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<document>
<head>
<metadata>
	<meta>Title:</meta>
	<data class="md">
		Sphinx or Robot
	</data>
</metadata>
<metadata>
	<meta>Creator:</meta>
	<data class="md">
		Leena Krohn
	</data>
</metadata>
<metadata>
	<meta>Illustrator:</meta>
	<data class="md">
		Leena Krohn
	</data>
</metadata>
<metadata>
	<meta>Digitized by:</meta>
	<data class="md">
		Mikael Book
	</data>
</metadata>
<metadata>
	<meta>Rights:</meta>
	<data class="md">
		Copyright (C) Leena Krohn 1996, 2005;
	</data>
</metadata>
<metadata>
	<meta>Publisher:</meta>
	<data class="md">
		SiSU ‹&#60;text:a xlink:type='simple' xlink:href='http://www.jus.uio.no/sisu'&#62;http://www.jus.uio.no/sisu&#60;/text:a&#62;› (this copy)
	</data>
</metadata>
<metadata>
	<meta>Date:</meta>
	<data class="md">
		1999
	</data>
</metadata>
<metadata>
	<meta>Language:</meta>
	<data class="md">
		English
	</data>
</metadata>
<metadata>
	<meta>Original language:</meta>
	<data class="md">
		Finnish
	</data>
</metadata>
<metadata>
	<meta>Sourcefile:</meta>
	<data class="md">
		sphinx_or_robot.leena_krohn.1996.sst
	</data>
</metadata>
<metadata>
	<meta>Filetype:</meta>
	<data class="md">
		SiSU text 0.72
	</data>
</metadata>
<metadata>
	<meta>Source digest:</meta>
	<data class="md">
		SHA256(sphinx_or_robot.leena_krohn.1996.sst)= b3e1345350bcf933c61531827d8ac487a135caa8a47fa827ec9f663cd67dd4a5
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<metadata>
	<meta>Skin digest:</meta>
	<data class="md">
		SHA256(skin_sphinx_or_robot.rb)= d310e67251f4c2ec0ae43e08a19253547e97de9923705f91c085b063a74feb60
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</metadata>
<metadata>
	<meta>Generated by:</meta>
	<data class="md">
		Generated by: SiSU 2.8.2 of 2011w10/5 (2011-03-11)
	</data>
</metadata>
<metadata>
	<meta>Ruby version:</meta>
	<data class="md">
		ruby 1.8.7 (2011-02-18 patchlevel 334) [i486-linux]
	</data>
</metadata>
<metadata>
	<meta>Document (dal) last generated:</meta>
	<data class="md">
		Fri Mar 11 09:57:04 -0500 2011
	</data>
</metadata>
</head>
<body>
<object id="1">
	<ocn>1</ocn>
	<text class="h1">
		Sphinx or Robot,<br />Leena Krohn
	</text>
</object>
<object id="2">
	<ocn>2</ocn>
	<text class="h4">
		Evil Soup
	</text>
</object>
<object id="3">
	<ocn>3</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/keitto1_p.png" width="57" height="58"
/>[keitto1_p.png] "Lydia!" said Father. "Have you read this?"
	</text>
</object>
<object id="4">
	<ocn>4</ocn>
	<text class="norm">
		Father held up an article in the morning paper. It was on the front
page, where usually only advertisements appeared.
	</text>
</object>
<object id="5">
	<ocn>5</ocn>
	<text class="norm">
		"What is it?" Lydia asked.
	</text>
</object>
<object id="6">
	<ocn>6</ocn>
	<text class="norm">
		"It's an announcement from the National Ministry of Health. Read it."
	</text>
</object>
<object id="7">
	<ocn>7</ocn>
	<text class="norm">
		Lydia read.
	</text>
</object>
<object id="8">
	<ocn>8</ocn>
	<text class="indent1">
		Because of certain recent events, our countrymen are cautioned to be
careful in handling broths, cereal, and beverages, particularly if they
are hot. It is not advisable to cool them off by stirring them too
vigorously, rhythmically, in one direction only, or too long. The
safest course is to let all foods cool off by themselves. In a few,
admittedly rare, cases, stirring may produce, through a manifestation
of turbulence, what is termed a singularity.
	</text>
</object>
<object id="9">
	<ocn>9</ocn>
	<text class="indent1">
		Those who knead dough are also in danger. If a sucking is noted in the
direction of the turn, one must absolutely push the dough farther away
and direct one's gaze away from it. Staring at the turbulence too
intently increases the danger. In the worst case, such a "wormhole" can
suck the unwary kneader into itself. To date there is no known way of
retrieving those who have disappeared into a singularity.
	</text>
</object>
<object id="10">
	<ocn>10</ocn>
	<text class="indent1">
		Fellow citizens! We urge you to moderation and precision both in the
home kitchen and in public eating places.
	</text>
</object>
<object id="11">
	<ocn>11</ocn>
	<text class="norm">
		"What's this supposed to mean?" Lydia asked.
	</text>
</object>
<object id="12">
	<ocn>12</ocn>
	<text class="norm">
		"It's a necessary warning. Some accidents have happened," Father said.
	</text>
</object>
<object id="13">
	<ocn>13</ocn>
	<text class="norm">
		"Really unfortunate events. Like what happened to Uncle Kauto."
	</text>
</object>
<object id="14">
	<ocn>14</ocn>
	<text class="norm">
		"What happened to Uncle Kauto?" Lydia asked.
	</text>
</object>
<object id="15">
	<ocn>15</ocn>
	<text class="norm">
		"You mean you still don't know about that? It happened last spring,
when he sat down to eat some cabbage soup. His wife ladled it onto his
soup plate right from the boiling-hot soup kettle. Uncle Kauto was very
hungry and stirred his portion very rapidly with his spoon so that it
would cool down faster."
	</text>
</object>
<object id="16">
	<ocn>16</ocn>
	<text class="norm">
		"Everyone does that," Lydia said.
	</text>
</object>
<object id="17">
	<ocn>17</ocn>
	<text class="norm">
		"That's right. But fortunately, what happened to Uncle Kauto doesn't
happen to everyone."
	</text>
</object>
<object id="18">
	<ocn>18</ocn>
	<text class="norm">
		"Well, what happened to Uncle Kauto?" Lydia asked again.
	</text>
</object>
<object id="19">
	<ocn>19</ocn>
	<text class="norm">
		"His wife heard his astonished gasp," Father related, "and turned to
look. She had just time to see that a vortex had appeared in the soup
plate like what you see when you pull the plug on the bathtub. It
didn't stop whirling, even though Uncle Kauto had stopped stirring. On
the contrary, the soup bulged and rose up and splattered like a stormy
sea. After a while they couldn't even see the plate. The soup itself
swelled up. At the same time the spoon dropped from Uncle Kauto's hand
and his wife saw his face pressed into the vortex of soup. She said to
me, `It was just as though the plate was sucking him in. He seemed to
get noticeably narrower and thinner. Before I could do anything, his
head disappeared into the maw of that funnel-like thing. An
irresistible force gobbled him up. It was truly a witch's brew.'"
	</text>
</object>
<object id="20">
	<ocn>20</ocn>
	<text class="norm">
		"How awful!" Lydia said.
	</text>
</object>
<object id="21">
	<ocn>21</ocn>
	<text class="norm">
		"His wife grabbed her husband's suspenders, but at the same time she
also felt herself being sucked in. She said it felt as though some
monstrous vacuum cleaner was coming at them from the soup. The wife
said that she too would have disappeared in the same way if her husband
hadn't kicked her away. She was sure that that kick saved her."
	</text>
</object>
<object id="22">
	<ocn>22</ocn>
	<text class="norm">
		"Evil soup!" Lydia said. "But what happened to Uncle Kauto?"
	</text>
</object>
<object id="23">
	<ocn>23</ocn>
	<text class="norm">
		"He disappeared," said Father. "He drowned in the maelstrom of the
soup. Soon afterward things calmed down, the surge died down, and there
was just a soup plate on the table from which a little steam was
rising. The man hasn't been seen since."
	</text>
</object>
<object id="24">
	<ocn>24</ocn>
	<text class="norm">
		"How is that possible?" Lydia asked.
	</text>
</object>
<object id="25">
	<ocn>25</ocn>
	<text class="norm">
		Lydia's father said, "Well- Quite likely the hot mass of the soup, as
it whirled around, produced a kind of turbulence manifestation just as
the Ministry of Health article described. It is unusual, but such
things happen. Whatever isn't impossible will happen sooner or later.
But sometimes even the impossible happens."
	</text>
</object>
<object id="26">
	<ocn>26</ocn>
	<text class="norm">
		"I still don't really understand," Lydia said.
	</text>
</object>
<object id="27">
	<ocn>27</ocn>
	<text class="norm">
		"At that moment, time-space started to curve and become denser. That
caused the creation of what is called a singularity, or black hole. In
turn, that created a strong magnetic field. And note: once we get a
singularity, nothing can be predicted. In a singularity the laws of
Nature no longer apply. When Uncle Kauto bent over his soup plate, he
surpassed the event horizons of science. After that, the process could
no longer be stopped. No one could have helped Uncle Kauto. In his
ignorance, he caused his own downfall by his vigorous stirring."
	</text>
</object>
<object id="28">
	<ocn>28</ocn>
	<text class="norm">
		"But is he coming back?" Lydia asked.
	</text>
</object>
<object id="29">
	<ocn>29</ocn>
	<text class="norm">
		"It's possible. But I wouldn't say it's likely."
	</text>
</object>
<object id="30">
	<ocn>30</ocn>
	<text class="norm">
		"Is he now in some other world?"
	</text>
</object>
<object id="31">
	<ocn>31</ocn>
	<text class="norm">
		"Possibly," Father guessed again.
	</text>
</object>
<object id="32">
	<ocn>32</ocn>
	<text class="norm">
		"But surely people there have to eat," Lydia mused. "And if he stirs
his soup again, maybe he'll cause another singularity. If then he would
remember to come right back here-"
	</text>
</object>
<object id="33">
	<ocn>33</ocn>
	<text class="norm">
		"Let's hope for the best."
	</text>
</object>
<object id="34">
	<ocn>34</ocn>
	<text class="norm">
		"But," Lydia said, "couldn't we disappear like Uncle Kauto? Couldn't
the same thing happen to us, if we stirred our soup or cereal or tea
too hard?" "What happens to one person can happen to anyone at all,"
Father said. "And anyway, we all came from soup. We originated in the
boiling chaos of an ancient, primordial soup, and one day we must sink
back into it. It doesn't have to happen exactly as with Uncle Kauto,
but eventually it will happen. To us-to the whole world."
	</text>
</object>
<object id="35">
	<ocn>35</ocn>
	<text class="norm">
		"Oh, Father, when?"
	</text>
</object>
<object id="36">
	<ocn>36</ocn>
	<text class="norm">
		"Who knows? Tomorrow, or a hundred billion years from now," Father
said.
	</text>
</object>
<object id="37">
	<ocn>37</ocn>
	<text class="norm">
		"Ahh," said Lydia, reassured, and drank the rest of her cocoa.
	</text>
</object>
<object id="38">
	<ocn>38</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/keitto.png" width="425" height="175"
/>[keitto.png]
	</text>
</object>
<object id="39">
	<ocn>39</ocn>
	<text class="h4">
		Night Shift
	</text>
</object>
<object id="40">
	<ocn>40</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/koren_p.png" width="57" height="57"
/>[koren_p.png] Lydia could fly. Lydia flew over nameless cities and
ripening grain fields and out of a storm to sunny open water. Once she
looked behind her and saw that someone else was accompanying her. That
being caught up to Lydia and said, "Guess what."
	</text>
</object>
<object id="41">
	<ocn>41</ocn>
	<text class="norm">
		"Well, what?" Lydia asked.
	</text>
</object>
<object id="42">
	<ocn>42</ocn>
	<text class="norm">
		"You're dreaming."
	</text>
</object>
<object id="43">
	<ocn>43</ocn>
	<text class="norm">
		"That can't be," Lydia said. "How could that be possible? Can't you see
that I'm flying? If I'm flying, I don't have time to sleep. If I did,
I'd fall."
	</text>
</object>
<object id="44">
	<ocn>44</ocn>
	<text class="norm">
		"On the contrary," Someone said.
	</text>
</object>
<object id="45">
	<ocn>45</ocn>
	<text class="norm">
		"How on the contrary?"
	</text>
</object>
<object id="46">
	<ocn>46</ocn>
	<text class="norm">
		"You will fall if you try to fly when you aren't dreaming. Try to
remember the rule: if you're flying, you are not awake," Someone said.
"If on the other hand you are awake, you won't fly."
	</text>
</object>
<object id="47">
	<ocn>47</ocn>
	<text class="norm">
		Dimly, Lydia began to remember something, as they flew through a flock
of twittering sparrows. But she really didn't want to remember it.
	</text>
</object>
<object id="48">
	<ocn>48</ocn>
	<text class="norm">
		"Drink this," someone whispered. But it wasn't Someone, it was Father.
Lydia drank. and then she pulled the down quilt over her ears and again
began dreaming uninterrupted. She slipped from one dream to another,
and there was nothing Father could do about it. Not even the doctor
could do anything about it.
	</text>
</object>
<object id="49">
	<ocn>49</ocn>
	<text class="norm">
		That was how it had been throughout the autumn. Scarcely had Lydia
awakened but she was dozing off again. She slept on the way to school
and during classes and on the way home from school and at the lunch
table and while trying to study. She seemed to want always to sleep.
She would have liked the night to go on and on, but the darkness always
ended. Day dawned, and when the lights were turned on, the dreams were
turned off. The morning was bad. It wanted to drag her out from under
the covers and force her to stand up and get dressed and remember that
Mother was dead.
	</text>
</object>
<object id="50">
	<ocn>50</ocn>
	<text class="norm">
		Father spoke to her through her sleep: "Do you want to sleep your life
away? It's all going to waste. You must go to school and grow up and do
everything that people do in this world. And you can't do them in your
sleep. Now be a good girl."
	</text>
</object>
<object id="51">
	<ocn>51</ocn>
	<text class="norm">
		"That's what I am! I'm always doing all kinds of things," Lydia thought
she grumbled. "Don't you see me flying right now?"
