from
backup</i>. Then it hit me: I'd gone on record refusing restore from
backup after having it recommended by a medical professional. No one
would have restored me after that. I would have been truly and finally
dead. I started to shiver.
	</text>
</object>
<object id="1211">
	<ocn>1211</ocn>
	<text class="norm">
		&#8220; Easy,&#8221; Dan said. &#8220; Easy. It's all right now. Doctor
says you've got a cracked rib or two from the CPR, but there's no brain
damage.&#8221;
	</text>
</object>
<object id="1212">
	<ocn>1212</ocn>
	<text class="norm">
		&#8220; No <i>additional</i> brain damage,&#8221; Doctor Pete said,
swimming into view. He had on his professionally calm bedside face, and
it reassured me despite myself.
	</text>
</object>
<object id="1213">
	<ocn>1213</ocn>
	<text class="norm">
		He shooed Dan away and took his seat. Once Dan had left the room, he
shone lights in my eyes and peeked in my ears, then sat back and
considered me. &#8220; Well, Julius,&#8221; he said. &#8220; What
exactly is the problem? We can get you a lethal injection if that's
what you want, but offing yourself in the Seven Seas Lagoon just isn't
good show. In the meantime, would you like to talk about it?&#8221;
	</text>
</object>
<object id="1214">
	<ocn>1214</ocn>
	<text class="norm">
		Part of me wanted to spit in his eye. I'd tried to talk about it and
he'd told me to go to hell, and now he changes his mind? But I did want
to talk.
	</text>
</object>
<object id="1215">
	<ocn>1215</ocn>
	<text class="norm">
		&#8220; I didn't want to die,&#8221; I said.
	</text>
</object>
<object id="1216">
	<ocn>1216</ocn>
	<text class="norm">
		&#8220; Oh no?&#8221; he said. &#8220; I think the evidence suggests
the contrary.&#8221;
	</text>
</object>
<object id="1217">
	<ocn>1217</ocn>
	<text class="norm">
		&#8220; I wasn't trying to die,&#8221; I protested. &#8220; I was
trying to&#8212;&#8221; What? I was trying to… <i>abdicate</i>. Take
the refresh without choosing it, without shutting out the last year of
my best friend's life. Rescue myself from the stinking pit I'd sunk
into without flushing Dan away along with it. That's all, that's all.
	</text>
</object>
<object id="1218">
	<ocn>1218</ocn>
	<text class="norm">
		&#8220; I wasn't thinking&#8212;I was just acting. It was an episode or
something. Does that mean I'm nuts?&#8221;
	</text>
</object>
<object id="1219">
	<ocn>1219</ocn>
	<text class="norm">
		&#8220; Oh, probably,&#8221; Doctor Pete said, offhandedly. &#8220; But
let's worry about one thing at a time. You can die if you want to,
that's your right. I'd rather you lived, if you want my opinion, and I
doubt that I'm the only one, Whuffie be damned. If you're going to
live, I'd like to record you saying so, just in case. We have a backup
of you on file&#8212;I'd hate to have to delete it.&#8221;
	</text>
</object>
<object id="1220">
	<ocn>1220</ocn>
	<text class="norm">
		&#8220; Yes,&#8221; I said. &#8220; Yes, I'd like to be restored if
there's no other option.&#8221; It was true. I didn't want to die.
	</text>
</object>
<object id="1221">
	<ocn>1221</ocn>
	<text class="norm">
		&#8220; All right then,&#8221; Doctor Pete said. &#8220; It's on file
and I'm a happy man. Now, are you nuts? Probably. A little. Nothing a
little counseling and some RandR wouldn't fix, if you want my opinion.
I could find you somewhere if you want.&#8221;
	</text>
</object>
<object id="1222">
	<ocn>1222</ocn>
	<text class="norm">
		&#8220; Not yet,&#8221; I said. &#8220; I appreciate the offer, but
there's something else I have to do first.&#8221;
	</text>
</object>
<object id="1223">
	<ocn>1223</ocn>
	<text class="norm">
		Dan took me back to the room and put me to bed with a transdermal
soporific that knocked me out for the rest of the day. When I woke, the
moon was over the Seven Seas Lagoon and the monorail was silent.
	</text>
</object>
<object id="1224">
	<ocn>1224</ocn>
	<text class="norm">
		I stood on the patio for a while, thinking about all the things this
place had meant to me for more than a century: happiness, security,
efficiency, fantasy. All of it gone. It was time I left. Maybe back to
space, find Zed and see if I could make her happy again. Anywhere but
here. Once Dan was dead&#8212;God, it was sinking in finally&#8212;I
could catch a ride down to the Cape for a launch.
	</text>
</object>
<object id="1225">
	<ocn>1225</ocn>
	<text class="norm">
		&#8220; What's on your mind?&#8221; Dan asked from behind me, startling
me. He was in his boxers, thin and rangy and hairy.
	</text>
</object>
<object id="1226">
	<ocn>1226</ocn>
	<text class="norm">
		&#8220; Thinking about moving on,&#8221; I said.
	</text>
</object>
<object id="1227">
	<ocn>1227</ocn>
	<text class="norm">
		He chuckled. &#8220; I've been thinking about doing the same,&#8221; he
said.
	</text>
</object>
<object id="1228">
	<ocn>1228</ocn>
	<text class="norm">
		I smiled. &#8220; Not that way,&#8221; I said. &#8220; Just going
somewhere else, starting over. Getting away from this.&#8221;
	</text>
</object>
<object id="1229">
	<ocn>1229</ocn>
	<text class="norm">
		&#8220; Going to take the refresh?&#8221; he asked.
	</text>
</object>
<object id="1230">
	<ocn>1230</ocn>
	<text class="norm">
		I looked away. &#8220; No,&#8221; I said. &#8220; I don't believe I
will.&#8221;
	</text>
</object>
<object id="1231">
	<ocn>1231</ocn>
	<text class="norm">
		&#8220; It may be none of my business,&#8221; he said, &#8220; but why
the fuck not? Jesus, Julius, what're you afraid of?&#8221;
	</text>
</object>
<object id="1232">
	<ocn>1232</ocn>
	<text class="norm">
		&#8220; You don't want to know,&#8221; I said.
	</text>
</object>
<object id="1233">
	<ocn>1233</ocn>
	<text class="norm">
		&#8220; I'll be the judge of that.&#8221;
	</text>
</object>
<object id="1234">
	<ocn>1234</ocn>
	<text class="norm">
		&#8220; Let's have a drink, first,&#8221; I said.
	</text>
</object>
<object id="1235">
	<ocn>1235</ocn>
	<text class="norm">
		Dan rolled his eyes back for a second, then said, &#8220; All right,
two Coronas, coming up.&#8221;
	</text>
</object>
<object id="1236">
	<ocn>1236</ocn>
	<text class="norm">
		After the room-service bot had left, we cracked the beers and pulled
chairs out onto the porch.
	</text>
</object>
<object id="1237">
	<ocn>1237</ocn>
	<text class="norm">
		&#8220; You sure you want to know this?&#8221; I asked.
