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Free Culture - How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity,
Lawrence Lessig

Attribution

PREFACE

[Preface]

INTRODUCTION

[Intro]

"PIRACY"

[Intro]

Chapter One: Creators

Chapter Two: "Mere Copyists"

Chapter Three: Catalogs

Chapter Four: "Pirates"

Film
Recorded Music
Radio
Cable TV

Chapter Five: "Piracy"

Piracy I
Piracy II

"PROPERTY"

[Intro]

Chapter Six: Founders

Chapter Seven: Recorders

Chapter Eight: Transformers

Chapter Nine: Collectors

Chapter Ten: "Property"

Why Hollywood Is Right
Beginnings
Law: Duration
Law: Scope
Law and Architecture: Reach
Architecture and Law: Force
Market: Concentration
Together

PUZZLES

Chapter Eleven: Chimera

Chapter Twelve: Harms

Constraining Creators
Constraining Innovators
Corrupting Citizens

BALANCES

[Intro]

Chapter Thirteen: Eldred

Chapter Fourteen: Eldred II

CONCLUSION

[Conclusion]

AFTERWORD

[Intro]

US, NOW

Rebuilding Freedoms Previously Presumed: Examples
Rebuilding Free Culture: One Idea

THEM, SOON

1. More Formalities
Registration and Renewal
Marking
2. Shorter Terms
3. Free Use Vs. Fair Use
4. Liberate the Music - Again
5. Fire Lots of Lawyers

NOTES

Notes

ACKNOWLEDGMENTS

[Acknowledgments]

ABOUT THE AUTHOR

Other Works and REVIEWS of FreeCulture

JACKET

Endnotes

Endnotes

Index

Index

Metadata

SiSU Metadata, document information

Manifest

SiSU Manifest, alternative outputs etc.

Free Culture - How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity,
Lawrence Lessig

ACKNOWLEDGMENTS

[Acknowledgments]

This book is the product of a long and as yet unsuccessful struggle that began when I read of Eric Eldred's war to keep books free. Eldred's work helped launch a movement, the free culture movement, and it is to him that this book is dedicated. I received guidance in various places from friends and academics, including Glenn Brown, Peter DiCola, Jennifer Mnookin, Richard Posner, Mark Rose, and Kathleen Sullivan. And I received correction and guidance from many amazing students at Stanford Law School and Stanford University. They included Andrew B. Coan, John Eden, James P. Fellers, Christopher Guzelian, Erica Goldberg, Robert Hall- man, Andrew Harris, Matthew Kahn, Brian Link, Ohad Mayblum, Alina Ng, and Erica Platt. I am particularly grateful to Catherine Crump and Harry Surden, who helped direct their research, and to Laura Lynch, who brilliantly managed the army that they assembled, and provided her own critical eye on much of this. Yuko Noguchi helped me to understand the laws of Japan as well as its culture. I am thankful to her, and to the many in Japan who helped me prepare this book: Joi Ito, Takayuki Matsutani, Naoto Misaki, Michihiro Sasaki, Hiromichi Tanaka, Hiroo Yamagata, and Yoshihiro Yonezawa. I am thankful as well as to Professor Nobuhiro Nakayama, and the Tokyo University Business Law Center, for giving me the chance to spend time in Japan, and to Tadashi Shiraishi and Kiyokazu Yamagami for their generous help while I was there. These are the traditional sorts of help that academics regularly draw upon. But in addition to them, the Internet has made it possible to receive advice and correction from many whom I have never even met. Among those who have responded with extremely helpful advice to requests on my blog about the book are Dr. Mohammad Al-Ubaydli, David Gerstein, and Peter DiMauro, as well as a long list of those who had specific ideas about ways to develop my argument. They included Richard Bondi, Steven Cherry, David Coe, Nik Cubrilovic, Bob Devine, Charles Eicher, Thomas Guida, Elihu M. Gerson, Jeremy Hunsinger, Vaughn Iverson, John Karabaic, Jeff Keltner, James Lindenschmidt, K. L. Mann, Mark Manning, Nora McCauley, Jeffrey McHugh, Evan McMullen, Fred Norton, John Pormann, Pedro A. D. Rezende, Shabbir Safdar, Saul Schleimer, Clay Shirky, Adam Shostack, Kragen Sitaker, Chris Smith, Bruce Steinberg, Andrzej Jan Taramina, Sean Walsh, Matt Wasserman, Miljenko Williams, "Wink," Roger Wood, "Ximmbo da Jazz," and Richard Yanco. (I apologize if I have missed anyone; with computers come glitches, and a crash of my e-mail system meant I lost a bunch of great replies.) Richard Stallman and Michael Carroll each read the whole book in draft, and each provided extremely helpful correction and advice. Michael helped me to see more clearly the significance of the regulation of derivitive works. And Richard corrected an embarrassingly large number of errors. While my work is in part inspired by Stallman's, he does not agree with me in important places throughout this book. Finally, and forever, I am thankful to Bettina, who has always insisted that there would be unending happiness away from these battles, and who has always been right. This slow learner is, as ever, grateful for her perpetual patience and love.




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Available at Amazon.com
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This book is Copyright Lawrence Lessig © 2004
Under a Creative Commons License, that permits non-commercial use of this work, provided attribution is given.
See http://www.free-culture.cc/
lessig@pobox.com



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