	</text>
</object>
<object id="52">
	<ocn>52</ocn>
	<text class="norm">
		She was free and high in the sky. Someone was once again flying beside
her.
	</text>
</object>
<object id="53">
	<ocn>53</ocn>
	<text class="norm">
		"Were you the one who once said that we were sleeping?" Lydia asked.
	</text>
</object>
<object id="54">
	<ocn>54</ocn>
	<text class="norm">
		"You are sleeping," Someone said. "I am actually awake."
	</text>
</object>
<object id="55">
	<ocn>55</ocn>
	<text class="norm">
		"But your rule stated that if a person is flying, that person is not
awake."
	</text>
</object>
<object id="56">
	<ocn>56</ocn>
	<text class="norm">
		"The rule applies to you," Someone said, "not to me. I'm a different
story. I can fly and still be awake."
	</text>
</object>
<object id="57">
	<ocn>57</ocn>
	<text class="norm">
		"That's not fair," Lydia said. "But if you're awake and I'm asleep,
then how can we be having a conversation?"
	</text>
</object>
<object id="58">
	<ocn>58</ocn>
	<text class="norm">
		"Easily. We can only converse when you're asleep and I'm awake,"
explained Someone as they glided over the city lights.
	</text>
</object>
<object id="59">
	<ocn>59</ocn>
	<text class="norm">
		"I don't understand that," Lydia said. But she went on with her flying
and sleeping.
	</text>
</object>
<object id="60">
	<ocn>60</ocn>
	<text class="norm">
		"Then again, when you're awake, I dream," Someone said, but Lydia
didn't understand at all. It didn't worry her.
	</text>
</object>
<object id="61">
	<ocn>61</ocn>
	<text class="norm">
		Lydia slept day and night. So it seemed to her father, who kept a
worried vigil at her bedside. Lydia appeared to be lying in her bed,
pale and with eyes closed. But from her own point of view, Lydia was
not there but somewhere else altogether. Which of them was right, or
were they both?
	</text>
</object>
<object id="62">
	<ocn>62</ocn>
	<text class="norm">
		Maybe there were two Lydias. One was asleep, but the other was flying
happily under the dream sun over dream landscapes. She glided lightly
and far like a paper airplane over green meadows. What fun such a
glider has anywhere in the world! Over the deep blue waters! Over the
city lights! And in the moonlight, when Venus twinkles and twinkles.
	</text>
</object>
<object id="63">
	<ocn>63</ocn>
	<text class="norm">
		Lydia had no idea that she was dreaming. If she had known, she would
have already awakened. But while her dream body, hale and healthy,
adventured [seikkaili] in other worlds, her small, motionless real body
grew weaker and weaker.
	</text>
</object>
<object id="64">
	<ocn>64</ocn>
	<text class="norm">
		"When you go to sleep there, you wake up here," Someone said. They were
flying over a snow-covered plain, which was full of beds like a
hospital ward. But they were all empty.
	</text>
</object>
<object id="65">
	<ocn>65</ocn>
	<text class="norm">
		"Where have they all gone?" Lydia asked.
	</text>
</object>
<object id="66">
	<ocn>66</ocn>
	<text class="norm">
		"Into their dreams," Someone said.
	</text>
</object>
<object id="67">
	<ocn>67</ocn>
	<text class="norm">
		Often in her dreams Lydia met her mother. "How strange. They told me
that you were dead," Lydia related.
	</text>
</object>
<object id="68">
	<ocn>68</ocn>
	<text class="norm">
		"Nonsense," Mother said, laughing. She showed Lydia her little garden,
which was full of big blue flowers, dark as ink.
	</text>
</object>
<object id="69">
	<ocn>69</ocn>
	<text class="norm">
		But then Lydia flew off again.
	</text>
</object>
<object id="70">
	<ocn>70</ocn>
	<text class="norm">
		"Remember the rule," Someone said.
	</text>
</object>
<object id="71">
	<ocn>71</ocn>
	<text class="norm">
		"If I were asleep, you would be my dream," Lydia said. "But I don't
want you to be just a dream."
	</text>
</object>
<object id="72">
	<ocn>72</ocn>
	<text class="norm">
		"In dreams, dreams are true," Someone said.
	</text>
</object>
<object id="73">
	<ocn>73</ocn>
	<text class="norm">
		"But if someone is just someone's dream, he doesn't really exist,"
Lydia said, as they flew over a dark lake, smooth as a mirror, that
reflected the stars.
	</text>
</object>
<object id="74">
	<ocn>74</ocn>
	<text class="norm">
		"If he thinks he exists, then he exists," Someone said. "Then he is
alive. There is no mistaking it. That is life and that is truth. There
is no life other than that."
	</text>
</object>
<object id="75">
	<ocn>75</ocn>
	<text class="norm">
		"Do you think you are alive?"
	</text>
</object>
<object id="76">
	<ocn>76</ocn>
	<text class="norm">
		"In principle, yes," Someone said. "But now you must go back."
	</text>
</object>
<object id="77">
	<ocn>77</ocn>
	<text class="norm">
		"Why?" Lydia asked.
	</text>
</object>
<object id="78">
	<ocn>78</ocn>
	<text class="norm">
		`Take turns, Lydia, take turns!" Someone whispered
	</text>
</object>
<object id="79">
	<ocn>79</ocn>
	<text class="norm">
		"What do you mean, take turns?" Lydia asked. She noticed that a storm
was brewing. She felt very restless. She found it hard to stay aloft.
	</text>
</object>
<object id="80">
	<ocn>80</ocn>
	<text class="norm">
		"Day and night," Someone said. "Asleep and awake. Night shift and day
shift. Being and not being. Truth and untruth. You can't have one
without the other. And each becomes the other. Sleep wakes you. Being
awake makes you dream. There you have another rule."
	</text>
</object>
<object id="81">
	<ocn>81</ocn>
	<text class="norm">
		They descended through a swirling cloud toward a small, familiar house.
	</text>
</object>
<object id="82">
	<ocn>82</ocn>
	<text class="norm">
		"So which one is this?" Lydia asked. They were now standing in a yard
that Lydia knew well.
	</text>
</object>
<object id="83">
	<ocn>83</ocn>
	<text class="norm">
		"It's just now changing," Someone said. "Now comes the day shift."
	</text>
</object>
<object id="84">
	<ocn>84</ocn>
	<text class="norm">
		"You've got me all mixed up with your talk," Lydia said. "Pinch me so I
can be sure I'm not asleep."
	</text>
</object>
<object id="85">
	<ocn>85</ocn>
	<text class="norm">
		Someone pinched her arm. "Ouch," said Lydia. "That hurt. Of course I
knew that this was real. And you're real too."
	</text>
</object>
<object id="86">
	<ocn>86</ocn>
	<text class="norm">
		Lydia looked triumphantly at Someone, but Someone wasn't there. Where
Someone had been, a Someone-shaped hole had been torn, through which
Lydia saw Father's face. The hole kept growing larger until she could
also see the doctor and the whole room. The world now filled the place
where Someone had just been. Lydia had awakened, and a new day was
ready and fresh.
	</text>
</object>
<object id="87">
	<ocn>87</ocn>
	<text class="norm">
		Now it was the day shift, the day's turn.
	</text>
</object>
<object id="88">
	<ocn>88</ocn>
	<text class="norm">
		Her arm stung a little. The doctor stood by her bed holding a
hypodermic needle. He had just injected Lydia in the arm with it, in
exactly the same place where Someone had pinched her.
	</text>
</object>
<object id="89">
	<ocn>89</ocn>
	<text class="norm">
		"Good morning," said the doctor. "It's high time you got up."
	</text>
</object>
<object id="90">
	<ocn>90</ocn>
	<text class="norm">
		Lydia rubbed her hands, stretched and said to the doctor and her
father: "Good morning!"
	</text>
</object>
<object id="91">
	<ocn>91</ocn>
	<text class="norm">
		"It worked!" her father said. "The shot woke her."
	</text>
</object>
<object id="92">
	<ocn>92</ocn>
	<text class="norm">
		"No," Lydia said, "not the shot, just the pinch. Didn't you notice how
Someone pinched me?"
	</text>
</object>
<object id="93">
	<ocn>93</ocn>
	<text class="norm">
		"What someone?" the doctor asked. "Must have been me."
	</text>
</object>
<object id="94">
	<ocn>94</ocn>
	<text class="norm">
		"No, it was the one who-" Lydia started to explain. But she could no
longer remember what Someone looked like or what they had talked about.
	</text>
</object>
<object id="95">
	<ocn>95</ocn>
	<text class="norm">
		"You were dreaming," Father said. "You just woke up from that dream."
	</text>
</object>
<object id="96">
	<ocn>96</ocn>
	<text class="norm">
		"Yes," Lydia said. "I awoke from one dream, I awoke to another."
	</text>
</object>
<object id="97">
	<ocn>97</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/korento.png" width="425" height="319"
/>[korento.png]
	</text>
</object>
<object id="98">
	<ocn>98</ocn>
	<text class="h4">
		You Come to Read a Book
	</text>
</object>
<object id="99">
	<ocn>99</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/aukio_p.png" width="57" height="60"
/>[aukio_p.png] There are places that are full of words, yet they are
quiet. They are called libraries. One book takes up little room, only
an inch or so. But when you open a book, it starts to grow. It can grow
to the size of the world. But this happens only if the one who opens it
can read. To those who cannot read, the book is just an object. It is a
pile of papers fastened together, and the marks on it mean nothing.
	</text>
</object>
<object id="100">
	<ocn>100</ocn>
	<text class="norm">
		But then comes someone who can read, like Lydia. She seizes the book
and kindles a light with it.
	</text>
</object>
<object id="101">
	<ocn>101</ocn>
	<text class="norm">
		Lydia had come to the library to return some books. She had read them
during her summer vacation, and now summer was over and the books were
due.
	</text>
</object>
<object id="102">
	<ocn>102</ocn>
	<text class="norm">
		During the summer Lydia had made trips to the wild meadow behind her
uncle's summer home. In the library, she remembered that meadow. She
had taken along a blanket, a bottle of juice and a book. She had slept
or read among the humming of bumblebees until Grandmother called to her
from the porch steps. Sometimes the wind seized the pages and riffled
through the book as if looking for some important piece of information.
	</text>
</object>
<object id="103">
	<ocn>103</ocn>
	<text class="norm">
		The library reminded Lydia of that meadow, even though there she had to
stay inside and sleeping was not quite proper. But sometimes she was
just as contented in the library's reading-room as she had been in the
meadow.
	</text>
</object>
<object id="104">
	<ocn>104</ocn>
	<text class="norm">
		"Are all the books in the world in here?" Lydia had asked the librarian
when she came to the library for the first time.
	</text>
</object>
<object id="105">
	<ocn>105</ocn>
	<text class="norm">
		That had been many years ago. Now she knew better. There was no place
where all the world's books would fit, however little space each of
them occupied.
	</text>
</object>
<object id="106">
	<ocn>106</ocn>
	<text class="norm">
		It was at the library that Lydia made friends with Sulevi. Sulevi was a
quiet boy who was in the same grade as she, but in a different
classroom, and she knew him only by sight.
	</text>
</object>
<object id="107">
	<ocn>107</ocn>
	<text class="norm">
		Sulevi sat reading a book in which were pictures of mushrooms, and the
only vacant seat was next to him. After Lydia had returned her books,
she sat down beside Sulevi to read.
	</text>
</object>
<object id="108">
	<ocn>108</ocn>
	<text class="norm">
		"What are you reading?" Lydia asked after a while.
	</text>
</object>
<object id="109">
	<ocn>109</ocn>
	<text class="norm">
		"A mushroom book," Sulevi replied, without turning his head.
	</text>
</object>
<object id="110">
	<ocn>110</ocn>
	<text class="norm">
		"Which mushroom is that?" Lydia asked, pointing to a little picture.
	</text>
</object>
<object id="111">
	<ocn>111</ocn>
	<text class="norm">
		"That is a Podaxis Pistillaris."
	</text>
</object>
<object id="112">
	<ocn>112</ocn>
	<text class="norm">
		"Can you eat it?"
	</text>
</object>
<object id="113">
	<ocn>113</ocn>
	<text class="norm">
		"Better not to."
	</text>
</object>
<object id="114">
	<ocn>114</ocn>
	<text class="norm">
		"Is it poisonous?"
	</text>
</object>
<object id="115">
	<ocn>115</ocn>
	<text class="norm">
		"No, but otherwise dangerous. It's a very unusual mushroom."
	</text>
</object>
<object id="116">
	<ocn>116</ocn>
	<text class="norm">
		"Really?" Lydia became interested. Everything that was unusual and
dangerous appealed to her. "How is it dangerous?"
	</text>
</object>
<object id="117">
	<ocn>117</ocn>
	<text class="norm">
		"If a person gets its spores on him, mushrooms start growing on him,"
Sulevi informed her.
	</text>
</object>
<object id="118">
	<ocn>118</ocn>
	<text class="norm">
		Lydia shuddered. "How does anyone dare to go into the woods, if
mushrooms like that are lurking there?" she wondered.
	</text>
</object>
<object id="119">
	<ocn>119</ocn>
	<text class="norm">
		"There is no danger from them here. They don't grow around here.
Podaxis Pistillaris only grows in the wilderness areas of California,"
Sulevi said. He glanced at Lydia's book. "What book is that? That one
you're reading?"
	</text>
</object>
<object id="120">
	<ocn>120</ocn>
	<text class="norm">
		"It has songs and poems in it," Lydia said.