	</text>
</object>
<object id="1238">
	<ocn>1238</ocn>
	<text class="norm">
		He tipped his bottle at me. &#8220; Sure as shootin',&#8221; he said.
	</text>
</object>
<object id="1239">
	<ocn>1239</ocn>
	<text class="norm">
		&#8220; I don't want refresh because it would mean losing the last
year,&#8221; I said.
	</text>
</object>
<object id="1240">
	<ocn>1240</ocn>
	<text class="norm">
		He nodded. &#8220; By which you mean &#8216; my last year,'&#8221; he
said. &#8220; Right?&#8221;
	</text>
</object>
<object id="1241">
	<ocn>1241</ocn>
	<text class="norm">
		I nodded and drank.
	</text>
</object>
<object id="1242">
	<ocn>1242</ocn>
	<text class="norm">
		&#8220; I thought it might be like that. Julius, you are many things,
but hard to figure out you are not. I have something to say that might
help you make the decision. If you want to hear it, that is.&#8221;
	</text>
</object>
<object id="1243">
	<ocn>1243</ocn>
	<text class="norm">
		What could he have to say? &#8220; Sure,&#8221; I said. &#8220;
Sure.&#8221; In my mind, I was on a shuttle headed for orbit, away from
all of this.
	</text>
</object>
<object id="1244">
	<ocn>1244</ocn>
	<text class="norm">
		&#8220; I had you killed,&#8221; he said. &#8220; Debra asked me to,
and I set it up. You were right all along.&#8221;
	</text>
</object>
<object id="1245">
	<ocn>1245</ocn>
	<text class="norm">
		The shuttle exploded in silent, slow moving space, and I spun away from
it. I opened and shut my mouth.
	</text>
</object>
<object id="1246">
	<ocn>1246</ocn>
	<text class="norm">
		It was Dan's turn to look away. &#8220; Debra proposed it. We were
talking about the people I'd met when I was doing my missionary work,
the stone crazies who I'd have to chase away after they'd rejoined the
Bitchun Society. One of them, a girl from Cheyenne Mountain, she
followed me down here, kept leaving me messages. I told Debra, and
that's when she got the idea.
	</text>
</object>
<object id="1247">
	<ocn>1247</ocn>
	<text class="norm">
		&#8220; I'd get the girl to shoot you and disappear. Debra would give
me Whuffie&#8212;piles of it, and her team would follow suit. I'd be
months closer to my goal. That was all I could think about back then,
you remember.&#8221;
	</text>
</object>
<object id="1248">
	<ocn>1248</ocn>
	<text class="norm">
		&#8220; I remember.&#8221; The smell of rejuve and desperation in our
little cottage, and Dan plotting my death.
	</text>
</object>
<object id="1249">
	<ocn>1249</ocn>
	<text class="norm">
		&#8220; We planned it, then Debra had herself refreshed from a
backup&#8212;no memory of the event, just the Whuffie for me.&#8221;
	</text>
</object>
<object id="1250">
	<ocn>1250</ocn>
	<text class="norm">
		&#8220; Yes,&#8221; I said. That would work. Plan a murder, kill
yourself, have yourself refreshed from a backup made before the plan.
How many times had Debra done terrible things and erased their memories
that way?
	</text>
</object>
<object id="1251">
	<ocn>1251</ocn>
	<text class="norm">
		&#8220; Yes,&#8221; he agreed. &#8220; We did it, I'm ashamed to say. I
can prove it, too&#8212;I have my backup, and I can get Jeanine to tell
it, too.&#8221; He drained his beer. &#8220; That's my plan. Tomorrow.
I'll tell Lil and her folks, Kim and her people, the whole ad-hoc. A
going-away present from a shitty friend.&#8221;
	</text>
</object>
<object id="1252">
	<ocn>1252</ocn>
	<text class="norm">
		My throat was dry and tight. I drank more beer. &#8220; You knew all
along,&#8221; I said. &#8220; You could have proved it at any
time.&#8221;
	</text>
</object>
<object id="1253">
	<ocn>1253</ocn>
	<text class="norm">
		He nodded. &#8220; That's right.&#8221;
	</text>
</object>
<object id="1254">
	<ocn>1254</ocn>
	<text class="norm">
		&#8220; You let me…&#8221; I groped for the words. &#8220; You let me
turn into…&#8221; They wouldn't come.
	</text>
</object>
<object id="1255">
	<ocn>1255</ocn>
	<text class="norm">
		&#8220; I did,&#8221; he said.
	</text>
</object>
<object id="1256">
	<ocn>1256</ocn>
	<text class="norm">
		All this time. Lil and he, standing on <i>my</i> porch, telling me I
needed help. Doctor Pete, telling me I needed refresh from backup, me
saying no, no, no, not wanting to lose my last year with Dan.
	</text>
</object>
<object id="1257">
	<ocn>1257</ocn>
	<text class="norm">
		&#8220; I've done some pretty shitty things in my day,&#8221; he said.
&#8220; This is the absolute worst. You helped me and I betrayed you.
I'm sure glad I don't believe in God&#8212;that'd make what I'm going
to do even scarier.&#8221;
	</text>
</object>
<object id="1258">
	<ocn>1258</ocn>
	<text class="norm">
		Dan was going to kill himself in two days' time. My friend and my
murderer. &#8220; Dan,&#8221; I croaked. I couldn't make any sense of
my mind. Dan, taking care of me, helping me, sticking up for me,
carrying this horrible shame with him all along. Ready to die, wanting
to go with a clean conscience.
	</text>
</object>
<object id="1259">
	<ocn>1259</ocn>
	<text class="norm">
		&#8220; You're forgiven,&#8221; I said. And it was true.
	</text>
</object>
<object id="1260">
	<ocn>1260</ocn>
	<text class="norm">
		He stood.
	</text>
</object>
<object id="1261">
	<ocn>1261</ocn>
	<text class="norm">
		&#8220; Where are you going&#8221; I asked.
	</text>
</object>
<object id="1262">
	<ocn>1262</ocn>
	<text class="norm">
		&#8220; To find Jeanine, the one who pulled the trigger. I'll meet you
at the Hall of Presidents at nine a.m..&#8221;
	</text>
</object>
<object id="1263">
	<ocn>1263</ocn>
	<text class="norm">
		I went in through the Main Gate, not a castmember any longer, a Guest
with barely enough Whuffie to scrape in, use the water fountains and
stand in line. If I were lucky, a castmember might spare me a chocolate
banana. Probably not, though.
	</text>
</object>
<object id="1264">
	<ocn>1264</ocn>
	<text class="norm">
		I stood in the line for the Hall of Presidents. Other guests checked my
Whuffie, then averted their eyes. Even the children. A year before,
they'd have been striking up conversations, asking me about my job here
at the Magic Kingdom.
	</text>
</object>
<object id="1265">
	<ocn>1265</ocn>
	<text class="norm">
		I sat in my seat at the Hall of Presidents, watching the short film
with the rest, sitting patiently while they rocked in their seats under
the blast of the flash-bake. A castmember picked up the stageside mic
and thanked everyone for coming; the doors swung open and the Hall was
empty, except for me. The castmember narrowed her eyes at me, then
recognizing me, turned her back and went to show in the next group.