	</text>
</object>
<object id="121">
	<ocn>121</ocn>
	<text class="norm">
		"Oh," Sulevi said and again buried himself in his mushroom book. But
Lydia read:
	</text>
</object>
<object id="122">
	<ocn>122</ocn>
	<text class="verse">	
		&#160;&#160;&#160;&#160;All of you read the book of life<br />&#160;&#160;&#160;&#160;And find in it what you will.<br />&#160;&#160;&#160;&#160;You come from far away, from the void,<br />&#160;&#160;&#160;&#160;To where the book lies open still.<br />&#160;&#160;&#160;&#160;Light as a feather in the wind<br />&#160;&#160;&#160;&#160;Or plodding, shunning the sun,<br />&#160;&#160;&#160;&#160;Some truly possess a thousand feet<br />&#160;&#160;&#160;&#160;While others seem to have none.<br />&#160;&#160;&#160;&#160;All of you read what can be seen<br />&#160;&#160;&#160;&#160;And even what cannot.<br />&#160;&#160;&#160;&#160;After time has turned the page,<br />&#160;&#160;&#160;&#160;Even you will have come to naught.<br />&#160;&#160;&#160;&#160;And the book is always the same.<br />&#160;&#160;&#160;&#160;The change is in those who read.<br />&#160;&#160;&#160;&#160;With you I looked at a book,<br />&#160;&#160;&#160;&#160;And you, you let me read.<br />	
	</text>
</object>
<object id="123">
	<ocn>123</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/aukio.png" width="397" height="340"
/>[aukio.png]
	</text>
</object>
<object id="124">
	<ocn>124</ocn>
	<text class="h4">
		Summer and Gravity
	</text>
</object>
<object id="125">
	<ocn>125</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/torni_p.png" width="57" height="57"
/>[torni_p.png] Late in August, when the sky was almost cloudless,
Father and Lydia and Sulevi took a trip. They drove far away into the
countryside, to a little hill where Father's friend the professor
lived. His name was Dr. Siirak. He had moved into an observatory that
he had been building for many years. Now it was finally ready.
	</text>
</object>
<object id="126">
	<ocn>126</ocn>
	<text class="norm">
		It was the last day of summer, or the first day of fall. They waited
for the evening, when they would be able to see a comet which was just
then passing by Earth. When finally their own star sank in the west,
the little foreign suns lit up the sky over the hill, and they climbed
up into the observatory.
	</text>
</object>
<object id="127">
	<ocn>127</ocn>
	<text class="norm">
		"Today the comet is only 15 million kilometers away," Siirak said.
	</text>
</object>
<object id="128">
	<ocn>128</ocn>
	<text class="norm">
		"To me, that's not `only,'" Lydia said.
	</text>
</object>
<object id="129">
	<ocn>129</ocn>
	<text class="norm">
		"Oh, yes, it is `only'. In space, all objects are so distant from one
another that even a thousand million kilometers is `only,'" Siirak
said.
	</text>
</object>
<object id="130">
	<ocn>130</ocn>
	<text class="norm">
		"Why are they so far apart?" Lydia asked.
	</text>
</object>
<object id="131">
	<ocn>131</ocn>
	<text class="norm">
		"The universe is expanding. The stars have been moving away from one
another since the Big Bang. And they are still moving away," the
professor said.
	</text>
</object>
<object id="132">
	<ocn>132</ocn>
	<text class="norm">
		To Lydia that sounded disturbing. Then the stars were getting more
solitary day by day.
	</text>
</object>
<object id="133">
	<ocn>133</ocn>
	<text class="norm">
		"When will they stop moving away?" she asked.
	</text>
</object>
<object id="134">
	<ocn>134</ocn>
	<text class="norm">
		"Oh my, you tell me," Siirak answered absentmindedly. "Of course some
people believe that the time will come when the universe will start to
shrink again."
	</text>
</object>
<object id="135">
	<ocn>135</ocn>
	<text class="norm">
		"So, was it once very small?" Lydia asked.
	</text>
</object>
<object id="136">
	<ocn>136</ocn>
	<text class="norm">
		"Smaller than a raisin. And still it contained everything," Siirak
answered. "And it was very, very hot."
	</text>
</object>
<object id="137">
	<ocn>137</ocn>
	<text class="norm">
		Lydia thought about the universal raisin from which all the moons and
stars and suns had come. It was surely the most astonishing thing she
had ever heard. She would have liked to ask where that raisin had come
from and why it started swelling up without measure. And what if
someone had eaten it? Then nothing would exist, and that someone would
have burned his mouth badly and exploded.
	</text>
</object>
<object id="138">
	<ocn>138</ocn>
	<text class="norm">
		Sulevi interrupted her thoughts: "What is a thousand million kilometers
away?"
	</text>
</object>
<object id="139">
	<ocn>139</ocn>
	<text class="norm">
		"The Sun's nearest fixed star, Proxima Centauri," the professor said.
	</text>
</object>
<object id="140">
	<ocn>140</ocn>
	<text class="norm">
		Lydia looked into the eyepiece of the telescope. And then Sulevi
looked. At first all they saw were clouds of fog, but the doctor said
that was the Milky Way and that every particle of fog was a star, like
the sun or even larger. It seemed to Lydia that they were all attached
to one another, and she wondered if Dr. Siirak might not have slightly
misunderstood the whole matter. But the doctor said that the stars were
light years apart, they just couldn't see that with his binoculars. And
a light year was such a great distance that no person could ever travel
it. But Lydia had difficulty understanding how a year could be a
distance.
	</text>
</object>
<object id="141">
	<ocn>141</ocn>
	<text class="norm">
		"Well, that's just the way it is," Siirak said. "A light year is the
distance light travels in one year. But gravity gives us the earth
year. And that is a trip around the sun. Without gravity we would have
no seasons. But now we can be sure that summer will always come again."
	</text>
</object>
<object id="142">
	<ocn>142</ocn>
	<text class="norm">
		"Well, that's good," Lydia said earnestly.
	</text>
</object>
<object id="143">
	<ocn>143</ocn>
	<text class="norm">
		Siirak showed them Proxima Centauri. It wasn't much more than a point
of light. But the comet glowed and beamed, although Siirak said it was
only a piece of dirty ice. Still, it was unbelievably beautiful. They
saw its corona. It had come from far away, it was going far away. They
could look at Proxima Centauri whenever they wished, but they would
never again see the comet. It would not return for centuries, and then
they would no longer exist. To Lydia that, too, seemed not quite right.
	</text>
</object>
<object id="144">
	<ocn>144</ocn>
	<text class="norm">
		Other persons or beings would look at it centuries and millennia and
millions of years from now. And Lydia thought of her mother, who had
gone even farther away than the comet but who would never return.
	</text>
</object>
<object id="145">
	<ocn>145</ocn>
	<text class="norm">
		"What exactly is gravity?" Lydia asked.
	</text>
</object>
<object id="146">
	<ocn>146</ocn>
	<text class="norm">
		"It is a property of matter. We stay on the ground because we are so
small and the Earth is so big," Dr. Siirak answered. "Because of it we
can walk and sit and lie down. And because of it we say that the ground
is below and the sky above, even though actually there is no such thing
as above or below."
	</text>
</object>
<object id="147">
	<ocn>147</ocn>
	<text class="norm">
		"It's that simple?" Lydia asked.
	</text>
</object>
<object id="148">
	<ocn>148</ocn>
	<text class="norm">
		"Not exactly simple," Siirak said.
	</text>
</object>
<object id="149">
	<ocn>149</ocn>
	<text class="norm">
		"Mr. Cyrus Teed would have an altogether different explanation," Father
said and winked at Lydia.
	</text>
</object>
<object id="150">
	<ocn>150</ocn>
	<text class="norm">
		"What kind?" Lydia asked.
	</text>
</object>
<object id="151">
	<ocn>151</ocn>
	<text class="norm">
		"That we stay on the ground because of centrifugal force," Father said.
	</text>
</object>
<object id="152">
	<ocn>152</ocn>
	<text class="norm">
		"You're not teaching the child fallacies, are you?" the professor said,
raising his thick eyebrows.
	</text>
</object>
<object id="153">
	<ocn>153</ocn>
	<text class="norm">
		"I'm teaching her to think," Father asserted.
	</text>
</object>
<object id="154">
	<ocn>154</ocn>
	<text class="norm">
		"But can't gravity sometimes let go, just for a little while, now and
then?" Sulevi asked.
	</text>
</object>
<object id="155">
	<ocn>155</ocn>
	<text class="norm">
		"That isn't possible," the professor said. "There are laws of nature,
which are immutable."
	</text>
</object>
<object id="156">
	<ocn>156</ocn>
	<text class="norm">
		He thought a while and added, "So far as we know."
	</text>
</object>
<object id="157">
	<ocn>157</ocn>
	<text class="norm">
		"But suppose it did," Sulevi insisted, "what would happen to us?"
	</text>
</object>
<object id="158">
	<ocn>158</ocn>
	<text class="norm">
		"Naturally, we'd fall like stones straight into the sky," Lydia said.
	</text>
</object>
<object id="159">
	<ocn>159</ocn>
	<text class="norm">
		"Or we would rise," Father said. "It's the same thing."
	</text>
</object>
<object id="160">
	<ocn>160</ocn>
	<text class="norm">
		"No, in zero gravity we float," the doctor explained. "The astronauts
have experienced it. Many people think it's an unmatched experience."
	</text>
</object>
<object id="161">
	<ocn>161</ocn>
	<text class="norm">
		"I've floated too," Lydia said. "In my dreams."
	</text>
</object>
<object id="162">
	<ocn>162</ocn>
	<text class="norm">
		"Dreams don't count," Sulevi said. "And it wouldn't be practical to be
always floating."
	</text>
</object>
<object id="163">
	<ocn>163</ocn>
	<text class="norm">
		"No," Siirak agreed. "We would be very different beings if we had been
designed for such an environment. We can't live without Earth and
without gravity."
	</text>
</object>
<object id="164">
	<ocn>164</ocn>
	<text class="norm">
		In the morning they once again saw only one star. All the rest were
obscured by its light. They carried their breakfast trays out into the
sunshine on the steps of the observatory and ate muesli and drank
cocoa. Lydia sat firmly on the steps, the cocoa stayed in its cup and
the observatory stood solidly on its hill. All of it was as it should
be.
	</text>
</object>
<object id="165">
	<ocn>165</ocn>
	<text class="norm">
		Lydia felt the traces of the night in the cold of the stone steps and
the warmth of the sun. Now that autumn had come, they would move away
from their star until the winter solstice. But after that they would
again turn toward its hot eye. Lydia remembered a song that went:
	</text>
</object>
<object id="166">
	<ocn>166</ocn>
	<text class="verse">	
		&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;I am a seed, I trust in the sun<br />&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;As I gather the next new spring.<br />&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;In secret under the snow I prepare<br />&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;A future flowering.<br />	
	</text>
</object>
<object id="167">
	<ocn>167</ocn>
	<text class="norm">
		She began humming to herself on the steps of the observatory. A
threshing machine was rolling slowly in the field, gathering the heads
of grain.
	</text>
</object>
<object id="168">
	<ocn>168</ocn>
	<text class="norm">
		"Now we are rich," Father said. "We have received the gold of both the
stars and the grain."
	</text>
</object>
<object id="169">
	<ocn>169</ocn>
	<text class="norm">
		But Sulevi asked: "But what if gravity would let go its hold just once,
just for a little while? Maybe there is such a place on earth-"
	</text>
</object>
<object id="170">
	<ocn>170</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/torni.png" width="425" height="364"
/>[torni.png] <br /><image xmlns:xlink="http://www.w3.org/1999/xlink"
xlink:type="simple" xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/nurin.png" width="425" height="368"
/>[nurin.png]
	</text>
</object>
<object id="171">
	<ocn>171</ocn>
	<text class="h4">
		Built on a Rock
	</text>
</object>
<object id="172">
	<ocn>172</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/tontti_p.png" width="57" height="65"
/>[tontti_p.png] That morning Mr. End, the insurance claims adjustor,
had awakened at the usual time in his usual house, which his father had
build with his own hands on an outcropping of solid granite. There he
had awakened every morning since the day he was born. It was hardly
possible that any claims adjustor could have found a more stable and
peaceful place.
	</text>
</object>
<object id="173">
	<ocn>173</ocn>
	<text class="norm">
		This morning was, however, not the same as all the other mornings. When
Mr. End, while dressing himself in seasonably suitable attire, glanced
at the thermometer attached to the window frame, he became aware of a
change in the landscape. He could not see the highway or the bus stop
to which the path from his yard should have led.
	</text>
</object>
<object id="174">
	<ocn>174</ocn>
	<text class="norm">
		At first Mr. End thought that there was a thick fog that obscured all
distant objects. Under normal circumstances this would have explained
his perception. But when End opened the front door he observed that the
summer day was clear and cloudless. Normal circumstances were out of
the question. There was no fog, but still the path ended in thin air.
	</text>
</object>
<object id="175">
	<ocn>175</ocn>
	<text class="norm">
		Mr. End remained standing on the top step. He appeared unperturbed, but
nevertheless was breathing more deeply than usual.
	</text>
</object>
<object id="176">
	<ocn>176</ocn>
	<text class="norm">
		Because of his job description he had become accustomed to many sights.
	</text>
</object>
<object id="177">
	<ocn>177</ocn>
	<text class="norm">
		Catastrophe was one of the disadvantages of his profession. It was
irregularity that brought him his regular income.
	</text>
</object>
<object id="178">
	<ocn>178</ocn>
	<text class="norm">
		But End had never before seen anything like this. The plot of ground
that the claims adjustor had inherited had become an island. But it was
not an island in the Atlantic Ocean, rather in the ocean of the air.
Either his yard had risen, or the ground to which it had been attached
had fallen down. How this could have happened he had not the faintest
notion. The great change had happened in absolute silence, for he had
slept soundly all night.
	</text>
</object>
<object id="179">
	<ocn>179</ocn>
	<text class="norm">
		Mr. End realized something right away: even his Super Home-owner's
Policy would not compensate him for the consequences of this event. For
the company did not insure acts of God, and this was undoubtedly an act
of God.
	</text>
</object>
<object id="180">
	<ocn>180</ocn>
	<text class="norm">
		End got his binoculars and looked in every direction. But he saw
nothing but blue sky and scraps of cloud. No other islands, nothing
resembling land even in the distance. Quite far below flocks of birds
flew, and surely they had to have a nest in a tree somewhere. But
otherwise nothing was as it had been. The bus station and the highway
were gone, gone the automatic teller machine and the beer grill. Gone,
gone, gone. The dull rumble of passing trucks was silenced, the
gasoline station's banners no longer fluttered.
	</text>
</object>
<object id="181">
	<ocn>181</ocn>
	<text class="norm">
		The view was breathtakingly expansive, but it caused him uneasy
thoughts. The claims adjustor stepped out to look in his mailbox. He
wanted to know if there was anything in the newspaper about this event,
since it was absolutely extraordinary.Then he realized that it was
impossible, since if the newspaper had arrived, the destruction would
have happened afterward.