	</text>
</object>
<object id="1266">
	<ocn>1266</ocn>
	<text class="norm">
		No group came. Instead, Dan and the girl I'd seen on the replay
entered.
	</text>
</object>
<object id="1267">
	<ocn>1267</ocn>
	<text class="norm">
		&#8220; We've closed it down for the morning,&#8221; he said.
	</text>
</object>
<object id="1268">
	<ocn>1268</ocn>
	<text class="norm">
		I was staring at the girl, seeing her smirk as she pulled the trigger
on me, seeing her now with a contrite, scared expression. She was
terrified of me.
	</text>
</object>
<object id="1269">
	<ocn>1269</ocn>
	<text class="norm">
		&#8220; You must be Jeanine,&#8221; I said. I stood and shook her hand.
&#8220; I'm Julius.&#8221;
	</text>
</object>
<object id="1270">
	<ocn>1270</ocn>
	<text class="norm">
		Her hand was cold, and she took it back and wiped it on her pants.
	</text>
</object>
<object id="1271">
	<ocn>1271</ocn>
	<text class="norm">
		My castmember instincts took over. &#8220; Please, have a seat. Don't
worry, it'll all be fine. Really. No hard feelings.&#8221; I stopped
short of offering to get her a glass of water.
	</text>
</object>
<object id="1272">
	<ocn>1272</ocn>
	<text class="norm">
		<i>Put her at her ease</i>, said a snotty voice in my head. <i>She'll
make a better witness. Or make her nervous, pathetic&#8212;that'll
work, too; make Debra look even worse</i>.
	</text>
</object>
<object id="1273">
	<ocn>1273</ocn>
	<text class="norm">
		I told the voice to shut up and got her a cup of water.
	</text>
</object>
<object id="1274">
	<ocn>1274</ocn>
	<text class="norm">
		By the time I came back, the whole gang was there. Debra, Lil, her
folks, Tim. Debra's gang and Lil's gang, now one united team. Soon to
be scattered.
	</text>
</object>
<object id="1275">
	<ocn>1275</ocn>
	<text class="norm">
		Dan took the stage, used the stageside mic to broadcast his voice.
&#8220; Eleven months ago, I did an awful thing. I plotted with Debra
to have Julius murdered. I used a friend who was a little confused at
the time, used her to pull the trigger. It was Debra's idea that having
Julius killed would cause enough confusion that she could take over the
Hall of Presidents. It was.&#8221;
	</text>
</object>
<object id="1276">
	<ocn>1276</ocn>
	<text class="norm">
		There was a roar of conversation. I looked at Debra, saw that she was
sitting calmly, as though Dan had just accused her of sneaking an extra
helping of dessert. Lil's parents, to either side of her, were less
sanguine. Tom's jaw was set and angry, Rita was speaking angrily to
Debra. Hickory Jackson in the old Hall used to say, <i>I will hang the
first man I can lay hands on from the first tree I can find</i>.
	</text>
</object>
<object id="1277">
	<ocn>1277</ocn>
	<text class="norm">
		&#8220; Debra had herself refreshed from backup after we planned
it,&#8221; Dan went on, as though no one was talking. &#8220; I was
supposed to do the same, but I didn't. I have a backup in my public
directory&#8212;anyone can examine it. Right now, I'd like to bring
Jeanine up, she's got a few words she'd like to say.&#8221;
	</text>
</object>
<object id="1278">
	<ocn>1278</ocn>
	<text class="norm">
		I helped Jeanine take the stage. She was still trembling, and the
ad-hocs were an insensate babble of recriminations. Despite myself, I
was enjoying it.
	</text>
</object>
<object id="1279">
	<ocn>1279</ocn>
	<text class="norm">
		&#8220; Hello,&#8221; Jeanine said softly. She had a lovely voice, a
lovely face. I wondered if we could be friends when it was all over.
She probably didn't care much about Whuffie, one way or another.
	</text>
</object>
<object id="1280">
	<ocn>1280</ocn>
	<text class="norm">
		The discussion went on. Dan took the mic from her and said, &#8220;
Please! Can we have a little respect for our visitor? Please?
People?&#8221;
	</text>
</object>
<object id="1281">
	<ocn>1281</ocn>
	<text class="norm">
		Gradually, the din decreased. Dan passed the mic back to Jeanine.
&#8220; Hello,&#8221; she said again, and flinched from the sound of
her voice in the Hall's PA. &#8220; My name is Jeanine. I'm the one who
killed Julius, a year ago. Dan asked me to, and I did it. I didn't ask
why. I trusted&#8212;trust&#8212;him. He told me that Julius would make
a backup a few minutes before I shot him, and that he could get me out
of the Park without getting caught. I'm very sorry.&#8221; There was
something off-kilter about her, some stilt to her stance and words that
let you know she wasn't all there. Growing up in a mountain might do
that to you. I snuck a look at Lil, whose lips were pressed together.
Growing up in a theme park might do that to you, too.
	</text>
</object>
<object id="1282">
	<ocn>1282</ocn>
	<text class="norm">
		&#8220; Thank you, Jeanine,&#8221; Dan said, taking back the mic.
&#8220; You can have a seat now. I've said everything I need to
say&#8212;Julius and I have had our own discussions in private. If
there's anyone else who'd like to speak&#8212;&#8221;
	</text>
</object>
<object id="1283">
	<ocn>1283</ocn>
	<text class="norm">
		The words were barely out of his mouth before the crowd erupted again
in words and waving hands. Beside me, Jeanine flinched. I took her hand
and shouted in her ear: &#8220; Have you ever been on the Pirates of
the Carribean?&#8221;
	</text>
</object>
<object id="1284">
	<ocn>1284</ocn>
	<text class="norm">
		She shook her head.
	</text>
</object>
<object id="1285">
	<ocn>1285</ocn>
	<text class="norm">
		I stood up and pulled her to her feet. &#8220; You'll love it,&#8221; I
said, and led her out of the Hall.
	</text>
</object>
<object id="1286">
	<ocn>1286</ocn>
	<text class="h4">
		CHAPTER 10
	</text>
</object>
<object id="1287">
	<ocn>1287</ocn>
	<text class="norm">
		I booked us ringside seats at the Polynesian Luau, riding high on a
fresh round of sympathy Whuffie, and Dan and I drank a dozen lapu-lapus
in hollowed-out pineapples before giving up on the idea of getting
drunk.
	</text>
</object>
<object id="1288">
	<ocn>1288</ocn>
	<text class="norm">
		Jeanine watched the fire-dances and the torch-lighting with eyes like
saucers, and picked daintily at her spare ribs with one hand, never
averting her attention from the floor show. When they danced the fast
hula, her eyes jiggled. I chuckled.
	</text>
</object>
<object id="1289">
	<ocn>1289</ocn>
	<text class="norm">
		From where we sat, I could see the spot where I'd waded into the Seven
Seas Lagoon and breathed in the blood-temp water, I could see
Cinderella's Castle, across the lagoon, I could see the monorails and
the ferries and the busses making their busy way through the Park,
shuttling teeming masses of guests from place to place. Dan toasted me
with his pineapple and I toasted him back, drank it dry and belched in
satisfaction.
	</text>
</object>
<object id="1290">
	<ocn>1290</ocn>
	<text class="norm">
		Full belly, good friends, and the sunset behind a troupe of tawny,
half-naked hula dancers. Who needs the Bitchun Society, anyway?
	</text>
</object>
<object id="1291">
	<ocn>1291</ocn>
	<text class="norm">
		When it was over, we watched the fireworks from the beach, my toes dug
into the clean white sand. Dan slipped his hand into my left hand, and
Jeanine took my right. When the sky darkened and the lighted barges
puttered away through the night, we three sat in the hammock.
	</text>
</object>
<object id="1292">
	<ocn>1292</ocn>
	<text class="norm">
		I looked out over the Seven Seas Lagoon and realized that this was my
last night, ever, in Walt Disney World. It was time to reboot again,
start afresh. That's what the Park was for, only somehow, this visit,
I'd gotten stuck. Dan had unstuck me.
	</text>
</object>
<object id="1293">
	<ocn>1293</ocn>
	<text class="norm">
		The talk turned to Dan's impending death.
	</text>
</object>
<object id="1294">
	<ocn>1294</ocn>
	<text class="norm">
		&#8220; So, tell me what you think of this,&#8221; he said, hauling
away on a glowing cigarette.
	</text>
</object>
<object id="1295">
	<ocn>1295</ocn>
	<text class="norm">
		&#8220; Shoot,&#8221; I said.
	</text>
</object>
<object id="1296">
	<ocn>1296</ocn>
	<text class="norm">
		&#8220; I'm thinking&#8212;why take lethal injection? I mean, I may be
done here for now, but why should I make an irreversible
decision?&#8221;
	</text>
</object>
<object id="1297">
	<ocn>1297</ocn>
	<text class="norm">
		&#8220; Why did you want to before?&#8221; I asked.
	</text>
</object>
<object id="1298">
	<ocn>1298</ocn>
	<text class="norm">
		&#8220; Oh, it was the macho thing, I guess. The finality and all. But
hell, I don't have to prove anything, right?&#8221;
	</text>
</object>
<object id="1299">
	<ocn>1299</ocn>
	<text class="norm">
		&#8220; Sure,&#8221; I said, magnanimously.
	</text>
</object>
<object id="1300">
	<ocn>1300</ocn>
	<text class="norm">
		&#8220; So,&#8221; he said, thoughtfully. &#8220; The question I'm
asking is, how long can I deadhead for? There are folks who go down for
a thousand years, ten thousand, right?&#8221;
	</text>
</object>
<object id="1301">
	<ocn>1301</ocn>
	<text class="norm">
		&#8220; So, you're thinking, what, a million?&#8221; I joked.
	</text>
</object>
<object id="1302">
	<ocn>1302</ocn>
	<text class="norm">
		He laughed. &#8220; A <i>million</i>? You're thinking too small, son.
Try this on for size: the heat death of the universe.&#8221;
	</text>
</object>
<object id="1303">
	<ocn>1303</ocn>
	<text class="norm">
		&#8220; The heat death of the universe,&#8221; I repeated.
	</text>
</object>
<object id="1304">
	<ocn>1304</ocn>
	<text class="norm">
		&#8220; Sure,&#8221; he drawled, and I sensed his grin in the dark.
&#8220; Ten to the hundred years or so. The Stelliferous
Period&#8212;it's when all the black holes have run dry and things get,
you know, stupendously dull. Cold, too. So I'm thinking&#8212;why not
leave a wake-up call for some time around then?&#8221;
	</text>
</object>
<object id="1305">
	<ocn>1305</ocn>
	<text class="norm">
		&#8220; Sounds unpleasant to me,&#8221; I said. &#8220; Brrrr.&#8221;
	</text>
</object>
<object id="1306">
	<ocn>1306</ocn>
	<text class="norm">
		&#8220; Not at all! I figure, self-repairing nano-based canopic jar,
mass enough to feed it&#8212;say, a trillion-ton asteroid&#8212;and a
lot of solitude when the time comes around. I'll poke my head in every
century or so, just to see what's what, but if nothing really
stupendous crops up, I'll take the long ride out. The final
frontier.&#8221;
	</text>
</object>
<object id="1307">
	<ocn>1307</ocn>
	<text class="norm">
		&#8220; That's pretty cool,&#8221; Jeanine said.
	</text>
</object>
<object id="1308">
	<ocn>1308</ocn>
	<text class="norm">
		&#8220; Thanks,&#8221; Dan said.
	</text>
</object>
<object id="1309">
	<ocn>1309</ocn>
	<text class="norm">
		&#8220; You're not kidding, are you?&#8221; I asked.
	</text>
</object>
<object id="1310">
	<ocn>1310</ocn>
	<text class="norm">
		&#8220; Nope, I sure ain't,&#8221; he said.
	</text>
</object>
<object id="1311">
	<ocn>1311</ocn>
	<text class="norm">
		They didn't invite me back into the ad-hoc, even after Debra left in
Whuffie-penury and they started to put the Mansion back the way it was.
Tim called me to say that with enough support from Imagineering, they
thought they could get it up and running in a week. Suneep was ready to
kill someone, I swear. <i>A house divided against itself can</i> not
<i>stand</i>, as Mr. Lincoln used to say at the Hall of Presidents.
	</text>
</object>
<object id="1312">
	<ocn>1312</ocn>
	<text class="norm">
		I packed three changes of clothes and a toothbrush in my shoulderbag
and checked out of my suite at the Polynesian at ten a.m., then met
Jeanine and Dan at the valet parking out front. Dan had a runabout he'd
picked up with my Whuffie, and I piled in with Jeanine in the middle.
We played old Beatles tunes on the stereo all the long way to Cape
Canaveral. Our shuttle lifted at noon.
	</text>
</object>
<object id="1313">
	<ocn>1313</ocn>
	<text class="norm">
		The shuttle docked four hours later, but by the time we'd been through
decontam and orientation, it was suppertime. Dan, nearly as
Whuffie-poor as Debra after his confession, nevertheless treated us to
a meal in the big bubble, squeeze-tubes of heady booze and steaky
paste, and we watched the universe get colder for a while.
	</text>
</object>
<object id="1314">
	<ocn>1314</ocn>
	<text class="norm">
		There were a couple guys jamming, tethered to a guitar and a set of
tubs, and they weren't half bad.
	</text>
</object>
<object id="1315">
	<ocn>1315</ocn>
	<text class="norm">
		Jeanine was uncomfortable hanging there naked. She'd gone to space with
her folks after Dan had left the mountain, but it was in a long-haul
generation ship. She'd abandoned it after a year or two and deadheaded
back to Earth in a support-pod. She'd get used to life in space after a
while. Or she wouldn't.