	</text>
</object>
<object id="182">
	<ocn>182</ocn>
	<text class="norm">
		The newspaper had not come. Nor would it come again; of this, the
claims adjustor was absolutely sure. The mail carrier had only a
bicycle.
	</text>
</object>
<object id="183">
	<ocn>183</ocn>
	<text class="norm">
		End knew from past experience that what goes up must eventually come
down. Purely of its own accord. If not, there is slight hope. The world
was made like that, End had realized already at an early age. Time and
gravity made the world what it was. But something had now happened to
gravity. It was reasonable to hope that it was only temporary.
	</text>
</object>
<object id="184">
	<ocn>184</ocn>
	<text class="norm">
		End suspected that eventually his island would also set down. Of course
he could not be sure that it would land on the same spot where it had
previously been attached. Perhaps the earth under it had gone on
rotating in the same direction and just as regularly as it had until
then. But his newborn island might be traveling along a different route
entirely. When it finally landed, End might find himself in the Gobi
Desert or in the middle of some big city marketplace.
	</text>
</object>
<object id="185">
	<ocn>185</ocn>
	<text class="norm">
		The insurance adjuster hoped that the descent would not be a sudden
crash, although he also hoped it would happen pretty soon. He was
afraid that the sugar bowl he had inherited from his great-aunt, which
was the most valuable object in the house, could not withstand a very
abrupt landing. Today End would be unable to investigate accidents. Nor
could anyone else investigate his accident. And he could not even go to
the store. But fortunately End had flour and crispbread in his
cupboard, and he had just stored in the root cellar the carrot and
potato crop from his little vegetable garden. And there was a pond of
clear water behind the house that was still in place.
	</text>
</object>
<object id="186">
	<ocn>186</ocn>
	<text class="norm">
		Mr. End was a cold-blooded professional. He knew that what people think
is certain and self-evident is in fact uncertain and unpredictable. He
did not succumb to panic. And he decided to behave as he would on any
ordinary Sunday, even if today was a weekday. Awaiting the descent
which would shortly take place, End went inside to brew coffee and make
a couple of cheese-and-cucumber sandwiches. He also tried the
telephone. It was not working, but then he had not expected that it
would be.
	</text>
</object>
<object id="187">
	<ocn>187</ocn>
	<text class="norm">
		Insurance claims adjustor End sat down on his steps to eat his
sandwiches. The wind ruffled his scanty hair. The air was as clean and
clear as in high mountains. He saw clouds, clouds, clouds-there were
clouds both above and below. It seemed to him that the house and lot
were constantly moving, but he could not be sure of it without some
fixed point of comparison. Perhaps the clouds were just rushing by.
	</text>
</object>
<object id="188">
	<ocn>188</ocn>
	<text class="norm">
		Adjustor End recalled a question that his old philosophy teacher had
once asked: "What can we do when we cannot do anything?"
	</text>
</object>
<object id="189">
	<ocn>189</ocn>
	<text class="norm">
		It was an important question. It was the Question of the Day. And the
teacher himself had answered it: "We can look at the event from a
philosophical point of view. This means: although we cannot change
events, we can change our reactions to them."
	</text>
</object>
<object id="190">
	<ocn>190</ocn>
	<text class="norm">
		Here undoubtedly was an event that End could not change. But he
realized that now he did not really want to change it. The day had its
advantages. He was in no hurry, he had no schedule. The insurance
company was not asking him to think up dirty tricks so that they
wouldn't have to pay their clients' claims. Eternity murmured in his
ears.
	</text>
</object>
<object id="191">
	<ocn>191</ocn>
	<text class="norm">
		End had retained his sunny disposition in spite of the multifarious
catastrophes which he had been obliged to witness. He sat up on the
warm step and raised his head so that could see the clouds gliding by.
Mr. End had been planning to go abroad on vacation. But he had not yet
had time to buy the tickets.
	</text>
</object>
<object id="192">
	<ocn>192</ocn>
	<text class="norm">
		"What luck, for now I can travel free and who knows how far. What
lovely views! And I don't have to sleep in a strange bed. At the
insurance agency they will be wondering what has become of me.
Twenty-eight years, and never was I tardy! They'll surely believe that
something has happened. They'll remember me for a while and then
they'll forget. New insurance claims adjustors will come, just as
qualified as I am and maybe even more qualified," End thought, content
with his destiny.
	</text>
</object>
<object id="193">
	<ocn>193</ocn>
	<text class="norm">
		What can we do when we cannot do anything? Raise our heads like
investigator End, so as to better see the clouds.
	</text>
</object>
<object id="194">
	<ocn>194</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/tontti.png" width="425" height="319"
/>[tontti.png]
	</text>
</object>
<object id="195">
	<ocn>195</ocn>
	<text class="h4">
		Unless People Learn
	</text>
</object>
<object id="196">
	<ocn>196</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/lopus_p.png" width="57" height="54"
/>[lopus_p.png] The Prophet had arrived in the city. He had come by
bicycle from far away. The Prophet had long hair and an unkempt beard
such as befits a prophet, but no robe nor sandals. Just old jeans and
running shoes and a faded T-shirt on which read: YOU CANNOT BUY THE
FUTURE.
	</text>
</object>
<object id="197">
	<ocn>197</ocn>
	<text class="norm">
		The Prophet prophesied at streetcar stops, on pedestrian walkways, in
the marketplace, in the exhibition hall, on railroad platforms and in
supermarkets. But from all those places he was eventually driven away.
	</text>
</object>
<object id="198">
	<ocn>198</ocn>
	<text class="norm">
		He had a lot to say, but nothing very amusing. He predicted
catastrophes and accidents. He said that the world's cities would soon
fall into ruin and desolation and would disintegrate into clouds of
dust. And that the populace was threatened by comets and wars and
floods and hurricanes and mudslides and drought and thirst and
Kreutz-Ebbing's Disease.
	</text>
</object>
<object id="199">
	<ocn>199</ocn>
	<text class="norm">
		No, that was no fun at all, and few people cared to listen to the
Prophet. Some began to weep, some laughed, many became irritated. But
still there were a few who endured until the end of each sermon. They
followed the Prophet from country to country and were known as
disciples.
	</text>
</object>
<object id="200">
	<ocn>200</ocn>
	<text class="norm">
		Lydia happened to hear the Prophet's predictions when she went with
Sulevi to a large shopping mall to buy cocoa and milk and oranges and
chocolate cookies. The Prophet stood on the walkway between a hosiery
boutique and a nail studio and preached. On either side of him stood
two young disciples, like an honor guard.
	</text>
</object>
<object id="201">
	<ocn>201</ocn>
	<text class="norm">
		A product demonstrator was demonstrating new products opposite the
Prophet, on the other side of the walkway. Lydia and Sulevi heard what
both were saying.
	</text>
</object>
<object id="202">
	<ocn>202</ocn>
	<text class="norm">
		The product demonstrator held up a small object. He said it was a
genuine, original Neurophone.
	</text>
</object>
<object id="203">
	<ocn>203</ocn>
	<text class="norm">
		"Find out what the Neurophone can do for you!" the product demonstrator
said. "The electrodes and audio receivers are included. Now at a
bargain price! Come closer and hear with your own ears!"
	</text>
</object>
<object id="204">
	<ocn>204</ocn>
	<text class="norm">
		"What's a Neurophone?" Lydia whispered.
	</text>
</object>
<object id="205">
	<ocn>205</ocn>
	<text class="norm">
		"Come closer!" the Prophet also commanded Lydia and Sulevi and a
retired lady and three third-grade boys. "Hear what the future will
bring! Learn how you yourselves can change it!"
	</text>
</object>
<object id="206">
	<ocn>206</ocn>
	<text class="norm">
		The product demonstrator raised his voice and cried, "I have here
another revolutionary technological invention!"
	</text>
</object>
<object id="207">
	<ocn>207</ocn>
	<text class="norm">
		"Technology," said the Prophet, "and human greed have led us astray.
Everything that mankind has made, all his inventions and machines,
everything that is his pride and joy will be destroyed. Unless-"
	</text>
</object>
<object id="208">
	<ocn>208</ocn>
	<text class="norm">
		And the Prophet fell silent and looked expectantly at his little
audience.
	</text>
</object>
<object id="209">
	<ocn>209</ocn>
	<text class="norm">
		"Unless what?" asked a second-grader finally.
	</text>
</object>
<object id="210">
	<ocn>210</ocn>
	<text class="norm">
		"You tell them," the Prophet urged one of his disciples. And the
disciple cleared his throat and said shyly: "Unless people change."
	</text>
</object>
<object id="211">
	<ocn>211</ocn>
	<text class="norm">
		"Exactly!" the Prophet said. "People must change, and change greatly.
But we do not want to change, therefore we must first want the desire.
That is the hardest thing. If our desires change, everything else will
follow automatically."
	</text>
</object>
<object id="212">
	<ocn>212</ocn>
	<text class="norm">
		"Boing's springy athletic shoes!" the product demonstrator said.
"Notice the flexible heel!"
	</text>
</object>
<object id="213">
	<ocn>213</ocn>
	<text class="norm">
		"Learn to change. Teach yourselves to desire the right desires," the
Prophet said.
	</text>
</object>
<object id="214">
	<ocn>214</ocn>
	<text class="norm">
		Sulevi listened to the Prophet very attentively. Lydia began to worry a
little at how intently Sulevi was listening.
	</text>
</object>
<object id="215">
	<ocn>215</ocn>
	<text class="norm">
		"Let's go now," Lydia whispered. On the other side of the walkway the
product demonstrator was saying, "Run twice as fast! Wear the Boing
springy shoes, they'll give you the speed of a panther!"
	</text>
</object>
<object id="216">
	<ocn>216</ocn>
	<text class="norm">
		"No," Sulevi said, "he's only telling the truth."
	</text>
</object>
<object id="217">
	<ocn>217</ocn>
	<text class="norm">
		"Which one?" Lydia asked.
	</text>
</object>
<object id="218">
	<ocn>218</ocn>
	<text class="norm">
		The product demonstrator had already switched to a third product. He
said: "This device is revolutionary! Come and test it for yourselves!
This digital helmet will massage your cranium and free you from
needless tension."
	</text>
</object>
<object id="219">
	<ocn>219</ocn>
	<text class="norm">
		But the Prophet said that the future would not come if people did not
change. At the same time he looked into the eyes of each of his
listeners in turn.
	</text>
</object>
<object id="220">
	<ocn>220</ocn>
	<text class="norm">
		"How must we change?" Lydia heard Sulevi say.
	</text>
</object>
<object id="221">
	<ocn>221</ocn>
	<text class="norm">
		"You must forget yourselves," the Prophet said. "You must live simply.
You must renounce everything that is nonessential."
	</text>
</object>
<object id="222">
	<ocn>222</ocn>
	<text class="norm">
		But how do we know what's nonessential? Lydia thought. And how can we
forget ourselves when we have to live inside ourselves all the time?
	</text>
</object>
<object id="223">
	<ocn>223</ocn>
	<text class="norm">
		She looked at the new watch that she had received as a birthday present
and on which her name was engraved. She felt that she needed it, but
did that mean that the watch was truly essential?
	</text>
</object>
<object id="224">
	<ocn>224</ocn>
	<text class="norm">
		The product demonstrator said, "Here is the ultimate Father's Day gift.
Truly a specialty: a pistol-shaped TV remote control!"
	</text>
</object>
<object id="225">
	<ocn>225</ocn>
	<text class="norm">
		"I'd like to travel like the Prophet," Sulevi said, "from city to
city."
	</text>
</object>
<object id="226">
	<ocn>226</ocn>
	<text class="norm">
		In his eyes was a faraway look, a look of longing.
	</text>
</object>
<object id="227">
	<ocn>227</ocn>
	<text class="norm">
		"You can't do that," Lydia said, poking him in the ribs almost angrily.
"You're still too young. And I'd miss you."
	</text>
</object>
<object id="228">
	<ocn>228</ocn>
	<text class="norm">
		"You could come along," Sulevi said.
	</text>
</object>
<object id="229">
	<ocn>229</ocn>
	<text class="norm">
		"No, I couldn't," Lydia said. "I don't particularly care for the
Prophet, and I don't want to leave Father."
	</text>
</object>
<object id="230">
	<ocn>230</ocn>
	<text class="norm">
		Just then a security guard approached and told the Prophet that he
would have to preach his sermon somewhere else. "Go outside to speak,"
the man said. "It's not appropriate here."
	</text>
</object>
<object id="231">
	<ocn>231</ocn>
	<text class="norm">
		Then the product demonstrator was able to make his voice heard again.
He showed them a small, ugly bag.
	</text>
</object>
<object id="232">
	<ocn>232</ocn>
	<text class="norm">
		"This," he said, "is the world's most effective flytrap. It may look
like just a little bag, but it can catch up to 20,000 flies!"
	</text>
</object>
<object id="233">
	<ocn>233</ocn>
	<text class="norm">
		What on earth would anyone do with 20,000 flies? Lydia wondered to
herself.
	</text>
</object>
<object id="234">
	<ocn>234</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/lopussa.png" width="425" height="283"
/>[lopussa.png]
	</text>
</object>
<object id="235">
	<ocn>235</ocn>
	<text class="h4">
		The Hollow Earth Theory
	</text>
</object>
<object id="236">
	<ocn>236</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/pallos_p.png" width="57" height="57"
/>[pallos_p.png] On one of those not-so-fine days of which their city
had rather more than less, Lydia's father said to his daughter, "Now
that you're such a big girl, I have to tell you some of the facts of
life."
	</text>
</object>
<object id="237">
	<ocn>237</ocn>
	<text class="norm">
		Lydia was embarrassed for her father, since she thought she had already
known the facts of life for many years.
	</text>
</object>
<object id="238">
	<ocn>238</ocn>
	<text class="norm">
		"You don't have to," she muttered.
	</text>
</object>
<object id="239">
	<ocn>239</ocn>
	<text class="norm">
		But her father continued, "You know that in my youth I was a student of
Mr. Cyrus Teed's. But you haven't heard what Mr. Cyrus Teed told me. A
secret, revolutionary fact. He had discovered something that modern
science still doesn't understand."
	</text>
</object>
<object id="240">
	<ocn>240</ocn>
	<text class="norm">
		"What is it?" Lydia asked absentmindedly.