	</text>
</object>
<object id="1316">
	<ocn>1316</ocn>
	<text class="norm">
		&#8220; Well,&#8221; Dan said.
	</text>
</object>
<object id="1317">
	<ocn>1317</ocn>
	<text class="norm">
		&#8220; Yup,&#8221; I said, aping his laconic drawl. He smiled.
	</text>
</object>
<object id="1318">
	<ocn>1318</ocn>
	<text class="norm">
		&#8220; It's that time,&#8221; he said.
	</text>
</object>
<object id="1319">
	<ocn>1319</ocn>
	<text class="norm">
		Spheres of saline tears formed in Jeanine's eyes, and I brushed them
away, setting them adrift in the bubble. I'd developed some real
tender, brother-sister type feelings for her since I'd watched her
saucer-eye her way through the Magic Kingdom. No romance&#8212;not for
me, thanks! But camaraderie and a sense of responsibility.
	</text>
</object>
<object id="1320">
	<ocn>1320</ocn>
	<text class="norm">
		&#8220; See you in ten to the hundred,&#8221; Dan said, and headed to
the airlock. I started after him, but Jeanine caught my hand.
	</text>
</object>
<object id="1321">
	<ocn>1321</ocn>
	<text class="norm">
		&#8220; He hates long good-byes,&#8221; she said.
	</text>
</object>
<object id="1322">
	<ocn>1322</ocn>
	<text class="norm">
		&#8220; I know,&#8221; I said, and watched him go.
	</text>
</object>
<object id="1323">
	<ocn>1323</ocn>
	<text class="norm">
		The universe gets older. So do I. So does my backup, sitting in
redundant distributed storage dirtside, ready for the day that space or
age or stupidity kills me. It recedes with the years, and I write out
my life longhand, a letter to the me that I'll be when it's restored
into a clone somewhere, somewhen. It's important that whoever I am then
knows about this year, and it's going to take a lot of tries for me to
get it right.
	</text>
</object>
<object id="1324">
	<ocn>1324</ocn>
	<text class="norm">
		In the meantime, I'm working on another symphony, one with a little bit
of &#8220; Grim Grinning Ghosts,&#8221; and a nod to &#8220; It's a
Small World After All,&#8221; and especially &#8220; There's a Great
Big Beautiful Tomorrow.&#8221;
	</text>
</object>
<object id="1325">
	<ocn>1325</ocn>
	<text class="norm">
		Jeanine says it's pretty good, but what does she know? She's barely
fifty.
	</text>
</object>
<object id="1326">
	<ocn>1326</ocn>
	<text class="norm">
		We've both got a lot of living to do before we know what's what.
	</text>
</object>
<object id="1327">
	<ocn>1327</ocn>
	<text class="h4">
		Acknowledgements:
	</text>
</object>
<object id="1328">
	<ocn>1328</ocn>
	<text class="norm">
		I could never have written this book without the personal support of my
friends and family, especially Roz Doctorow, Gord Doctorow and Neil
Doctorow, Amanda Foubister, Steve Samenski, Pat York, Grad Conn, John
Henson, John Rose, the writers at the Cecil Street Irregulars and Mark
Frauenfelder.
	</text>
</object>
<object id="1329">
	<ocn>1329</ocn>
	<text class="norm">
		I owe a great debt to the writers and editors who mentored and
encouraged me: James Patrick Kelly, Judith Merril, Damon Knight, Martha
Soukup, Scott Edelman, Gardner Dozois, Renee Wilmeth, Teresa Nielsen
Hayden, Claire Eddy, Bob Parks and Robert Killheffer.
	</text>
</object>
<object id="1330">
	<ocn>1330</ocn>
	<text class="norm">
		I am also indebted to my editor Patrick Nielsen Hayden and my agent
Donald Maass, who believed in this book and helped me bring it to
fruition.
	</text>
</object>
<object id="1331">
	<ocn>1331</ocn>
	<text class="norm">
		Finally, I must thank the readers, the geeks and the Imagineers who
inspired this book.
	</text>
</object>
<object id="1332">
	<ocn>1332</ocn>
	<text class="norm">
		Cory Doctorow
	</text>
</object>
<object id="1333">
	<ocn>1333</ocn>
	<text class="norm">
		San Francisco
	</text>
</object>
<object id="1334">
	<ocn>1334</ocn>
	<text class="norm">
		September 2002
	</text>
</object>
<object id="1335">
	<ocn>1335</ocn>
	<text class="h4">
		A note about this book, February 12, 2004:
	</text>
</object>
<object id="1336">
	<ocn>1336</ocn>
	<text class="norm">
		As you will see, when you read the text beneath this section, I
released this book a little over a year ago under the terms of a
Creative Commons license that allowed my readers to freely redistribute
the text without needing any further permission from me. In this
fashion, I enlisted my readers in the service of a grand experiment, to
see how my book could find its way into cultural relevance and
commercial success. The experiment worked out very satisfactorily.
	</text>
</object>
<object id="1337">
	<ocn>1337</ocn>
	<text class="norm">
		When I originally licensed the book under the terms set out in the next
section, I did so in the most conservative fashion possible, using CC's
most restrictive license. I wanted to dip my toe in before taking a
plunge. I wanted to see if the sky would fall: you see writers are
routinely schooled by their peers that maximal copyright is the only
thing that stands between us and penury, and so ingrained was this
lesson in me that even though I had the intellectual intuition that a
"some rights reserved" regime would serve me well, I still couldn't
shake the atavistic fear that I was about to do something very foolish
indeed.
	</text>
</object>
<object id="1338">
	<ocn>1338</ocn>
	<text class="norm">
		It wasn't foolish. I've since released a short story collection ( <link
xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:href="http://craphound.com/place">A Place So Foreign and Eight
More</link> and a second novel ( <link
xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:href="http://craphound.com/est">Eastern Standard Tribe</link> )
in this fashion, and my career is turning over like a goddamned
locomotive engine. I am thrilled beyond words (an extraordinary
circumstance for a writer!) at the way that this has all worked out.
	</text>
</object>
<object id="1339">
	<ocn>1339</ocn>
	<text class="norm">
		And so <i>now</i> I'm going to take a little bit of a plunge. Today, in
coincidence with my talk at the O'Reilly Emerging Technology Conference
( <link xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:href="http://conferences.oreillynet.com/cs/et2004/view/e_sess/4693">Ebooks:
Neither E, Nor Books</link> ).
	</text>
</object>
<object id="1340">
	<ocn>1340</ocn>
	<text class="norm">
		I am re-licensing this book under a far less restrictive Creative
Commons license, the Attribution-NonCommercial-ShareAlike license. This
is a license that allows you, the reader, to noncommercially "remix"
this book -- you have my blessing to make your own translations, radio
and film adaptations, sequels, fan fiction, missing chapters, machine
remixes, you name it. A number of you assumed that you had my blessing
to do this in the first place, and I can't say that I've been at all
put out by the delightful and creative derivative works created from
this book, but now you have my explicit blessing, and I hope you'll use
it.
	</text>
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<object id="1341">
	<ocn>1341</ocn>
	<text class="norm">
		Here's the license in summary:
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</object>
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	<ocn>1342</ocn>
	<text class="norm">
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xlink:href="http://creativecommons.org/licenses/by-nc-sa/1.0/">http://creativecommons.org/licenses/by-nc-sa/1.0/</link>&gt;
	</text>
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	<ocn>1343</ocn>
	<text class="norm">
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	<text class="indent1">
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	<ocn>1346</ocn>
	<text class="norm">
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	<ocn>1347</ocn>
	<text class="indent1">
		Attribution. You must give the original author credit.
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	<ocn>1348</ocn>
	<text class="indent1">
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	<ocn>1350</ocn>
	<text class="indent1">
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	<text class="indent1">
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	<ocn>1352</ocn>
	<text class="norm">
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	<ocn>1353</ocn>
	<text class="indent1">
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	<ocn>1358</ocn>
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	<ocn>1359</ocn>
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serve to withdraw this License (or any other license that has been, or
is required to be, granted under the terms of this License), and this
License will continue in full force and effect unless terminated as
stated above.
	</text>
</object>
<object id="1386">
	<ocn>1386</ocn>
	<text class="indent1">
		8. Miscellaneous
	</text>
</object>
<object id="1387">
	<ocn>1387</ocn>
	<text class="indent2">
		1. Each time You distribute or publicly digitally perform the Work or a
Collective Work, the Licensor offers to the recipient a license to the
Work on the same terms and conditions as the license granted to You
under this License.
	</text>
</object>
<object id="1388">
	<ocn>1388</ocn>
	<text class="indent2">
		2. Each time You distribute or publicly digitally perform a Derivative
Work, Licensor offers to the recipient a license to the original Work
on the same terms and conditions as the license granted to You under
this License.
	</text>
</object>
<object id="1389">
	<ocn>1389</ocn>
	<text class="indent2">
		3. If any provision of this License is invalid or unenforceable under
applicable law, it shall not affect the validity or enforceability of
the remainder of the terms of this License, and without further action
by the parties to this agreement, such provision shall be reformed to
the minimum extent necessary to make such provision valid and
enforceable.
	</text>
</object>
<object id="1390">
	<ocn>1390</ocn>
	<text class="indent2">
		4. No term or provision of this License shall be deemed waived and no
breach consented to unless such waiver or consent shall be in writing
and signed by the party to be charged with such waiver or consent.
	</text>
</object>
<object id="1391">
	<ocn>1391</ocn>
	<text class="indent2">
		5. This License constitutes the entire agreement between the parties
with respect to the Work licensed here. There are no understandings,
agreements or representations with respect to the Work not specified
here. Licensor shall not be bound by any additional provisions that may
appear in any communication from You. This License may not be modified
without the mutual written agreement of the Licensor and You.
	</text>
</object>
<object id="1392">
	<ocn>1392</ocn>
	<text class="h4">
		A note about this book, January 9, 2003:
	</text>
</object>
<object id="1393">
	<ocn>1393</ocn>
	<text class="norm">
		&#8220; Down and Out in the Magic Kingdom&#8221; is my first novel.
It's an actual, no-foolin' words-on-paper book, published by the good
people at Tor Books in New York City. You can buy this book in stores
or online, by following links like this one:
	</text>
</object>
<object id="1394">
	<ocn>1394</ocn>
	<text class="norm">
		&lt;<link xmlns:xlink="http://www.w3.org/1999/xlink"
xlink:type="simple"
xlink:href="http://www.amazon.com/exec/obidos/ASIN/0765304368/downandoutint-20">http://www.amazon.com/exec/obidos/ASIN/0765304368/downandoutint-20</link>&gt;
	</text>
</object>
<object id="1395">
	<ocn>1395</ocn>
	<text class="norm">
		So, what's with this file? Good question.
	</text>
</object>
<object id="1396">
	<ocn>1396</ocn>
	<text class="norm">
		I'm releasing the entire text of this book as a free, freely
redistributable e-book. You can download it, put it on a P2P net, put
it on your site, email it to a friend, and, if you're addicted to dead
trees, you can even print it.
	</text>
</object>
<object id="1397">
	<ocn>1397</ocn>
	<text class="norm">
		Why am I doing this thing? Well, it's a long story, but to shorten it
up: first-time novelists have a tough row to hoe. Our publishers don't
have a lot of promotional budget to throw at unknown factors like us.
Mostly, we rise and fall based on word-of-mouth. I'm not bad at
word-of-mouth. I have a blog, Boing Boing ( &lt;<link
xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:href="http://boingboing.net">http://boingboing.net</link>&gt; ),
where I do a <i>lot</i> of word-of-mouthing. I compulsively tell
friends and strangers about things that I like.
	</text>
</object>
<object id="1398">
	<ocn>1398</ocn>
	<text class="norm">
		And telling people about stuff I like is <i>way</i>, <i>way</i> easier
if I can just send it to 'em. Way easier.
	</text>
</object>
<object id="1399">
	<ocn>1399</ocn>
	<text class="norm">
		What's more, P2P nets kick all kinds of ass. Most of the books, music
and movies ever released are not available for sale, anywhere in the
world. In the brief time that P2P nets have flourished, the ad-hoc
masses of the Internet have managed to put just about <i>everything</i>
online. What's more, they've done it for cheaper than any other
archiving/revival effort ever. I'm a stone infovore and this kinda
Internet mishegas gives me a serious frisson of futurosity.
	</text>
</object>
<object id="1400">
	<ocn>1400</ocn>
	<text class="norm">
		Yeah, there are legal problems. Yeah, it's hard to figure out how
people are gonna make money doing it. Yeah, there is a lot of social
upheaval and a serious threat to innovation, freedom, business, and
whatnot. It's your basic end-of-the-world-as-we-know-it scenario, and
as a science fiction writer, end-of-the-world-as-we-know-it scenaria
are my stock-in-trade.
	</text>
</object>
<object id="1401">
	<ocn>1401</ocn>
	<text class="norm">
		I'm especially grateful to my publisher, Tor Books ( &lt;<link
xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:href="http://www.tor.com/">http://www.tor.com/</link>&gt; ) and
my editor, Patrick Nielsen Hayden ( &lt;<link
xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:href="http://nielsenhayden.com/electrolite">http://nielsenhayden.com/electrolite</link>&gt;
) for being hep enough to let me try out this experiment.
	</text>
</object>
<object id="1402">
	<ocn>1402</ocn>
	<text class="norm">
		All that said, here's the deal: I'm releasing this book under a license
developed by the Creative Commons project ( &lt;<link
xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:href="http://creativecommons.org/">http://creativecommons.org/</link>&gt;
). This is a project that lets people like me roll our own license
agreements for the distribution of our creative work under terms
similar to those employed by the Free/Open Source Software movement.
It's a great project, and I'm proud to be a part of it.