	</text>
</object>
<object id="241">
	<ocn>241</ocn>
	<text class="norm">
		"That the earth is hollow," Father said.
	</text>
</object>
<object id="242">
	<ocn>242</ocn>
	<text class="norm">
		This had no effect on Lydia. But then Father lowered his voice as if he
didn't want anyone else to hear him, even though the two of them were
at home alone, as usual.
	</text>
</object>
<object id="243">
	<ocn>243</ocn>
	<text class="norm">
		"The earth is a hollow ball, and everything that exists is inside the
ball," he said and gazed expectantly at Lydia.
	</text>
</object>
<object id="244">
	<ocn>244</ocn>
	<text class="norm">
		"Inside? I don't think so," Lydia said, now truly surprised. "That
can't be! It isn't written anywhere."
	</text>
</object>
<object id="245">
	<ocn>245</ocn>
	<text class="norm">
		"Not yet!" Father said. "Not yet! But Cyrus Teed believed that before
long it would get into all the textbooks. The whole scientific
institution will be overturned!"
	</text>
</object>
<object id="246">
	<ocn>246</ocn>
	<text class="norm">
		"And I suppose we're inside the ball too?" Lydia asked doubtfully.
	</text>
</object>
<object id="247">
	<ocn>247</ocn>
	<text class="norm">
		"Absolutely," Father said. "There we are, along with all the planets
and their inhabitants, suns and fixed stars, dust and invisible matter.
The whole universe!"
	</text>
</object>
<object id="248">
	<ocn>248</ocn>
	<text class="norm">
		"How can that be? What's outside the ball, then?" Lydia asked.
	</text>
</object>
<object id="249">
	<ocn>249</ocn>
	<text class="norm">
		"What, out there?" Father said. "There's nothing out there. Why should
there be? Other scientists have understood everything completely
backwards. They imagine that we are standing on the convex outer
surface of the ball. Hah! But in fact we're standing on its concave
inner surface. Cyrus Teed was the first to realize that. A brilliant
man!"
	</text>
</object>
<object id="250">
	<ocn>250</ocn>
	<text class="norm">
		"But does that mean that, for example, China-"
	</text>
</object>
<object id="251">
	<ocn>251</ocn>
	<text class="norm">
		"That's right," Father said. "China isn't under our feet, it's over our
heads. Up there!"
	</text>
</object>
<object id="252">
	<ocn>252</ocn>
	<text class="norm">
		And Father pointed toward the high, drifting clouds.
	</text>
</object>
<object id="253">
	<ocn>253</ocn>
	<text class="norm">
		"Oh!" said Lydia, amazed. "In school we were taught something else
altogether."
	</text>
</object>
<object id="254">
	<ocn>254</ocn>
	<text class="norm">
		"If we had a powerful enough telescope," Father said, "do you know what
we would see, Lydia?"
	</text>
</object>
<object id="255">
	<ocn>255</ocn>
	<text class="norm">
		"Maybe the Great Wall of China," Lydia guessed.
	</text>
</object>
<object id="256">
	<ocn>256</ocn>
	<text class="norm">
		"That's right!" her father said and clapped her on the back.
	</text>
</object>
<object id="257">
	<ocn>257</ocn>
	<text class="norm">
		"What about gravity?" asked Lydia, who was a clever girl.
	</text>
</object>
<object id="258">
	<ocn>258</ocn>
	<text class="norm">
		"You said it," said her father enthusiastically. "There's another
fundamental mistake that has been made. We don't stay on the earth's
surface because of gravity but because of centrifugal force. When we
change the geometry of space, we also change the laws of nature."
	</text>
</object>
<object id="259">
	<ocn>259</ocn>
	<text class="norm">
		"Well, then, what's in the middle of the ball?" Lydia asked.
	</text>
</object>
<object id="260">
	<ocn>260</ocn>
	<text class="norm">
		"Infinity is there," her father answered.
	</text>
</object>
<object id="261">
	<ocn>261</ocn>
	<text class="norm">
		"There?" Lydia asked. "How can it possibly fit in there?"
	</text>
</object>
<object id="262">
	<ocn>262</ocn>
	<text class="norm">
		"Infinity can fit anywhere," Father said. "As we travel toward the
center, everything shrinks and slows down, to infinities. Infinity is
the essence of everything. Nothing is as small as infinity."
	</text>
</object>
<object id="263">
	<ocn>263</ocn>
	<text class="norm">
		"Has Mr. Teed's theory been proved?" Lydia asked.
	</text>
</object>
<object id="264">
	<ocn>264</ocn>
	<text class="norm">
		"It hasn't been disproved," her father said. "And it never will be,
either."
	</text>
</object>
<object id="265">
	<ocn>265</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/pallossa.png" width="425" height="344"
/>[pallossa.png]
	</text>
</object>
<object id="266">
	<ocn>266</ocn>
	<text class="h4">
		Ordinary Pebbles
	</text>
</object>
<object id="267">
	<ocn>267</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/rantaa_p.png" width="56" height="54"
/>[rantaa_p.png] In the store window was posted a sign: ANYTHING BOUGHT
THAT CAN BE SOLD.
	</text>
</object>
<object id="268">
	<ocn>268</ocn>
	<text class="norm">
		Lydia and Sulevi and the other children had gathered some small
multicolored stones from the beach, right at the water's edge. They put
them in a bag and took them to the store and showed them to the
storekeeper.
	</text>
</object>
<object id="269">
	<ocn>269</ocn>
	<text class="norm">
		"How much will you pay us for these, storekeeper?" they asked.
	</text>
</object>
<object id="270">
	<ocn>270</ocn>
	<text class="norm">
		"Oh dear, children, I wouldn't buy those," the storekeeper said.
	</text>
</object>
<object id="271">
	<ocn>271</ocn>
	<text class="norm">
		"Why not? It says in the store window: ANYTHING BOUGHT THAT CAN BE
SOLD," the children said, disappointed.
	</text>
</object>
<object id="272">
	<ocn>272</ocn>
	<text class="norm">
		"There you are," the storekeeper said. "Look, children, the sign
doesn't say that we will buy anything at all, only anything that can be
sold. There's a difference, there really is. Those little pebbles are
certainly anything, but I'm sure they can't be sold. It's not worth it,
buying something that you can't sell."
	</text>
</object>
<object id="273">
	<ocn>273</ocn>
	<text class="norm">
		"Not worth it to who?" the children asked.
	</text>
</object>
<object id="274">
	<ocn>274</ocn>
	<text class="norm">
		"To me, of course," the storekeeper said. "That's the point, if one
wants to be a storekeeper."
	</text>
</object>
<object id="275">
	<ocn>275</ocn>
	<text class="norm">
		"Why isn't it worth it?" the children said.
	</text>
</object>
<object id="276">
	<ocn>276</ocn>
	<text class="norm">
		"But my dear children, why should a storekeeper buy something he can't
sell?"
	</text>
</object>
<object id="277">
	<ocn>277</ocn>
	<text class="norm">
		"But if we sell these stones to you, then they're something that can be
sold," the children said.
	</text>
</object>
<object id="278">
	<ocn>278</ocn>
	<text class="norm">
		"Oh for Heaven's sake, you don't understand. I couldn't turn around and
sell them, that's for sure. And that's why it's not worth it for me to
buy them from you. If I only buy and don't sell, I won't be a
storekeeper for long. Only Croesus can buy things and not sell
anything."
	</text>
</object>
<object id="279">
	<ocn>279</ocn>
	<text class="norm">
		"Who's Croesus?" the children asked.
	</text>
</object>
<object id="280">
	<ocn>280</ocn>
	<text class="norm">
		"A very rich man," the storekeeper said.
	</text>
</object>
<object id="281">
	<ocn>281</ocn>
	<text class="norm">
		"Don't you want to be very rich?" the children asked.
	</text>
</object>
<object id="282">
	<ocn>282</ocn>
	<text class="norm">
		The storekeeper laughed. "Absolutely," he said. "But you don't get to
be a Croesus by buying, only by selling."
	</text>
</object>
<object id="283">
	<ocn>283</ocn>
	<text class="norm">
		The children thought that what the storekeeper was saying was confused
and incoherent. They fingered their bag of stones and said, "But these
are very pretty stones."
	</text>
</object>
<object id="284">
	<ocn>284</ocn>
	<text class="norm">
		"Possibly. The world is full of pretty things. And many of them are
also common and free. But people don't pay for something because it's
pretty, but only because it's rare," the storekeeper said.
	</text>
</object>
<object id="285">
	<ocn>285</ocn>
	<text class="norm">
		"These are rare," the children said.
	</text>
</object>
<object id="286">
	<ocn>286</ocn>
	<text class="norm">
		"Jewels, precious stones-they are rare," the storekeeper said. "Not
beach pebbles. They are completely ordinary stones. Common pebbles. My
customers won't see any difference between these and the other pebbles
on the beach. The whole beach is full of billions of pebbles just like
these."
	</text>
</object>
<object id="287">
	<ocn>287</ocn>
	<text class="norm">
		"Not at all," the children insisted. "We hand-picked these pebbles from
the beach. We didn't see two alike. Every one was different. And these
are the prettiest ones of all."
	</text>
</object>
<object id="288">
	<ocn>288</ocn>
	<text class="norm">
		"Maybe so, children," the storekeeper said. "But my customers won't
know that."
	</text>
</object>
<object id="289">
	<ocn>289</ocn>
	<text class="norm">
		"You can tell them," the children said. "Then they'll know."
	</text>
</object>
<object id="290">
	<ocn>290</ocn>
	<text class="norm">
		The storekeeper sighed. He was becoming impatient. Just to get rid of
the children he said, "All right, I'll pay you two Finnmarks per kilo."
	</text>
</object>
<object id="291">
	<ocn>291</ocn>
	<text class="norm">
		And the storekeeper weighed the stones and paid for them. There were
five and a half kilos. The children went on their way, happy and richer
than before. They felt almost like Croesuses.
	</text>
</object>
<object id="292">
	<ocn>292</ocn>
	<text class="norm">
		The storekeeper asked his assistant to wash the stones and put them in
a glass vase with water in it. The water and the lights in the show
window made them shine almost like jewels. After thinking for a while,
the storekeeper wrote a sign: HAND-PICKED PEBBLES. 100 GR., 1 FIM.
	</text>
</object>
<object id="293">
	<ocn>293</ocn>
	<text class="norm">
		The next week Lydia and Sulevi and the other children returned to the
store. The evening lights were already twinkling in the city's windows
and on the ocean's surface and on the wet pebbles.
	</text>
</object>
<object id="294">
	<ocn>294</ocn>
	<text class="norm">
		The children were pushing wheelbarrows and baby buggies or dragging
suitcases mounted on wheels. The wheelbarrows and buggies and suitcases
were crammed with pebbles, pretty, common, free.
	</text>
</object>
<object id="295">
	<ocn>295</ocn>
	<text class="norm">
		"Storekeeper, these are for you," they said as though bringing a gift.
	</text>
</object>
<object id="296">
	<ocn>296</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/rantaa.png" width="425" height="319"
/>[rantaa.png]
	</text>
</object>
<object id="297">
	<ocn>297</ocn>
	<text class="h4">
		Penumbra
	</text>
</object>
<object id="298">
	<ocn>298</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/tulva_p.png" width="57" height="61"
/>[tulva_p.png] One day near Advent, Father said, "Don't be frightened
now, but the penumbra period begins today."
	</text>
</object>
<object id="299">
	<ocn>299</ocn>
	<text class="norm">
		"What period?" Lydia asked, frightened. "The penumbra. The Gregorian
penumbra," Father said. "We must be careful.
	</text>
</object>
<object id="300">
	<ocn>300</ocn>
	<text class="norm">
		We're living in dangerous times."
	</text>
</object>
<object id="301">
	<ocn>301</ocn>
	<text class="norm">
		"Dangerous, how?" his daughter asked anxiously.
	</text>
</object>
<object id="302">
	<ocn>302</ocn>
	<text class="norm">
		"Dangerous in all respects," Father said bleakly. "The most critical
point is the winter solstice."
	</text>
</object>
<object id="303">
	<ocn>303</ocn>
	<text class="norm">
		"What happens then?" Lydia asked, her heart in her throat. "Besides the
longest night," she remembered.
	</text>
</object>
<object id="304">
	<ocn>304</ocn>
	<text class="norm">
		"Anything at all can happen then," Father said, still more gloomily.
"And will happen. The penumbra period lasts from the beginning of
December to the end of January. It reaches its climax precisely at the
winter solstice. During the penumbra period anything can happen:
strange coincidences, seizures, people going mad, disappearances,
muggings, disappointments, strains, slips and sprains, shipwrecks,
assassination attempts, avalanches, spontaneous forest fires,
tornadoes, meteors colliding with Earth, deluges, just about anything
imaginable. And even unimaginable."
	</text>
</object>
<object id="305">
	<ocn>305</ocn>
	<text class="norm">
		Lydia tried to imagine how a thing could be unimaginable. She couldn't
think of any such thing.
	</text>
</object>
<object id="306">
	<ocn>306</ocn>
	<text class="norm">
		"Did you listen to the Prophet?" Lydia asked. "Or did you learn this
from Cyrus Teed?"
	</text>
</object>
<object id="307">
	<ocn>307</ocn>
	<text class="norm">
		"What Prophet? No, I read it in a book, the title of which is How to
Guard Against Everything," Father said. "A long time ago. But I didn't
want to worry you earlier. Now you're old enough to worry."
	</text>
</object>
<object id="308">
	<ocn>308</ocn>
	<text class="norm">
		Lydia herself wasn't sure of that. "Is there a penumbra every year?"
Lydia asked.
	</text>
</object>
<object id="309">
	<ocn>309</ocn>
	<text class="norm">
		"I guess so," Father said. "Every Year of Our Lord."
	</text>
</object>
<object id="310">
	<ocn>310</ocn>
	<text class="norm">
		"But I don't remember that last year at this time anything really
terrible happened," his daughter said. "Not the year before either.
Even though naturally Christmas came, and you've said that Christmas is
an awful time."
	</text>
</object>
<object id="311">
	<ocn>311</ocn>
	<text class="norm">
		"Christmas doesn't count. It's a matter of something even worse,"
Father said. "We were just lucky. It can't last forever. Now don't be
scared, but it can't. Best to guard against it."