	</text>
</object>
<object id="1403">
	<ocn>1403</ocn>
	<text class="norm">
		Here's a summary of the license:
	</text>
</object>
<object id="1404">
	<ocn>1404</ocn>
	<text class="norm">
		&lt;<link xmlns:xlink="http://www.w3.org/1999/xlink"
xlink:type="simple"
xlink:href="http://creativecommons.org/licenses/by-nd-nc/1.0">http://creativecommons.org/licenses/by-nd-nc/1.0</link>&gt;
	</text>
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<object id="1405">
	<ocn>1405</ocn>
	<text class="norm">
		Attribution. The licensor permits others to copy, distribute, display,
and perform the work. In return, licensees must give the original
author credit.
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<object id="1406">
	<ocn>1406</ocn>
	<text class="norm">
		No Derivative Works. The licensor permits others to copy, distribute,
display and perform only unaltered copies of the work&#8212;not
derivative works based on it.
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<object id="1407">
	<ocn>1407</ocn>
	<text class="norm">
		Noncommercial. The licensor permits others to copy, distribute,
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<object id="1408">
	<ocn>1408</ocn>
	<text class="norm">
		And here's the license itself:
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<object id="1409">
	<ocn>1409</ocn>
	<text class="norm">
		&lt;<link xmlns:xlink="http://www.w3.org/1999/xlink"
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<object id="1410">
	<ocn>1410</ocn>
	<text class="indent1">
		THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS
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	<ocn>1411</ocn>
	<text class="indent1">
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<object id="1412">
	<ocn>1412</ocn>
	<text class="indent1">
		Definitions
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</object>
<object id="1413">
	<ocn>1413</ocn>
	<text class="indent2">
		&#8220; Collective Work&#8221; means a work, such as a periodical
issue, anthology or encyclopedia, in which the Work in its entirety in
unmodified form, along with a number of other contributions,
constituting separate and independent works in themselves, are
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Work will not be considered a Derivative Work (as defined below) for
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<object id="1414">
	<ocn>1414</ocn>
	<text class="indent2">
		&#8220; Derivative Work&#8221; means a work based upon the Work or upon
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except that a work that constitutes a Collective Work will not be
considered a Derivative Work for the purpose of this License.
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</object>
<object id="1415">
	<ocn>1415</ocn>
	<text class="indent2">
		&#8220; Licensor&#8221; means the individual or entity that offers the
Work under the terms of this License.
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</object>
<object id="1416">
	<ocn>1416</ocn>
	<text class="indent2">
		&#8220; Original Author&#8221; means the individual or entity who
created the Work.
	</text>
</object>
<object id="1417">
	<ocn>1417</ocn>
	<text class="indent2">
		&#8220; Work&#8221; means the copyrightable work of authorship offered
under the terms of this License.
	</text>
</object>
<object id="1418">
	<ocn>1418</ocn>
	<text class="indent2">
		&#8220; You&#8221; means an individual or entity exercising rights
under this License who has not previously violated the terms of this
License with respect to the Work, or who has received express
permission from the Licensor to exercise rights under this License
despite a previous violation.
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<object id="1419">
	<ocn>1419</ocn>
	<text class="indent1">
		2. Fair Use Rights. Nothing in this license is intended to reduce,
limit, or restrict any rights arising from fair use, first sale or
other limitations on the exclusive rights of the copyright owner under
copyright law or other applicable laws.
	</text>
</object>
<object id="1420">
	<ocn>1420</ocn>
	<text class="indent1">
		3. License Grant. Subject to the terms and conditions of this License,
Licensor hereby grants You a worldwide, royalty-free, non-exclusive,
perpetual (for the duration of the applicable copyright) license to
exercise the rights in the Work as stated below:
	</text>
</object>
<object id="1421">
	<ocn>1421</ocn>
	<text class="indent2">
		1. to reproduce the Work, to incorporate the Work into one or more
Collective Works, and to reproduce the Work as incorporated in the
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</object>
<object id="1422">
	<ocn>1422</ocn>
	<text class="indent2">
		2. to distribute copies or phonorecords of, display publicly, perform
publicly, and perform publicly by means of a digital audio transmission
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</object>
<object id="1423">
	<ocn>1423</ocn>
	<text class="indent1">
		The above rights may be exercised in all media and formats whether now
known or hereafter devised. The above rights include the right to make
such modifications as are technically necessary to exercise the rights
in other media and formats. All rights not expressly granted by
Licensor are hereby reserved.
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</object>
<object id="1424">
	<ocn>1424</ocn>
	<text class="indent1">
		4. Restrictions. The license granted in Section 3 above is expressly
made subject to and limited by the following restrictions:
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</object>
<object id="1425">
	<ocn>1425</ocn>
	<text class="indent2">
		1. You may distribute, publicly display, publicly perform, or publicly
digitally perform the Work only under the terms of this License, and
You must include a copy of, or the Uniform Resource Identifier for,
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may not offer or impose any terms on the Work that alter or restrict
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granted hereunder. You may not sublicense the Work. You must keep
intact all notices that refer to this License and to the disclaimer of
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incorporated in a Collective Work, but this does not require the
Collective Work apart from the Work itself to be made subject to the
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from any Licensor You must, to the extent practicable, remove from the
Collective Work any reference to such Licensor or the Original Author,
as requested.
	</text>
</object>
<object id="1426">
	<ocn>1426</ocn>
	<text class="indent2">
		2. You may not exercise any of the rights granted to You in Section 3
above in any manner that is primarily intended for or directed toward
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</object>
<object id="1427">
	<ocn>1427</ocn>
	<text class="indent2">
		3. If you distribute, publicly display, publicly perform, or publicly
digitally perform the Work or any Collective Works, You must keep
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credit reasonable to the medium or means You are utilizing by conveying
the name (or pseudonym if applicable) of the Original Author if
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implemented in any reasonable manner; provided, however, that in the
case of a Collective Work, at a minimum such credit will appear where
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</object>
<object id="1428">
	<ocn>1428</ocn>
	<text class="indent1">
		5. Representations, Warranties and Disclaimer
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</object>
<object id="1429">
	<ocn>1429</ocn>
	<text class="indent2">
		1. By offering the Work for public release under this License, Licensor
represents and warrants that, to the best of Licensor's knowledge after
reasonable inquiry:
	</text>
</object>
<object id="1430">
	<ocn>1430</ocn>
	<text class="indent3">
		1. Licensor has secured all rights in the Work necessary to grant the
license rights hereunder and to permit the lawful exercise of the
rights granted hereunder without You having any obligation to pay any
royalties, compulsory license fees, residuals or any other payments;
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</object>
<object id="1431">
	<ocn>1431</ocn>
	<text class="indent3">
		2. The Work does not infringe the copyright, trademark, publicity
rights, common law rights or any other right of any third party or
constitute defamation, invasion of privacy or other tortious injury to
any third party.
	</text>
</object>
<object id="1432">
	<ocn>1432</ocn>
	<text class="indent2">
		2. EXCEPT AS EXPRESSLY STATED IN THIS LICENSE OR OTHERWISE AGREED IN
WRITING OR REQUIRED BY APPLICABLE LAW, THE WORK IS LICENSED ON AN
&#8220; AS IS&#8221; BASIS, WITHOUT WARRANTIES OF ANY KIND, EITHER
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REGARDING THE CONTENTS OR ACCURACY OF THE WORK.