	</text>
</object>
<object id="312">
	<ocn>312</ocn>
	<text class="norm">
		"It's been raining for three hours already," Lydia mused. "Maybe it
will never stop raining. The water will start to rise, and the streets
will become rivers and the marketplaces lakes, and houses will start to
sail away in all directions."
	</text>
</object>
<object id="313">
	<ocn>313</ocn>
	<text class="norm">
		"Everything is possible," her father said and looked downright
contented.
	</text>
</object>
<object id="314">
	<ocn>314</ocn>
	<text class="norm">
		"It's a good thing we went to the store only yesterday," Lydia said.
	</text>
</object>
<object id="315">
	<ocn>315</ocn>
	<text class="norm">
		Actually she had stopped worrying altogether. In the attic were an air
mattress and swimming tubes and flippers. She began to be interested in
the penumbra's possibilities.
	</text>
</object>
<object id="316">
	<ocn>316</ocn>
	<text class="norm">
		On the other hand, she was somewhat doubtful. Lydia wasn't familiar
with the calculation of probability or the compilation of accident
statistics, but she guessed that if catastrophes were to happen, they
could just as well happen before or after the penumbra.
	</text>
</object>
<object id="317">
	<ocn>317</ocn>
	<text class="norm">
		"The Pinatubo volcano erupted in February. Someone stole all the
geraniums from the florist shop last May," Lydia said. "And my
classmate's dog ran away in March. But it came back in December, just
during the time of the penumbra."
	</text>
</object>
<object id="318">
	<ocn>318</ocn>
	<text class="norm">
		"What's that supposed to prove?" her father asked.
	</text>
</object>
<object id="319">
	<ocn>319</ocn>
	<text class="norm">
		"About as much as your book," Lydia said pertly.
	</text>
</object>
<object id="320">
	<ocn>320</ocn>
	<text class="norm">
		But it was still raining. It rained December's icy drizzle, but in
Lydia's mind it was a downpour. Small, cold ponds appeared in the yard.
Little by little they began to run together. Perhaps the rain had
decided to fall for the entire time of the penumbra. Every few minutes
Lydia peered out the window to see how fast the water was rising.
Father turned on the radio to hear the news.
	</text>
</object>
<object id="321">
	<ocn>321</ocn>
	<text class="norm">
		"Are they talking about disasters?" Lydia asked.
	</text>
</object>
<object id="322">
	<ocn>322</ocn>
	<text class="norm">
		"All kinds," Father said.
	</text>
</object>
<object id="323">
	<ocn>323</ocn>
	<text class="norm">
		"But they talk about them at other times and not just during the
penumbra," Lydia remembered. She listened, but she heard not a word
about deluges. Anyway, just to be on the safe side, she went to pump up
the air mattress.
	</text>
</object>
<object id="324">
	<ocn>324</ocn>
	<text class="norm">
		It was heavy going. Lydia pumped and pumped, and the mattress filled up
painfully slowly. Maybe moths had eaten holes in it. Just as she had
the mattress nearly full, she noticed something. The winter sun was
gleaming in the window and in the puddles in the yard. The weather was
clear. A half-frozen raindrop hung from a branch of the maple tree.
	</text>
</object>
<object id="325">
	<ocn>325</ocn>
	<text class="norm">
		The radio was still on, and from it came a song which Mother had
sometimes sung:
	</text>
</object>
<object id="326">
	<ocn>326</ocn>
	<text class="norm">
		"O Fortuna, velut luna, statu variabilis!"
	</text>
</object>
<object id="327">
	<ocn>327</ocn>
	<text class="norm">
		That means: "Oh Fortune, like the moon, ever-changing!"
	</text>
</object>
<object id="328">
	<ocn>328</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/tulva.png" width="425" height="339"
/>[tulva.png]
	</text>
</object>
<object id="329">
	<ocn>329</ocn>
	<text class="h4">
		The Wisdom of the Sphinx
	</text>
</object>
<object id="330">
	<ocn>330</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/egypti_p.png" width="57" height="55"
/>[egypti_p.png] Father and Lydia went to Egypt for their winter
vacation. They rode on the backs of ill-tempered camels and saw the
Sphinx of Giza. The sun was just setting, and the Sphinx, a black,
desolate silhouette, was watching over the tombs of the kings. It had
been guarding them for 4500 years, the guide said.
	</text>
</object>
<object id="331">
	<ocn>331</ocn>
	<text class="norm">
		"Some people say that the Sphinx is much older than that," Father said.
"They say it was built when gods were said to rule the earth, when the
Sun rose in the constellation Leo."
	</text>
</object>
<object id="332">
	<ocn>332</ocn>
	<text class="norm">
		But Lydia was exhausted and thirsty and sweaty. She didn't have the
strength to look at the Sphinx. They went to the hotel to sleep, but
Lydia couldn't fall asleep, as tired as she was.
	</text>
</object>
<object id="333">
	<ocn>333</ocn>
	<text class="norm">
		"Do you know where Cydonia is?" Father asked Lydia then.
	</text>
</object>
<object id="334">
	<ocn>334</ocn>
	<text class="norm">
		"Cydonia? What a strange name. Is it a country or a city?"
	</text>
</object>
<object id="335">
	<ocn>335</ocn>
	<text class="norm">
		"A community."
	</text>
</object>
<object id="336">
	<ocn>336</ocn>
	<text class="norm">
		"I never heard of it. Is it here in Egypt?"
	</text>
</object>
<object id="337">
	<ocn>337</ocn>
	<text class="norm">
		"It's not in Egypt."
	</text>
</object>
<object id="338">
	<ocn>338</ocn>
	<text class="norm">
		"Maybe it's in America?"
	</text>
</object>
<object id="339">
	<ocn>339</ocn>
	<text class="norm">
		"It's not in America."
	</text>
</object>
<object id="340">
	<ocn>340</ocn>
	<text class="norm">
		"Somewhere in Asia?"
	</text>
</object>
<object id="341">
	<ocn>341</ocn>
	<text class="norm">
		"It's not in Asia."
	</text>
</object>
<object id="342">
	<ocn>342</ocn>
	<text class="norm">
		"In Europe?"
	</text>
</object>
<object id="343">
	<ocn>343</ocn>
	<text class="norm">
		"Not even in Europe."
	</text>
</object>
<object id="344">
	<ocn>344</ocn>
	<text class="norm">
		"Well, then, in Africa?"
	</text>
</object>
<object id="345">
	<ocn>345</ocn>
	<text class="norm">
		"I don't think it's in Africa."
	</text>
</object>
<object id="346">
	<ocn>346</ocn>
	<text class="norm">
		"Then it's nowhere," Lydia said impatiently. "It's nothing but some
imaginary place that you've invented. This is a stupid game. I'm not
going to guess any more."
	</text>
</object>
<object id="347">
	<ocn>347</ocn>
	<text class="norm">
		Behind the hotel's windows murmured the hot, foreign, southern night.
Strange insects rustled on the floor. Lydia felt homesick.
	</text>
</object>
<object id="348">
	<ocn>348</ocn>
	<text class="norm">
		"Cydonia is no game, nothing of the sort. It's absolutely a real
place," Father insisted.
	</text>
</object>
<object id="349">
	<ocn>349</ocn>
	<text class="norm">
		"Well, at least tell me what city is near Cydonia?"
	</text>
</object>
<object id="350">
	<ocn>350</ocn>
	<text class="norm">
		"All cities are far from Cydonia. But of course their distance from it
varies somewhat."
	</text>
</object>
<object id="351">
	<ocn>351</ocn>
	<text class="norm">
		"What on earth!"
	</text>
</object>
<object id="352">
	<ocn>352</ocn>
	<text class="norm">
		"Sometimes Cairo is closer, sometimes Ulan Bator, sometimes Shanghai or
Helsinki or Puerto Rico or Uumaja. But actually all the cities you know
about are, by and large, the same distance from Cydonia."
	</text>
</object>
<object id="353">
	<ocn>353</ocn>
	<text class="norm">
		"How is that possible?"
	</text>
</object>
<object id="354">
	<ocn>354</ocn>
	<text class="norm">
		"Well, you tell me."
	</text>
</object>
<object id="355">
	<ocn>355</ocn>
	<text class="norm">
		"I can't!"
	</text>
</object>
<object id="356">
	<ocn>356</ocn>
	<text class="norm">
		"But it is possible. The reason is that Cydonia is far, far away from
here," Father said. "It's not on Earth at all."
	</text>
</object>
<object id="357">
	<ocn>357</ocn>
	<text class="norm">
		"Well, then, where is it?"
	</text>
</object>
<object id="358">
	<ocn>358</ocn>
	<text class="norm">
		"It's a region on Mars. A very remarkable place."
	</text>
</object>
<object id="359">
	<ocn>359</ocn>
	<text class="norm">
		"Remarkable in what way?"
	</text>
</object>
<object id="360">
	<ocn>360</ocn>
	<text class="norm">
		"They say that there is a Sphinx in Cydonia on Mars. And pyramids too."
	</text>
</object>
<object id="361">
	<ocn>361</ocn>
	<text class="norm">
		"The Sphinx lives here in Egypt," Lydia said. "You know that."
	</text>
</object>
<object id="362">
	<ocn>362</ocn>
	<text class="norm">
		"Some Sphinx, but it's not the only Sphinx," Father said. "There are
Sphinxes in many places."
	</text>
</object>
<object id="363">
	<ocn>363</ocn>
	<text class="norm">
		"But no one has been to Mars. There aren't even any Martians there. So
how can they know that there is a Sphinx there?"
	</text>
</object>
<object id="364">
	<ocn>364</ocn>
	<text class="norm">
		"From satellite photos," Father said. "There is a cliff there that is
like a statue. Like an immense human face, many hundreds of meters high
and more than a kilometer wide. It looks up at the sky and the stars."
	</text>
</object>
<object id="365">
	<ocn>365</ocn>
	<text class="norm">
		Into Lydia's eyes rose a strange star and a sober stone face. She
raised her hand to her ear. From somewhere far away she heard slow,
solemn music. Perhaps she had dozed for a while.
	</text>
</object>
<object id="366">
	<ocn>366</ocn>
	<text class="norm">
		"People have started to call it a Sphinx, since it seems to have an
Egyptian hairstyle," Father said.
	</text>
</object>
<object id="367">
	<ocn>367</ocn>
	<text class="norm">
		"Who made the stone face? People?"
	</text>
</object>
<object id="368">
	<ocn>368</ocn>
	<text class="norm">
		"Some say it was time and wind and dust and water. At one time there
was rain on Mars, but that was long ago. Perhaps time and wind and dust
and water have carved one mountain into such a shape that it
coincidentally resembles a human face, and other mountains into shapes
that coincidentally resemble pyramids."
	</text>
</object>
<object id="369">
	<ocn>369</ocn>
	<text class="norm">
		"Can there be such a coincidence?"
	</text>
</object>
<object id="370">
	<ocn>370</ocn>
	<text class="norm">
		"It sounds impossible. Just as impossible as a pyramid-shaped cloud
floating in the sky. No one has ever seen such a thing, nor will anyone
ever see it. But it's no less impossible that pyramids and Sphinxes
should have been specially built on Mars. So you have to choose between
impossibilities. You often have to. There's nothing you can do about
it."
	</text>
</object>
<object id="371">
	<ocn>371</ocn>
	<text class="norm">
		"How old is the Cydonian Sphinx? Is it just as old as the Egyptian
Sphinx?"
	</text>
</object>
<object id="372">
	<ocn>372</ocn>
	<text class="norm">
		"Much older. It must be tens of millions of years old."
	</text>
</object>
<object id="373">
	<ocn>373</ocn>
	<text class="norm">
		"That Sphinx has seen a lot. It must be very wise."
	</text>
</object>
<object id="374">
	<ocn>374</ocn>
	<text class="norm">
		"Do you think so?" Father asked. "They say that inside the Sphinx of
Giza there is a secret chamber and that in that chamber is all ancient
knowledge, sealed in quartz. But even if that were true, the Egyptian
Sphinx wouldn't know anything. Only people know. And they don't know
very much."
	</text>
</object>
<object id="375">
	<ocn>375</ocn>
	<text class="norm">
		In the morning they returned to the Sphinx of Giza.
	</text>
</object>
<object id="376">
	<ocn>376</ocn>
	<text class="norm">
		Time and wind and dust and water had carved the Sphinx of Giza as well.
But before them, so had human hands. The Sphinx had a nose left in name
only. Little by little it had crumbled into sandstorms. Even without a
nose, the Sphinx was very beautiful.
	</text>
</object>
<object id="377">
	<ocn>377</ocn>
	<text class="norm">
		"The Sphinx even used to have a beard," Father said. "But it fell off
centuries ago. Now part of it is kept in a museum."
	</text>
</object>
<object id="378">
	<ocn>378</ocn>
	<text class="norm">
		Lydia imagined the solitary beard in a museum's glass case. Did the
Sphinx miss it and want it back? Merchants' stalls had been set up near
the Sphinx, and herds of tourists wandered within reach of its paws.
Cries echoed. Cameras clicked. The Sphinx gazed on all this clamor with
its empty, tranquil eye sockets.
	</text>
</object>
<object id="379">
	<ocn>379</ocn>
	<text class="norm">
		It was both an animal and a human, even a king. No one was as old as
the Sphinx of Giza except for the Cydonian Sphinx.
	</text>
</object>
<object id="380">
	<ocn>380</ocn>
	<text class="norm">
		"Could we go looking for that chamber you were talking about? The one
that has all ancient knowledge in it?" Lydia asked.
	</text>
</object>
<object id="381">
	<ocn>381</ocn>
	<text class="norm">
		"No, we can't," Father said. "Nobody knows where it is. And a special
permit is needed for searching. And we aren't archaeologists. But if
such a chamber exists, sooner or later archaeologists will surely find
it."
	</text>
</object>
<object id="382">
	<ocn>382</ocn>
	<text class="norm">
		"And then we can know what we don't know now," Lydia guessed. "Maybe we
can even know how to awaken the dead."
	</text>
</object>
<object id="383">
	<ocn>383</ocn>
	<text class="norm">
		"No, that knowledge is not even there," Father said and stroked her
head. "Have you heard the riddle of the Sphinx? Not this Sphinx, but
some other one. What is it that walks on four legs in the morning, two
legs during the day and three legs in the evening?"
	</text>
</object>
<object id="384">
	<ocn>384</ocn>
	<text class="norm">
		"Well, what is it?" Lydia asked. "I can't guess. Is it some animal? Or
a robot?"
	</text>
</object>
<object id="385">
	<ocn>385</ocn>
	<text class="norm">
		But before Father could answer, Lydia saw something remarkable:
traveling along the sandy desert was a gleaming metallic thing, droning
to itself. It navigated among the noisy tourist herds, past the buses
and merchants' stalls.
	</text>
</object>
<object id="386">
	<ocn>386</ocn>
	<text class="norm">
		"Father, what is that thing anyway?" Lydia asked.
	</text>
</object>
<object id="387">
	<ocn>387</ocn>
	<text class="norm">
		They went closer. It was a machine that somewhat resembled a small
backhoe. It moved forward on six thick rubber-tired wheels. But it had
no driver.
	</text>
</object>
<object id="388">
	<ocn>388</ocn>
	<text class="norm">
		"Look, there's your robot," Father said. "But it has six legs."
	</text>
</object>
<object id="389">
	<ocn>389</ocn>
	<text class="norm">
		The robot moved steadily but not in a straight line. It was able to go
around obstacles. From time to time it would stop and dig in the dry
sand with its bucket.
	</text>
</object>
<object id="390">
	<ocn>390</ocn>
	<text class="norm">
		"What on earth is it doing?" Lydia asked. "And how does it know how to
go around obstacles?"
	</text>
</object>
<object id="391">
	<ocn>391</ocn>
	<text class="norm">
		"I think it's searching in the sand for things the tourists have
lost-watches, money, cameras," Father explained. "It has sensors and a
camera. It's probably a special kind of metal detector. It puts the
things it finds into a storage compartment and returns to the hotel at
night."
	</text>
</object>
<object id="392">
	<ocn>392</ocn>
	<text class="norm">
		The robot was now traveling in the shadow of the Sphinx. Soon it passed
the Sphinx and disappeared in a cloud of dust.
	</text>
</object>
<object id="393">
	<ocn>393</ocn>
	<text class="norm">
		"It looks just as though it understood what it was doing," Lydia said
thoughtfully.
	</text>
</object>
<object id="394">
	<ocn>394</ocn>
	<text class="norm">
		"It only looks that way," Father said. "Even we don't always know what
we are doing. The robot is the Sphinx of this millennium. We humans
made the Sphinx and the robot. And now we look at them in wonderment.
One is too old for us and the other too young. And both of them ask
questions that we can't answer."
	</text>
</object>
<object id="395">
	<ocn>395</ocn>
	<text class="norm">
		"I didn't hear either of them asking any questions, but if I had to
choose, I'd certainly choose the Sphinx," Lydia said.
	</text>
</object>
<object id="396">
	<ocn>396</ocn>
	<text class="norm">
		When they got on the bus that was taking the tourists back to the
hotel, Lydia looked back over her shoulder once more at the Sphinx.
Above it, high in the hot southern light, floated a marvelously shaped
cloud.
	</text>
</object>
<object id="397">
	<ocn>397</ocn>
	<text class="norm">
		"Look, Father," Lydia said. "You claimed that no one had ever seen a
pyramid-shaped cloud."
	</text>
</object>
<object id="398">
	<ocn>398</ocn>
	<text class="norm">
		But when Lydia glanced at the clouds again, they had already had time
to change so that she and her father saw only slanting cloud towers and
rapidly disintegrating cities.
	</text>
</object>
<object id="399">
	<ocn>399</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/egypti.png" width="425" height="346"
/>[egypti.png]
	</text>
</object>
<object id="400">
	<ocn>400</ocn>
	<text class="h4">
		Hale Bopp's Companion
	</text>
</object>
<object id="401">
	<ocn>401</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/hale_p.png" width="56" height="51"
/>[hale_p.png] "Do you remember that comet that we saw with Dr.
Siirak's telescope?" Father asked.
	</text>
</object>
<object id="402">
	<ocn>402</ocn>
	<text class="norm">
		Of course Lydia remembered it. Using her best crayons, she was drawing
Sphinxes and pyramids. She also drew in the picture a little door,
which in fact she hadn't seen. It was between the Sphinx's paws and led
to the chamber where all ancient knowledge was kept.
	</text>
</object>
<object id="403">
	<ocn>403</ocn>
	<text class="norm">
		"Now another comet is on its way to the solar system. They come and go,
but this comet is different from the others," Father said.
	</text>
</object>
<object id="404">
	<ocn>404</ocn>
	<text class="norm">
		"Different how?" Lydia asked, selecting a blue crayon. She colored the
door blue and also drew a doorbell on it.
	</text>
</object>
<object id="405">
	<ocn>405</ocn>
	<text class="norm">
		"Not in itself, but it has a companion," Father said. "A huge
companion. It is four times the size of Earth."
	</text>
</object>
<object id="406">
	<ocn>406</ocn>
	<text class="norm">
		Lydia remembered the Prophet and began to feel scared. "Will it crash
into the earth?" she asked. "Or will both of them?"
	</text>
</object>
<object id="407">
	<ocn>407</ocn>
	<text class="norm">
		"I doubt it," Father said.
	</text>
</object>
<object id="408">
	<ocn>408</ocn>
	<text class="norm">
		"But can't we be sure?"
	</text>
</object>
<object id="409">
	<ocn>409</ocn>
	<text class="norm">
		"How can we?"
	</text>
</object>
<object id="410">
	<ocn>410</ocn>
	<text class="norm">
		Now this didn't greatly comfort Lydia. "Can you see it through a
telescope?"
	</text>
</object>
<object id="411">
	<ocn>411</ocn>
	<text class="norm">
		"Some have seen it," Father said. "Otherwise we would know nothing
about it. Photographs have been taken of it. But it's a strange object.
Sometimes it can be seen, sometimes not. It isn't always there. And
when it shows, it appears to cast its own light."
	</text>
</object>
<object id="412">
	<ocn>412</ocn>
	<text class="norm">
		"What does that mean? Can it be a sun?"
	</text>
</object>
<object id="413">
	<ocn>413</ocn>
	<text class="norm">
		"Many researchers do claim that it's a star and that the photographs
have been wrongly interpreted. But a star would always be visible. The
sun doesn't wander here and there, as you know."
	</text>
</object>
<object id="414">
	<ocn>414</ocn>
	<text class="norm">
		"But we don't see it at night," Lydia said.
	</text>
</object>
<object id="415">
	<ocn>415</ocn>
	<text class="norm">
		"No, not our own. At night we see only other suns."
	</text>
</object>
<object id="416">
	<ocn>416</ocn>
	<text class="norm">
		"Well, what is it, then, if it isn't a star?"
	</text>
</object>
<object id="417">
	<ocn>417</ocn>
	<text class="norm">
		"Other people claim that it's some kind of vehicle."
	</text>
</object>
<object id="418">
	<ocn>418</ocn>
	<text class="norm">
		Now Lydia left off coloring altogether. "That can't be true, can it?"
she said. "Why couldn't it be?"
	</text>
</object>
<object id="419">
	<ocn>419</ocn>
	<text class="norm">
		"Because such a vehicle doesn't exist."
	</text>
</object>
<object id="420">
	<ocn>420</ocn>
	<text class="norm">
		"Not here," Father said. "But space is very large. From what we have
seen we can't conclude much of anything. How can we know what is
impossible and what isn't?"
	</text>
</object>
<object id="421">
	<ocn>421</ocn>
	<text class="norm">
		"You believe those other people, don't you?" Lydia asked. "You always
believe people who say that impossible things are possible."
	</text>
</object>
<object id="422">
	<ocn>422</ocn>
	<text class="norm">
		"Preferably so," said Father, laughing.
	</text>
</object>
<object id="423">
	<ocn>423</ocn>
	<text class="norm">
		"But if it's a vehicle, is someone driving it?"
	</text>
</object>
<object id="424">
	<ocn>424</ocn>
	<text class="norm">
		"Maybe we'll find out in March."
	</text>
</object>
<object id="425">
	<ocn>425</ocn>
	<text class="norm">
		"What's happening in March?"
	</text>
</object>
<object id="426">
	<ocn>426</ocn>
	<text class="norm">
		"Then we can see it with the naked eye. Why shouldn't there be just as
much life out there as on Earth? Or it could also be some kind of
robot. There are many possibilities. Maybe it's being remotely
controlled."
	</text>
</object>
<object id="427">
	<ocn>427</ocn>
	<text class="norm">
		"From some other solar system?"
	</text>
</object>
<object id="428">
	<ocn>428</ocn>
	<text class="norm">
		"Possibly."
	</text>
</object>
<object id="429">
	<ocn>429</ocn>
	<text class="norm">
		"Why is it coming here?"
	</text>
</object>
<object id="430">
	<ocn>430</ocn>
	<text class="norm">
		"Maybe it isn't really coming here at all. Maybe it's not the least bit
interested in us. It is just passing by us and has business somewhere
else altogether, much farther away. It just happens to be traveling by
way of this remote region."
	</text>
</object>
<object id="431">
	<ocn>431</ocn>
	<text class="norm">
		"Then," Lydia said, "I'm going up to some high place. I might even
climb up on the roof of a skyscraper. And then I'll wave to them. Just
so they know that we exist too."
	</text>
</object>
<object id="432">
	<ocn>432</ocn>
	<text class="norm">
		"Do that," said Father.
	</text>
</object>
<object id="433">
	<ocn>433</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/hale.png" width="480" height="360"
/>[hale.png]
	</text>
</object>
<object id="434">
	<ocn>434</ocn>
	<text class="h4">
		What the Looking Glass Doesn't Tell
	</text>
</object>
<object id="435">
	<ocn>435</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/peili_p.png" width="57" height="61"
/>[peili_p.png] When Lydia was very small, she used to take her naps on
a sofa that had a mirror at its foot. Before falling asleep she would
often see lively beings with large heads peering at her from the
mirror. They didn't look like people or any other animal that Lydia
knew of. They winked at her and spoke a language that she never heard
anywhere else. Yet Lydia understood it. When she got a little bigger,
they disappeared and never came back again. She also forgot what it was
they had said to her.
	</text>
</object>
<object id="436">
	<ocn>436</ocn>
	<text class="norm">
		But Lydia liked to play with mirrors. Perhaps it was because of those
very beings. In the beginning she had looked at her own eyes not
knowing that they were hers. Later she would go from room to room
holding a mirror. She looked only into the mirror, not ahead, and tried
not to bump into things. She thought that was fun.
	</text>
</object>
<object id="437">
	<ocn>437</ocn>
	<text class="norm">
		When the other children were playing ball out in the field, Lydia went
outside alone, taking along a little hand mirror. She wandered along
the streets and in the parks gazing into her mirror at the sky, the
clouds, chimneys and tree branches. That way they looked much more
interesting than if she had seen them directly.
	</text>
</object>
<object id="438">
	<ocn>438</ocn>
	<text class="norm">
		The world that she saw in the mirror was exactly the same as the world
that the mirror reflected. Yet, it was not the same. A change took
place on the surface of the mirror that changed left to right and right
to left. She wouldn't have been able to place the house or hand or tree
that she saw in the mirror onto the original house or hand or tree.
	</text>
</object>
<object id="439">
	<ocn>439</ocn>
	<text class="norm">
		When Lydia turned 15, she asked for a large mirror as her birthday
present. Her father ordered one for her. It had a handle twenty meters
long and a sturdy base. They sank the mirror into the sea in such a way
that Lydia was able to raise, lower, and turn the mirror and control
its angle manually from the beach.
	</text>
</object>
<object id="440">
	<ocn>440</ocn>
	<text class="norm">
		Lydia sat on the beach and aimed her mirror in different directions.
She looked into the mirror at the mirror waves and the clouds in the
mirror sky. On cloudless nights the stars shone into her mirror from
light years away. On those few occasions when the weather was calm-calm
as a mirror-she turned the mirror toward the ocean's surface so that
the two mirrors reflected each other reflecting each other's depths.
And whichever mirror she looked at, they both showed the same infinity.
	</text>
</object>
<object id="441">
	<ocn>441</ocn>
	<text class="norm">
		If, on such a night, there was also a full moon, she aimed the clean
mirror right at the moon's reflection. The moon mirrored the sun and
the sea mirrored the moon, and in her own mirror there glowed the
reflection of the reflection of an invisible star and even her eyes
were full of light. It was a night whose name was Mirror-bright.
	</text>
</object>
<object id="442">
	<ocn>442</ocn>
	<text class="norm">
		Sulevi too came to sit on the beach.
	</text>
</object>
<object id="443">
	<ocn>443</ocn>
	<text class="norm">
		Lydia said to him, "Do you know what? I sometimes think the world you
see in the mirror is just as real and original as the world on this
side of the mirror. We think everything on the other side of the mirror
is just an imitation. But who knows, over there they may be thinking
the same thing about us!"
	</text>
</object>
<object id="444">
	<ocn>444</ocn>
	<text class="norm">
		"You can't really believe that," Sulevi said.
	</text>
</object>
<object id="445">
	<ocn>445</ocn>
	<text class="norm">
		"Why not?" said Lydia. "Whenever I look in the mirror I can see the
other Lydia looking into her mirror at this side. Maybe she too thinks
our world is a reflection of their world and that of the two of us
she's the real and original Lydia."
	</text>
</object>
<object id="446">
	<ocn>446</ocn>
	<text class="norm">
		"Mirrors are only mirrors," Sulevi said. "Forget them. They don't have
anything secret in them."
	</text>
</object>
<object id="447">
	<ocn>447</ocn>
	<text class="norm">
		"I think," Lydia said seriously, "that every mirror is a gate to
another world. But how can I convince the mirror's Lydia that I too, on
this side of the mirror, am real and not just her reflection? Because
she always puts the mirror down exactly when I do. And then she can't
see me or this world any more. I disappear as if I had never existed at
all."
	</text>
</object>
<object id="448">
	<ocn>448</ocn>
	<text class="norm">
		"Let her think what she wants," Sulevi said. "To me only you are the
real and original Lydia. And you'll never disappear from me-never."