	</text>
</object>
<object id="1433">
	<ocn>1433</ocn>
	<text class="indent1">
		6. Limitation on Liability. EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE
LAW, AND EXCEPT FOR DAMAGES ARISING FROM LIABILITY TO A THIRD PARTY
RESULTING FROM BREACH OF THE WARRANTIES IN SECTION 5, IN NO EVENT WILL
LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY FOR ANY SPECIAL,
INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY DAMAGES ARISING OUT OF
THIS LICENSE OR THE USE OF THE WORK, EVEN IF LICENSOR HAS BEEN ADVISED
OF THE POSSIBILITY OF SUCH DAMAGES.
	</text>
</object>
<object id="1434">
	<ocn>1434</ocn>
	<text class="indent1">
		7. Termination
	</text>
</object>
<object id="1435">
	<ocn>1435</ocn>
	<text class="indent2">
		1. This License and the rights granted hereunder will terminate
automatically upon any breach by You of the terms of this License.
Individuals or entities who have received Collective Works from You
under this License, however, will not have their licenses terminated
provided such individuals or entities remain in full compliance with
those licenses. Sections 1, 2, 5, 6, 7, and 8 will survive any
termination of this License.
	</text>
</object>
<object id="1436">
	<ocn>1436</ocn>
	<text class="indent2">
		Subject to the above terms and conditions, the license granted here is
perpetual (for the duration of the applicable copyright in the Work).
Notwithstanding the above, Licensor reserves the right to release the
Work under different license terms or to stop distributing the Work at
any time; provided, however that any such election will not serve to
withdraw this License (or any other license that has been, or is
required to be, granted under the terms of this License), and this
License will continue in full force and effect unless terminated as
stated above.
	</text>
</object>
<object id="1437">
	<ocn>1437</ocn>
	<text class="indent1">
		8. Miscellaneous
	</text>
</object>
<object id="1438">
	<ocn>1438</ocn>
	<text class="indent2">
		1. Each time You distribute or publicly digitally perform the Work or a
Collective Work, the Licensor offers to the recipient a license to the
Work on the same terms and conditions as the license granted to You
under this License.
	</text>
</object>
<object id="1439">
	<ocn>1439</ocn>
	<text class="indent2">
		2. If any provision of this License is invalid or unenforceable under
applicable law, it shall not affect the validity or enforceability of
the remainder of the terms of this License, and without further action
by the parties to this agreement, such provision shall be reformed to
the minimum extent necessary to make such provision valid and
enforceable.
	</text>
</object>
<object id="1440">
	<ocn>1440</ocn>
	<text class="indent2">
		3. No term or provision of this License shall be deemed waived and no
breach consented to unless such waiver or consent shall be in writing
and signed by the party to be charged with such waiver or consent.
	</text>
</object>
<object id="1441">
	<ocn>1441</ocn>
	<text class="indent2">
		4. This License constitutes the entire agreement between the parties
with respect to the Work licensed here. There are no understandings,
agreements or representations with respect to the Work not specified
here. Licensor shall not be bound by any additional provisions that may
appear in any communication from You. This License may not be modified
without the mutual written agreement of the Licensor and You.
	</text>
</object>
<object id="1442">
	<ocn>1442</ocn>
	<text class="h4">
		About the author:
	</text>
</object>
<object id="1443">
	<ocn>1443</ocn>
	<text class="norm">
		Cory Doctorow is Outreach Coordinator for the Electronic Frontier
Foundation, www.eff.org, and maintains a personal site at
www.craphound.com. He is the co-editor of the popular weblog Boing
Boing at www.boingboing.net, with more than 250,000 visitors a month.
He won the John W. Campbell Award for Best New Writer at the 2000 Hugo
Awards. Born and raised in Toronto, he now lives in San Francisco. He
enjoys using Google to look up interesting facts about long walks on
the beach.
	</text>
</object>
<object id="1444">
	<ocn>1444</ocn>
	<text class="h4">
		Other books by Cory Doctorow:
	</text>
</object>
<object id="1445">
	<ocn>1445</ocn>
	<text class="norm">
		<i>A Place So Foreign and Eight More</i>
	</text>
</object>
<object id="1446">
	<ocn>1446</ocn>
	<text class="norm">
		&#8211; short story collection, forthcoming from Four Walls Eight
Windows in fall 2003, with an introduction by Bruce Sterling
	</text>
</object>
<object id="1447">
	<ocn>1447</ocn>
	<text class="norm">
		<i>Essential Blogging</i>, O'Reilly and Associates, 2002
	</text>
</object>
<object id="1448">
	<ocn>1448</ocn>
	<text class="norm">
		&#8211; with Rael Dornfest, J. Scott Johnson, Shelley Powers, Benjamin
Trott and Mena G. Trott
	</text>
</object>
<object id="1449">
	<ocn>1449</ocn>
	<text class="norm">
		<i>The Complete Idiot's Guide to Publishing Science Fiction</i>, Alpha
Books, 2000
	</text>
</object>
<object id="1450">
	<ocn>1450</ocn>
	<text class="norm">
		&#8211; co-written with Karl Schroeder
	</text>
</object>
<object id="1451">
	<ocn>1451</ocn>
	<text class="norm">
		Down and Out in the Magic Kingdom 2003-1-9 A novel by Cory Doctorow:
	</text>
</object>
<object id="1452">
	<ocn>1452</ocn>
	<text class="norm">
		Jules is a young man barely a century old. He's lived long enough to
see the cure for death and the end of scarcity, to learn ten languages
and compose three symphonies...and to realize his boyhood dream of
taking up residence in Disney World.
	</text>
</object>
<object id="1453">
	<ocn>1453</ocn>
	<text class="norm">
		Disney World! The greatest artistic achievement of the long&#45;ago
twentieth century. Now in the care of a network of volunteer
"ad&#45;hocs" who keep the classic attractions running as they always
have, enhanced with only the smallest high&#45;tech touches.
	</text>
</object>
<object id="1454">
	<ocn>1454</ocn>
	<text class="norm">
		Now, though, it seems the "ad hocs" are under attack. A new group has
taken over the Hall of the Presidents and is replacing its venerable
audioanimatronics with new, immersive direct&#45;to&#45;brain
interfaces that give guests the illusion of being Washington, Lincoln,
and all the others. For Jules, this is an attack on the artistic purity
of Disney World itself. Worse: it appears this new group has had Jules
killed. This upsets him. (It's only his fourth death and revival, after
all.) Now it's war: war for the soul of the Magic Kingdom, a war of
ever&#45;shifting reputations, technical wizardry, and entirely
unpredictable outcomes.
	</text>
</object>
<object id="1455">
	<ocn>1455</ocn>
	<text class="norm">
		Bursting with cutting-edge speculation and human insight, Down and Out
in the Magic Kingdom reads like Neal Stephenson meets Nick Hornby: a
coming-of-age romantic comedy and a kick-butt cybernetic tour de force.
	</text>
</object>
</body>
</document>