	</text>
</object>
<object id="449">
	<ocn>449</ocn>
	<text class="norm">
		I am her mirror and she is mine, Lydia thought.
	</text>
</object>
<object id="450">
	<ocn>450</ocn>
	<text class="norm">
		And the Lydias on either side of the mirror thought about what is true
and what is not and how you can tell one from the other.
	</text>
</object>
<object id="451">
	<ocn>451</ocn>
	<text class="norm">
		"Oh, Lydia, forget the mirror and think about me," Sulevi said. "The
mirror can't tell you what I can."
	</text>
</object>
<object id="452">
	<ocn>452</ocn>
	<text class="norm">
		"Tell me," said Lydia, and forgot the mirror.
	</text>
</object>
<object id="453">
	<ocn>453</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/peili.png" width="425" height="289"
/>[peili.png]
	</text>
</object>
<object id="454">
	<ocn>454</ocn>
	<text class="h4">
		Sulevi's Eyes
	</text>
</object>
<object id="455">
	<ocn>455</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/silma_p.png" width="57" height="62"
/>[silma_p.png] Every morning Sulevi would eat his breakfast and read
the daily paper. And today again the paper had arrived and his
breakfast was ready: porridge and coffee and orange juice. That day the
newspaper contained discussions of tax renewals and low-pressure areas
and some hammer-thrower's Achilles tendon.
	</text>
</object>
<object id="456">
	<ocn>456</ocn>
	<text class="norm">
		But when Sulevi glanced up from his paper to rest his eyes a bit,
everything his eyes fell on looked remarkably different from before. He
looked at his own right hand, which was gripping the cereal spoon. It
looked entirely different from what it had been, very complicated, as
though his fleshly hand had numberless shadow hands.
	</text>
</object>
<object id="457">
	<ocn>457</ocn>
	<text class="norm">
		Sulevi was frightened. He felt his right hand with his left, but it
felt the same as always. It just looked different. Actually, both hands
looked different. But nothing had happened to them. In that case,
something had happened to his eyes. They didn't hurt, but they had
changed.
	</text>
</object>
<object id="458">
	<ocn>458</ocn>
	<text class="norm">
		It was so early on that autumn morning that the sun had not yet risen.
Sulevi lived on the top floor, and from his kitchen window he could see
a grand highway. When he looked at the cars' headlights, they were not
at all distinct points of light. They were glowing, criss-crossing
ribbons, as though they had been photographed using a time exposure.
	</text>
</object>
<object id="459">
	<ocn>459</ocn>
	<text class="norm">
		Sulevi went back to bed and pulled the covers up over his head. Maybe
he hadn't slept enough. He hoped that a little more rest would restore
his eyes to their previous state of health. But when he opened them
again, the trouble was still there.
	</text>
</object>
<object id="460">
	<ocn>460</ocn>
	<text class="norm">
		Sulevi went out. The day was already long gone. On the athletic field
across the street some boys were kicking around a ball. Sulevi guessed
that it was a soccer ball, although it didn't look anything like a
ball. It looked like an enormously long strand of macaroni that was
tying intricate knots.
	</text>
</object>
<object id="461">
	<ocn>461</ocn>
	<text class="norm">
		The boys themselves looked even stranger. They too looked like living
ribbons, while at the same time preserving something of a human aspect.
	</text>
</object>
<object id="462">
	<ocn>462</ocn>
	<text class="norm">
		Sulevi was frightened by what he saw. This kind of thing wasn't
entirely normal, that he knew. Best to go see the doctor. He had to
walk groping and feeling his way, since he had not yet become
accustomed to his new eyes. But he managed to find the eye clinic.
	</text>
</object>
<object id="463">
	<ocn>463</ocn>
	<text class="norm">
		"And was there some problem?" the eye doctor asked.
	</text>
</object>
<object id="464">
	<ocn>464</ocn>
	<text class="norm">
		And Sulevi described all his symptoms to the eye doctor, and the doctor
peered into his eyes with a small light and measured their pressure and
asked him to read the letter E that was displayed in different
directions on the wall chart.
	</text>
</object>
<object id="465">
	<ocn>465</ocn>
	<text class="norm">
		"What is it, doctor?" Sulevi asked. "What's wrong with my eyes?"
	</text>
</object>
<object id="466">
	<ocn>466</ocn>
	<text class="norm">
		"There is nothing wrong with your eyes," the doctor said. "Not so far
as I can tell. I don't think that it actually has to do with your eyes.
The problem is deeper, far deeper. Look, we don't see with our eyes
alone. We see with our whole being, so to speak. With our brains. Our
memory. Our feelings."
	</text>
</object>
<object id="467">
	<ocn>467</ocn>
	<text class="norm">
		"But then what is wrong with me? As a person?" Sulevi asked. "And is it
serious?"
	</text>
</object>
<object id="468">
	<ocn>468</ocn>
	<text class="norm">
		"In reality you are not ill. This won't kill you. And just the same it
is serious, in a way. But as to what has caused it, well, I can't say.
The fact is, you have started to see time."
	</text>
</object>
<object id="469">
	<ocn>469</ocn>
	<text class="norm">
		"I beg your pardon?" Sulevi said.
	</text>
</object>
<object id="470">
	<ocn>470</ocn>
	<text class="norm">
		"That's right, you are seeing more dimensions than other people do.
Nothing more unusual than that," the eye doctor said.
	</text>
</object>
<object id="471">
	<ocn>471</ocn>
	<text class="norm">
		"And isn't that unusual?" Sulevi said.
	</text>
</object>
<object id="472">
	<ocn>472</ocn>
	<text class="norm">
		"Of course it is rather strange," the doctor agreed. "This has never
happened before in my practice."
	</text>
</object>
<object id="473">
	<ocn>473</ocn>
	<text class="norm">
		"Is it possible to get rid of it somehow?" Sulevi asked. "I really
wouldn't care to see time. That is, when no one else sees it. It makes
me feel somehow eccentric, surely you understand, Doctor. Perhaps you
might find some suitable eye drops-"
	</text>
</object>
<object id="474">
	<ocn>474</ocn>
	<text class="norm">
		"Such medicines I don't have. No one has them," the doctor said. "You
must make an effort to adjust. It could have been something worse, much
worse. But if you'd like a second opinion from another expert- Though I
don't think an expert is to be found for your condition."
	</text>
</object>
<object id="475">
	<ocn>475</ocn>
	<text class="norm">
		"But surely surgery would help," Sulevi said. "Maybe you could remove
that part of the eye that is seeing time."
	</text>
</object>
<object id="476">
	<ocn>476</ocn>
	<text class="norm">
		"Surgery-nooo, I don't want to get into that," the doctor answered.
"Because the problem is not with your eyes, as I said. It is much
deeper, if indeed it is a problem at all. I would not call it a
problem. And I'm sure it could not be cut out. I would say that it is
just a new peculiarity. It's the way you look at the world. Accept it;
that will make things a little easier for you. You might be proud of
it. That's my advice. You see more than others do; that's surely
special. Unique!"
	</text>
</object>
<object id="477">
	<ocn>477</ocn>
	<text class="norm">
		Sulevi listened in silence. But he wasn't proud. Rather, he was
distressed. Whether the thing was a defect or a distinction, he wanted
it out.
	</text>
</object>
<object id="478">
	<ocn>478</ocn>
	<text class="norm">
		"Of course it might correct itself," the eye doctor consoled him. "Be
patient. Maybe you're just overstressed. Give yourself time to adjust.
But I would very much like to write about your condition in some
prestigious scientific journal."
	</text>
</object>
<object id="479">
	<ocn>479</ocn>
	<text class="norm">
		"Fine with me," Sulevi said. He thanked the doctor and paid.
	</text>
</object>
<object id="480">
	<ocn>480</ocn>
	<text class="norm">
		Sulevi returned home with his new special distinction. The eye doctor
wrote an article about Sulevi in a prestigious scientific journal,
which attracted some attention. He sent Sulevi a free copy of it. It
had a picture of Sulevi's eyes, and they looked just like anyone else's
eyes. There was no evidence that he looked at the world in a different
way from anyone else.
	</text>
</object>
<object id="481">
	<ocn>481</ocn>
	<text class="norm">
		Sulevi went on living, patiently awaiting the time when his eyes would
return to their former state. But time passed, and he watched it
passing, but his eyes didn't return. And gradually he stopped waiting.
He understood that once someone has seen time, he will always see it.
	</text>
</object>
<object id="482">
	<ocn>482</ocn>
	<text class="norm">
		Everything that moved and everything that aged left their tracks in the
world, and Sulevi saw those tracks. But nothing stayed just as it had
been. He looked at clouds and saw their earlier stages. At night he
followed the light-year voyages of the stars and the moon's orbit that
arched over the sky. He eyed himself in the mirror, and the mirror was
full of eyes-tired and bright, tearful and cheerful and lonely eyes.
	</text>
</object>
<object id="483">
	<ocn>483</ocn>
	<text class="norm">
		Sulevi looked at people coming toward him on the street. They were all
very complicated. In every one of them there were many, many Is, and
yet they were one and only. It was perplexing. It tired Sulevi. Through
today's faces Sulevi saw their earlier forms, back to youth and
childhood.
	</text>
</object>
<object id="484">
	<ocn>484</ocn>
	<text class="norm">
		Once Sulevi even saw Lydia on the street, far off. At first he didn't
realize that it was Lydia. And when at last he did recognize her, he
noticed that Lydia did not remember him. But in the forgetfulness of
Lydia's eyes he saw the days of their shared childhood.
	</text>
</object>
<object id="485">
	<ocn>485</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/silma.png" width="480" height="360"
/>[silma.png]
	</text>
</object>
<object id="486">
	<ocn>486</ocn>
	<text class="h4">
		About the Author
	</text>
</object>
<object id="487">
	<ocn>487</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/leena2.png" width="298" height="388"
/>[leena2.png] "Leena Krohn"
	</text>
</object>
<object id="488">
	<ocn>488</ocn>
	<text class="norm">
		Leena Krohn was born 1947 in Helsinki. She studied philosophy,
psychology and literature at Helsinki University. She lives as a free
writer in Helsinki.
	</text>
</object>
<object id="489">
	<ocn>489</ocn>
	<text class="norm">
		Leena Krohn has written about twenty-five books, novels, short stories,
fantasy stories for children, poems, essays and radio plays.
	</text>
</object>
<object id="490">
	<ocn>490</ocn>
	<text class="norm">
		Krohn's collection of stories and essays, Matemaattisia olentoja tai
jaettuja unia [Mathemathical Beings or Shared Dreams], was awarded the
Finlandia Prize (1992).
	</text>
</object>
<object id="491">
	<ocn>491</ocn>
	<text class="norm">
		Krohn lives in Pern&#229;-Pernaja south-east of Helsinki with her
companion Mikael B&#246;&#246;k. Her only child Elias Krohn was born
1977.
	</text>
</object>
<object id="492">
	<ocn>492</ocn>
	<text class="norm">
		Leena Krohn's readers have access to a number of her writings and works
via the World Wide Web where her home page is located at &lt;<link
xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:href="http://www.kaapeli.fi/krohn/">http://www.kaapeli.fi/krohn/</link>&gt;
	</text>
</object>
<object id="493">
	<ocn>493</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/s_o_r.png" width="428" height="192"
/>[s_o_r.png] "Sphinx or Robot"
	</text>
</object>
<object id="494">
	<ocn>494</ocn>
	<text class="norm">
		<image xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
xlink:actuate="onLoad" xlink:show="embed"
xlink:href="../_sisu/image/tainaron_prime_books.png" width="153"
height="237" />[tainaron_prime_books.png] "Tainaron, published by Prime
Books, is available in hardcover from Amazon.com"
	</text>
</object>
<object id="495">
	<ocn>495</ocn>
	<text class="h5">
		Selected Bibliography:
	</text>
</object>
<object id="496">
	<ocn>496</ocn>
	<text class="norm">
		Ihmisen vaatteissa (1976); I M&#228;nniskokl&#228;der (transl. into
Swedish by Thomas Warburton 1989). This fantasy story has also appeared
in Hungarian, Japanese, Russian, Norwegian, Bulgarian and Estonian. The
movie PelicanMan, directed by Liisa Helminen (Lumifilm 2004), is based
on this novel.
	</text>
</object>
<object id="497">
	<ocn>497</ocn>
	<text class="norm">
		Donna Quijote ja muita kaupunkilaisia (1983); Donna Quijote (sel.
transl. into Swedish by Henrika Ringbom, Artes vol 4, 1998, ss 94-101);
Donna Quijote has also appeared in English (transl. by Hildi Hawkins,
Carcanet 1996), French (transl. by Pierre-Alain Gendre, Ed. &#233;
sprit ouvert, 1998) and Hungarian (transl. by Eva Pap and Ottilia
Kovacs, Polar 1998).
	</text>
</object>
<object id="498">
	<ocn>498</ocn>
	<text class="norm">
		Tainaron. Postia toisesta kaupungista (1985); Transl. into Swedish by
Thomas Warburton (1987); into Japanese by Hiroko Suenobu (2002); into
English by Hildi Hawkins (2004); Tainaron has also appeared in
Hungarian and Latvian.
	</text>
</object>
<object id="499">
	<ocn>499</ocn>
	<text class="norm">
		Kyn&#228; ja kone (1997) [The Pen and the machine. Essays]; Transl.
into Swedish by Seija Torpef&#228;lt (1998).
	</text>
</object>
<object id="500">
	<ocn>500</ocn>
	<text class="norm">
		Pereat mundus. Romaani, er&#228;&#228;nlainen (1998). [Pereat mundus. A
kind of novel]. Swedish translation by Seija Torpef&#228;lt (2001).
Latvian transl. by Ingrida Peldekse (2002)
	</text>
</object>
<object id="501">
	<ocn>501</ocn>
	<text class="norm">
		Datura (2001). Transl. into Czech by Vladimir Piskor.
	</text>
</object>
<object id="502">
	<ocn>502</ocn>
	<text class="norm">
		3 sokeaa miest&#228; ja 1 n&#228;kev&#228; [3 blind men and 1 who
sees]. Essays 2003.
	</text>
</object>
<object id="503">
	<ocn>503</ocn>
	<text class="norm">
		Unelmakuolema [Dream death] 2004.
	</text>
</object>
</body>
</document>

